Trope Quotes

Maybe it was easier if you knew your child was dead. It was a thought that stopped him in his tracks sometimes but he knew that it was the truth. If the child was dead then you had to figure out a way forward. It was being locked in this permanent state of limbo that was keeping Sarah in bed.One night he had come home from the day with a story of one of the young lads sliding through some fairly big cow pats. The boy had landed on his butt and there had been laughter all round. Restrained laughter but, still, it was funny. He had sat on the edge of the bed and related the story to Sarah and she had smiled and then released a small giggle. Immediately he could see her regret it and he had watched her bite down hard on her lip. Hard enough to draw some blood.
'It's okay, Sarah,' he had said gently. 'It's okay to laugh.'
'Bullshit, Doug,' she had spat back at him. 'How can you laugh if he's not laughing? How can I laugh knowing that he may be suffering?'
'I . . . I . . .' Doug had started, then he had left the room.
If a child died did it end this struggle? Could you put your faith in God and heaven and know he was in a better place, laughing with other children? Was that how you were able to move on? ~ Nicole Trope

JG: Ha! I will get him Looking for Alaska and tell him this idea that a human being is more than a human being is a mistaken idea and in the end does no service either to him or the person he's imagining. That trope has become so deeply embedded in American culture, and as someone who writes about young people falling in love, I feel like I can't ignore it, but I try to make it clear that life works best when we think of people as people. ~ John Green

There is always a man eager to explain my mental illness to me. They all do it so confidently, motioning to their Hemingway and Bukowski bookshelf as they compare my depression to their late-night loneliness. There is always someone that rejected them that they equate their sadness to and a bottle of gin (or a song playing, or a movie) close by that they refer to as their cure. Somehow, every soft confession of my Crazy that I hand to them turns into them pulling out pieces of themselves to prove how it really is in my head.

So many dudes I've dated have faces like doctors ready to institutionalize
and love my crazy (but only on Friday nights.)

They tell their friends about my impulsive decision making and how I "get them" more than anyone they've ever met but leave out my staring off in silence for hours and the self-inflicted bruises on my cheeks.

None of them want to acknowledge a crazy they can't cure.

They want a crazy that fits well into a trope and gives them a chance to play Hero. And they always love a Crazy that provides them material to write about.

Truth is they love me best as a cigarette cloud of impossibility, with my lipstick applied perfectly and my Crazy only being pulled out when their life needs a little spice.

They don't want me dirty, having not left my bed for days. Not diseased. Not real.

So they invite me over when they're going through writer's block but don't answer m ~ Lora Mathis

Michael writes of sun, but all I can think of is sunsickness, too much in the sun never a daughter. As if God's light still shone on we who have shaded our eyes. A few phrases remain but the drift is vanish. No way out and no way in--a straight call to blast, Adrift on stage for all to view--the cringe, the sigh, the curveilinear clide. The scholar-trancemaker hangs from the end of a trope and asks to be cut down. An umbilical cord signifies no less. Yet despite, i can now see or is it all a mitake? & does it splatter? ~ Charles Bernstein

The uniform said they didn't want me anymore,' interrupted Lockie.
Tina could hear some anger underneath his faltering words.
'He said they weren't even looking for me.'
The words were said quietly and there was a question in them. Kids thought their parents were superheroes. Surely if they had been looking for him, they would have found him? Tina knew better. Parents were just kids with more responsibility. They couldn't control the world any more than an eight-year-old kid could. ~ Nicole Trope

Little boys who were suffering were all the same. Lockie was making chinks in the wall. No matter how hard she tried to stop it happening, he was making small holes and letting the light through. ~ Nicole Trope

Outside the night worked its way towards dawn and inside Tina talked. When she got to the part about seeing Lockie in the uniform's house she watched Doug's face. She didn't spare him anything because Lockie hadn't been spared. She talked about the rope and the cold and the way Lockie froze when the man touched him.
Doug's skin became the colour of chalk and his fists clenched.She wanted to spare him the details but he needed to know. When she told him about letting Lockie hit the uniform with the poker a grim smile crossed his face. Tina understood the smile. People never really got beyond the concept of an eye for an eye. Especially when someone took your child. ~ Nicole Trope

Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show.
This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah.
She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed.
How damaged was his child? Would he ever be the same boy they had taken up to the Show ? Wha ~ Nicole Trope

Doug, you have to prepare yourself. You have to prepare Sarah. It won't be long before they have some answers. You have to get ready, Doug.'Jesus, Pete,' yelled Doug. 'Don't you think I've fucking been ready every day for the last four months? Every hour of every day for the last four months? I can't breathe in without being ready. I know all those statistics. They quoted them at me when they wanted me to go home. If a kid isn't found within the first twenty-four hours there's a chance he will never be found alive. I know that, Pete. Don't you think I fucking know that? Every time that fucking phone rings I can see Sarah's heart hit her feet. We're ready, Pete. We've been ready since the day we lost him. We're ready but we will never be ready. There is no way to be ready for this. No way . . .'Doug had sunk into silence and all Pete had heard was his ragged desperate breathing on the other end of the phone. Finally he said, 'I can't tell her, Pete. I can't tell her until they know for sure. She's hanging on by a thread, Pete, and I can't lose her as well. Tell me when they know for sure and then I'll tell her.' His voice trailed off, all the anger leaving him exhausted and trembling. ~ Nicole Trope

Lockie got lost.'
'Yeah, he did.'
'But you found him.'
'I think we kind of found each other. ~ Nicole Trope

Sometimes every word i write is 'love' but the letters are rearranged, the sounds are different. all the words are red. ~ Zoe Trope

The most conventional romantic trope of all is that you put lovers under extreme pressure, where they have to make decisions that illuminate aspects of that bond. ~ Lenny Abrahamson

Do you mean to tell me, Superintendent, that this is one of those damned cases you get in detective stories where a man is killed in a locked room by some apparently supernatural agency. ~ Agatha Christie

The night people, people like her, had melted back into their hiding places. Now the city was ruled by the day people. The sun was only just beginning to light up the world but already there were busy bees everywhere. Buzz, buzz, buzz out of my way, I have a life to live. I am important. I am someone special. People need me. The world needs me. Buzz, buzz, buzz. The people who had somewhere to go and something to do took brisk steps through the station. They walked with their elbows out, making sure no one got in their way. They were all talking into their phones, even at such an early hour. Making plans and exchanging ideas. ~ Nicole Trope

Tina and her mother were in the process of healing; they had to heal and soon they would be healed. But Tina knew that was a load of shit. Tim's death wasn't some broken bone that could be fixed. Nothing could fix that. It pissed her right off the way everyone expected her to regenerate her heart the way she could regenerate skin on a cut. ~ Nicole Trope

There was colour everywhere you looked. Colour and beauty and she understood how desperately Lockie would have missed his home. Under the table in that cold stark kitchen he would have held on to what he had known all his life and it would have helped him hold on to himself. That was what you did when you couldn't see a way out; you held on to the past, hoping it would become the future. You grabbed on to the good stuff and tried to believe that everything would be okay again. It was stupid but it was human nature. ~ Nicole Trope

If the clean man was not the boy's father and if he had taken him, Tina knew that someone must be looking for him. She wanted someone to be looking for him. ~ Nicole Trope

I feel like she could drown me in a spoonful of water or crush me with her fingernail clippings. I realize I have no chance. ~ Zoe Trope

I think sometimes in literature we kind of police ourselves. I know a lot of people talked about Twilight, and they would say, oh, but the heroine, she lets this man make her decisions. And I thought, that may not be the particular fantasy or trope that works for me.
But listen man, I read Wuthering Heights. I wanted me a little Heathcliff action. I mean, why can't we indulge that fantasy and also be like, And now I would like the ERA passed, please. Also, this lipstick is fuckin' killer. ~ Libba Bray

[ ... ] a familiar art historical narrative [ ... ] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [ ... ] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. ~ Grant H. Kester

I still feel like I'm jumping on an elevator
weightless and pulled down at the same time. ~ Zoe Trope

apathy is a disease and some days i long for it. ~ Zoe Trope

Sarah put the man and the other dead children out of her head. Later, perhaps, she would watch Lockie out in the garden and cry for all the mothers who would not see their children again. Later she would weep for the sadness of their loss and the joy of her own luck, but now she only had eyes for her boy, her little man, her Lockie. She ran her hands over his body, lifted his shirt a little and caught sight of a yellowing bruise. The air caught in her throat.
'Oh Jesus, Jesus, Jesus,' she whispered.
Someone had hit him. She wanted to undress him right then to see the damage but Lockie was so fast asleep. She knew he wasn't just sleeping because he was tired. He had gone to the same place she had been in for months. She and Lockie looked alike now. The angles on his face matched hers and in a way she was glad.
She had suffered along with him.
And now here he was. ~ Nicole Trope

If you take off your clothes, you will find more clothes. ~ Zoe Trope

Just bear a passing resemblance to a fictional romantic trope I like and I will love you forever. We're all just trying to find the Mark Darcy of our workplace, aren't we? ~ Mindy Kaling

Some facts in life are immutable. One is, trust no-one who uses the word 'trope'. ~ Mark Gatiss

I like animal sidekicks. They seem to be a pretty cool trope of post-apocalyptic fiction - just because if you're going to have this lone protagonist, they're going to need someone to talk to. Dogs are overused, and cats are dumb. So that leaves monkeys. ~ Brian K. Vaughan

I think the only necessary conclusion is that we are too beautiful, because being not beautiful at all just doesn't make sense. ~ Zoe Trope

In the bedroom Sarah lay next to her son. She could hear movement in the kitchen and wondered if Doug had started preparing dinner. She longed for something sweet to eat. She had not been hungry for days, for weeks, for months, but now, with her son lying near her, she wanted the taste of sugar on her tongue. She would not move though. She didn't know if she would ever be able to leave his side again. ~ Nicole Trope

God could not be reached for comment. But let us at least agree that He is quite obviously attuned to the doings of politics and media. That is why so many would-be leaders say they are being "called upon" to run for president, and why eulogists lean so heavily on the trope that God runs an HR department that recruits people like Sunday hosts and yachtsmen into heaven. ~ Mark Leibovich

I had to leave my parents to love them again. I had to move across the country to appreciate that I actually had any pull toward them - that I needed them. I had to get away from them in order to come back to them. I'd like to say they did the best they could, but that couldn't have been their best. I wasn't doing my best either, so the idea that everyone is always doing the best they can is a trope. Some people are just interested in surviving; doing their best doesn't even occur to them. ~ Chelsea Handler

I try not to think about the trope or whether or not my books are like 'Fifty' or 'Crossfire' or any other series. ~ Julie Kenner

BLOOM: I take it that a successful therapy is an oxymoron.
INTERVIEWER: It's always interminable?
BLOOM: I do not know anyone who has ever benefited from Freudian or any other mode of analysis, except by being, to use the popular trope for it, so badly shrunk, that they become quite dried out. That is to say, all passion spent. Perhaps they become better people, but they also become stale and uninteresting people with very few exceptions. Like dried-out cheese, or wilted flowers. ~ Harold Bloom

I watched those women get eaten alive. And as a result of my witnessing that at a super fucking vulnerable moment for me, I internalized the message that a trans lesbian is just not an okay thing to be if you wanna be tolerated or respected by anybody other than a handful of communists. So I began my transition with essentially no role model of a widely respected and admired trans lesbian. And it doesn't help that most forms of transphobia are harsher on gay trans women than they are on straight trans women. Like take this trope that trans women are men who transition to creep on women in bathrooms. In response to that, it feels really good to be able to say, I'm not even attracted to women. I'm just a petite heterosexual biogirl. I'm surely not some kind of six foot monster who likes women. Ugh, shame! Shame! It does make me feel like a monster sometimes, like a mutant that has no place in society. And this shame has actually made it more difficult for me to accept that I'm a gay woman, than it was for me to come out as trans in the first place. It's like I made a kind of subconscious bargain where I traded my sexual orientation for my gender identity. So I finally transitioned only to spend the next couple years living with a different kind of denial. And that denial got pretty deep and pretty dark.

This is painful and incriminating to admit, but not all of my shame came from external bigotry. Some of it came from my own judgment and disgust toward things I saw ~ Natalie Wynn

Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approach can be detected in a favorite trope of 1980s minimalists: a pattern of reference to dire secrets and hidden wounds these authors didn't realize they were supposed to have imagined. ~ Madison Smartt Bell

She didn't see what she didn't want to see. The women on the street were pretty girls waiting for a date and she was a princess waiting for her prince. The world could be a lot easier to deal with if you lived mostly inside your own head. Probably all the same ugly, sick, twisted stuff went on behind the pretty fences of her childhood anyway.She had built herself a fairly impressive wall in the last two years, but then she had been building that long before she got to the Cross. She could watch the world shit itself up right in front of her and not feel a thing. Sometimes she thought that any feeling at all would have been a luxury, but nothing got through. It meant that nothing could hurt her but it also meant that nothing could move her either. It was a price she was willing to pay. It was one interesting fucking trade-off. ~ Nicole Trope

Tina dropped her eyes. She hated this feeling. She wished she could tell the woman that her life hadn't always been governed by this desperation. Once she had been a nice girl from the suburbs whose mother dropped her at the shops with friends and simply handed her twenty dollars for lunch. Once she had bought new clothes and seen the dentist every six months. Once she had thought that anyone living on the streets was obviously not trying hard enough. But once was a long time ago and the energy to try sometimes just ran out. ~ Nicole Trope

A fashionable idea in technical circles is that quantity not only turns into quality at some extreme of scale, but also does so according to principles we already understand. Some of my colleagues think a million, or perhaps a billion, fragmentary insults will eventually yield wisdom that surpasses that of any well-thought-out essay, so long as sophisticated secret statistical algorithms recombine the fragments. I disagree. A trope from the early days of computer science comes to mind: garbage in, garbage out. ~ Jaron Lanier

But, as in his narrow-flowing monomania, not one jot of Ahab's broad madness had been left behind; so in that broad madness, not one jot of his great natural intellect had perished. That before living agent, now became the living instrument. If such a furious trope may stand, his special lunacy stormed his general sanity, and carried it, and turned all its concentred cannon upon its own mad mark; so that far from having lost his strength, Ahab, to that one end, did now possess a thousand fold more potency than ever he had sanely brought to bear upon any one reasonable object. ~ Herman Melville

Anywhere, anytime, I'd sacrifice the finest nuance for a laugh, the most elegant trope for a smile. ~ Edward Abbey

Originally the premise of killing Hitler was fueled by deep traumatic feelings of wishing and fantasizing that if only things had been different, we could have spared ourselves all kinds of suffering. More recently it's been turned into a comedic trope. As we go forward, tragedy plus time equals comedy. ~ Gavriel David Rosenfeld

One path I've used a lot is to deeply and thoughtfully consider a trope or a tradition, and then set about taking it apart - but only in the service of a character or story that deserves it. Another path I often employ is to put form into "play" - to set it free from its ordinary constraints and let it be free-floating and broken-apart and rearranged. ~ Lidia Yuknavitch

For me there is a poesis, a poetics, around the trope of the road that is embedded within many life experiences of the people I've been close to. ~ Anne Waldman

What is worse: being locked outside of your own mind, or being locked inside of if?
What is worse: writing a Trope or being one? What about being more that one? ~ Carmen Maria Machado

A song is not a tool for changing a human heart in the way that a wrench is a tool for changing a bolt, but it was the tool I had, and I was the tool the OSP had.
The cansos in "Songs from Underneath" were not really as subtle as a wrench. Their primary trope was the ancient trick of making the viewpoint character a victim of oppression, because people identify passionately with a strong viewpoint character, and there is intense pleasure in identifying with the narrator of a sad story or song. In "Black Beauty" that trick had made people begin to think that beating horses was bad; it was the trope that make privileged white children burn with outrage at "Native Son" and prudes weep over prostitutes in "Elle frequentait la rue Pigalle" and "My Name is Not Bitch." They also received, at no extra cost, the delicious smug superiority of sympathizing with an underdog, unlike their less-enlightened neighbors.
Their primary ~ John Barnes

Every fundamentalism focuses on end times, and Armageddon is, in a sense, a rhetorical trope, an emphatic and overwhelming conclusion, meant to wrap up and make tidy the mistaken wanderings of history. For a fundamentalist the end is one of the forms desire takes, a passion no different from lust or avarice, intense with longing and the need for fulfillment and relief. It's like they're horny for apocalypse. They get off on denouements, which partly explains why Hell House never amounted to much more than a series of murderous conclusions. It focused only on that part of a story where life finds itself fated. Inside every act a judgement was coiled. Real people with their ragged and uncertain lives, their stumbling desires, their bleak or blessed futures, would only break into the narrative, complicating the story, dragging it on endlessly. ~ Charles D'Ambrosio

Tina and Pete stood together. Pete knew he should be grilling the girl, getting the full story before details were lost, but he was too spellbound by the reunion. The boy he was watching was so different. There was no way to avoid the truth. Someone, a very evil someone, had hurt his boy. Pete felt his fists clench. Whoever it was that had turned Lockie into the skinny kid trapped behind his pain, he would pay. If he had to spend his whole life looking for him, Pete would find him and then he would make him pay. The girl had obviously helped Lockie. He had no idea if she had found him or if she had been with him the whole time, but Lockie kept saying that she had 'saved' him. He was a clever kid and he knew what the word meant.
Pete liked the way she looked at Lockie - like a lioness, like a sister, like a mother.
The skinny girl with short messy black hair could have been anyone. She looked about fifteen but when she spoke she sounded a lot older. She was wearing a big coat but underneath that Pete had caught a glimpse of a short skirt and a tight red top. Not the kind of thing a nice girl would wear. Maybe she wasn't a nice girl but she was smart. That was easy to see. She was watching Lockie with his dad and Pete could see her body sag with relief. She was relieved to get him home. It must have been a promise she had made the boy.
Pete had no idea how she'd got him home. She didn't look like she had a cent to her name. He sighed.
So many questions t ~ Nicole Trope

Now she took the pills and, just before she closed her eyes, she summoned Lockie and his smile, and then the dreams would come.In her dream her golden boy tries again and again and again to stand up on the boogie board until he manages to remain upright for at least a minute. In her dream Sarah can feel the tears on her cheeks. Her golden boy was lost and she was too. She tried to dream that they found each other again but she couldn't control her dreams any more than she could control her nightmares. ~ Nicole Trope

Art translates human souls. Each passing eon's public display of sophisticated hieroglyphics cast a unique depiction upon the rudimentary art of survival. Humankind cannot exist without the makeshift paradigm of innovative art, which genuine amoeba expresses elusive and unsayable thoughts. Humankind's gallery of artistic impressions ranges from the starkness of personified cave drawings to the free ranging lexis of modern art. Collection of multihued stories of the ages portrays the vivid panoply of enigmatic vitas etched by humankind's self-imposed sense of urgency. Each passing generation's effusion of trope offerings seamlessly folds its shared renderings into the shimmering panorama of the cosmos, the sparkling nightscape that houses the intangible life force all communal souls. ~ Kilroy J. Oldster

The police up in the city had endless files filled with people who were so malevolent it was almost impossible to believe they were real. People for whom children were toys. When they were broken they were simply replaced.The internet helped these people connect. Helped them find the pictures to feed the habit, and then it helped them find what they wanted. Everything was available for a price. The fucking animals went online and ordered themselves a child to play with. They went online and found some other sicko who thought the same way they did and all of a sudden they weren't deranged or evil - they were just part of a special club. Pete could actually feel the blood in his arms heat up just thinking about it. ~ Nicole Trope

There is something universally chilling about a new plot. And I could see how my boy needed time and space for a story to bloom in his mind, because at any age what comes before sight is a conjuring. A trope, which is just a way to believe. ~ Chang-rae Lee

...but in 1917 we had no cares except the mundane ones of starvation and occupation and civil war, and for those of us in our armored trains traveling up and down the front waging brilliant campaigns, or for our young Natashas and Alyoshas experiencing the education and class steeling of the Komsomol for the first time, learning to ask in every historical situation: How many workers are there? how many peasants, intellectuals? how do they stand on this issue? it was a very exciting and romantic period; what I am getting at is that probably no one felt alone as Bug had felt alone; for everyone worked together and loved each other- oh, I hope that that was true. For if life is worth living at all you can have your cake and eat it, too (съесть ее тунцом as the Russians say, и ее мудак- literally to eat out her tuna and her asshole); when you fight together you feel together; love and politics go hand in hand, and I can demonstrate this feasibly with another linguistic point. A girl's cherry is her tsélka. Raskobót cya kak tsélochka, to pop like a little cherry, means in fact to crack under interrogation. I want to draw your attention, comrades, to that highly significant trope. ~ William T. Vollmann

You know, Lockie,' she said aloud.
'What?'
'The thing about parents is . . . the thing about good parents - and I think your parents are pretty good . . .'
'Yeah, Mum makes cakes, amazing cakes, and Dad takes me fishing even when there's work to do. They're good parents, my mum and dad. But . . . but they didn't find me.'
'I know, Lockie, but I promise they were looking. When we get you home they'll tell you. I promise they were looking.'
'I should have stayed by the stroller. Maybe they're mad and that's why they didn't look. Maybe they know I'm a bad boy.'
'You are not bad, Lockie,' said Tina. She said the words slowly, patiently. 'You are not bad and your parents sound like they're pretty good parents. And you know . . . well, the thing about good parents is that they kind of love you no matter what.'
'No matter what?'
'Yeah, whatever happens, whatever you do, they still love you. Sometimes they shout when you do stuff they don't like but they always love you.'
'What if the stuff you do is really bad?'
'They'll still love you. That's their job.'
'No, I mean what if the stuff you did is really, really bad?'
'It doesn't matter, Lockie. You're just a kid. Nothing you could do could be that bad.'
'You don't know what bad is,' said Lockie, and then he repeated the words to himself. 'You don't know what bad is. ~ Nicole Trope

Kids didn't just disappear unless someone made them disappear.'Relax, mate,' the head of security said. 'We've never lost one yet.' Lots of kids wandered off at the Easter Show, he told them. They were always found, usually somewhere near the food.Doug had tried to relax, to stay calm, but he could feel the panic building inside him.The place was too big.There were too many people.Lockie could be anywhere. The police were called. It took hours for everyone to leave the showgrounds because every family was stopped. Every parent was questioned and every child identified. It was way past midnight when everyone had finally gone home, and still they had not found Lockie.The head of security changed his tone. The police held whispered conversations in groups. They began to look at him with sympathy in their eyes.Doug felt his heart slow down. There was a ringing in his ears. He was underwater and he couldn't swim.Lockie was gone.They had lost one.Sammy had gone from impatience to hunger to exhaustion. She didn't understand what was happening.Sarah sat next to the pram twisting her hands. She did not cry. She didn't cry for days, but every time Doug went near her he could hear her muttering the word 'please'. 'Please, please, please, please.' It drove Doug mad and he had to move away because he wanted to hit her, to snap her out of her trance. He had never lifted a hand to his wife or his children, but now he had to close his fist and dig his nails into his palm to keep himself from ~ Nicole Trope

Lockie stood with his arms by his sides as she ran her hands over his hair and squeezed his arms. Tina could see how uncomfortable Lockie felt at being touched. Margie hugged him again and again. She didn't notice Lockie's face or she would have stopped. When Margie stood up she was crying. Pete, meanwhile, was watching Tina.
'Start talking,' he said to her and Tina could see he had already decided who was to blame for Lockie's disappearance.
'Her name's Tina,' said Lockie. 'She saved me. Can you take us home, Pete?'
Pete looked at Lockie. 'You know I will, Lockie, but first - '
'Please, Pete,' said Lockie. 'Can you just take us home?'
'Oh god,' said Margie. 'Doug and Sarah - we have to call them. We have to let them know.' She kept touching Lockie, on his head, on his arms and on his back. Tina could see Lockie wince. People wouldn't know that they needed to be careful when they touched him. Some touches can make you feel sick. ~ Nicole Trope

The people in the line scratched and twitched and jumped depending on whether they were on their way up or down. They all wanted breakfast. The body was strange that way. Regardless of what you did to it, it wanted to keep running. Unless, of course, it turned on you.In a fair world the people who set out to destroy themselves would be the ones to get the diseases and little kids would get to grow up without worrying. In a fair world . . . but fuck-all in the world was fair. ~ Nicole Trope

Martin had a period of relishing the Boston thug-writer George V. Higgins, author of The Friends of Eddie Coyle. Higgins's characters had an infectious way of saying 'inna' and 'onna,' so Martin would say, for example, 'I think this lunch should be onna Hitch' or 'I heard he wasn't that useful inna sack.' Simple pleasures you may say, but linguistic sinew is acquired in this fashion and he would not dump a trope until he had chewed all the flesh and pulp of it and was left only with pith and pips. Thus there arrived a day when Park Lane played host to a fancy new American hotel with the no less fancy name of 'The Inn on The Park' and he suggested a high-priced cocktail there for no better reason than that he could instruct the cab driver to 'park inna Inn onna Park.' This near-palindrome (as I now think of it) gave us much innocent pleasure. ~ Christopher Hitchens

Expatriation, like love, is not only a condition that devastates and reconfigures the self; it is, like love, a trope, a figure with which we try to explain, try to narrate profound psychological disruptions in terms of very measurable entities: a person, a place, an event, a moment, etc. ~ Andre Aciman

I very nearly titled this book Stop Murdering the Henchmen after this trope. If I could wave a magic wand and remove a single BS lie from our annals of storytelling, it would be this one. This trope doesn't just insult a population of the disabled. It doesn't just discount the experiences of family members of loved ones suffering with a disease. This is a trope that kills real people in the real world, every day. The ~ Samantha Keel

And then to win the prize had been incredible. She felt like she was being seen, actually being seen, for the first time in the endless years of being a mother and a wife. ~ Nicole Trope

Logically she understood that everyone had something they were hiding, some hurt they kept deep inside, some reason why they were not really normal either, but she didn't understand how they functioned. She didn't understand how they got out of bed every morning or breathed in and out without the hurt weighing down their lungs. ~ Nicole Trope

I . . . thank you . . . thank you so much,' said Tina to the man. To her horror tears welled up in her eyes.'Yeah, whatever,' said the man and he pushed forward to the counter. He bought his ticket and disappeared into the crowd. Five dollars was the price of a latte in the city. It was nothing to the man.Whoever said money can't buy happiness?Tina was left holding two dollars and thirty cents. He hadn't wanted his change. It was just bits of nothing to him. Something to pull down the pockets on his suit pants. The man had no idea what he had done and it struck Tina that through all the misery and shit there were some people who handed out bits of hope. Mostly without realising it. ~ Nicole Trope

She thought about the last car ride she had taken. It had only been a few days ago but it felt like she had journeyed for a lifetime since. The universe worked in strange ways. What if everything that had ever happened to Tina had happened so that one day she could rescue Lockie? It seemed too cruel an idea but you never knew. Or maybe she was just in the right place at the right time. Shit just happened . . ~ Nicole Trope

His body had become a statue as soon as the man's hand made contact. He was perfectly still on his bed of newspapers. When faced with attack, most animals instinctively know to become motionless. If you didn't move and you didn't breathe it was possible that you would not be seen. The boy's skinny ribcage filled with stale air while he waited for the hand to leave his head.Tina held her breath as well. If the man did more than pat the boy she would have to do something. She would have to do anything. There are some things that cannot be tolerated. If he did more than pat the boy Tina would not survive. She was completely sure of that ~ Nicole Trope

I'm not worried about the future as much as I'm worried about the past. About keeping my memories real and not sacrificing them to match the present. ~ Zoe Trope

Our heroes have arrived, then," the stranger said, his voice a soft, bubbly murmur.
"Excuse me?" Poison queries.
The odd creature put down his rod in a little wooden cradle that rested next to him and got up from the edge of the jetty. He looked them over with his vast, yellowish eyes.
"Hmm," he said gloomily. "You don't seem a bad bunch." He jostled past them and began to shuffle back towards his house. "At least you're not the typical muscle-bound warrior, beautiful sorceress, and amusing thief sidekick. By the waters, did that become stale fast. ~ Chris Wooding

But there wasn't even a trace of him. It was like the universe had opened up a hole and dragged Lockie down into it.When the family had finally returned home after a month in Sydney there was nothing anyone could say.They were broken. Heartbroken and soul-broken.Sarah had folded up inside herself. Nothing would comfort her. The pills made her numb, but every time he visited Pete could see her punishing herself. There was nothing left of her now. And to think she and Margie used to exchange diet tips. ~ Nicole Trope

He said they would be mad at me. He said they would hate me.'
Tina saw her hand on the poker again. Some killing was good.
'Lockie, look at me.'
He turned away from the yellow fields and his eyes met hers.
'I've told you before and you have to believe me: everything the uniform said was a lie. Everything. He lied about taking you to your parents and he lied about them not looking for you and he lied about them being angry with you. Whatever he did or you did he made you do it. He made you do it and he was bad and a liar and you are a good kid.'
'He said they wouldn't love me ever again.'
Tina looked out of the window. The thing about being a kid was that you had to hear the good stuff a lot before you believed it. You only had to hear the bad shit once before it began to eat away at you. ~ Nicole Trope

I don't think it is as a trope or as something in our psyches. There's very little wilderness out there but there is wild mind, and the Wild mind that actually, as Gary Snyder says, wants to take care of things. There's an elegant quality to the wild mind. ~ Anne Waldman

Pete had stopped the car at the bottom of a long brick driveway. Tina saw a large low house that stretched across the open space. It looked like an ordinary suburban house, with white painted cladding. She could see curtains in the windows. All of them were open. Tina could imagine Lockie's mother walking into his room every morning to open the curtains and then staring at the empty bed where her son should have been. ~ Nicole Trope

Tina thought about the idea of how much a person could take. People only survived because they turned the real into the surreal. If it was outside your comprehension you didn't have to deal with it, to feel it.If you woke up each morning and thought that it had all been a bad dream, then you fell into the darkness of the truth. But if you simply pretended it hadn't happened you didn't need to deal with it at all. ~ Nicole Trope

The Collector [John Fowles book] does such a good job of capturing the mindset of a capturer, and also that's become a banal trope of every second crime novel: the weirdo, fetishistic watcher/stalker/kidnapper/kidnapper of women or children. ~ Emma Donoghue

Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another. ~ Iain Banks

Hence, when some members of the Iranian diaspora, especially women at the moment, use different tropes including the trope of the veil and the issue of gender to construct an image of oppression or to describe the 'silenced' Iranian woman, western intellectuals, policymakers, and publishing houses are all quick to introduce them as presenters of the authentic Iranian experience. ~ Mohammad Marandi

That's what Lockie was - a little boy.It could do your head in if you thought too much about the cruelty that one person could inflict on another. It was best not to think about it, but here in front of Tina stood an example of the worst cruelty in the world.There was a large bump on one of his ribs. Tina knew what a bone that had healed itself looked like; Mark and the boys were always getting themselves into trouble.It was too much to think about. Too much to try and imagine the pain Lockie must have been in. Too much to imagine him crying for his mother and father. He was so small, so defenceless. ~ Nicole Trope

When he began cramming in the bites of burger Tina and Sarah both said, almost at the same time, 'Slowly, Lockie.'Lockie slowed down and Sarah looked at Tina and seemed to see her for the first time. They locked eyes and Sarah nodded slowly as if acknowledging Tina, acknowledging who she was to Lockie. Acknowledging what she had done. Lockie must have told her just as he had told Pete and his father.Tina allowed herself the luxury of a smile and then she dropped her head and concentrated on the salad, savouring the fresh vegetables and the tang of the dressing, but mostly savouring the feeling of being with a family around a table. ~ Nicole Trope

Tina wondered how long it had taken Lockie to give up on his parents. How long had he shouted and screamed and hoped for rescue? Did he stop because of the beatings or did he stop because the uniform told him no one was looking for him. ~ Nicole Trope

For David Shenk, the most important of the "windows onto meaning" afforded by Alzheimer's is its slowing down of death. Shenk likens the disease to a prism that refracts death into a spectrum of its otherwise tightly conjoined parts - death of autonomy, death of memory, death of self-consciousness, death of personality, death of body - and he subscribes to the most common trope of Alzheimer's: that its particular sadness and horror stem from the sufferer's loss of his or her "self" long before the body dies. ~ Jonathan Franzen

Right now the nightmares were in her waking hours so she needed to stay asleep. She was broken. Shattered. Devastated. Crushed. There was nothing left of the woman she had been. She could see it in her eyes. When she was awake she had to acknowledge her brokenness. She had to admit to herself that she might never be fixed. It was too much to think about. Her boy had to come back and, until he did, she needed to stay in her dreams. ~ Nicole Trope

As part of his long-winded bullshit, Baby fell into a genre trope that he had avoided in his first two novels.

He started inventing new words.

This was a common habit amongst Science Fiction writers. They couldn't help themselves. They were always inventing new words.

Perhaps the most famous example of a Science Fiction writer inventing a new word occurs in Robert Heinlein's Stranger in a Strange Land. Part of Heinlein's vision of horny decentralized alien sex involves the Martian word grok.

To grok something is to comprehend that something with effortless and infinite intuition. When you grok something, that something becomes a part of you and you become a part of that something without any troublesome Earthling attempts at knowing.

A good example of groking something is the way that members of the social construct of the White race had groked their own piglet pink.

They'd groked their skin color so much that it became invisible. It had become part of them and they had become part of it. That was groking.

People in the San Francisco Bay Area, especially those who worked in technology like Erik Willems, loved to talk about groking.

With time, their overusage stripped away the original meaning and grok became synonymous with simple knowledge of a thing.

In a weird way, people in the Bay Area who used the word grok did not grok the word grok.

Baby had always been popula ~ Jarett Kobek

In all his years as a cop he had never felt this helpless, as though he had one hand tied behind his back. He had always been able to sort everything out. People came to him the same way they went to Father Andrew.
Now he was watching this family, his family, die a little every day and there was nothing he could do to save them.
The worst thoughts of all came in the middle of the night. He would wake from a sound sleep with his heart racing and just knew that wherever Lockie was he was suffering. He was suffering and he was probably just waiting for Pete to come and save him the way the teacher told all the kids every year. ~ Nicole Trope