John Lloyd Young Quotes

I think one of the ways that these young singers got started is that they would end up in clubs. And a lot of them were mafia owned. And so there was almost an unspoken kind of mafia sponsorship, which is just a very interesting part of that area's music history.

Something in me was instinctively drawn to the life of a misunderstood, brilliant and wilful artist. I wanted to become one.

My mother died of cystic fibrosis before I knew her. I was two years old, and I don't remember her. I do remember, though, when it was just my father and me, before he met the woman who would become the mother who raised me, before my younger sister, Gillian. It was just the two of us, and he was my whole world.

I think that of musicals - especially the big, splashy ones - require an actor that's also part cheerleader, too, and that's really tough to do if it's not something that really grabs you and your heart's not in it.

It was a surprise to me and a happy accident that it was such a skill [natural falsetto] - a latent skill and that there was a way to exploit it. And it was a key to playing great role Frankie Valli in such a huge show.

I know, for me, you know, my generation - I never would have known anything about Robert Preston's performance in 'The Music Man' if there hadn't been a film where he played the part. I just heard how great he was on Broadway way before my time.

I did have a falsetto, but I only used it when I was joking around with friends or to annoy my girlfriends, or in the shower, because no one else was around. Or in college. I'd go to karaoke bars and sing Tina Turner songs in the original key.

It was great to play for a live audience on a stage.

I definitely worked really hard to evoke Frankie Valli, but not do a strict imitation, because I feel that a strict imitation is not as compelling to watch.

When you look at sort of pop stardom now, some of these singers, it seems like the idea of them was created in a marketing meeting, and then they just found someone to sort of fulfill that role.

I think you couldn't do this role or you couldn't be Frankie Valli himself unless you had a natural falsetto. And I had sort of discovered it by accident as a child or a young adult when you realize you have a special skill that you don't really have any use for you, and you just take it out at parties or to amuse your friends or to annoy your girlfriends.

I don't have a Jersey dialect. So when I approached the singing, I approached it the same way as an actor I approach a dialect, just as a singer.

My interest in acting came from seeing Broadway shows on summer trips to New York as a child. It was the original production of 'A Chorus Line' in an easy tie with the first 10 -15 minutes of Dustin Hoffman in 'Tootsie' that hooked me on the romantic idea that the impossible, difficult life of a struggling actor was for me.

I approach the singing kind of like with dialect thoughts in my mind. I have to sound like this on certain things to give that Frankie Valli flavor.