Lynn Povich Quotes

As they see their friends having babies, these young women also worry about how to balance work and family. "The idea of being able to 'have it all' is still prevalent," said Sarah Ball, who left Newsweek in the fall of 2010 to work for Vanityfair.com. "It's become easier because you can work remotely, but it still eats at your core. It's what a lot of my friends talk about." Free

I don't think these men know that it's illegal,"she said. "They're very liberal and they have daughters and I think we should talk to them."The gruff-voiced woman barked back, "Don't be a naive little girl. People who have power don't like to give up that power.

Trish had qualms about joining the women and talked it over with Mary Pleshette. "I don't know about this whole business of women being in men's jobs," she confessed to Mary. "I like the differences between men and women and I think we should keep them." Mary asked her which differences she was afraid of losing. Trish didn't answer for a long time. "Oh well," she finally said, "we'll still be women
we'll just have better jobs.

I was a young guy who started as a fact checker," he said, "but I always knew - and was told - that I would get a shot at reporting, writing, and editing. For a young, ambitious, talented woman, that elevator was out of order.

ahead,'" she recalled, "and everyone was saying the same thing - 'if I were better I would get ahead.' All of us in that room felt inadequate. And that's when I thought, wait a minute, that's not right. It's not because we're undeserving or not talented enough that we aren't getting ahead, it's how the world is run. It made me

of the land right away. Nora Ephron, Ellen Goodman, Jane Bryant Quinn, and Susan Brownmiller all started at Newsweek in the early 1960s, but left fairly quickly and developed very successful writing careers elsewhere. "I thought I'd work my way up - to the clip desk, to research, and eventually to writer - once I

At Newsweek only girls with college degrees
and we were called "girls" then
were hired to sort and deliver the mail, humbly pushing our carts from door to door in our ladylike frocks and proper high-heeled shoes. If we could manage that, we graduated to "clippers," another female ghetto. Dressed in drab khaki smocks so that ink wouldn't smudge our clothes, we sat at the clip desk, marked up newspapers, tore out releveant articles with razor-edged "rip sticks," and routed the clips to the appropriate departments. "Being a clipper was a horrible job," said writer and director Nora Ephron, who got a job at Newsweek after she graduated from Wellesley in 1962, "and to make matters worse, I was good at it.

When Newsweek owner Katharine Graham heard about our lawsuit, she asked, Which side am I supposed to be on?

Change is often rejuvenating, invigoration, fun ... and necessary.

I quickly realized that I enjoyed editing more than writing. I felt more suited to it and it fit my nurturing personality. I had lots of ideas and a strong sense of structure, and I enjoyed working with talented writers, relishing the give-and-take in making their work better.

For every man there was an inferior woman, for every writer there was a checker," said Nora Ephron. "they were the artists and we were the drones.

The workplace is designed around the male life cycle and there is no allowance for children and family. There's a fragile new cultural ideal - that both the husband and wife work.

Perhaps most important for women's advancement, there still is no private or public support for working families, who rely primarily on mothers to care for the children.