Fiona McIntosh Quotes

Readers want to have the confidence that you understand the era in which the book is set, so for 'The Perfumer's Secret,' I needed to know everything about the First World War from a French perspective. I had to understand those people and that town in 1914.

Then they had a day together in Melbourne and Jenny stayed in her first hotel, with Luc sparing no expense and treating her to the Windsor for the night. Here, Jenny experienced a luxury that had her wide-eyed, where men in their fine uniform of burgundy jackets, trimmed with gold, fussed around them and suggested an afternoon tea like never before. Luc couldn't help but grin to see his daughter engulfed in a leather chair, near the huge arched picture windows that fronted Spring Street, choosing cucumber sandwiches and beautiful little cakes and pastries from a silver tiered cake stand.

For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.

The waltz was the only way a young couple could touch one another, and even through gloves I could feel the heat of your grandfather's touch,'she'd tell Luc, with a wicked glimmer in her eye.

What I find is that it's the middle-aged authors who have lived a life who have the most important, interesting voices. They just need someone to give them the key to unlock the door.

Fantasy was something I'd read as a child. And, in fact, my teachers despaired a little bit because I refused to give up Enid Blyton. Then I walked through the wardrobe with C. S. Lewis, and I don't think I actually have returned fully from the wardrobe. So, fantasy was something that was in my life from quite young.

I loved them too and while you might lay a greater claim to them, I defy you to miss your wife any more than I'll miss my best friend or your child, who was every inch a son to me.