Ttry Out Dance Quotes

Because wanton or venal lips has murmured the same words to him, he only half believed in the sincerity of those he was hearing now; to a large extent they should be disregarded, he believed, because such exaggerated language must surely mask commonplace feelings: as if the soul in its fullness did not sometimes overflow into the most barren metaphors, since no one can ever tell the precise measures of his own needs, of his own ideas, of his own pain, and human language is like a cracked kettle on which we beat out tunes for bears to dance to, when what we long to do is make music that will move the stars to pity. ~ Gustave Flaubert

There is a quaint old theory that man may have two souls - a peripheral one which serves ordinarily, and a central one which is stirred only at certain times, but then with activity and vigour.
While under the domination of the former a man will shave, vote, pay taxes, give money to his family, buy subscription books and comport himself on the average plan.
But let the central soul suddenly become dominant, and he may, in the twinkling of an eye, turn upon the partner of his joys with furious execration; he may change his politics while you could snap your fingers; he may deal out deadly insult to his dearest friend; he may get him, instanter, to a monastery or a dance hall; he may elope, or hang himself - or he may write a song or poem, or kiss his wife unasked, or give his funds to the search of a microbe. Then the peripheral soul will return; and we have our safe, sane citizen again. It is but the revolt of the Ego against Order; and its effect is to shake up the atoms only that they may settle where they belong. ~ O. Henry

I looked to Rei, wondering if his vague answer to Betsy meant he might let me slip away downstairs, but A'isha had once again engaged him, hooking one of the many melos scarves she wore around his waist in an attempt to draw him into the dance.
The crow looked at it with shock. A'isha plucked the scarf away with a flourish.
"No need to be shy, little crow," A'isha said. "If the gods didn't want people to admire you, they wouldn't have made you so stunning."
I got to see Rei flush for the first time, blood creeping into his tanned skin. A'isha flipped her scarf around his neck.
"One dance," A'isha implored. "I'm sure Zane would go elsewhere; you would be performing only for the nest."
"I'm sure Zane would," Rei said dryly, glancing at me.
I shrugged.
"What is your lady friend going to think, if she hears you are learning to dance but are ashamed to perform?" A'isha goaded the crow.
"One dance," Rei said, relenting. "And only because I know you'll never forgive me if I don't take my opportunity to make a public fool of myself." He turned to me. "You get out of here and thank A'isha for giving me an excuse to leave you alone."
I would indeed. ~ Amelia Atwater-Rhodes

When I'm dancing, I don't know where the confidence comes from, but I just pretend I'm someone else, I think, and then I go out and dance. ~ Maisie Williams

The flow. Yeah. Knowing you could step on the court and make it happen. You practiced, sure. But then, when you walked out there, you could just go. You could flow, that was it: you created and you didn't totally know how. You just knew you could, so you did. It wasn't thinking and it wasn't imitating somebody else's moves, though you always looked carefully when you watched good players play. But when you played ... it was something you couldn't explain. Neal used to know. It didn't come from thinking about it. ~ Doug Wilhelm

She said, You cannot hide forever, though you may try. I've seen you in the kitchen, in the garden. I've seen the things you have sewn - curtains of dawn, twilight blankets and dresses for the sisters like a garden of stars. I have heard the stories you tell. You are the one who transforms, who creates. You can go out into the world and show others. They will feel less alone because of you, they will feel understood, unburdened by you, awakened by you, freed of guilt and shame and sorrow. But to share with them you must wear shoes you must go out you must not hide you must dance and it will be harder you must face jealousy and sometimes rage and desire and love which can hurt most of all because of what can then be taken away. So make that astral dress to fit your own body this time. And here are glass shoes made from your words, the stories you have told like a blower -with her torch forming the thinnest, most translucent sheets of light out of what was once sand. But be careful; sand is already broken but glass breaks. The shoes are for dancing, not for running away. ~ Francesca Lia Block

Deal resistance a death blow and make sweet love to your art all night long. Put on your fishnet thigh highs and your patent leather stilettos and your special occasion lingerie. Seduce the hell out of your own creative soul. It's time for an epic lap dance. Dance for your paint and canvas, for fingers tripping across keyboard, for the open arms of motherhood, for the layers of flavor in the meals you create. Wind your hips down for the click of the shutter, for the 3 a.m. bathroom poem, for the late night lesson planning ~ Jeanette LeBlanc

People would pull the rug out from under me. So I learnt how to dance on a moving carpet. ~ Wayne Dyer

I stared down into her eyes, trying to read the emotions I saw there. I wanted her. More than a dance. More than a fuck.
I was drunk on her, and in this case, sobriety was just out of my reach. ~ Chanel Cleeton

It's great if you're funny or if you can dance, but if you are kind and decent, it comes out your pores. ~ Yvette Nicole Brown

Sometimes we're caught off guard and asked to do something we may not want to do, something outside our comfort zone - a favor, a challenge. We could be mocked or ridiculed. Or maybe we'll doubt ourselves, but we can't let fear rule. Sometimes in life, we have to dance. ~ Jake Byrne

I work grief and sadness out of my body when I dance, and I bring in joy and rhythm. ~ Inga Muscio

For poetry exists to break through to below the level of reason where the angels and monsters that the amenities keep in the cellar may come out to dance, to rove and roar, growling and singing, to bring life back to the enclosed rooms where too often we are only 'living and partly living. ~ May Sarton

These are the things I learned: share everything, play fair. Don't hit people. Put things back where you found them. Clean up your own mess. Don't take things that aren't yours. Say you're sorry when you hurt somebody. Wash your hands before you eat. Warm cookies and cold milk are good for you. Live a balanced life. Learn some and think some and draw some and paint and sing and dance and play and work some every day. Take a nap every afternoon, and, when you go out into the world, watch for traffic, hold hands, and stick together. ~ Robert Fulghum

But the quality of writing in the series [game of Thrones] is paramount. That's probably why all of us are involved in this and all of us are quite so loyal to it, because we don't have to expend a lot of energy trying to make a silk purse out of a pig's ear. The quality of the writing is really good, and that's what makes playing a character so enjoyable, whether he's heroic or villainous. ~ Charles Dance

How To Make A Human

Take the cat out of the sphinx
and what is left? Riddle Me That.

Take the horse from the centaur
and you take away the sleek grace,
the strength of harnessed power.
What is left can still run across fields,
after a fashion, but is easily winded;
what is left will therefore erect buildings
to divide the open plains so he no longer
must face the wide expanse where once
his equine legs raced the winds
and, sometimes, won.

Take the bull from the Minotaur
but what is left will still assemble
a herd for the sake of ruling over it.
What is left will kill for sport,
in an arena thronged with spectators
shouting "Ole" at each deadly thrust.

Take the fish from the Merman:
What is left can still swim,
if only with lots of splashing; gone
is the sleek sliding through the waves,
alert to the subtle changes in the current.
What is left will build ships
so he can cross the oceans without
getting his feet wet, what is left won't care
if his boats pollute the seas he can no
longer breathe so long as their passage
can keep him from sinking.

Take the goat from the satyr
but what is left will dance out of reach
before you have the chance
to get that Dionysian streak of myschief,
the love of music and wine, the rutting parts
that like to party all th ~ Lawrence Schimel

Fresh start. Day two, socks around my ankles, way down, two Maori boys approached me before I could get to my desk. Probelm solved. That day and in the many enjoyable ones that followed, my classmates asked me dozen of questions about America, while detailing essential subjects for a New Zealand boy in 1976, including lollies, meat pies and chips, cricket and rugby, ABBA and Tintin comic books, and why their relatives with tattoos on their face did that funy dance while sticking out their tounges. ~ Franz Wisner

Back in the seventies, when women began to straddle chairs and dance crotch out on television, when all the magazines started featuring behinds and inner thighs as though that's all there is to a woman, well, I shut up altogether. ~ Toni Morrison

I love playing out. I love dance music, I love minimal electro. Especially hearing that in clubs, it's a nod to that really. ~ Andy Bell

Whatever gets you moving and out of your head is good for you. ~ Marty Rubin

My song 'Play It Again' is a perfect example of my music because the verses go so hard, and they're so urban; and then this pop hook comes out of nowhere and socks you in the face and makes you want to dance. ~ Becky G

And ultimately, they find out everything: How you chew, how you sip, how you hum, how you dance. How you smell at every point in the day, how you are on the phone with your mother, the fact that many of your friends are shallow, that you always have to sit on the aisle, how you never really listen, how whiny you get when you travel, how you're not gracious to her friends when they call, how certain game shows make you really really happy, how cranky you get because you're too stupid to remember to eat, how you manage to get confrontational only when it's with the absolute wrong person to be yelling at, how you don't like the way you look in any picture you've taken since 1973, how you're unable to get off the phone when you're running late because you don't have the ability to say, "This isn't a good time; can I call you back?" How you have to lick certain fruits before actually eating them, how you have no ability to save receipts - all these things, and they still want to sign on. They still like you. ~ Paul Reiser

I dance for freedom. I dance for people's reaction more than anything. I feel great and I feel like I can do anything, say anything while I'm dancing and nobody can care. I do have times when I'm angry and I literally do slam my bedroom door and dance all around my bedroom. It's a good way of getting energy out and it's a good way of doing things, but I do it purely just to entertain other people. ~ George Sampson

You make me smile like the sun, fall out bed, sing like a bird, dizzy in my head. Spin like a record crazy on a sunday night. You make me dance like a fool, forget how to breath, shine like the sun buzz like a bee, just the thought of you can drive me wild. Oh you make me smile. -Uncle Kracker- ~ Uncle Kracker

Two Songs For The World's End

I
Bombs ripen on the leafless tree
under which the children play.
And there my darling all alone
dances in the spying day.

I gave her nerves to feel her pain,
I put her mortal beauty on.
I taught her love that hate might find,
its black work the easier done.

I sent her out alone to play;
and I must watch, and I must hear,
how underneath the leafless tree,
the children dance and sing with Fear.

II
Lighted by the rage of time
where the blind and dying weep,
in my shadow take your sleep,
though wakeful I.

Sleep unhearing while I pray -
Should the red tent of the sky
fall to fold your time away,
wake to weep before you die.

Die believing all is true
that love your maker said to you
Still believe
that had you lived you would have found
love, world, sight, sound,
sorrow, beauty - all true.
Grieve for death your moment - grieve.

The world, the lover you must take,
is the murderer you will meet.
But if you die before you wake
never think death sweet. ~ Judith A. Wright

The white youth of today have begun to react to the fact that the American Way of Life is a fossil of history. What do they care if their old baldheaded and crew-cut elders don't dig their caveman mops? They couldn't care less about the old, stiff-assed honkies who don't like their new dances: Frog, Monkey, Jerk, Swim, Watusi. All they know is that it feels good to swing to way-out body-rhythms instead of dragging across the dance floor like zombies to the dead beat of mind-smothered Mickey Mouse music. ~ Eldridge Cleaver

I take the sealed envelope from him - ​the one that holds the information about my biological father. I ask him for his cigarette lighter. He hands it to me. I look at Sam and Fito and say, "Word for the day." Sam understands and says, "Nurture." I take the unopened envelope. I am watching myself as I take the lighter and place it over the edge of the paper. I am watching the envelope burn. I am watching the ashes floating up to the heavens. I am hearing myself as I tell my father, "I know who my father is. I have always known." And now I am laughing. And my dad is laughing. And Fito is smiling that incredible smile of his. We are watching Sam dance around the yard as Maggie follows her and jumps up and barks. Sam is shouting out to me and the morning sky, "Your name is Salvador! Your name is Salvador! Your name is Salvador! ~ Benjamin Alire Saenz

We thought we were special, opening our perceptions, honing our empathy, spilling that cauldron of shared pain onto the dance floor of language and then trying to make a minuet out of all that chaotic hurt. It doesn't matter a damn bit. We're no avatars, no sons of god or man. We're only us, scribbling our conceits alone, reading alone, and dying alone. ~ Dan Simmons

Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after," I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull ~ Malak El Halabi

Been a pleasure, Don Gato. Have a sexy evening."
The cat looked dryly at him before hopping down to the floor and sauntering out of the house.
Ken's face showed genuine surprise as the cat left. He looked curiously at Jin.
Guessing that Ken was wondering if he'd just used his telepathy on the cat, Jin beamed. "Oh, yeah," he lied. "Not just human minds I'm the master of. I get cows to dance in musicals. ~ Claire Cray

The band in the ballroom announced the cover of a special request, and after a pause, the woman's voice sang out the breathy first line of Etta James's "At Last." Chairs barked as guests rose to greet the champion of all wedding songs, the one that always brought indifferent or fighting or estranged couples to the dance floor for momentary reconciliation. ~ Mira Jacob

No, this wasn't a 1960s student riot. Out there were the streets. There were no nice dorms for sleeping. No school cafeteria for certain food. No affluent parents to send us checks. There was a ghetto riot on home turf. We already had our war wounds. So this was just another battle. Nobody thought of it as history, herstory, my-story, your-story, or our-story. We were being denied a place to dance together. That's all. The total charisma of a revolution in our CONSCIOUSNESS rising from the gutter to the gut to the heart and the mind was here. Non-existence (or part existence) was coming into being, and being into becoming. Our Mother Stonewall was giving birth to a new era and we were the midwives. ~ New York Public Library

I can text in complete sentences. Oh, yeah, it's a skill." He smiled, proud of his accomplishments. "And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug."
I sat bolt upright, and Akinli rolled his eyes.
"I swear, if you tell me you can jitterbug, I'm going to . . . I don't even know. Set something on fire. No one can dance like that."
I pursed my lips and dusted off my shoulder, a thing I'd seen Elizabeth do when she was bragging.
As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me.
I took it and positioned myself in front of him as he shook his head, grinning.
"All right, we'll take this slow. Five, six, seven, eight."
In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much.
People walked by, pointing and laughing, but it was one of those moments when I knew we weren't being mocked; we were being envied.
We stepped on each other's toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up.
"Unbelievable," he said, almost as if he was complaining. "I can't wait to tell my mom this. She's gonna think I'm lying. All those years dancing in the kitchen thinking I was special, and then I run across a master. ~ Kiera Cass

One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.

Werner's head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner's thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.

Silver and blue, blue and silver.

Sheets of paper tumble down the rows of cots, and in Werner's chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.

The voice of Volkheimer: What you could be.

Werner's body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.

"Ernst," says the man beside ~ Anthony Doerr

A flamenco dancer, lurking under a shadow, prepares of the terror of her dance. Somebody has wounded her with words, alluding to the fact that she has no fire, or 'duende'. She knows she has to dance her way past her limitations, and that this may destroy her forever. She has to fail, or she has to die. I want to dwell for a little while on this dancer because, though a very secular example, she speaks very well for the power of human transcendence. I want you to imagine this frail woman. I want you to see her in deep shadow, and fear. When the music starts, she begins to dance, with ritual slowness. Then she stamps out the dampness from her soul. Then she stamps fire into her loins. She takes on a strange enchanted glow. With a dark tragic rage, shouting, she hurls her hungers, her doubts, her terrors, and her secular prayer for more light into the spaces around her. All fire and fate, she spins her enigma around us, and pulls into the awesome risk of her dance.

She is taking herself apart before our sceptical gaze.

She is disintegrating, shouting and stamping and dissolving the boundaries of her body. Soon, she becomes a wild unknown force, glowing in her death, dancing from her wound, dying in her dance.

And when she stops – strangely gigantic in her new fiery stature – she is like one who has survived the most dangerous journey of all. I can see her now as she stands shining in celebration of her own death. In the silence that follows, no ~ Ben Okri

I have forgot much, Cynara! gone with the wind, Flung roses, roses riotously with the throng, Dancing, to put thy pale, lost lilies out of mind; But I was desolate and sick of an old passion, Yea, all the time, because the dance was long: ~ Ernest Dowson

I like to dance and sing when there's no one around, but, if I'm out, I'm really shy about it. So it takes a lot to get me going, but I enjoy being around music. ~ Derek Jeter

Life batters and shapes us in all sorts of ways before it's done, but those original selves which we were born with, and which I believe we continue in some measure to be no matter what, are selves which still echo with the holiness of their origin. I believe that what Genesis suggests is that this original self, with the print of God's thumb still upon it, is the most essential part of who we are and is buried deep in all of us as a source of wisdom and strength and healing which we can draw upon or, with our terrible freedom, not draw upon as we choose. I think that among other things all real art comes from that deepest self – painting, writing music, dance, all of it that in some way nourishes the spirit and enriches the understanding. I think that our truest prayers come from there too, the often unspoken, unbidden prayers that can rise out of the lives of unbelievers as well as believers whether they recognize them as prayers or not. And I think that from there also come our best dreams and our times of gladdest playing and taking it easy and all those moments when we find ourselves being better or stronger or braver or wiser than we are. ~ Frederick Buechner

First off, demon, let's get one thing straight. I. Am. Not. Weak. What you saw last night was another fucking subclause of Lucifer's that makes me of the same strength physically and magically as when I died, but only when on the mortal plane in the presence of the souls I damned. Any other time, I am not to be messed with."
"If you're so bad ass, how come I never heard of you?"
"I prefer to stay out of the spotlight, unlike some sorceress's I know," she said with a smile as she came to stop in front of him. "But I do have a nickname."
"Hot on a stick?"
"No."
"Spanks with magic?"
"Most definitely not."
"I know, you must be the famous BJ Swallows."
"I am going to hurt you."
"I was right?"
"No. And your made up names are just pissing me off."
"Made up? I'll have you know those monikers are just a few of the more famous witch ones I know. Of course, I don't know if their magical abilities extend beyond the pole they dance on, but still, they're very well known in my circles."
"Why am I not surprised?"
"Are you going to tell what your name is then? 'Cause I'm gonna wager it isn't Magical Pie."
He really needed to learn how to keep certain thoughts to himself, an easy thing to promise with the iron grip she had on his balls. Not exactly how he pictured their first time touching. She twisted. He winced.
"Let this be a reminder not to fuck with me. And just so you know, while my nickname is the ~ Eve Langlais

Look at you. You're young. You're scared. Why are you so scared? Stop being paralyzed. Stop swallowing your words. Stop caring what other people think. Wear what you want. Say what you want. Listen to the music you want to listen to. Play it loud as fuck and dance to it. Go out for a drive at midnight and forget you have work the next day. Stop waiting for Friday. Live now. Do it now. Take risks. This life is yours. ~ Anonymous

This was different. It had synths droning and sending saltwater waves under my feet. It had drumbeats bursting like fireworks, rumbling the furniture out of place, and then a crazy, irregular, disharmonious, spiral crescendo of pure electric noise, like a typhoon dragging our bodies into it. It featured brass orchestras and choirs of mermaids and a piano in Iceland, all of them right there, visible, touchable, in Axton House. It shook us, fucked us, suspended us far above the reach of Help bouncing on his hind legs. It spoke of magenta sunsets and plastic patio chairs growing moss under summer storms rolling on caterpillar tracks. It sprinkled a bokeh of car lights rushing through night highways and slapped our faces like the wind at a hundred and twenty miles an hour. It pictured Niamh playing guitar, washed up naked on a beach in Fiji. ~ Edgar Cantero

She went through her memory for the time, for the day, she and and her husband told him all about what he should and should not do. No goin out into them woods without Papa or me knowin about it. No steppin foot out this house without them free papers, not even to go to the well or the privy. Say your prayers every night...Pick the blueberries close to the ground, son. Them the sweetest, I find. If a white man say the trees can talk, can dance, you just say yes right along, that you done seen em do it plenty of times. Don't look them people in the eye. You see a white woman riding toward you, get way off the road and go stand behind a tree. The uglier the white woman, the farther you go and the broader the tree. But where, in all she taught her son, was it about thou shall own no one, havin been owned once your own self. Don't go back to Egypt after God done took you outa there. ~ Edward P. Jones