Gary Krist Quotes

Many critics, when trying to praise a short-story collection, will say that it has the heft and scope of a good novel. But for me, one of the highest compliments you can pay a novel is to say that it has the rich texture and eloquent detail of a good story collection.

New Orleans, it was often observed, was the first American metropolis to build an opera house, but the last to build a sewage system.

Future historians trying to determine what it was like to be alive in fin de millennium America should read the last two decades of O. Henry and Best American short-story collections.

When it comes to jump-starting the intricate machinery of recollection, there's nothing more effective than the scent of approaching death.

Something often neglected in popular accounts of the Wild West is the extent to which its dramas were colored by the politics and personal resentments left by the Civil War.

Boys did not go to work on the railroad simply because their fathers did. What fetched them were sights and sounds of moving trains, and above all the whistle of a locomotive. I've heard of the call of the wild, the call of the law, the call of the church. There is also the call of the railroad.

Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.

This was, after all, New Orleans in 1890- the Crescent City of the Gilded Age, where aliases of convenience and unconventional living arrangements were anything but out of the ordinary, at least in certain parts of town. Identities were fluid here, and names and appearances weren't always the best guide to telling who was who.

Let's start at the very end: The postscript of Stephen King's 'On Writing' contains some of the most harrowing pages he has ever written. It's here that King describes the traffic accident that nearly killed him in June 1999.