Timbre Quotes

Jay showed up after school with a bouquet of flowers and an armful of DVDs, although Violet couldn't have cared less about either . . . he was all she wanted. She couldn't help the electric thrill of excitement she felt when he came strolling in, grinning at her foolishly as if he hadn't seen her in weeks rather than hours. He scooped her up from the couch and dropped her onto his lap as he sat down where she had been just a moment before. He was careful to arrange her ankle on a neatly stacked pile of pillows beside him.
He stubbornly refused to hide his affection for her, and if Violet hadn't known better she would have sword that he was going out of his way to make her self-conscious in her own home. Fortunately her parents were giving them some space for the time being, and they were left by themselves most of the time.
"Did you miss me?" he asked arrogantly as he gently brushed his lips over hers, not bothering to wait for an answer.
She smiled while she kissed him back, loving the topsy-turvy feeling that her stomach always got when he was so close to her. She wound her arms around his neck, forgetting that she was in the middle of the family room and not hidden away in the privacy of her bedroom.
He pulled away from her, suddenly serious. "You know, we didn't get much time alone yesterday. And I didn't get a chance to tell you . . ."
Violet was mesmerized by the thick timbre of his deep voice. She barely heard his words but rather concentrated ~ Kimberly Derting

It's a soft-sounding word, 'never,' but its velvety timbre can't hide its sharp edges ... Never pressed down on him. It grabbed him by the neck and shook him. He sucked in a deep breath, sucked in all that never and started to sneeze. Never filled his nose, his eyes, his soaking fur. ~ Kathi Appelt

He smirked. "Does someone have a hangover?" "No," she said in a loud whisper, shaking her head with vehemence and setting jackhammers off against her temples. "I'm not dressed for company." "I heard you scream. What happened?" For the love of god, must she be tested at every turn? She tilted her chin and said in her most haughty tone, "If you must know, I almost fell down the stairs." Faster than a man his size should move, he rounded the stairs and bounded up the steps two at a time, stopping when he stood one below her. Of course, she still had to peer up at him, irritating her further. "Are you okay?" he asked, those golden eyes warm with concern. "I'm fine." She straightened to her full five-three, but still felt small and dowdy next to him. "You're not hurt?" "For God's sake, I'm fine. It was just a little stumble." He chuckled, the deep, rich timbre sending tingles down her spine. "And here I thought you wouldn't be any fun sober." Her ~ Jennifer Dawson

The memory brought back the timbre of her voice and the tickle of her hair on my chin as I put her to bed that night and the feeling of belonging to someone, mattering to someone, having someone whose first smile in the morning was for you. Someone who slipped their hand into yours when they were scared and trusted you to make them feel better. Someone who knew you, the important things about you, and loved you anyway. ~ Michele Jaffe

Within the context of Western music, jazz has always contained certain radical or revolutionary aspects. These are: improvisation, collective composition and individuality or the personal sound (based on amazing variations in sonority, timbre and pitch). ~ Michael Snow

By habitus, I mean dispositions that inhere and mold the deepest, subtlest, intricate structures of personhood, are constituted and emergent in the most elusive folds and lineaments of consciousness, and are articulated in lastingly resilient, enduring textual tapestries of experience, orientations, desires. The range of habitus is deep and broad: habitus forms the long arc of evolutionary developments and arrangements of the body in action and at rest, posture, gait, stance, and gesture; it is the silent teacher of the phonemic alphabet, determining subtle distinctions of timbre and tone, accents and intonations in voice articulations; it is the subcutaneous, ingrained dynamic inhering in daily competencies, executed flawlessly and yet seemingly unconsciously, such as balancing huge loads the size of a person's body weight on the head as Kikuyu women often do, or walking fearlessly on narrow glacial paths through plunging cliffs as the Sherpas do, or weaving in and out of traffic while engaged in deep conversations on a cell phone as Californians do. Habitus describes the imbrication of structure and culture in desire. It is what defines subtle distinctions of taste, those almost ineffable differences of sweetness, succulence, spiciness, and bitterness in food and drink; the raging fetishes and unbidden cravings that shadow sexuality; the fickle difference between scents that intoxicate or trigger upheavals of wretching. Habitus, then, is "human nature" understood as the dee ~ Omedi Ochieng

The force of what was called Panther rhetoric or word mongering resided not in elegant discourse but in strength of affirmation (or denial), in anger of tone and timbre. When the anger led to action there was no turgidity or over-emphasis. Anyone who has witnessed political rows among the Whites will have to admit that the Whites aren't overburdened with poetic imagination. ~ Jean Genet

Exactly, I repeated myself. I believe we do it all the time. We always take up certain elements again. How can it be avoided? An actor's voice always has the same timbre and, consequently, he repeats himself. It is the same for a singer, a painter ... There are always certain things that come back, for they are part of one's personality, of one's style. If these things didn't come into play, a personality would be so complex that it would become impossible to identify it.
It is not my intention to repeat myself, but in my work there should certainly be references to what I have done in the past. Say what you will, but The Trial is the best film I ever made ... I have never been so happy as when I made this film.
(talking about directing, The Trial (1962) - from Orson Welles: Interviews (book)) ~ Orson Welles

Our probie kicked the door in before we gave the okay. We don't think he's going to make it on the task force, Cap. He's too much of a hot-head."

Oh, fuck that. There was no way that they were going to pin this on him. Syn growled and took several determined steps toward Day before God was there, blocking his path.


"You might want to think about your next move very carefully. Especially if it involves touching him." God's voice lowered to a frightening timbre. ~ A.E. Via

Voice is the je ne sais quoi of spirited writing. It separates brochures and brilliance, memo and memoir, a ship's log and The Old Man and the Sea. The best writers stamp prose with their own distinctive personality; their timbre and tone are as recognizable as their voices on the phone. To cultivate voice, you must listen for the music of language-the vernacular, the syntactic tics, the cadences. ~ Constance Hale

That reminds me of a song," said Emilia. The women laughed; the men groaned. But the fire was blazing and the night was long, and folk will want entertainment after the tedium of a day's work. Emilia's song detailed the amorous adventures of a water horse who fell in love - if love was the right word - with a series of young women who passed beside the lake in which the creature dwelled and from which he emerged in the form of a good-looking young man of exactly the right sort to catch a young woman's fancy. She had a clear voice and a pleasing timbre, and every local knew the chorus, whose euphemisms about mounting and galloping embarrassed me. We did not sing these sorts of songs in the Barahal house. Rory caught right on and sang the chorus as if born to it. In the laughter and pounding of tables that followed, I said, to no one in particular, "I thought kelpies drowned and then devoured their victims!" The words, innocently spoken, only caused the gathered folk to laugh even ~ Kate Elliott

There is a timbre of voice
that comes from not being heard
and knowing / you are not being
heard / noticed only
by others / not heard
for the same reason. ~ Audre Lorde

The truly miserable have a timbre in their voices strong enough to erase smiles from the faces and souls of the contented. ~ St. Jerome

Then as Anna listened another sound began to rise within the first. It began as a low keening, like the wind in a bottle tree, almost indiscernible amid the guns. Yet it was there, and it grew and grew, gaining strength and timbre until suddenly a new note broke away and was taken up: a high weird quavering like nothing that Anna had ever heard, that peopled the smoke with an army of mourning phantoms. Anna had heard the men talk of this, too - the uncanny demon cry of the Rebel army going into the attack - and now here it was for real, echoing across violence and death for the last time in a wild crescendo that seemed to peak and yet peak again: descanting blood, crying lost youth and the loss of all dreams. One last time it shrilled out of the rolling smoke, then collapsed all at once into a maelstrom of voices - the deep snarling utterance of thousands of men in hell. ~ Howard Bahr

Lennon's was one of the first voices I emulated when I began to sing. When we held tryouts in my pal's dad's living room for the singer in our band, I sang a Beatles song that Lennon sang. There is something about the timbre of his voice, something that it conveys, that still gets to me. The quality and the poetry of his lyrics. The wry sense of humor. And the boyishness, in the beginning. There are a great many things that touch me about him ... Lennon was, to put it in his own words, a 'working-class hero.' ~ Don Henley

There was a voice, a song, a woman's voice that from time to time the breeze carries all the way up here to you from some open window; there was a lone song that on summer nights the air brought to you in bursts, and the moment you seemed to have grasped some note of it, it was already lost, and you were never sure you had really heard it and had not simply imagined it, desired to hear it, the dream of a woman's voice singing in the nightmare of your long insomnia. This is what you were waiting for, quiet and alert; it is no longer fear that makes you prick up your ears. You have begun to hear again this singing that reaches you with every note distinct, every timbre and colour, from the city that has been abandoned by all music. ~ Italo Calvino

sound," in a different way. Most instruments produce tones that are quite complex, each generating a series of overtones that contribute to our perception of their timbre and that exist in each note played on the instrument, defining its unique, haunting sound. A clarinet, for instance, produces a series of overtones in which some of ~ Bernie Krause

The rest of us, not chosen for enlightenment, left on the outside of Earth, at the mercy of a Gravity we have only begun to learn how to detect and measure, must go on blundering inside our front-brain faith in Kute Korrespondences, hoping that for each psi-synthetic taken from Earth's soul there is a molecule, secular, more or less ordinary and named, over here - kicking endlessly among the plastic trivia, finding in each Deeper Significance and trying to string them all together like terms of a power series hoping to zero in on the tremendous and secret Function whose name, like the permuted names of God, cannot be spoken... plastic saxophone reed sounds of unnatural timbre, shampoo bottle ego-image, Cracker Jack prize one-shot amusement, home appliance casing fairing for winds of cognition, baby bottles tranquilization, meat packages disguise of slaughter, dry-cleaning bags infant strangulation, garden hoses feeding endlessly the desert... but to bring them together, in their slick persistence and our preterition... to make sense out of, to find the meanest sharp sliver of truth in so much replication, so much waste... [Gravity's Rainbow, p. 590] ~ Thomas Pynchon

Their conversation is like a gently wicked dance: sound meets sound, curtsies, shimmies, and retires. Another sound enters but is upstaged by still another: the two circle each other and stop. Sometimes their words move in lofty spirals; other times they take strident leaps, and all of it is punctuated with warm-pulsed laughter - like the throb of a heart made of jelly. The edge, the curl, the thrust of their emotions is always clear to Frieda and me. We do not, cannot, know the meanings of all their words, for we are nine and ten years old. So we watch their faces, their hands, their feet, and listen for truth in timbre. ~ Toni Morrison

With a microsecond pause, and a finely calculated micromodulation of pitch and timbre - nothing you could actually take offense at - Marvin managed to convey his utter contempt and horror of all things human. ~ Douglas Adams

A poet is a combination of an instrument and a human being in one person, with the former gradually taking over the latter. The sensation of this takeover is responsible for timbre; the realization of it, for destiny. ~ Joseph Brodsky

I couldn't think of anything to say. I was idiotically entranced by the way he said "Grace." The tone of it. The way his lips formed the vowels. The timbre of his voice stuck in my head like music. ~ Maggie Stiefvater

The poetry of music composes each generation of Americans' autobiographical memories. Language and music represent two rotaries of the revolving and evolving wheels that we employ to internalize the axis of identification. Music plays a profound role in the definitive stages of most people's lives. Reminiscent of the sounds and smells that flavored our youth, musical intonations organize our personal memories into temporal time sequence. Modulation of musical memories comprises an important quotient in people's autographical memory system. If we listen to enough music, its pitch, tone, timbre, and cadence eventually seeps into our unconsciousness. The lilt of music becomes a portal through which we perceive, feel, and experience worldly inflections and how we synthesize swirling emotions. ~ Kilroy J. Oldster

... "England [sic] is just a small island. Its roads and houses are small. With few exceptions, it doesn't make things that people in the rest of the world want to buy. And if it hadn't been separated from the continent by water, it almost certainly would have been lost to Hitler's ambitions."
~ nothing about its people and their steel will or courage, nothing about their history and legacy we share, nothing about the timbre of their values and virtues, just ".. ~ Mitt Romney

Just then, more footsteps sounded in the hallway, and I did the first thing that came to mind to distract Christopher and give us an excuse for being up here.
Grabbing his lapel, I pulled him toward me until my back was against the wall. Planting my lips on his, I watched as his eyes widened, clearly not expecting this behavior from me. Quickly, though, he recovered, his hands finding my hips, his eyes sliding closed.
"Well, well, well, what do we have here?" the slick voice, that was all too recognizable now, broke us apart.
When I pushed him away, Christopher seemed too bewildered to speak. Cortez stood behind us, a bemused look on his face. My heart stopped as my gaze quickly jumped to the man beside Andres when he spoke one word, the deep timbre of his voice sending electricity down my spine.
"Parker? ~ Ana Ban

I sometimes am challenged to imagine where the timbre of art should be. Should it be about objects that point to this current moment, or how objects are related to ideas of this current moment? ~ Theaster Gates

Ildiko tried to embrace him and frowned when he stepped out of reach, still retaining his hold on her hand.

"I'm filthy, wife, and need a bath of my own." His nostrils flared, and his voice lowered to a more guttural timbre. "Lover of thorns, but you smell good enough to eat."

She arched an eyebrow and glanced at the platters on the table. "Considering our people's respective histories, not to mention that wolf smile when you say such a thing, I'm not sure if I should be flattered or scream for help. ~ Grace Draven

Words when spoken out loud for the sake of performance are music. They have rhythm and pitch and timbre and volume. These are the properties of music and music has the ability to find us and move us and lift us up in ways that literal meaning can't. ~ Josiah Bartlett

For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms. ~ Cornel West

I think people are complacent about sound, because we're so limited by the textures and timbres we hear in music, but in our everyday life we hear the most incredible things. ~ Herbert

You must find the right voice (or voices) for the timbre that can convince a reader to give himself up to you. ~ Erica Jong

I blurted out a sob at the sound. Papa's voice fit into a groove in my ear, deserted for so many years, now full of his timbre. How easy it was to recognize this once lost detail. There was a home for every departed thing. ~ Ingrid Rojas Contreras

A number of terrible things about falling in love make it not worth the time and the effort. But the worst of these is that we can never truly fall in love with a person, but only what we think that person is - more precisely, we fall in love with an image of a person that we create in our minds based on a few inconsequential traits: hair color; bloodline; timbre of voice; preference in music or literature. We are so quick to make a judgment on first sight, and it is so easy for us to decide that the object of our love is unquestionably perfect. And while people can only be human at best, these same fallible humans are more than capable of imagining each other to be infallible gods.
Any relationship we have with another human being is an ongoing process of error correction, altering this image that we see in our mind's eye whenever we lay love-blinded eyes on our beloved. It changes bit by bit until it matches the beloved herself, who is invariably less than perfect, often unworthy of love, and often incapable of giving love. This is why any extended interpersonal relationship other than the most superficial, be it a friendship, a romance, or a tie between father and daughter, must by necessity involve disappointment and pain. When the woman you worship behaves as a human being eventually will, she does not merely disappoint; she commits sacrilege, as if the God we worship were to somehow damn Himself. ~ Dexter Palmer

Until i die there will be these moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming
God grant me the grace to live them
in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from my stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the
light of that gloomy tunnel trapped around his head. ~ James Baldwin

„You," the female on the bed said, her timbre shaded with irrittion. „New guy. Angel Boy. Colonel Curls, or whatever you want to be called. I'm done asking, so now I'm commanding. Free me. ~ Gena Showalter

Render me the texture of flesh. Pick me what it is, in the timbre of the voice, that marks out the living from the dead. ~ Hilary Mantel

He was swaying back and forth with their daughter gazing adoringly into his face from the cradle of his arms. "I'm going to do my best to make sure your life is awesome, but it won't always be. Those are the times you need to dance in the kitchen the most. It's good for your soul."
Beth sighed and leaned her head against the corner of the wall, as enchanted as Lily by the soft, tender timbre of his voice.
"You don't even need music," he told Lily. "You can dance to the music in your head. Hopefully not to that country-and-western shit your mother listens to, though. Oh ... damn. Don't say shit, Lily-bean. Or if you do and Mommy hears you, don't tell her you heard it from me, okay? Tell her Uncle Mike said it. ~ Shannon Stacey

Grand telegraphic discovery today ... Transmitted vocal sounds for the first time ... With some further modification I hope we may be enabled to distinguish ... the "timbre" of the sound. Should this be so, conversation viva voce by telegraph will be a fait accompli. ~ Alexander Graham Bell

Geekiness is that feeling of overwhelming passion for that thing in life that you focus on. Whether it be a nephew's first few steps or the timbre in one's voice when discussing the latest Cohen brothers film. ~ Harry Knowles

(T)here was something in the timbre and inflection of his words that seemed to rummage through a clutter of ancestral fragments to remind me of the person I may have been born to be but had not become. If I didn't take his daily rants against America seriously, it was because it was never really America he was inveighing against, nor was his the voice of a bewildered Middle East trying to fend off a decaying and implacable West. What I heard instead was the raspy, wheezing, threatened voice of an older order of mankind, older ways of being human, raging, raging against the tide of something new that had the semblance and behavior of humanity but really wasn't. It was not a clash of civilizations or of values or of cultures; it was a question of which organ, which chamber of the heart, which one of its clear five senses would humanity cut off to join modernity. ~ Andre Aciman

A certain color tones you up. It's the concentration of timbres. ~ Henri Matisse

I sometimes wish taste wasn't ever an issue, and the sounds of instruments or synths could be judged solely on their colour and timbre. Judged by what it did to your ears, rather than what its historical use reminds you of. ~ Jonny Greenwood

How long, Klara wondered now, how long after the mortar set did the joy remain? When one embraces a moment of rapture from the past, either by trying to reclaim it or by refusing to let it go, how can its brightness not tarnish, turn grey with longing and sorrow, until the wild spell of the remembered interlude is lost altogether and the memory of sadness claims its rightful place in the mind? And what is it we expect from the sun-drenched past? There is no formula for re-entry, nothing we can do to enable reconstruction. The features of an absent loved one's face are erased one by one, the timbre of the voice drowned by the noise of the world. Fondly recalled landscapes are savagely altered; we lose them tree by tree. Even the chestnut tree outside Klara's window would die a slow, rotting death until it would fall one night in a summer storm when everything in Klara wanted it to remain standing, blossoming in spring, leafy in summer, the only access, she secretly believed, to the window of her former self. ~ Jane Urquhart

I'll tell you what you can do," he said, stopping abruptly. Now he did reach out to grip both my shoulders. But still not to kiss me. Only so he could wheel me around to glare at me some more. "You can leave me alone."
Tears sprang once more into my eyes. That's what he wanted from me? For me to stay away from him?
This had turned into a greater disaster than when I'd died. And I was still breathing, so that was say something.
"I'd like to," I said. All I could hear besides the deep, disapproving timbre of his voice was the drum of my heartbeat in my ears. Stupid girl. Stupid girl. Stupid girl, my heart seemed to be saying. "Except every time I try, you show back up, and act such a ... such a ... "
"Such a what?" he demanded. He seemed to be practically daring me to say.
Don't, the voice of my mother warned inside my head. Don't say it.
"Jerk. ~ Meg Cabot

A real man - real in all the ways that we recognize as real - finds himself suddenly abstracted from the world and deposited in a physical situation which could not possibly exist: sounds have aroma, smells have color and depth, sights have texture, touches have pitch and timbre. There he is informed by a disembodied voice that he has been brought to that place as a champion for his world. He must fight to the death in single combat against a champion from another world. If he is defeated, he will die, and his world - the real world - will be destroyed because it lacks the inner strength to survive.

The man refuses to believe that what he is told is true. He asserts that he is either dreaming or hallucinating, and declines to be put in the false position of fighting to the death where no "real" danger exists. He is implacable in his determination to disbelieve his apparent situation, and does not defend himself when he is attacked by the champion of the other world.

Question: Is the man's behavior courageous or cowardly? This is the fundamental question of ethics. ~ Stephen R. Donaldson

Linguistic and musical sound systems illustrate a common theme in the study of music-language relations. On the surface, the two domains are dramatically different. Music uses pitch in ways that speech does not, and speech organizes timbre to a degree seldom seen in music. Yet beneath these differences lie deep connections in terms of cognitive and neural processing. Most notably, in both domains the mind interacts with one particular aspect of sound (pitch in music, and timbre in speech) to create a perceptually discretized system. Importantly, this perceptual discretization is not an automatic byproduct of human auditory perception. For example, linguistic and musical sequences present the ear with continuous variations in amplitude, yet loudness is not perceived in terms of discrete categories. Instead, the perceptual discretization of musical pitch and linguistic timbre reflects the activity of a powerful cognitive system, built to separate within-category sonic variation from differences that indicate a change in sound category. Although music and speech differ in the primary acoustic feature used for sound category formation, it appears that the mechanisms that create and maintain learned sound categories in the two domains may have a substantial degree of overlap. Such overlap has implications for both practical and theoretical issues surrounding human communicative development.

In the 20th century, relations between spoken and musical sound systems were la ~ Aniruddh D. Patel

There are some superficial things that connect me to the stream. There's instrumentation, there's timbre, use of electronics, the way that samples are used, the way the electric guitar is used. I'm thinking of things that are particular to this era. But I don't always feel particularly close to the music of my peers. I often feel that I have more in common with writers and visual artists. I try to connect to people in an emotional kind of way. ~ Missy Mazzoli

Bring the two aliens up here under surveillance." With a microsecond pause, and a finely calculated micro-modulation of pitch and timbre - nothing you could actually take offense at - Marvin managed to convey his utter contempt and horror of all things human. "Just that?" he said. ~ Douglas Adams

What's the true reason I've decided I trust him? Certainly his Council work recommends him, his choice of friends. But isn't it just as much the timbre of his voice? I like to hear him say words. I trust the deep way he says, 'Yes, Lady Queen. ~ Kristin Cashore

I'd pulled my unruly blond hair out of its usual ponytail for the occasion, loaded on some makeup to play up my teal eyes, and poured myself into a little black skirt, short enough to show off my legs while not offending Lafitte's nineteenth-century sensibilities.

It must have worked, because the pirate was giving me that head-to-toe appraisal guys do on instinct, like they're assessing a juicy slab of beef and deciding whether they want it rare, medium, or well-done. "You really are lovely, Drusilla." The timbre of Lafitte's voice shivered down my spine, and I fought the urge to check out the biceps underneath that linen shirt.

Holy crap. This was just wrong. I should not be absorbing his lust. ~ Suzanne Johnson

Syn felt a foot nudge his under the table, making him look at Furi and turn up the corner of his mouth.

"There, that's better," Furi said in his deep, sexy timbre. "You're hot as fuck when you get all controlling."

Syn just shook his head and took a large gulp of the beer the waitress just sat in front of him.


"We'll have the endless wings, please." Furi ordered for them. "Anything else, babe?"

Syn choked on his beer at Furi's term of endearment, wrenching a hearty laugh from not only the waitress but from his date too.

"Funny. You'll pay for that later."

"I hope so," Furi almost purred. ~ A.E. Via

As the sky behind the Eddy Match Factory across the river filled with light, the steady timbre of the water and rapids became sentences spoken in a soft female voice and Eileen accepted, without surprise, the presence of her mother's lost words. So this is what it is to be away, her mother's voice told her. You are never present where you stand. You see the polished dishes in your kitchen cupboard throwing back the hearth light, but they know neither you nor the meals you have taken from their surfaces. Your flagstones are a series of dark lakes that you scour, and the light that touches and alters them sends you unspeakable messages. Waves arch like mantles over everything that burns. Each corner is a secret and your history is a lie. ~ Jane Urquhart

The stench of the pigpens made him take shallow breaths. Michael desperately wanted another drink to drown his sorrows…or, more aptly, his angers. He promised himself that once he found the source of the problem, he'd head to Rigsby's and let alcohol smooth the edge off his ire. Maybe with a few drinks in him, he could better handle Prudence. Nothing else I've tried has worked.
"Michael!"
At the sound of his wife's voice, he stiffened. Speak of the devil. Is there a word for female devil? He couldn't think of one. He nodded good-bye to Hong and was stepping away when---
"Michael, I want to talk to you!" Her voice rose until the timbre was almost a shriek. She ploughed pell-mell for him, her face red with anger.
Hong ducked into his tent. Out of sight, maybe, but not out of earshot.
The Guans' should stuff cotton in their ears to block out the worst of Prudence's screeches.
"I need a drink," he said, beginning to turn away.
"Oh, dear Lord. Don't tell me you're a drunkard like that Obadiah Kettering. Is that another thing you omitted to tell me about your character?"
He swung back.
She was inches away, arms flung wide.
"You omitted telling me I'd be marrying a shrew," he said. "You should have written the word at the top of your fancy stationary in big block letters." He sketched the word in the air and stated each letter. "S-H-R-E-W."
"Why…why I never!" Her mouth opened and closed as if she sought just the right words to h ~ Debra Holland

Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-
great-children's will be. But we learn to live with that love. ~ Jonathan Safran Foer

Flute music, she thought with frustration, and would not look at Arin.
Her opening notes were awkward. She paused, then gave the melody over to her right hand and began inventing with her left, pulling dark, rich phrases out of her mind. Kestrel felt the counterpoint knit itself into being. Forgetting the difficulty of what she was doing, she simply played.
It was a gentle, haunting music. When it ended, Kestrel was sorry. Her eyes sought Ari across the room.
She didn't know if he had watched her play. He wasn't looking at her now. His gaze was unfocused, directed toward the garden without really seeming to see it. The lines of his face had softened. He looked different, Kestrel realized. She couldn't say why, but he looked different to her now.
Then he glanced at her, and she was startled enough to let one hand fall onto the keys with a very unmusical sound.
Arin smiled. It was a true smile, which let her know that all the others he had given her were not. "Thank you," he said.
Kestrel felt herself blush. She focused on the keys and played something, anything. A simple pattern to distract herself from the fact that she wasn't someone who easily blushed, particularly for no clear reason.
But she found that her fingers were sketching an outline of a tenor's range. "Do you truly not sing?"
"No."
She considered the timbre of his voice and let her hands drift lower. "Really?"
"No, Kestrel."
Her hands slid from the keys. "Too ~ Marie Rutkoski

A child screams with joy and a child screams with pain, and the difference is in the timbre of that scream. Decibels of joy strike the inner ear differently from those of pain. ~ Fred D'Aguiar

To be part of Kevin's [Drew] world, "Who Came First" is just kind of a magical symphony. If you're asking me what that emotional timbre what is my favorite, my favorite "why" is the question. The other songs also have a revealing quality, but it started with "Sister OK". ~ Andy Kim

In the beginning, there was the voice.
That was how it began on that first evening, with a masculine voice calling out to me in my sleep; a disembodied voice slithering into my dream, a voice of deep timbre and tones, of sensuous growls, and of low hollow moans- a voice laden with promise and with love. It was as familiar to me as my own, and yet I knew not whether it came from inside my head, from outside me, or from somewhere not of this earth. Hushed like wind through a valley and smooth like velvet, it beckoned me, and I neither had, nor wanted, power against it. The voice was my master. ~ Karen Essex

She remained in this attitude, clearly inviting him to touch her.

Taking a position of advantage, he rested his right hand on her buttock. He considered a moment then raised his arm and brought his palm upon her, delivering a sharp spank. He felt the acuteness of it on his own skin. He gave her another, watching his hand in the mirror opposite, as it made contact.

The slap caused her to flinch, but her heard her sigh also: the timbre of which was now familiar to him. He paused, allowing the sensation of the sting to sink in before giving her more. She remained folded over for him, eager for more of his burning smacks upon her flesh. The peach of her cheeks rippled each time under the impact of his blows. ~ Emmanuelle De Maupassant