H.P. Oliver Quotes

In the wee small hours, California Highway One north of Half Moon Bay is about as desolate as it gets. The narrow, twisting road was etched from sheer cliff faces that towered above me on the right and dropped away a hundred feet to the Pacific Ocean on my left.

A soggy wool blanket of San Francisco's famous fog hung a few feet above the roadway, obscuring the stars and dribbling tiny spots of mist on my windshield. My headlights bored through the gap between road and fog, drilling an endless tunnel through the darkness.

So far as I could tell, there were only two other cars on the entire planet that night - actually, one car and a produce truck. They'd flashed by, one after the other, heading south just past Moss Beach. Their headlights glared in my eyes and made the road seem even narrower, but half an hour later, I was wishing for more signs of life just to help keep my drooping eyelids from slamming shut altogether. It was the wrong thing to wish for.

She appeared suddenly out of the fog on the opposite side of the road. Only, she wasn't in a car. This gal was smack dab in the middle of the southbound lane and running for all she was worth. She wore a white dress and no coat, and that was about all I had time to take in before she was gone and I was alone in the endless tunnel again.

Excerpted From Chapter 18
The most famous sign in the world was only a few hundred yards above me, and the sight of it stopped me in my tracks. The light bulbs surrounding the letters must have been controlled by a timer of some kind because they were off now. But what shocked me was the scale. I was used to seeing the sign from a distance. From this perspective there was no sense of the word HOLLYWOODLAND. All I saw were gigantic letters looming dimly above me in the moonlight like ancient monoliths erected in tribute to the gods of some long-extinct tribe.
A primal feeling of foreboding prickled the hairs on the back of my neck. I could imagine the traveler of an earlier age coming across Stonehenge in the dark and experiencing a similar sensation.

Writing is more than a craft; it is a way of life. Everything you see or do becomes part of what you write.

You are not an "author," you are a writer. If your books are still selling like hotcakes ten years after your demise, THEN you're an author.

Excerpted From Chapter Eighteen
Pacific Coast Highway ends with a sharp right turn onto Sepulveda. Approaching that intersection, I saw several cars pulled to the shoulder of the road and two fresh, black skid marks leading straight to the edge of the beach beyond Sepulveda. Halfway between the road and the water, a big red Caddy convertible lay upside down on the sand.
I parked and jogged to the wreckage. The windshield and the cloth top had collapsed, so the car was resting on its hood and trunk lid. A young man in swimming trunks and an older fellow in a suit were pulling at the driver's side door, trying to get it open. The twisted metal was resisting their efforts, but the door finally came loose just as I got there. Through the opening I could see Diana Dean sprawled across the shredded remains of her convertible top. From where I stood, she looked to be in about the same shape as her mangled red Caddy. Maybe worse.

Excerpted From Chapter One
I decided staying put in the alley was preferable to keeping the dead guy company, so I went outside and lit a Lucky Strike. The night air had gotten damper and chillier during the short time I was in the warehouse, or maybe it was just me.
Wisps of lacy fog were now sinking into the alley, and a skulking cat in search of dinner moved slowly along the opposite wall until he noticed me. He scurried off in a furry blur, eager to be far away from the evil invading his domain. The cat had better sense than me and I wished I could follow his example.

During 30 years of earning my daily bread as a writer I have learned many lessons about our craft. The most significant of those lessons is that I still have many lessons to learn about out craft.