When To Move On Quotes

Inasmuch as you cannot predict if and when you will be disappointed, once it happens you have only two choices: You can either let it consume you, until you become bitter and resentful. Or, you can accept what has happened, learn from it and move on. It really is that simple. What we tend to do is over analyze. ~ Carlos Wallace

I lay on her bed with my arms wrapped around her, wondering how on earth we'd managed to end up like this. I'm not sure what'd been on my mind when I came to see her, but this wasn't it! Strange the way things turn out. When I'd come into her room I'd been burning up with desire to smash her and everything around her. And yet here she was, asleep and still holding on to my arms like I was a life-raft or something. There's not a single millimetre between her body and mine. I could move my hands and, and, anything I liked. Caress or strangle. Kill or cure. Her or me. Me or her. ~ Malorie Blackman

We do not have to do with others as "they really are" but with our idea of them.
This means that the experience of loss occurs both when we really lose someone and when this someone, for whatever reason, no longer corresponds to the idea we had of him.
It is an inner grief just as strong and from which we often defend ourselves, as long as we can, through denial.
Denial ends when the energy needed to deny becomes superior to what it takes to process the loss and move on. ~ Luigina Sgarro

I will always remember this summer day in Paris, when I was to perform a great acrobatic move. I can still see myself stepping on the ring of a packed circus along real performers. ~ Tony Curtis

But when we reflect how difficult it is to move or inflect the great machine of society, how impossible to advance the notions of a whole people suddenly to ideal right, we see the wisdom of Solon's remark that no more good must be attempted than the nation can bear, and that will be chiefly to reform the waste of public money, and thus drive away the vultures who prey on it, and improve some little on old routines. Even ~ Jon Meacham

Dolphins... Yeah, dolphins... A lot of people like dogs, cats, and - for some reason I've never been able to fathim - even snakes and toads. But dolphins? Everybody, and I mean EVERYBODY loves bloody dolphins. Don't they? Goes way back, to the ancient Greeks, when shipwrecked sailors would wash up on beaches yammering out crazy stories of how they was staring down a watery grave, when out of nowhere, flipper shows up and pushes them safely back to the shore. Heartarming - and say what you will about aquatic mammal public relations, but that was one ispired move, because here we are two thousand years later and everybody still loves them bloody dolphins. What you don't hear are the other stories, the ones where flipper's watching poor Artemides doggy paddling away and inhaling the warm, salty waters of the Adriatic... and flipper things, "Yeah, sure I could save him, but sod that for a can of sardines" and instead of pushing Artemides back to shore, flipper pushes the poor sod out to sea... in the immortal words of Sir Johnny of the Cash, "Just to watch him die..." See, moral is, if you're gonna be a bastard, be like a dolphin - think big picture, protect your image and above all, leave no trace. Because in the bloodshot, bleary eyes of the world, once you're a bastard, you're always a bastard. ~ Simon Oliver

People usually focus on what burglars take, but it's how they move that's so consistently interesting. Burglars explore. They might not live in a city full of secret passages and trapdoors - but they make it look as if they do. They have their own tools and floor plans, their own ways to get from A to B. They'll curl up inside refrigerators, climb through ceilings, use garbage chutes and fall twenty-one floors straight into the emergency room when they could simply have taken the stairs. They'll slip through porch screens and stow themselves inside clothes dryers till the police come busting in to find them. ~ Geoff Manaugh

Afterwards, go to a pub for lunch. I've got $260 in my savings account and I really want you to use it for that. Really, I mean it
lunch is on me. Make sure you have pudding
sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. ~ Jenny Downham

When I think about what it would take to achieve freedom from all psychological stuff, the response that comes is this: life is about stuff. Stuff is part of being alive. There is no way out of this while you are still living. There will be confusion, pain, miscommunication, misinterpretation, maladaptive patterns of behavior, unhelpful emotional reactions, weird personality traits, neurosis and possibly much worse. There will be power plays, twisted psychological games, people with major personality disorders (which may include you), and craziness. The injuries continue right along with the healing and eventually the injuries win and we die. This is a fundamental teaching of the Buddha. I wish the whole Western Buddhist World would just get over this notion that these practices are all about getting to our Happy Place where nothing can ever hurt us or make us neurotic and move on to actually mastering real Buddhist practice rather than chasing some ideal that will never appear. ~ Daniel M. Ingram

We are shocked by thieves taking pride in their clever touch, prostitutes in their depravity and murderers in their callousness. But it is shocking only because the atmosphere of the circles they move in is restricted, and - what matters most - we are on the outside. But isn't the same thing happening when rich men take pride in their wealth (which is theft), military commanders in their victories (which are murder) and rulers in their power (which is violence)? We do not see them as people who corrupt the concept of life, or good and evil, in order to justify their own situation, but only because the circles of people who share these corrupt concepts are wider, and we belong to them. ~ Leo Tolstoy

As corny as it sounds, Gallagher said, life is very long. You're supposed to mess up when you're young and other people sometimes benefit from your mistakes-as you did in this case. But things rarely stay the same. People grow up and change. They move on. ~ Elizabeth Brundage

Dear Forrest,
I am sorry there was no time for us to speech other before I left. The doctors made their decision quickly, and before I knew it, I was being taken away, but I asked if I could stop long enough to write you this note, because you have been so kind to me whileI was here.
I sense, Forrest, that you are on the verge of something very significant in your life, some change, or event that will move you in a different direction, and you must seize the moment, and not let it pass. When I think back on it now, there is something in your eyes, some tiny flash of fire that comes now and then, mostly when you smile, and , on those infrequent occasions, I believe what I saw was almost a Genesis of our ability as humans to think, to create, to be.
This war is to for you, old pal - nor me - and I am well out of it as I'm sure you will be in time. The crucial question is, what will you do? I don't think you're an idiot at all. Perhaps by the measure of tests or the judgement of fools, you might fall into some category or other, but deep down, Forrest, I have seen that glowing sparkle of curiosity burning deep in your mind. Take the tide, my friend, and as you are carried along, make it work for you, fight the shallows and the snags and never give up. You are a good fellow, forrest, and you have a big heart.
Your pal,
Dan ~ Winston Groom

The day that changed my life was one of those days. The crappy kind.

Normal people have a whole lot of them.

It starts when I open my eyes - forty minutes later than I'm supposed to. Stupid alarm clock. It should know I mean a.m. Who the hell needs to wake up at four p.m.? No one, that's who. Forget about self-driving cars; Google needs to move their asses on self-aware alarm clocks. ~ Emma Chase

Sometimes when we go through transitions, we aren't aware of the impact they have on us. Stress, doubt, and even depression commonly result from being moved or thrown out of your comfort zone, however easy the transition is. You may have a strong sense of purpose, high hopes, strong faith, a powerful sense of self-worth, a positive attitude, the courage to face your fears, and the ability to bounce back from failures. But if you fall apart when faced with the inevitable changes that life brings, you will never move forward. We ~ Nick Vujicic

I still had moments when my nerves got to me, but whenever I'd start to get anxious, Kyla Ross would remind me, "Simone, just do what you do in practice." And before I went out for each event, she'd high-five me and say, "Just like practice, Simone!" I'd say the same thing to her when it was her turn to go up. "Just like practice" became our catchphrase.
As I walked onto the mat to do my floor exercise, I held on to that phrase like it was a lifeline, because I was about to perform a difficult move I'd come up with in practice - a double flip in the layout position with a half twist out. The way it happened was, I'd landed short on a double layout full out earlier that year during training, and I'd strained my calf muscle on the backward landing. Aimee didn't want me to risk a more severe injury, so she suggested I do the double layout - body straight with legs together and fully extended as I flipped twice in the air - then add a half twist at the end. That extra half twist meant I'd have to master a very tricky blind forward landing, but it would put less stress on my calves.
I thought the new combination sounded incredibly cool, so I started playing around with it until I was landing the skill 95 percent of the time. At the next Nationals Camp, I demonstrated the move for Martha and she thought it looked really good, so we went ahead and added it to the second tumbling pass of my floor routine. I'd already performed the combination at national meets that year, bu ~ Simone Biles

Whatever you focus on is your reality.

You tend to move in the direction of what you're focused on--especially when it's bad. I remember when I was about nine years old, staying with my grandma and grandpa at the lake, I was playing with my cousins at this construction site. Not the safest place to play, which I suppose is what attracted me to it. I saw a two-by-four with a nail sticking out of it, and I remember running and thinking, Oh man, wouldn't it be terrible if I fell on that? A few moments later, it actually happened. I tripped and the nail went straight through my knee. I ended up going to the hospital with a two-by-four stuck to my knee because we were afraid to pull it out. The nail was about a centimeter away from cutting a vital tendon that would have required major surgery. So I was really fortunate in that regard. But I couldn't help thinking that my focus on this nail created the situation. I've learned since then that we all have the power to create our own destiny. On some level, we ask for things that happen to us in our lives. You have to know what you want, then be aware of the thoughts you hold in your mind. Negative ones--fear, anger, jealousy, frustration--will undermine you. If you see the nail tripping you up, it will. ~ Derek Hough

When he thought of the old man he could see him suddenly in a field in the spring, trying to move a gray boulder. He always knew instinctively the ones you could move, even though the greater part was buried in the earth, and he expected you to move the rock and not discuss it. A hard and silent man, an honest man, a noble man. Little humor but sometimes the door opened and you saw the warmth within a long way off, a certain sadness, a slow, remote, unfathomable quality as if the man wanted to be closer to the world but did not know how. Once Chamberlain had a speech memorized from Shakespeare and gave it proudly, the old man listening but not looking, and Chamberlain remembered it still: 'What a piece of work is man...in action how like an angel!' And the old man, grinning, had scratched his head and then said stiffly, 'Well, boy, if he's an angel, he's sure a murderin' angel.' And Chamberlain had gone on to school to make an oration on the subject: Man, the Killer Angel. And when the old man heard about it he was very proud, and Chamberlain felt very good remembering it. The old man was proud of his son, the colonel. ~ Michael Shaara

To be in a habitat - even a quite large and cosmopolitan one - when the Eye came around was, in pre-Zero terms, a little bit like being in a small town on the prairie and having a mobile Manhattan suddenly roll over the horizon, surround you, have a hundred kinds of intercourse with you, and then move on. ~ Neal Stephenson

When I run out of the things I love, I move on to the things I don't hate too much, and sometimes I even discover that I can love the things I think I hate. ~ Ruth Ozeki

Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland.

For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city.

When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. "I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. "It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someon ~ Joseph Heller

Freedom may come not from being in control of life but rather from a willingness to move with the events of life, to hold on to our memories but let go of the past, to choose, when necessary, the inevitable. We can become free at any time. ~ Rachel Naomi Remen

The wisdom of the time traveler, I realized, can be deceiving. We return to the past armed with more information and cutting-edge innovations. But there are hazards in having so much wizardry at hand. The feast of data means there are more circumstances to bend and connect. You're tempted to build your villain with the abundance of pieces. It's understandable. We're pattern-seekers, all of us. We glimpse the rough outline of what we seek and we get snagged on it, sometimes remaining stuck when we could get free and move on. ~ Michelle McNamara

Silly humans. Banging on a tub to make a bear dance when we would move the stars to pity. ~ Michael Cunningham

It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in, - glittering like the morning-star, full of life, and splendor, and joy. Oh! what a revolution! and what a heart must I have, to contemplate without emotion that elevation and that fall! Little did I dream that, when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom; little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honour and of cavaliers. I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult. - But the age of chivalry is gone. - That of sophisters, economists, and calculators, has succeeded; and the glory of Europe is extinguished forever. Never, never more shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart which kept alive, even in servitude itself, the spirit of an exalted freedom. The unbought grace of life, the cheap defence of nations, the nurse of manly sentiment and heroic enterprise, is gone! It is go ~ Edmund Burke

When I'm working on my characters, that's something I pay a lot of attention to: how their body works, how they move, how they articulate. ~ Astrid Berges-Frisbey

Don't imagine you are in a worse place than you actually are. Things could have been far worse. So, seize the day, count your blessings and move on. You can survive a crisis only by dealing it with one day at a time. Don't add up all your problems in your mind and think you are finished. Compartmentalize your problems; put them in different buckets and project-manage them separately. This is how you live through uncertain times – making decisions when there are few or no options to choose from. You never see it this way when you are going through a crisis. But, unfailingly, every crisis leaves you stronger, wiser – and happy! ~ AVIS Viswanathan

When I am asked to summarize the fundamental message from research on self-control, I recall "Descartes's famous dictum cogito, ergo sum - "I think, therefore I am." What has been discovered about mind, brain, and self-control lets us move from his proposition to "I think, therefore I can change what I am." Because by changing how we think, we can change what we feel, do, and become. If that leads to the question "But can I really change?," I reply with what George Kelly said to his therapy clients when they kept asking him if they could get control of their lives. He looked straight into their eyes and said, "Would you like to? ~ Walter Mischel

Do you want to make the dream come true?
Do you want to make the dream come true?
These five ways for you! I am Sajal Ahmed and I love to dreams, and tell you-
Keep dreaming. Never forget to dream, after you can make your dreams come true. Yes its not false! You can also fulfill your dreams. How to know?
Friend but let's go-

1) Keep dreaming. Look like a good, bad, black and white dreams. Friends remember that, these are the bad, good, bright and dark dreams of your whole life.

2) You never think of yourself as a little. Yes friend, Do not think you're too little. If you think of yourself as s a little, you are lost! What did Sajal Ahmed say? Why he smiling? Do not worry about this.
Never tell anyone about your dreams. Perhaps they will laugh or think your dream will be trivial. When they smile, you start thinking trivial about your own dream. Can not move forward......
Remember friend god has given you the power to endure. Come on yourself as you say. Those who laugh at you, leave piss in their mouth and Keep your dreams in yourself. If you want to make it true, you will have to keep it in yourself until it is successful. Those who saw you one day laugh, they will be jealous of you one day.

3) Do not think of my dream sometimes small. Never think your dreams worthless. Remember, everyone can not see dream, dream is a great gift of God! If you've see dream you will feel lucky. Because the dream is like a revelati ~ Sajal Ahmed

You will know what steps to take to move up in your life, what to do when conflict develops, and most important, how to get back on course when you feel yourself slipping. You will find your career advancing to the next level, you will get your most creative juices flowing, you will forever alter the way you raise your children and treat your spouse and give back to your community. And you will do all these things not because you feel you ought to, but because you choose, because you want to, because you're ready to push yourself to the limits of your abilities, to defy the naysayers and ultimately to feel that bone-deep of satisfaction that you lived life to its fullest. ~ Art E. Berg

She keeps her fingers on Faye's face. Faye closes her eyes against tears. When she opens them Julie is still looking at her. She's smiling a wonderful smile. Way past twenty. She takes Faye's hands."'Then tell them to look closely at men's faces. Tell them to stand perfectly still, for time, and to look into the face of a man. A man's face has nothing on it. Look closely. Tell them to look. And not at what the faces do–men's faces never stop moving–they're like antennae. But all the faces do is move through different configurations of blankness.'

Faye looks for Julie's eyes in the mirror.

Julie says, 'Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to have what you can't grab onto.'

Julie turns her makeup chair and looks up at Faye. 'That's when I love you, if I love you,' she whispers, running a finger down her white powdered cheek, reaching to trace an angled line of white onto Faye's own face. 'Is when your face moves into expression. Try to look out from yourself, different, all the time. Tell people that you know your face is at least pretty at rest.'

'You asked me once how poems informed me,' she says. Almost a whisper–her microphone voice. 'And you asked whether we, us, depended on the game, to even be. Baby?'–lifting Faye's face with one finger under the chin–'Remember? Remember the ocean? Our dawn ocean, that we loved? We loved it because it was like us, Faye. That w ~ David Foster Wallace

Bond doesn't have an inner life. There would be moments when I'd think, 'We need to gather our thoughts here and have a breather,' where in another novel you'd slow the pace, have some description and see what Bond feels about this. But Bond doesn't reflect. All you can do is move on to the next bomb or shark or car. ~ Sebastian Faulks

Loyalty is just the wheels on the bus ... meaning that it keeps things moving but it's neutral when it comes to the direction they move in. ~ M.R. Carey

You're jealous of a bird?" she asks.
"What? No!" I snap. I just don't think I like peacocks very much.
"You're jealous of a bird," she says, a glint of amusement coming into her eyes. She glances back at her phone. "He IS gorgeous. Goddddd, soooo gorgeous," she moans out the words, throwing her head back.
"Hilarious," I say, trying not to smile now at my own ridiculousness. "That bird was trying to move in on my territory. I know a brazen male threat when I see one. ~ Mia Sheridan

When destiny calls you, you've got to be strong. I may not be with you, but you've got to move on. ~ Phil Collins

In his discussion of Trika Yoga Abhinavagupta begins with the most advanced approach, and then presents successively easier methods one by one in descending order. This is another example of his particular approach to yoga. His intention is to make the best and the quickest method of yoga immediately available to all aspirants. If they succeed at the highest level, they need not go through the long chain of lower stages. However, if certain aspirants feel that they cannot handle the most advanced path successfully, then they are free to move along a more structured path and to choose any of the methods that accommodate their psychophysical capacity. The important point is that spiritual students should not assume that they are not fit for the most advanced method. Why should people resort to riding on a bullock cart when an airplane is at their disposal? If, however, they are unable to handle the superior vehicle successfully, they can choose some other more appropriate form of transportation.

- B. N. Pandit, Specific Principles of Kashmir Shaivism (3rd ed., 2008), p. 94–95. ~ Balajinnatha Pandita

Let go of what has served its purpose.

You will know if you are completely done with something when you give it up and you feel freedom instead of loss. This is when you will know that it is done serving its purpose in your life. The value has run out, the lesson has finished, and it's time to move on. ~ Emily Maroutian

Strange, how the world could move on even when it had been shaken to its foundations. ~ R. Lee Smith

You are the TEACHER. Some people are so stuck on what you did in the past, that they don't realize that you forgave yourself, matured, and graduated from what happened.

Yet here they are stuck on that memory..wondering how you were able to move on. Time waits for no one and life keeps going.

When haters try to remind you of your past, starve their attention with silence..Just realize that you don't have time to supervise adults. You got things to do and individuals to mentor.

What was designed to crush you just strengthened your walk, put confidence in your talk, and encouraged you to be content with You.

Their presence or opinion is only entertainment in the bleachers, tolerated decorations on the wall, and the uncelebrated clown at your events.

Remember you are the teacher and they are the student...take charge of your classroom!! ~ Kendricks Fields

Balance is key. In everything you do. Dance all night long and practice yoga the next day. Drink wine but don't forget your green juice. Eat chocolate when your heart wants it and kale salad when your body needs it. Wear high heels on Saturday and walk barefoot on Sunday. Go shopping at the mall and then sit down and meditate in your bedroom. Live high and low. Move and stay still. Embrace all sides of who you are and live your authentic truth! Be brave and bold and spontaneous and loud and let that complement your abilities to find silence and patience and modesty and peace. Aim for balance. Make your own rules and don't let anybody tell you how to live according to theirs. ~ Rachel Brathen

Passing inside they looked towards the bed. Dr. Livingstone was not lying on it, but appeared to be engaged in prayer, and they instinctively drew backwards for the instant. Pointing to him, Majwara said, "When I lay down he was just as he is now, and it is because I find that he does not move that I fear he is dead." They asked the lad how long he had slept? Majwara said he could not tell, but he was sure that it was some considerable time: the men drew nearer. A candle stuck by its own wax to the top of the box, shed a light sufficient for them to see his form. Dr. Livingstone was kneeling by the side of his bed, his body stretched forward, his head buried in his hands upon the pillow. For a minute they watched him: he did not stir, there was no sign of breathing; then one of them, Matthew, advanced softly to him and placed his hands to his cheeks. It was sufficient; life had been extinct some time, and the body was almost cold: Livingstone was dead. ~ David Livingstone

It was mid-day when you went away. The sun was strong in the sky. I had done my work and sat alone on my balcony when you went away. Fitful gusts came winnowing through the smells of many distant fields. The doves cooed tireless in the shade, and a bee strayed in my room humming the news of many distant fields. The village slept in the noonday heat. The road lay deserted. In sudden fits the rustling of the leaves rose and died. I glazed at the sky and wove in the blue the letters of a name I had known, while the village slept in the noonday heat. I had forgotten to braid my hair. The languid breeze played with it upon my cheek. The river ran unruffled under the shady bank. The lazy white clouds did not move. I had forgotten to braid my hair. It was mid-day when you went away. The dust of the road was hot and the fields panting. The doves cooed among the dense leaves. I was alone in my balcony when you went away. ~ Rabindranath Tagore

Raffaele reaches Enzo. Flames still burn on Enzo's hands, but for some reason, he doesn't move to attack. Instead, he waits as Raffaele reaches up to curl a hand around the back of his neck, then pulls him close so that their foreheads touch. Tears streak Raffaele's face. Suddenly I remember how he had looked on the day he turned his back on me, the way he had closed his eyes when I begged him to let me stay. It is the same expression he wears now. ~ Marie Lu

I'm having a permanent out-of-body experience. When it's finally done, I lie flat on my back. Glare up at the greenish, star-pricked night sky. I try not to think about what I must look like, black and bony out here on the bank of this pond. My body is all sharp angles - nothing to hold it together but armored joints and a knobby curved spine. I'm a holy fucking terror, I imagine. A walking weapon. After a while, I dig my elbow joints into the mud and sit up. My body can really move now, no longer hauling rotted bone and flesh but streamlined with these thin limbs made of light titanium. I feel like an obsidian skeleton out here. A devil dancing in the dark. I feel free. ~ Daniel H. Wilson

Ali McClelland. Too bad. I just can't let you become my sugar daddy." I put the notes back on the hall table. He shakes his head. "I'll never be your sugar anything! You stubborn git." He grabs me and kisses me with force, enough to make me see stars. When he lets me go, I give him a wide grin because I am giddy from his kisses. "Not everyone lives in a nice house in Islington. I only have my pride." "And I love your pride." Ali smiles. "But I'm not rich despite having this house. Emily's parents gave it to her as a wedding present. And when she died, it was passed on to me. I'm grateful for it but it doesn't define me." I sigh. "I never said it did." "And you'll make me a very happy man if you come and share it with me. The house has three bedrooms. You can even have your own space." He waves his hand as if to emphasise the point that there is plenty of room. I keep putting off the discussion of 'our future' as I know what it means. If I move in with him, I won't need to be an escort anymore to pay rent and I can maybe get a low-paid or part-time job. I can even go back to study music at college. It is a big step. I am scared, properly frightened. What if it doesn't work out? On the other hand, I've got nothing to lose except the newfound control of my life at the expense of selling my arse. I promise myself I'll give it more thought ~ A. Zukowski

If I could write an autobiography for fear, it would read like this:
__________

Hi, my name is Fear. F-E-A-R. But you are going to call me a lot of other things as you start to get closer to me. I'm terribly unoriginal. I'm like every has-been out there, but you give me way more credit than I deserve. You should keep doing that. I like it when you make me bigger than I actually am. I'm going to make you feel alone, and I like it when you believe you're the only one who's ever felt this way. You think I'm custom-catered to fit you, but I'm really no different than the brand of me your best friend wears. I'm a ballad lurking in the hearts of a billion people, and I will do anything to keep you from realizing that I am just the same song on repeat. You all know all my words.
I'm pretty jealous though. I want you alone with me at night. I'm not afraid to say I'm greedy or that I don't want to share you. I'm a territorial lover, and I would rather you not have solid and deep conversations at dinner parties or find a community that doesn't leave your side. I wrote you a story a long time ago, and I don't want you to figure out that you've outgrown the plotline.
I wonder why you don't get over me sometimes, but then the realization hits me: You come back because you know I want you. You come back because you know the sound of my voice. You come back because you know the way I move and how I shut you down. You've stood face-to-face with me so many times and ~ Hannah Brencher

I can't believe he's going to make me give him the speech. I am livid that he's going to make me give him the speech. I do it, piecing it together from times I've seen it done on TV and in movies. I tell him that there are many people who love him and would be crushed if he were to kill himself, while wondering, distantly, if that is the truth. I tell him that he has so much potential, that he has so many things to do, while most of me believes that he will never put his body and brain to much use at all. I tell him that we all have dark periods, while becoming ever more angry at him, the theatrics, the self-pity, all this, when he has everything. He has a complete sort of freedom, with no parents and no dependents, with money and no immediate threats of pain or calamity. He is the 99.9th percentile, as I am. He has no real obligations, can go anywhere at any moment, sleep anywhere, move at will, and still he is wasting everyone's time with this. But I hold that back--I will save that for later--and instead say nothing but the most rapturous and positive things. And though I do not believe much of it, he does. I make myself sick saying it all, everything so obvious, the reasons to live not at all explainable in a few minutes on the edge of a psychiatric ward bed, but still he is roused, making me wonder even more about him, why a fudge-laden pep talk can convince him to live, why he insists on bringing us both down here, to this pedestrian level, how he cannot see how silly w ~ Dave Eggers

He was almost at his door when Vik's earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. "Vik?"
He reached Vik's doorway as Vik was backing out of it. "Tom," he breathed, "it's an abomination."
Confused, Tom stepped past him into the bunk. Then he gawked, too.
Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik's bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt's solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW?
Tom began to laugh.
"She didn't do it to the bunk," Vik insisted. "She must've done something to our processors."
That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved.
He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik's more embarrassing moments at the Spire: that t ~ S.J. Kincaid

Really? So you brought home a vampire? Cool. (Starla)
I'm not a vampire. (Talon)
'Not exactly,' he said earlier. What's not exactly a vampire? (Sunshine)
A werewolf. With his aura, it makes sense. Wow, Sunny, you found yourself a werewolf. (Starla)
I'm not a werewolf. (Talon)
What a pity. You know, when you live in New Orleans, you expect to meet the undead or damned at least once in a while. (She looked back to Sunshine.) You think we should move? Maybe if we lived over by Anne Rice we might catch sight of a vampire or werewolf. (Starla)
I'd be happy to see a zombie. (Sunshine)
Oh, yeah. You know, your dad said he saw one out on the bayou right before we got married. (Starla)
That was probably the peyote, Mom. (Sunshine)
Oh. Good point. (Starla) ~ Sherrilyn Kenyon

If you like, you can all think of it as my gift to you. I never had much else to give. You can get on and play your own lives as you like, while I just keep moving. This story of it all can be another gift. I've made an arrangement with Adam. When I've finished, which is almost now, I'm going to put the bundle of papers in the garden of the Old Fort, before I move on. Adam's going to get them and take them to his father. And if you read it and don't believe it's real, so much the better. It will make another safeguard against Them.
But you wouldn't believe how lonely you get. ~ Diana Wynne Jones

Anger, resentment, jealousy, desire for revenge, lust, greed, antagonisms, and rivalries are the obvious signs that I have left home. And that happens quite easily. When I pay careful attention to what goes on in my mind from moment to moment, I come to the disconcerting discovery that there are very few moments during the day when I am really free from these dark emotions, passions and feelings.

Constantly falling back into an old trap, before I am even fully aware of it, I find myself wondering why someone hurt me, rejected me, or didn't pay attention to me. Without realizing it, I find myself brooding about someone else's success, my own loneliness, and the way the world abuses me. Despite my conscious intentions, I often catch myself daydreaming about becoming rich, powerful, and very famous. All of these mental games reveal to me the fragility of my faith that I am the Beloved One on whom God's favor rests. I am so afraid of being disliked, blamed, put aside, passed over, ignored, persecuted, and killed, that I am constantly developing strategies to defend myself and thereby assure myself of the love I think I need and deserve. And in so doing I move far away from my father's home and choose to dwell in a "distant country. ~ Henri J.M. Nouwen

When I stay in one Place,
I can hardly think at all;
my body had to be on the move to set my mind going.
Jean-Jacques Rousseau. ~ Jean-Jacques Rousseau

Quite a few soldiers . . . had ended up spending some time wrapped around each other, alone in the night. Most often, it was just for the touch of another person and not in the pursuit of an entangling relationship. In fact, when it happened there was usually an unspoken covenant which existed between soldiers to just forget whatever had happened and move on, as many preferred not to talk about how you secretly needed to curl up in basically the fetal position, tucked away with another psychologically damaged human, deep in the bowels of your tin-can refuge from the deep black, just to get through another week of it all. ~ Robert Lee Wolfe

He's, he's deserted us," he stammered, "deserted us. He got bored here with us. I'm all alone in the world, like this finger, all alone!" he repeated several times and each time held out his hand in front of him, sticking out his index finger. Then Arina Vlasyevna came next to him and, laying her grey head by his, said, "what can we do, Vasya! Our son has left the nest. Like a falcon he came to us when he wanted to, and when he wanted to he flew off. And you and I sit side by side and can't move, like mushrooms on a hollow tree. Only I'll be your true one for ever and you'll be mine. ~ Ivan Turgenev

Hoddan began suddenly to see real possibilities. This was not a direct move toward the realization of his personal ambitions. But on the other hand, it wasn't a movement away from them. Hoddan suddenly remembered an oration he'd heard his grandfather give many, many times in the past.
"Straight thinkin'," the old man had said obstinately, "is a delusion. You think things out clear and simple, and you can see yourself ruined and your family starving any day! But real things ain't simple! They ain't clear! Any time you try to figure things out so they're simple and straightforward, you're goin' against nature and you're going to get 'em mixed up! So when something happens and you're in a straightforward, hopeless fix - why, you go along with nature! Make it as complicated as you can, and the people who want you in trouble will get hopeless confused and you can get out! ~ Murray Leinster

Those who die young, they are cheated," she said. "Not cheated out of life, because life is a penance, but the young, they're cheated because they don't know it's coming. They don't have time to move closer, to return home. When you know you're going to die, you try to be near the bones of your own people. You don't even think you have bones when you're young, even when you break them, you don't believe you have them. But when you're old, they start reminding you they're there. They start turning to dust on you, even as you're walking here and there, going from place to place. And this is when you crave to be near the bones of your own people. My children never felt this. They had to look death in the face, even before they knew what it was. Just like you did, no? ~ Edwidge Danticat

Her gaze wavered towards one of the books on the sales counter beside the register, a hardcover copy of Shakespeare's Hamlet with many of the pages dog-eared and stained with coffee and tea. The store owner caught her looking at it and slid it across the counter towards her. "You ever read Hamlet?" he questioned.

"I tried to when I was in high school," said Mandy, picking up the book and flipping it over to read the back. "I mean, it's expected that everyone should like Shakespeare's books and plays, but I just…." her words faltered when she noticed him laughing to himself. "What's so funny, Sir?" she added, slightly offended.

"…Oh, I'm not laughing at you, just with you," said the store owner. "Most people who say they love Shakespeare only pretend to love his work. You're honest Ma'am, that's all. You see, the reason you and so many others are put-off by reading Shakespeare is because reading his words on paper, and seeing his words in action, in a play as they were meant to be seen, are two separate things… and if you can find a way to relate his plays to yourself, you'll enjoy them so much more because you'll feel connected to them. Take Hamlet for example – Hamlet himself is grieving over a loss in his life, and everyone is telling him to move on but no matter how hard he tries to, in the end all he can do is to get even with the ones who betrayed him."

"…Wow, when you put it that way… sure, I think I'll buy a copy just to try reading, wh ~ Rebecca McNutt

When we tackle obstacles, we find hidden reserves of courage and resilience we did not know we had. And it is only when we are faced with failure do we realise that these resources were always there within us. We only need to find them and move on with our lives. ~ A. P. J. Abdul Kalam

Give your child a compliment and a hug; say, 'I love you' more; always express your thanks. Never let a problem to be solved become more important than a person to be loved. Friends move away, children grow up, loved ones pass on. It's so easy to take others for granted, until that day when they're gone from our lives and we are left with feelings of 'what if' and 'if only.' …Let us relish life as we live it, find joy in the journey and share our love with friends and family. One day, each of us will run out of tomorrows. Let us not put off what is most important. ~ Thomas S. Monson

There was a time when rival teams used a shift against me. They would put the second baseman on the shortstop's side of the bag, move the shortstop into the hole to his right, and have the third baseman hug the foul line. The idea was to build an infield wall against a known right-handed pull hitter. ~ Harmon Killebrew

Lights and darks. And suddenly i was here, where everything seems strange. And I don't know why. Like the Fox and the Crow, I don't know the whole story yet. But that's a good reason to go on, don't you think?"
"Go where?" said the Scarecrow.
"Go forward," said the girl. "See something. Learn something. Figure it out. We won't ever get the whole thing, I bet, but we'll get something. And then we'll have something to tell when we're old about what happened to us when we were young."
"Now?" said the Scarecrow. "Can you tell it now?"
"After," said the girl. "We have to have the BEFORE first, and that's life"
"And what's life?" said the scarecrow.
"Moving," said the girl. "Moving on. Shall we move on? Will you come with me? ~ Bruce Coville

Poetry that tames language into tight structures and yet manages to move us comes off as a feat, paralleling ballet or athletic talent in harnessing craft to beauty. When poetry is based on a less rigorous, more impressionistic definition of craft, its appeal depends more on whether one happens to be individually constituted to "get it" for various reasons. The audience narrows: poetry becomes more like tai chi than baseball. ~ John McWhorter

I lifted my wand, hoping she would see this as a dramatic move, not a threat. "Why once, in my bunker at Charing Cross Station, I stalked the
deadly prey known as Jelly Babies."
Neith's eyes widened. "They are dangerous?"
"Horrible," I agreed. "Oh, they seem small alone, but they always appear in great numbers. Sticky, fattening - quite deadly. There I was, alone
with only two quid and a Tube pass, beset by Jelly Babies, when ... Ah, but never mind. When the Jelly Babies come for you ... you will find out on
your own."
She lowered her bow. "Tell me. I must know how to hunt Jelly Babies."
I looked at Walt gravely. "How many months have I trained you, Walt?"
"Seven," he said. "Almost eight."
"And have I ever deemed you worthy of hunting Jelly Babies with me?"
"Uh ... no. ~ Rick Riordan

He rolled her on the bed and turned so he could look at her. 'Are you hurt?' His stomach lurched in the seconds it took her to answer. 'I'm happy.' She opened her eyes and looked at him shyly. 'I'm glad for this. I'm glad that it was you.' Her tiger's eyes glowed in vibrant gold and green. A surge of possessiveness clawed at him, like talons around his heart. He had wild thoughts about taking her with him. They could keep on running, accountable to no one but each other. She'd never have to marry a man she didn't want. But that was what his life had always been. Ailey needed more. She needed honour, tradition and family. Yet she'd chosen him. She'd given herself without reservation. The knowledge stunned him. It made him believe that he could be more. He kissed her. It was the only way to stop thinking. He was never a thinking man anyway. He kissed her again, then released her lips to move his mouth over her breast, sliding his tongue over her nipple, sucking gently until he could feel her squirm beneath him. He ran his hands over her satiny skin until her breath caught and she whispered his name, her breath fanning soft against his ear. He had never gone hard so quickly. When he entered her moments later, she closed around him and he moved within her, lifting and lowering as he waited for the dark pleasure to overcome him. But it wouldn't. Not completely. Through the slick heat and the unbelievable tightness gripping him, Ailey was there. When he shut his eyes, he saw her fa ~ Jeannie Lin

Willow turned her gaze from him as he sat down on the bed and smoothed her tangled hair off her face. "I'm sorry I wasn't here for you, sweetheart. Are you all right now?"
Willow couldn't help flinching from his touch. "Of course I'm all right," she snapped.
Rider jerked his hand back as if bitten. "Freckles, honey, is something wrong, something you're not telling me?"
The angry redhead shrugged. "What could possibly be wrong?"
"I don't know. You just seem a little....out of sorts."
Bastard, she silently cursed. But aloud she said, "I'm fine. Just tired, I guess."
"Do you want me to bring your supper to you in here? I'd be happy to keep you company."
"I would like to have my supper in here but don't bother yourself on my account. I'm sure you have things to discuss with Pa and the boys."
Rider stood abruptly, obviously at a loss over her attitude. "Fine,Willow, if that's what you want."
"It is."
He opened the door to leave but halted when she called, "Rider."
"Yes?"
"You better move your things in with one of the boys. Miriam is sharing my bed tonight."
"Tonight? But I'm leaving tomorrow and won't be back until-"
"Really,Rider, it's only for one night and I ain't,er, am not in any shape for fooling around!"
"I know that," he bit out, his ire piqued now. "I just thought it might be nice to hold you."
With that, he slammed out the door and Willow broke into tears. Before they stopped, her head was p ~ Charlotte McPherren

My recommendation is to keep up the good work. I'm changing your title to senior executive assistant, and giving you a three percent raise effective next payday. Congratulations."
Wow, three percent. I could move up that early retirement plan to age seventy-five now, instead of eighty. Lucky me.
Thank you," I said. "That's very generous."
You're quite welcome." Ms. Saunders nodded and grabbed a gold-plated letter opener to begin attacking her stack of mail.
I turned to leave. Didn't want to outstay my welcome.
Damn it!" she exclaimed, and I turned back around. She winced and nodded at the letter opener that she'd dropped to her desktop. "Damn thing slipped. I'm probably going to need stitches now. Can you be a dear and fetch the first-aid kit for me?"
She held her left index finger and frowned at the steady flow of blood oozing out. A few small drops of red splashed onto the other letters spread out on the desk.
I felt woozy. And suddenly dizzy.
I blinked.
When I opened my eyes, I was no longer standing by the door about to leave. I was crouched down next to Ms. Saunders's imported black leather chair, grasping her wrist tightly…… and sucking noisily on her fingertip.
I shrieked and let go of her, staggering backward. I grabbed at her desk to keep from falling, but I dropped on my butt, anyhow, taking most of the contents of the top of her desk with me.
She held her injured finger far away from her and stared at me, wide- ~ Michelle Rowen

When I was young, it was never about finding love. Love was something you cultivated. Your parents picked your life partner. Romance never entered the equation until then. People didn't marry people. Families married families. Your father liked his father, or his grandmother played cards with your grandmother. That was how it started. Marriage was a garden that grew slowly. You only got one patch, so you worked hard at it. You planted the seeds, you watered them, you waited for things to bloom - love, respect, intimacy, connection. But things are different now. Everyone expects fruits and flowers right off the bat. When those are done, it gets plain and boring. Then it's time to move on to the next patch. Relationships are more disposable now. So many people, so many choices. I look at you, I look at Isabelle, and I see both the blessing and curse that freedom brings you - so much potential for happiness, so much pressure to realize it. ~ Leylah Attar

I once read the most widely understood word in the whole world is 'OK', followed by 'Coke', as in cola. I think they should do the survey again, this time checking for 'Game Over'.
Game Over is my favorite thing about playing video games. Actually, I should qualify that. It's the split second before Game Over that's my favorite thing.
Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu's his best character because he's a good all-rounder - great defensive moves, pretty quick, and once he's on an offensive roll, he's unstoppable. Theo's controlling Blanka. Blanka's faster than Ryu, but he's really only good on attack. The way to win with Blanka is to get in the other player's face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission.
Both players are down to the end of their energy bars. One more hit and they're down, so they're both being cagey. They're hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka's green head off. But as he's moving through the air he hears a soft tapping. Theo's tapping the punch button on his control pad. He's charging up an electricity defense so when Ryu's foot makes contact with Blanka's head it's going to be Ryu who gets KO'd with 10,000 volts charging through his system.
This is the split sec ~ Alex Garland

Newsflash: it's not the guy who determines whether you're a sports fisher or a keeper-it's you. (Don't hate the player, hate the game.) When a man approaches you you're the one with total control over the situation-whether he can talk to you, buy you a drink, dance with you, get your number, take you home, see you again, all of that. We certainly want these things from you; that's why we talked to you in the first place. But it's you who decides if you're going to give us any of the things we want, and how, exactly, we're going to get them. Where you stand in our eyes is dictated by YOUR control over the situation. Every word you say, every move you make, every signal you give to a man will help him determine whether he should try to play you, be straight with you, or move on to the next woman to do a little more sport fishing. ~ Steve Harvey

These are the things in which I was so helplessly caught up, the waves that took me, what I loved. When light filled my eyes and I was restless and could move, I knew not what all the color was about, but only that I had a passion to see. And now that I am still, I pass on to you my liveliness and my life, for you will be taken, as once I was, and although you must fight beyond your capacity to fight and feel beyond your capacity to feel, remember that it ends in perfect peace, and you will be as still and content as am I, for whom centuries are not even seconds. ~ Mark Helprin

The silence lengthened, becoming strained and awkward until it was broken by the goose's imperious honk.
Swift glanced at the massive bird. "You have a companion, I see."
When Daisy explained what the two boys had been doing with the goose, Swift grinned. "Clever lads."
The remark did not strike Daisy as being especially compassionate.
"I want to help him," she said. "But when I tried to get near, he pecked me. I expected a domestic breed would have been a bit more receptive to my approach."
"Greylags are not known for their mild temperaments," Swift informed her. "Particularly males. He was probably trying to show you who was boss."
"He proved his point," Daisy said, rubbing her arm.
Swift frowned as he saw the growing bruise on her arm. "Is that where he pecked you? Let me see."
"No, it's all right - " she began, but he had already come forward.
His long fingers encircled her wrist, the thumb of his other hand passing gently near the dark purple mark. "You bruise easily," he murmured, his dark head bent over her arm.
Daisy's heart dispensed a series of hard thumps before settling into a fast rhythm. He smelled like the outdoors - sun, water, grassy-sweet. And deeper in the fragrance lingered the tantalizing incense of warm, sweaty male. She fought the instinct to move into his arms, against his body…to pull his hand to her breast. The mute craving shocked her.
Glancing up at his downturned face, Daisy found h ~ Lisa Kleypas

Kayla doesn't move. 'Where's Colin?'
Inky peers all around her, as if expecting to find him.
Then she shrugs.
'Oh dear.' Her face is full of lines that seem to dance when she smiles. 'Looks like I lost another one.'
'Where is he? Did you two have a fight?'
A loud scraping noise comes from outside. Kayla turns on the side light and we both look through the curtain. Colin's putting out the bins.
'Well how about that?' says Inky. 'I finally got one that's house trained. ~ Bill Condon

I hate it when people call themselves 'entrepreneurs' when what they're really trying to do is launch a startup and then sell of go public, so they can cash in and move on. They're unwilling to do the work it takes to build a real company, which is the hardest work in business. ~ Steve Jobs

Continuous scans of the brain to measure changes in blood flow) could control a robot hundreds of miles away just by imagining moving different parts of his body. The subject could see from the robot's perspective, thanks to a camera on its head, and when he thought about moving his arm or his legs, the robot would move correspondingly almost instantaneously. The possibilities of thought-controlled motion, not only for "surrogates" like separate robots but also for prosthetic limbs, are particularly exciting in what they portend for mobility-challenged or "locked in" individuals - spinal-cord-injury patients, amputees and others who cannot communicate or move in their current physical state. ~ Eric Schmidt

Jem," he said, "are you responsible for this?"
"Yes sir."
"Why'd you do it?"
Jem said softly, "She said you lawed for niggers and trash."
"You did this because she said that?"
Jem's lips moved, but his, "Yes sir," was inaudible.
"Son, I have no doubt that you've been annoyed by your contemporaries about me
lawing for niggers, as you say, but to do something like this to a sick old lady is
inexcusable. I strongly advise you to go down and have a talk with Mrs. Dubose," said
Atticus. "Come straight home afterward."
Jem did not move.
"Go on, I said."
I followed Jem out of the livingroom. "Come back here," Atticus said to me. I came
back.
Atticus picked up the Mobile Press and sat down in the rocking chair Jem had
vacated. For the life of me, I did not understand how he could sit there in cold blood and
read a newspaper when his only son stood an excellent chance of being murdered with
a Confederate Army relic. Of course Jem antagonized me sometimes until I could kill
him, but when it came down to it he was all I had. Atticus did not seem to realize this, or
if he did he didn't care.
I hated him for that, but when you are in trouble you become easily tired: soon I was
hiding in his lap and his arms were around me.
"You're mighty big to be rocked," he said.
"You don't care what happens to him," I said. "You just send him on to get s ~ Harper Lee

When you achieve it fully, you create something that's transparent - that people can move into and through their own experiences. As a writer, I don't want people spending time thinking, "What does she mean?" I want, in a way, my text to go away. So that the words on the page become a door to one's own internal investigation. It's just a passage. If the work does its job, it just opens. ~ Claudia Rankine

By rights, this should have been his spoonful if they were now going to share the sweet, so Terri was surprised when, instead of consuming the mouthful, Bastien started to move it toward her. She was even more surprised when he paused halfway and deliberately tipped it over her chest. Terri gasped and sat up straighter in surprise, merely sending the sticky mixture faster on its travels down the curve of her left breast. "You did that on purpose!" Bastien grinned. "It tastes better on you," he said simply, then leaned forward to kiss her. ~ Lynsay Sands

With the palms zipping past and the big sun burning down on the road ahead, I had a flash of something I hadn't felt since my first months in Europe - a mixture of ignorance and a loose, "what the hell" kind of confidence that comes on a man when the wind picks up and he begins to move in a hard straight line toward an unknown horizon. ~ Hunter S. Thompson

The rims of his eyelids were burning. A blow received straightens a man up and makes the body move forward, to return that blow, or a punch-to jump, to get a hard-on, to dance: to be alive. But a blow received may also cause you to bend over, to shake, to fall down, to die. When we see life, we call it beautiful. When we see death, we call it ugly. But it is more beautiful still to see oneself living at great speed, right up to the moment of death. Detectives, poets, domestic servants and priests rely on abjection. From it, they draw their power. It circulates in their veins. It nourishes them. ~ Jean Genet

I like not thinking when I am working. I thrive on that feeling of attempting to move on total instinct and inner feelings ... that to me is "soul"; soul music. Almost everyone else uses a great deal of thought processes ... they are idea men. ~ Howe Gelb

And when spring comes to the City people notice one another in the road; notice the strangers with whom they share aisles and tables and the space where intimate garments are laundered. going in and out, in and out the same door, they handle the handle; on trolleys and park benches they settle thighs on a seat in which hundreds have done it too. Copper coins dropped in the palm have been swallowed by children and tested by gypsies, but it's still money and people smile at that. It's the time of year when the City urges contradiction most, encouraging you to buy street food when you have no appetite at all; giving you a taste for a single room occupied by you alone as well as a craving to share it with someone you passed in the street. Really there is no contradiction - rather it's a condition; the range of what an artful City can do. What can beat bricks warming up to the sun? The return of awnings. The removal of blankets from horses' backs. Tar softens under the heel and the darkness under bridges changes from gloom to cooling shade. After a light rain, when the leaves have come, tree limbs are like wet fingers playing in woolly green hair. Motor cars become black jet boxes gliding behind hoodlights weakened by mist. On sidewalks turned to satin figures move shoulder first, the crowns of their heads angled shields against the light buckshot that the raindrops are. The faces of children glimpsed at windows appear to be crying, but it is the glass pane dripping that makes it ~ Toni Morrison

You hear stories like that all your life and think: cool, a ghost bus. But now we have to look at this stuff analytically ... a ghost bus?! The "ghost" of a motor vehicle? A public conveyance, presumably, which didn't head towards the light, move on to join the choir invisible in ... bus heaven, the great terminus in the sky, where all good buses go when they ... I don't know, break down, but instead is doomed to ... drive eternally the streets of Earth! How can there be a ghost bus?! ~ Paul Cornell

Evan …" she murmured, wrapping her soft arms around his neck. Their position had her lips near his ear. She'd lost her headband somewhere. He could smell the strawberry of her shampoo, feel the tickle of her sluggish breath stirring his hair. "Evan."

"Kelsey. Move over here, lie down."

She pulled back slightly, her bleary eyes trying to focus on his. The weight of her head still seemed too much for her neck to support and her hair flowed over his arm. "Evan, I always liked you."

"I always liked you, too, honey." The way she kept saying his name in that intoxicated purr, savoring the v between her teeth and her bottom lip, was unnerving. Unnerving, hell. It had his dick twitching in his pants. "Come on, girl, you need to sleep it off."

"I mean I like liked you."

[…] Her hands caught his face, surprising him. He should have moved away from her long ago, before she could get her hands on him. As it was, he felt like a fly caught in the sticky gossamer of a spider's den. "Always wanted to fuck you, y'know that? Even when I was a virgin."

He drew in a breath, exhaled it shakily. So much for prudish.

Note to self: Kelsey now gets unbelievably horny when drunk. ~ Cherrie Lynn

When smiles fade, girl, you'll know it's time to move on. ~ Paige Dearth

When great causes are on the move in the world, stirring all men's souls, drawing them from their firesides, casting aside comfort, wealth and the pursuit of happiness in response to impulses at once awe-striking and irresistible, we learn that we are spirits, not animals. ~ Winston Churchill

When you find yourself dwelling on something negative, consciously use your willpower to remove your mind from that which is negative. Move your mind into the flow of something positive. ~ Frederick Lenz

I want her, bro. Not only for me, but because I think she has the best chance against these terrorists we're hunting." Tony placed a hand on his brother's shoulder. "She's a vampire, Deryn. And not just any vampire. Weldon Harper calls her Pack and she's a member of the Sacramento Pack, too. Now do you know who I'm talking about?"

Deryn's eyes widened as he stared at his brother. Now he knew why they were out in the middle of the English countryside in the dark. They wouldn't find a vampire awake during the daytime and it would be dangerous to move one anyway, during that time. No wonder he'd seen a body bag in the trunk of the rental Tony was driving.

"Bro, you can't be serious; we can't kidnap a vampire - they'd shred us. And if it's the one dad was telling mom and me about, she'd really shred us." Deryn figured he would have to convince Tony to forget this mission.

"All we need to do is find where she is, just before dawn. Then, when she falls asleep, we'll just take her with us. I don't think she'll hurt us, she's not that way," Tony said, climbing inside the car. ~ Connie Suttle

Some people, he says, they hide themselves away from the eyes of the world. They hunker down and shiver. They find four walls high enough to put between them and everything else. Those people, to them the world is a frightful place. See, you and me, we're different. When we are called on to move, we move. It don't matter the cause or the distance. Revenge or ministration, reason or folly - it's all the same to us. ~ Alden Bell

The woman had gone down on her knees and was shuffling slowly across the cruel ground towards the group of crosses: the dead baby rocked on her back. When she reached the tallest cross she unhooked the child and held the face against the wood and afterwards the loins: then she crossed herself, not as ordinary Catholics do, but in a curious and complicated pattern which included the nose and ears. Did she expect a miracle? And if she did, why should it not be granted her? the priest wondered. Faith, one was told, could move mountains, and here was faith--faith in the spittle that healed the blind man and the voice that raised the dead. The evening star was out: it hung low down over the edge of the plateau: it looked as if it was within reach: and a small hot wind stirred. The priest found himself watching the child for some movement. When none came, it was as if God had missed an opportunity. The woman sat down, and taking a lump of sugar from her bundle, began to eat, and the child lay quiet at the foot of the cross. Why, after all, should we expect God to punish the innocent with more life? ~ Graham Greene

On nights like this, when there is anxiety about, there is a glut of lovemaking. Then the moon is our dance master. He has us move in unison. He has us trill and carol in each other's ears until the stars themselves have swollen and ripened to our cries. As ever here, we find our consolations sowing seed. ~ Jim Crace

I didn't want to rush into things, or move ahead when we were both drunk on the essence of such a highly exotic moment. ~ Sana Khatri

They say when you really love someone, you should be willing to set them free. So that is what I am doing. I will step back and you will move on. I will let you go ... Your happiness means everything to me. I will listen for your voice in the distance. I will look at the moon. I will keep you in my pocket. I will carry your smile with me everywhere, like a warm and comforting glow. ~ Tabitha Suzuma

Samuel glanced at him. "That's right," he said. "Set your teeth in it. How we do defend a wrongness! Shall I tell you what you do, so you will not think you invented it? When you go to bed and blow out the lamp - then she stands in the doorway with a little light behind her, and you can see her nightgown stir. And she comes sweetly to your bed, and you, hardly breathing, turn back the covers to receive her and move your head over on the pillow to make room for her head beside yours. You can smell the sweetness of her skin, and it smells like no other skin in the world - ~ John Steinbeck

The evolution of the brain is directly proportionate to the evolution of humanity. Only when the brain has collected enough data about war, will it move on to collate information about love. ~ Craig Stone

Acceptance" is a very important word in our lives. People drive themselves into madness and death thinking about the chasm that exists between their ideals and their actual reality that they are living. There must be a balance between improvement of one's self and one's circumstances and the acceptance of reality. There is a beautiful dance that one must learn, which involves embracing the reality of your life as you would embrace a Latin dance partner on the ballroom floor, and moving that partner (your reality) in graceful strides, towards where you want to be situated, on that dance floor. If you dance with no partner (your current reality), you will arrive at your destination empty. Empty. That is, if you ever arrive at all. But when you dance with that partner, embracing and accepting it for all of its flaws and its redeeming qualities, you will be able to move across that dance floor as a full, whole person. Wherever you end up stopping in that ballroom, you will stop there as a whole person, not an empty one. So, accept the mistakes that have been done unto you and the mistakes that you have done. Accept the fact that you didn't grow up perfectly and you are not perfect now. Accept, embrace, love the people who are given to you to love. And love yourself just as you are. ~ C. JoyBell C.

When Disney was creating Elsa, they based a lot of her movements on that of a ballerina, which was interesting for me to find out because I actually did ballet years ago. That definitely informed some of the ways I made her walk and move. ~ Georgina Haig

I've slipped on occasion into the realm of irresponsible invective, but I try to avoid it and generally recant when I fall short. Because name-calling does nothing to improve understanding or move the political debate forward. ~ Mark McKinnon

Perception requires imagination because the data people encounter in their lives are never complete and always equivocal. For example, most people consider that the greatest evidence of an event one can obtain is to see it with their own eyes, and in a court of law little is held in more esteem than eyewitness testimony. Yet if you asked to display for a court a video of the same quality as the unprocessed data catptured on the retina of a human eye, the judge might wonder what you were tryig to put over. For one thing, the view will have a blind spot where the optic nerve attaches to the retina. Moreover, the only part of our field of vision with good resolution is a narrow area of about 1 degree of visual angle around the retina's center, an area the width of our thumb as it looks when held at arm's length. Outside that region, resolution drops off sharply. To compensate, we constantly move our eyes to bring the sharper region to bear on different portions of the scene we wish to observe. And so the pattern of raw data sent to the brain is a shaky, badly pixilated picture with a hole in it. Fortunately the brain processes the data, combining input from both eyes, filling in gaps on the assumption that the visual properties of neighboring locations are similar and interpolating. The result - at least until age, injury, disease, or an excess of mai tais takes its toll - is a happy human being suffering from the compelling illusion that his or her vision is sharp and clear.
Leonard Mlodinow

[Asked, upon the death of her fast friend and sister suffragist Elizabeth Cady Stanton (1816-1902), which period of their association she had enjoyed the most:] The days when the struggle was the hardest and the fight the thickest; when the whole world was against us and we had to stand the closer to each other; when I would go to her home and help with the children and the housekeeping through the day and then we would sit up far into the night preparing our ammunition and getting ready to move on the enemy. The years since the rewards began to come have brought no enjoyment like that. ~ Susan B. Anthony

Children need to know that they matter, that someone in this big, scary, beautiful world thinks that they are the sun, moon, and stars all rolled into one lovable little human. The world will hurt and disillusion them at times, no doubt, but knowing that they are loved beyond measure by someone who's got their back, knowing they are not alone, knowing they always have arms to run to when they're hurt or afraid, will help them to pick themselves up and move on, again and again and again. ~ L.R. Knost

I MEAN not to defend the scapes of any,
Or justify my vices being many;
For I confess, if that might merit favour,
Here I display my lewd and loose behaviour.
I loathe, yet after that I loathe, I run: 5
Oh, how the burthen irks, that we should shun.
I cannot rule myself but where Love please;
Am driven like a ship upon rough seas.
No one face likes me best, all faces move,
A hundred reasons make me ever love. 10
If any eye me with a modest look,
I blush, and by that blushful glance am took;
And she that's coy I like, for being no clown,
Methinks she would be nimble when she's down.
Though her sour looks a Sabine's brow resemble, 15
I think she'll do, but deeply can dissemble.
If she be learned, then for her skill I crave her;
If not, because she's simple I would have her.
Before Callimachus one prefers me far;
Seeing she likes my books, why should we jar? 20
Another rails at me, and that I write,
Yet would I lie with her, if that I might:
Trips she, it likes me well; plods she, what then?
She would be nimbler lying with a man.
And when one sweetly sings, then straight I long, 25
To quaver on her lips even in her song;
Or if one touch the lute with art and cunning,
Who would not love those hands for their swift running?
And her I like that with a majesty,
Folds up her arms, and makes low courtesy. 30
To leave myself, that am in l ~ Ovid