Ben Brantley Quotes

Cyndi Lauper knows how to work a crowd.

I write the occasional entry for the 'Times' Theatre blog, especially when I'm in London and seeing two shows a day, but I don't tweet. I don't want to have to express my opinion in 140 characters. That's like writing haiku. You need a certain amount of legroom to review a play properly.

The power of the print reviewer is one of those urban myths. There have always been shows that slipped under the critical radar to become popular successes: 'Tobacco Road', 'Abie's Irish Rose' and our old friend 'Spider-Man', which got the worst reviews in theatre history and is still apparently going strong.

Rage properly channeled can definitely give birth to good even great theater. Disgust, a more passive and distancing emotion, is far less likely to. Would you rush to a play called Look Back in Queasiness?

I have received hostile voice mail messages and e-mails. They are often anonymous, I'm sad to say, as anonymous messages are delivered only by very low forms of human life, in my opinion.

The eternal ambiguity of human motives and memory.

Whether you like it or not, a performance's triumphs and belly flops come to seem excruciatingly intimate, as if you were somehow partly responsible for them.

The cliche was always that 'everybody's a critic,' but it becomes truer every day. Long before reviews appear in the traditional outlets, you can now usually discover - somewhere in the thickets of the Internet - reactions to shows from people who've seen them in previews.

I personally read criticism - at least by writers I enjoy - to stimulate a conversation in my own mind, and I like to think that's the function I serve for others.

It's nowhere near as intense as what I imagine an actor experiences backstage, but I feel a fluttering nervousness before a curtain goes up on a play. I mean, any play, anywhere - on Broadway or the Bowery or in a church basement.

What Mr. Kaufman and his team are after is less a portrait of any one person than one of the ethos of a place. In the deliberate, simple staging ... in which eight radiantly clean-scrubbed performers embody 60 different people against a bare-bones set, 'Laramie' often brings to mind 'Our Town,' the beloved Thornton Wilder study of life, love and death in parochial New Hampshire.

Be prepared to have the breath knocked out of you.

I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of great theater. Translating this ineffability into printable prose is a challenge that can never be fully met.