Michael Rooker Quotes

I don't approach a role by saying I'll be unsavory or unlikable.

You know how it is, somebody will see your work and like it and remember it, then decide to make it a role in their film.

As the actor, you can't be worried about the scene that you're going to playing two days from now. You think about what's going on, right now and in the moment. That's what you worry about. Everything is right then and there. In the end, all of the pieces come together, thanks to the editing and James Gunn.

You forget about it, after awhile. You forget that you even have it on. It becomes part of you. You get used to it, even the teeth and the contacts, which bothered the hell out of me. It ends up being something that is part of the role, and part of the thing that you're doing. After awhile, it just feels pretty damn awesome.

That's very cool. Absolutely! You want to know where this guy came from, but you also want to know about the relationship between him and Quill, and how they ended up living together, for the last 18 or 19 years, without killing one another. He's a strong young man, and it's because of Yondu.

I already survived one apocalypse, I don't need another.

I got my training here in Chicago at the Goodman School Of Drama, and a lot of my personal work is usually internal work and stuff. Everything else that goes on is icing on the cake - your wardrobe, your makeup, whatever else you have to do.

Well, I think that's been my career. I always choose stuff that's the same, yet different. These projects just happened. I didn't plan it out that way. I just happened to be free, and the director, Dan Pritzker, decided to do his film again. I say again because we did it seven years ago. A lot of the actors were not available, so he just couldn't wait anymore and he recast everything. Me and two other characters are the only people involved with the new one, who were involved with the previous one.

Horror fans need horror, okay? They don't need little worms squirming around going down your throat. To them, that's not horror.

Actors basically do their thing on the set, and then you put all the pieces together, switch them around, and maybe put them a different way that looks better. We just give him everything he needs, and then he goes in and does his thing.

If the character is getting mad, getting upset or getting turned on, you're getting to see that in the facial tones and the skin tones. That's what I enjoy about acting. It can be very subtle, like that.

It's a super super strange world when the actors are the less weird ones.

When you think of it I haven't really done a lot of horror. It's amazing: I have done some really good ones, but I haven't done a lot of them.

Don't mess with me! I'm a black-belt!

I learned how to turn it on and turn it off. You learn that in theater, too, but for film work, I learned from doing 'Henry,' I learned how to leave work at work and go home. There's always spillover. Actors speak of this.