Leon Redbone Famous Quotes
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I've got a very behind-the-scenes personality. I don't know how I became a performer. I like to stay discreet, out of the public eye, very low-key.
I think of these things as obstacles rather than opportunities, because if they were opportunities it means I actually took the business of doing them seriously. To take myself too seriously is the gentle kiss of death.
The blues ain't nothing but a good man feelin' bad.
The silence between the notes is the good part for me. I find that to be a very important part of music that is often lacking.
I think there's a preoccupation with the American market to make excuses and justify its past. If it isn't current, it means somebody has to make an excuse for it. If it's 'cult,' it gives it a sense of illegitimate legitimacy.
I'm not interested in stirring anybody up through music. If you're going to stir people up, it has to be a thought process that has nothing to do with music. I see music as having to do with an internal thing. Something that stirs you up is external.
I don't have a home. I'm on the road, more or less.
I have a visual sense for the music. It has to stay true to a certain sense of period. I rely on a sense of colors and mood in my approach to the arrangement.
I'm sad and blue, about nobody but you. I told you that I loved you right from the start, you told me the same and now you try to break my little heart.
There's a little Christmas in all of us, I guess. Even in me.
The only thing that interests me is history - reviewing the past and making something out of it.
Other musicians are basically personalities who want to make a name for themselves. All I do is sing old songs in the best way I can. What else is there to know? If you were a blacksmith, what would people need to know about you other than whether you can make a good horseshoe?
I tend to notice work.
I would like to speak 10 languages.
I don't do anything mysterious on purpose. I'm less than forthcoming, but that doesn't necessarily mean I'm mysterious. It just means I'm not inclined to go there.
I just do a random roulette wheel version of what I've recorded or sometimes tunes I haven't recorded. It's a collection of whatever happens, happens.
I extract what I consider the best material from different sources. But often the material I perform comes from a very strange location in history, which are minstrel shows.
Home is where you hang your hat.
It can even be a single note which defines the entire song.