Gustave Courbet Famous Quotes
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I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.
To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art – this is my goal.
I hope to live all my life for my art, without abandoning my principles one iota.
Without trying to clear up the degree of correctness of a qualification which no one, one must hope, will be asked to understand exactly, I will limit myself to a few words of explanation to cut short any misunderstandings.
To be able to translate the customs, ideas and appearance of my times as I see them - in a word, to create a living art - this has been my aim.
Fine art is knowledge made visible.
When we see men of worth, we should think of equalling them; when we see men of a contrary character, we should turn inward and examine ourselves.
Beauty lies in nature and reveals, once the artist has perceived it, its own expressive power.
Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it.
Titles have never given a just idea of things; were it otherwise, the work would be superfluous.
I have never seen either angels or goddesses, so I am not interested in painting them.
I too am a government.
Art or talent, for an artist, is merely a means of applying his personal faculties to the ideas and the things of the period in which he lives.
The real artists are those who pick up their age exactly at the point to which it has been carried by preceding times. To go backward is to do nothing; it is pure loss; it means that one has neither understood nor profited by the lessons of the past.
The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.
The beautiful is in nature, and it is encountered under the most diverse forms of reality. Once it is found it belongs to art, or rather to the artist who discovers it.
When I am no longer controversial, I will no longer be important
Art in painting should consist only of the representation of things that are visible and tangible.
I am fifty years old and I have always lived in freedom; let me end my life free; when I am dead let this be said of me: 'He belonged to no school, to no church, to no institution, to no academy, least of all to any régime except the régime of liberty.