Chingiz Aitmatov Quotes

Nothing but water
an ever-moving swell; nothing but waves, swiftly forming and instantly dying; nothing but depths; dark, fathomless depths; and nothing but sky, scudding white clouds, puffy and intangible. This was the living world, nothing besides, nothing else but sea. No winter or summer, no hills or ravines.

Oh, Issyk-Kul, my Issyk-Kul
my unfinished song! Why did I have to remember that day when I came here with Asel and stopped on the same rise, right above the water? Everything was the same. The blue-and-white waves ran up the yellow shore holding hands. The sun was setting behind the mountains, and at the far end of the lake the water was tinged with pink. The swans wheeled over the water with excited, exultant cries. They soared up and dropped down on outspread wings that seemed to hum. They whipped up the water and started wide, foaming circles. Everything was the same, only there was no Asel with me. Where are you, my slender poplar in a red kerchief, where are you now?

I was stunned. The steppe seemed to burst into bloom, heaving a sigh and drawing aside the veil of darkness, and I saw two lovers in its vast expanse. They did not seem to notice me, it was as if I was not there. I was walking along and watching as they, oblivious to the world, swayed together in tune with the song. And I did not recognize them. It was the same old Daniyar in his shabby army shirt unbuttoned at the throat, but his eyes seemed to gleam in the gloom. it was my Jamilia clinging to him, yet so quiet and timid, with teardrops sparkling upon her eyelashes. They were newly born, uniquely happy people. Was this not true happiness? Was not Daniyar giving this inspired music utterly to her, was he not singing for her, singing about her?

Even now I often ask myself: perhaps love produces a feeling of inspiration similar to that experienced by an artist or a poet?

But you no longer heard the song. You had gone away, my boy, into your tale. Did you know that you would never turn into a fish, that you would never reach Issyk-Kul, or see the white ship, or say to it: "Hello, white ship, it's I"?
You swam away.

His singing made me want to fall to the ground and kiss it, as a son to a mother, grateful that someone could love it so keenly. For the first time in my life something new awoke within me, something irresistible: I still cannot explain it. It was a need to express myself, yes, to express myself, not only to see and sense the world, but to bring to others my vision, my thoughts and sensations, to describe the beauty of the earth as inspiringly as Daniyar could sing. I caught my breath for fear and joy of the unknown. At that time, however, I had not yet realized the need to take up brush and paints.

It is a pity the spirit does not grow old too.

I was astounded at the passion and fire of the melody itself. I could not describe it then, nor can I now. Was it just his voice or something more tangible emerging from his very soul that could arouse such emotion in another person, and bring one's innermost thoughts to life?

And all of a sudden I began to understand his strangeness that made people shrug and mock; his dreaminess, his love of solitude, his silent manner. Now I understood why he sat on the look-out hill of an evening and why he spent a night by himself on the riverbank, why he constantly hearkened to sounds others could not hear and why his eyes would suddenly gleam and his drawn eyebrows twitch. He was a man deeply in love. I felt it was not simply a love for another person, it was somehow an uncommon, expansive love for life and earth. He had kept this love within himself, in his music, in his very being. A person with no feeling, no matter how good his voice, could never have sung like that.