Jeremy McCarter Quotes

It suggests that however innovative Obama's speeches and Lin's show might seem, they are, in fact, traditional. They don't reinvent the American character, they renew it.

On opening night, standing under the Rogers's marquee, [Lin] realized that if Eliza's struggle was the element of Hamilton's story that had inspired him the most, then the show itself was a part of her legacy.

Looking back now, success seems foreordained. It wasn't. No colonists in the history of the world had defeated their mother country on the battlefield to win their independence. Few republics had managed--or even attempted--to govern an area bigger than a city-state. Somehow, in defiance to all precedent, Washington, Hamilton, and the other founders pulled off both.
Their deliriously unlikely success--first as soldiers, then as statesmen--tends to obscure the true lessons of the American Revolution. The past places no absolute limit on the future. Even the unlikeliest changes can occur. But change requires hope--in the case of both those unlikely victories, the hope that the American people could defy all expectation to overcome their differences and set each other free.
in the summer of 1788, Alexander Hamilton carried this message to Poughkeepsie, where he pleaded with New York's leaders to trust in the possibilities of the union, and vote to ratify the new federal Constitution. Yes, he conceded, the 13 newborn states included many different kinds of people. But this did not mean that the government was bound to fail. It took an immigrant to fully understand the new nation, and to declare a fundamental hope of the American experiment: Under wise government, these diverse men and women "will be constantly assimilating, till they embrace each other, and assume the same complexion.

At the Rodgers that night, the president all but anointed Hamilton as the keeper of the flame. His "primary message," he said, was to remind people of the need to keep hoping and to work together, but "this performance undoubtedly described it better than I ever could." The most important affinity that Hamilton will carry into its future isn't a specific message, though, political or otherwise: It's an underlying belief in stories, and their power to change the world.
Good community organizer that he is, the president knows that stories can be an engine for empathy, and a way to show people what they share. It's why he introduced himself, in that first big speech in 2004, by telling his own story. In the years to come, some of the many, many kids who are going to see and even perform Hamilton will be newly inspired to tell their stories too. Every time they do, the newly kaleidoscopic America will understand itself a little more.
"I can do that," they'll say. And if they're like Alexander Hamilton, they'll add, "And I can do it better.

The comparison might strike you as farfetched. What (you might be asking) can a Broadway musical possibly add to the legacy of a Founding Father--a giant of our national life, a war hero, a scholar, a statesman? What's one little play, or even one very big play, next to all that?
But there is more than one way to change the world . To secure their freedom, the polyglot American colonists had to come together, and stick together, in the face of enormous adversity. To live in a new way, they first had to think and feel in a new way. It took guns and ships to win the American Revolution, but it also required pamphlets and speeches--and at least one play.

Serving [Hamilton's] legacy didn't just mean commemorating him, though: It also meant continuing his work. [Eliza] crusaded against slavery, as Hamilton had. And this widow of an orphan helped to found the first private orphanage in New York. That's the real power of a legacy: We tell stories of people who are gone because like any powerful stories, they have the potential to inspire, and to change the world.

At that first preview, it was disorienting to watch more than 200 strangers stream into the theater, hailing from God-knows-where. They didn't know they were obstructing what had very recently been Andy's path to the stage, or occupying the spot where Tommy liked to preside, arms crossed, a couple of fingers to his lips. But as Alexander Hamilton kept trying to tell us, even the best-ordered societies need infusions of new blood to thrive. Keep it in mind the next time you go to the theater: Some gifted men and women have built a community in that room, and the immigrant is you.

...American history can be told and retold, claimed and reclaimed, even by people who don't look like George Washington and Betsy Ross.