Jean-Georges Noverre Quotes

I will make an average man into an average dancer, provided he be passably well made. I will teach him how to move his arms and legs, to turn his head. I will give him steadiness, brilliancy and speed; but I cannot endow him with that fire and intelligence, those graces and that expression of feeling which is the soul of true pantomime.

It is not a question of skimming the surface of the art, it must be probed to its depths, for to seize upon superficial things only is to degenerate into mediocrity and obscurity.

In order to dance well, nothing is so important as the turning outwards of the thigh; and nothing is so natural to men as the contrary position.

No matter the style, the farther one goes the more obstacles increase, and the more distant appears the object it is desired to attain. Again, the most strenuous labor affords the greatest artists but a disquieting gleam which only reveals their inadequacy, while the self-satisfied ignoramus surrounded by the deepest gloom flatters himself that he has nothing more to learn.

If our ballets be feeble, monotonous and dull, if they be devoid of ideas, meaning, expression and character, it is less the fault of the art than that of the artist.

It is shameful that dancing should renounce the empire it might assert over the mind and only endeavor to please the sight.

At our theaters we only see feeble copies of the copies that have proceeded them, renounce that slavish routine which keeps your art in its infancy; examine everything relative to the development of talents; be original; form a style for yourselves based on your private studies; if you must copy, imitate nature, it is a noble model and never misleads those who follow it.

Applause lavished at a whim and without discernment, often proves the ruin of young people training for a stage career.

A fine picture is but the image of nature; a finished ballet is nature herself.

I should never conclude were I to speak to you of all the misfortunes which have their origin in the faulty carriage of the body. All these defects, mortifying for those who have contracted them, cannot be remedied except in their early stages. A habit born in childhood is strengthened in youth, becomes deeply rooted in adulthood and is incurable in old age.

Dancing and ballets would undoubtedly take on a new lease on life, if the customs established by a spirit of fear and jealousy did not in some way close the path of glory ...

I cannot avoid condemning all those who, from self-conceit have the pretension to imitate great artists of the past. If their powers of emotion be weak, their powers of expression will be likewise.

I know that applause is food for the arts, but it ceases to be wholesome if administered indiscriminately; and the nutrition is so rich that, far from strengthening the constitution, it disturbs and enfeebles it. Stage beginners are similar to those children totally spoiled by the blind affection of their parents.

The abuse of the best things is always detrimental.