Merry Clayton Quotes

Stay cool, stay humble, stay beautiful, and just do the work

I was signed to A&M, I was signed to Lou Adler, who had a company within a company, which was A&M Records, and everything - James Taylor, Rita Coolidge, Carole King - I worked on all of that stuff.

I always say that I went to the College of Blossoms and the University of Ray Charles.

I remember working with Ray Charles when I was quite young, and I would wonder, 'Why would he sing 'Georgia On My Mind' and 'I Can't Stop Loving You' every night?' I said, 'Oh my God if I have to sing these songs, if I have to sing 'I Can't Stop Loving You' one more night, I'm going to fall out.' Of course, I was young and I didn't understand.

I knew how to sing in choirs and sing in church, but I didn't know how to sing in a studio. That's what Darlene and the Blossoms taught me to do - to be a studio singer.

I felt like if I just gave my heart to what I was doing, I would automatically be a star.

I started with Bobby Darin. He signed me to Capitol when I was 15. I was 14, getting ready to be 15. Then the next encounter I had was with I think Peggy Lee. I sang background with The Blossoms with Darlene Love.

Back when I was working with the Stones and with Joe Cocker and Neil Young and Neil Diamond and all of those - 'the boys,' I call them - it was fun.

I got put out of my church choir because my pastor said, 'We can't have baby sister singing the blues and coming in here and singing on Sunday morning.'

My family is part Creole, and we're Indian, and we're also very, very black. My father was so black, he was blue.

My dad sung and played piano. But he was also a man of God. He was a minister. So when Sam Cooke would come in town, you know, with The Soul Stirrers at that time, he was singing gospel, they would end up at my dad's church, and it would always be a guest singer for Sunday morning.