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I started as a musician. I play the saxophone, but from the age of 17, I realised that it's very hard to make a living as a jazz musician in Australia. So I went for an audition and got an acting job and, fortunately, I completely fell in love with that.
The Australian film industry has recognised Tropfest as a place to nurture young talent. It's a stepping stone between amateur and professional.
I have a great team. A lot of my focus every day is with my television and film career, directing and producing, and I guess you can say that my moonlighting gig is Tropfest. Obviously, when I am not working I am in the Tropfest office full-time.
Artists need support, time and money to develop their ideas, and if people rip stuff off, you don't have to be that brilliant to figure out that you're ultimately going to affect the end product.
I do think Australians as a rule have a very good sensibility to them, and I think most people, if they were given the option, wouldn't choose to rip off a filmmaker or an artist - I don't think its part of the Australian psyche.
All my best friends are women except for one or two. I feel women are superior to men, and I love having them around. All that female energy is good for me.
TV directing is fine because you can come in and do a TV show in a relatively short period of time, and that can pay the bills.
I would love to live stream them all, so if you're in New York and you come along, you can watch Tropfest N.Y., and six weeks later you are watching Tropfest Arabia or Tropfest Australia live stream, and so they are all connected.
