Jim Coleman Famous Quotes
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I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.
And I think that I'd be a natural for scoring horror movies.
Then I took 8 years of French Horn, first jazz, and then classical.
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life.
In scoring, I usually start with a sound or group of sounds, searching out what feels right.
And I definitely have an affinity with the piano.
For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.
But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.
First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations.
I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret.
Unfortunately, however, I have too many desires to make a good Buddhist.
Also, differences of opinion can be creatively stimulating as well as frustrating.
And I don't know where I'm heading. I mean, I've got a pretty good idea of what I want in life.
I like to think that my finest hour is still ahead of me, so I can look forward rather than look backward.
I'm just like you, only I'm different because I'm me.
With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood.
Yes, I was forced to take piano lessons for 8 years as a child.
But things can happen in a band, or any type of collaboration, that would not otherwise happen.
I actually went to film school and was making experimental films for a short time, so it wasn't such a leap.
As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.
