The Forest Of Hands And Teeth Quotes

I love you, Mary, he says, and that is when I let the tears come. The great heaving sobs of terror and pain that shake my body until I can do nothing but grab on to Travis to anchor me to this spot. He pulls me toward him and I curl around his body as I weep. I fall into darkness with his fingers trailing through my har, my cheeks still wet and my body heaving. ~ Carrie Ryan

Habits die hard and absence doesn't stop my fingers from searching. ~ Carrie Ryan

Who are we if not the stories we pass down? What happens when there's no one left to tell those stories? To hear them? Who will ever know that I existed? What if we are the only ones left
who will know our stories then? Who will remember those? ~ Carrie Ryan

It's not about surviving. It should be about love. When you know love ... that's what makes this life worth it. When you live with it everyday. Wake up with it, hold on to it during the thunder and after a nightmare. When love is your refuge from the death that surrounds us all and when it fills you so tight that you can't express it. ~ Carrie Ryan

The sun, through the filter of the trees, glints green off the cells of her suit, outlines her soft curves. I'm overcome with visions of my father poring over his books, and the wet, verdant forest floor, and newts pausing over toxic yellow candy, and leaves flying up from the impact of Bryan's body hitting the ground. Another, confused part of me hears my father's voice calling the refs scum, trash, slime. With flashes of fury at Marisa, mixed with a sad, all-consuming longing that feels dangerously like love, I pluck her hands from my face and push her away. -from Fireseed One ~ Catherine Stine

« Demain, dès l'aube… »


Demain, dès l'aube, à l'heure où blanchit la campagne,
Je partirai. Vois-tu, je sais que tu m'attends.
J'irai par la forêt, j'irai par la montagne.
Je ne puis demeurer loin de toi plus longtemps.

Je marcherai les yeux fixés sur mes pensées,
Sans rien voir au dehors, sans entendre aucun bruit,
Seul, inconnu, le dos courbé, les mains croisées,
Triste, et le jour pour moi sera comme la nuit.

Je ne regarderai ni l'or du soir qui tombe,
Ni les voiles au loin descendant vers Harfleur,
Et quand j'arriverai, je mettrai sur ta tombe
Un bouquet de houx vert et de bruyère en fleur.


Tomorrow, At Dawn
Tomorrow, at dawn, at the hour when the countryside whitens,
I will set out. You see, I know that you wait for me.
I will go by the forest, I will go by the mountain.
I can no longer remain far from you.

I will walk with my eyes fixed on my thoughts,
Seeing nothing of outdoors, hearing no noise
Alone, unknown, my back curved, my hands crossed,
Sorrowed, and the day for me will be as the night.

I will not look at the gold of evening which falls,
Nor the distant sails going down towards Harfleur,
And when I arrive, I will place on your tomb
A bouquet of green holly and of flowering heather ~ Victor Hugo

I walk into the night forest. I reach out my hands on either side. I can feel the smooth bark of the Red Alder trees and the rough chasms of mature Douglas Fir, and then I can feel the stringy fibrous bark of the Western Red Cedar. I can push my fingers into the Cedar bark; it is like cloth to my fingertips. But here and there I can also feel the lacelike fingers of Hemlock and the prickly needles of Spruce touching my face and my neck. ~ Ned Hayes

Everything about her in that moment was soft, and that was one of his favorite memories later on--her tense grace made tender by the dimness, her eyes and hands and especially her lips, infinitely soft. He kissed her again and again, and each kiss was nearer to the last one of all.

Heavy and soft with love, they walked back to the gate. Mary and Serafina were waiting.

"Lyra--" Will said.

And she said, "Will."

He cut a window into Cittàgazze. They were deep in the parkland around the great house, not far from the edge of the forest. He stepped through for the last time and looked down over the silent city, the tiled roofs gleaming in the moonlight, the tower above them, the lighted ship waiting out on the still sea.

He turned to Serafina and said as steadily as he could, "Thank you, Serafina Pekkala, for rescuing us at the belvedere, and for everything else. Please be kind to Lyra for as long as she lives. I love her more than anyone has ever been loved. ~ Philip Pullman

Matthias always slept with his back to a wall, a habit from his days in Hellgate. She'd let her hands wander, seeking his pockets, trying to feel along the linings of his trousers.
"Nina?" he'd asked sleepily.
"I'm cold," she said, her hands continuing their search. She pressed a kiss to his neck, then below his ear. She'd never let herself kiss him this way before. She'd never had the chance. They'd been too busy untangling the skein of suspicion and lust and loyalty that bound them together, and once she'd taken the parem … It was all she could think of, even now. The desire she felt was for the drug, not for the body she felt shift beneath her hands. She didn't kiss his lips, though. She wouldn't let parem take that from her too.
He'd groaned slightly. "The others - "
"Everyone is asleep."
Then he'd seized her hands. "Stop."
"Matthias - "
"I don't have it."
She yanked herself free, shame crawling over her skin like fire over a forest floor. "Then who does?" she hissed.
"Kaz." She stilled. "Are you going to creep into his bed? ~ Leigh Bardugo

Tim turned around, and took a few steps away from her. It was as though a lever had been pulled that activated several mixtures of emotions that left him in a bizarre land searching through a wide forest for a particular tree that had an emergency shade of peace. He turned back around, and stood with his hands in his pockets. An empty bucket of happiness had been dumped out on the road of his burst bubble, and left him longing for the substance of a smile. ~ Calvin W. Allison

Still stands the forest primeval; but far away from its shadow,
Side by side, in their nameless graves, the lovers are sleeping.
Under the humble walls of the little catholic churchyard,
In the heart of the city, they lie, unknown and unnoticed;
Daily the tides of life go ebbing and flowing beside them,
Thousands of throbbing hearts, where theirs are at rest and forever,
Thousands of aching brains, where theirs no longer are busy,
Thousands of toiling hands, where theirs have ceased from their labors,
Thousands of weary feet, where theirs have completed their journey! ~ Henry Wadsworth Longfellow

Such are the visions which ceaselessly float up, pace beside, put their faces in front of, the actual thing; often overpowering the solitary traveller and taking away from him the sense of the earth, the wish to return, and giving him for substitute a general peace, as if (so he thinks as he advances down the forest ride) all this fever of living were simplicity itself; and myriads of things merged in one thing; and this figure, made of sky and branches as it is, had risen from the troubled sea (he is elderly, past fifty now) as a shape might be sucked up out of the waves to shower down from her magnificent hands, compassion, comprehension, absolution. So, he thinks, may I never go back to the lamplight; to the sitting-room; never finish my book; never knock out my pipe; never ring for Mrs. Turner to clear away; rather let me walk on to this great figure, who will, with a toss of her head, mount me on her streamers and let me blow to nothingness with the rest. ~ Virginia Woolf

If you have ever come upon a grove that is thick with ancient trees rising far above their usual height and blocking the view of the sky with their cover of intertwining branches, the loftiness of the forest, the seclusion of the spot, and your wonder at the unbroken shade in the midst of open space will create in you a sense of the divine (numen). Or, if a cave made by the deep erosion of rocks supports a mountain with its arch, a place not made by hands but hollowed out by natural causes into spaciousness, then your mind will be aroused by a feeling of religious awe (religio). We venerate the sources of mighty rivers, we build an altar where a great stream suddenly bursts forth from a hidden source, we worship hot springs, and we deem lakes sacred because of their darkness or immeasurable depth. (Seneca the Younger, Letters 41.3) ~ Valerie M. Warrior

I put my hands on my hips. "What's wrong with the way I look?"
"Come on, Vi," he says, keeping his voice low. "You just need to add your boots and you're like the forest version of Lara Croft."
"Excuse me? Lara who?"
"I mean, it's really sexy and everything." He pulls me closer and slips his arms around my waist. "But it's not exactly the way I'd want you to meet my mom. ~ Rachel Morgan

Sometimes I hate this language with its false words like sunset. The sun does not set. It doesn't rise either. It just stays there in one place, yet we get all romantic, huddling on beaches to watch its so-called departure, when it is we who turn away from it, which is a good thing-if the sun could turn, it would never come back, it'd just keep going, look for some better planet to nourish.

Moonlight is another lie. It's a luminescent echo. The moon is a politician whose speeches are written by the sun. I long for a world where witnesses in court must place their hands on a dictionary when they swear. A world where an archer must ask an arrow's permission before loading it into a crossbow. A world with inverted flashlights that shoot out beams of darkness, so you can go to the beach and sabotage sunbathers, rob them of their shine.

A world where people eat animals they wish to emulate. But who the hell am I? I'm just the spark from two people who rubbed their genitals together like sticks in a forest one October night because they were cold. I'm just burning the firecracker at both ends. Every morning I get up and swallow my weirdness pills.

I know the glass is half full, but it's a shot glass, and there are four of us, and we're all very thirsty. I know it's easy not to cry over spilled milk when you've got another carton in the fridge. ~ Jeffrey McDaniel

Often, though, the passivity of the woman's role weighs on me, suffocates me. Rather than wait for his pleasure, I would like to take it, to run wild. Is it that which pushes me into lesbianism? It terrifies me. Do women act thus? Does June go to Henry when she wants him? Does she mount him? Does she wait for him? He guides my inexperienced hands. It is like a forest fire, to be with him. New places of my body are aroused and burnt. He is incendiary. I leave him in an unquenchable fever. ~ Anais Nin

Do not try to save
the whole world
or do anything grandiose.
Instead, create
a clearing
in the dense forest
of your life
and wait there
patiently,
until the song
that is yours alone to sing
falls into your open cupped hands
and you recognize and greet it.
Only then will you know
how to give yourself
to this world so worthy of rescue. ~ Martha Postlethwaite

Why should I not love her? Harry, I do love her. She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her die in the gloom of an Italian Tomb, sucking the poison from her lover's lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear, and bitter herbs to taste of. She has been innocent, and the black hands of jealousy have crushed her reed-like throat. I have seen her in every age and in every costume. Ordinary women never appeal to one's imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in one of them. ~ Oscar Wilde

The idea of love walked along the water and her gaze was full of absence and her eyes spat lighting. The impressionable evening received by turns the imprints of grasses, clouds, bodies, and wore crazy astronomical designs. The idea of love walked straight ahead without seeing anything; she was wearing tiny isosceles mirrors whose perfect assemblage was amazing. They were so many images of fish tails, when, by their angelic nature, they answer the promise one might make of always finding each other again. Finding each other again even in the depths of a forest, where the thread of a star is an articulation more silent than life, the dawn a liquor stronger than blood. Who is lost, who truly wanders off when a cup of coffee is steaming in the fog and waiters dressed in snow circulate patiently on the surface of floors whose desired height can be indicated with one's hands? Who? A solitary man whom the idea of love has just left and who tucks in his spirit like an imaginary bed. The man falls all the same and in the next room, under the moon-white verandah, a woman rises whom the idea of love has abandoned. The gravel weeps outside, a rain of glass is falling in which we recognize small chains, tears in which we have time to see ourselves, mirror tears, shards of windows, singular crystals like the ones we witness in our hand on awakening, leaves and the faded petals of those roses that once embelished certain distillery bottles. It's just that the idea of love, it seems angry w ~ Andre Breton

He's terrified. Terrified of seeing you in his enemies' hands. And they know it, too - they know all they have to do to own him would be to get ahold of you." "You think I don't know that? But does he honestly expect me to spend the rest of my life in that manor, overseeing servants and wearing pretty clothes?" Lucien watched the ever-young forest. "Isn't that what all human women wish for? A handsome faerie lord to wed and shower them with riches for the rest of their lives?" I gripped the reins of my horse hard enough that she tossed her head. "Good to know you're still a prick, Lucien. ~ Sarah J. Maas

There are children on the island who go barefoot all summer and wear feathers in their hair, the Volkswagen vans in which their parents arrived in the '70s turning to rust in the forest. Every year there are approximately two hundred days of rain. There's a village of sorts by the ferry terminal: a general store with one gas pump, a health-food store, a real-estate office, an elementary school with sixty students, a community hall with two massive carved mermaids holding hands to form an archway over the front door and a tiny library attached. The rest of the island is mostly rock and forest, narrow roads with dirt driveways disappearing into the trees. ~ Emily St. John Mandel

It was said that the Old Folk controlled the power of fire, among other things, but that was in the Long and Long Ago. Before that, the fathers of the Old Folk caught a spark with flint and steel and their own desire to live. It was also said that the world was a great wheel, and everything came round to what it once had been, and so Steven Boughmount knelt in the snow with rocks in his hands, trying to catch a flame. He was having little luck. Just over the low hills, beyond this scrub of forest, the village was warm and sleeping behind its wall.
That's where I should be, Steven thought as he scraped the edge of one rock against the other. Not in bed, not yet, but stretched out in my chair with my feet up, a pipe smoking just right in my hand and Heather curled up beside me. The boys are all asleep, but maybe we'll stay up for a while. Maybe we'll move to the bedroom, maybe not. That's where I should be, not up to my ass in snow trying to light a fire.
"C'mon, bastard," he said, and drug the sharp edge of the rock in his right hand against the flat of the one in his left. A white spark flew, and then died before it could reach the stripped branches and dried moss he had laid out on the frozen ground.
Snow crunched somewhere off to the left of him. Steven heard soft, bare footsteps. They were coming, all right. And they were in a hurry, running toward a village protected by two drunks on either side of a leaning gate. That was why Steven sat in the snow. When ~ Michael Kanuckel

At that time, a number of myths were created by the young people of the smoking carriages and forests of hallucinogenic mushrooms, the hungry for the thirst of lysergic acid, who were too tired of the suffering they grew up in and needed to take refuge in dreams. In these children's universe there were unbelievable stories about places in the mountains that women sought to retreat to, places where people were united by music and love for a mutual spiritual growth. For Aunt Jeanine, who had grown up with the image of her father, an amputee due to the war, feeding on such stories was like a haven, one she would later try to turn into her home. And one of those stories, one particular one, stood in her memory until the last stage of her life, when she passed away at eighty-one, burned with fire. (...) At that time, kid, they said that if we searched enough, we would find a place where the world wouldn't end. Men would never know what hell of a place that was, totally unconquerable! A place where the dirty hands of men would never arrive. A place men would never know about . Don't you think I could find it? To have my body disappearing in the woods, as I saw happening to kids in Japan, in that forest that swallows them to its core. Flesh turned to powder, my essence disappearing in the middle of life. They said that, when you die at a place, you'll stay at that place forever. That was why everyone was afraid to go to war. They weren't afraid of dying, kid, they were afraid of dyi ~ Pat R

Our dearest one. Fear nothing of the forest. There is no danger in solitude. We have no need of our brothers. Let us forget their good and our evil, let us forget all things save that we are together and that there is joy as a bond between us. Give us your hand. Look ahead. It is our own world, Golden One, a strange, unknown world, but our own. ~ Ayn Rand

Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky.
Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. "The Blackthorn manor," he said. "Which means that around this bend in the road is …" He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante - Clary could see the demon towers in the distance - while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. " … the Herondale manor," Jace finished.
The wind picked up; icy, it ruffled Jace's hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. "Did you want to go and look at it?" she asked.
His breath came out in a white cloud. "I'm not sure. ~ Cassandra Clare

If they come to this forest, to us here, seeking shelter from the havoc that has been brought upon their lands, at the hands of evil, I say come. I say join us in this fight! The royal throne of Northbrook no longer resides in Gamlock. It is here. Now. In this place. You are its soldiers, I am its king, and we will work together to unite all who are willing to fight alongside us! (Wharick) ~ Madison Thorne Grey

There was a numbness in Clary's hands, a hard pressure in her chest. It was lovely, she could see that: the city rising up beside her like a towering forest of silver and glass, the dull gray shimmer of the East River, slicing between Manhattan and the boroughs like a scar. ~ Cassandra Clare

It was a stupid risk. I should know better." He picked up a twig from the forest floor and threw it away angrily. "I still have the roll," I offered lamely, pulling the squashed, lint-covered lump from my pocket. It had been baked into the shape of a bird to celebrate the spring flocks, but now it looked more like a rolled-up sock. Mal dropped his head, covering it with his hands, his elbows resting on his knees. His shoulders began to shake, and for a horrible moment, I thought he might be crying, but then I realized he was laughing silently. His whole body rocked, his breath coming in hitches, tears starting to leak from his eyes. "That better be one hell of a roll," he gasped. I ~ Leigh Bardugo

When the logs in the fireplace crackle merrily, the corpse of a beech or oak is going up in flames. The paper in the book you are holding in your hands right now is made from the shavings of spruce, and birches were expressly felled (that is to say, killed) for this purpose. Does that sound over the top? I don't think so. For if we keep in mind all we have learned in the previous chapters, parallels can definitely be drawn to pigs and pork. Not to put too fine a point on it, we use living things killed for our purposes. Does that make our behavior reprehensible? Not necessarily. After all, we are also part of Nature, and we are made in such a way that we can survive only with the help of organic substances from other species. We share this necessity with all other animals. The real question is whether we help ourselves only to what we need from the forest ecosystem, and-analogous to our treatment of animals-whether we spare the trees unnecessary suffering when we do this.

That means it is okay to use wood as long as trees are allowed to live in a way that is appropriate to their species. And that means that they should be allowed to fulfill their social needs, to grow in a true forest environment on undisturbed ground, and to pass their knowledge on to the next generation. And at least some of them should be allowed to grow old with dignity and finally die a natural death. ~ Peter Wohlleben

I am above the forest region, amongst grand rocks & such a torrent as you see in Salvator Rosa's paintings vegetation all a scrub of rhodos. with Pines below me as thick & bad to get through as our Fuegian Fagi on the hill tops, & except the towering peaks of P. S. [perpetual snow] that, here shoot up on all hands there is little difference in the mt scenery - here however the blaze of Rhod. flowers and various colored jungle proclaims a differently constituted region in a naturalist's eye & twenty species here, to one there, always are asking me the vexed question, where do we come from?
[Letter to Charles Darwin 24 Jun 1849] ~ Joseph Dalton Hooker

Alec approached me slowly, cautiously, as someone might approach a deer in the forest, afraid at any moment the animal might bolt and sprint away.
"There now," he whispered.
His hands brushed my cheeks, an infinite tenderness in his fingers, soaking into my skin, sending waves of calming love into my shattered soul. The simple touch of his skin so close to mine was enough to thaw my rigid body. I raised my eyes to his, uncertain, but no longer afraid. ~ Nikki Landis

You know, sleeping outdoors isn't all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and," he made eye contact with me, "so does your hair."
I blushed and grumbled, "Well, I'm glad someone enjoyed it."
He smiled smugly and said, "I did."
I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand.
"Well, listen, Ren, you're changing the subject. I don't appreciate the way you manipulated me into being here. Mr. Kadam should've told me at the circus."
He shook his head. "We didn't think you'd believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything."
I admitted, "You're probably right. If you had changed to a man there, I don't think I would have come"
"Why did you come?"
"I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you." I blushed.
He grinned lopsidedly. "I would have missed you too."
I wrung the hem of my shirt between my hands.
Misreading my thoughts, he said, "Kelsey. I'm truly sorry for the deception. If there'd been any other way-"
I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me ~ Colleen Houck

If I ever stood a chance of resisting her, it evaporates the instant she leans into me. So does every last ounce of finesse that I'm normally capable of. The kiss that should've started out slow starts out like a forest fire. The first taste of her tongue consumes me.
And I'm lost.
And I'm lost.
My hands are in her hair and my mouth is devouring hers. I give no thought to where I am or the girlfriend whose father I work for. I can't think past how badly I want to be inside the tight, hot body of the girl in my arms.
But why? Why do I want her so bad? ~ M. Leighton

And when we pushed away that other, bad vision, we felt good again and everything was a joy to us: the fire, the smell of trampled grass, that our shirts had dried, the sleep of the earth, the taste of cigarettes, the forest, our rested legs, the stardust, life - life most of all.

In the end, we went on. The dawn met us. The sun warmed us. We kept walking. Our legs buckled, our shoulders went numb, our hands swelled, but we managed to carry it to the cemetery - to the grave - our last harbour on earth, at which we put in only once, never again to sail forth - this Stefan Kanik, eighteen, killed in a tragic accident, during blasting, by a block of coal. ~ Ryszard Kapuscinski

Come for a walk, dear. The air will do you good."
Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance.
On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips:
"You, a sailor!"
And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets ~ Gaston Leroux

A girl and a boy, sitting lazily cross-legged under a pale green willow, picking at the grass. She is lying with her head in his lap, long red hair fanned against his knee. Her skin is not my unnatural red but like honeyed cream. She grins up at him, his eyes the color of an evergreen forest, of dragonfly wings, his corn-gold, too-long hair falling over his forehead. And she laughs. When she does her back, her throat arches slightly, and he blushes. He smells of wheat fields and fallen autumn apples soft against the earth, and it is a smell she knows like her own. Under the filmy reed-curtain of the old willow tree, they hold hands and talk quietly, shoes discarded like peach pits. The sun is low in the sky, warm and orange-gold on their young faces, their strong white smiles and freshly washed hair. The light spills onto their shoulders like water from a well. There are sharp-smelling rosemary branches braided into her hair, with their little blue blossoms, and the oil is on their brown fingers. The boy whispers something in the girl's ear, and she closes her eyes, lashes smoking cheekbones like bundles of sage. ~ Catherynne M. Valente

The music of Beethoven's Fidelio always rises up in my mind when I think of that meeting in the forest, and my throat constricts with an emotion that is, I'm afraid, purely factitious--unless feelings are more a part of our physical inheritance than is commonly believed, in which case it is Mary Edie's joy, unquenchable, passed on, and then passed on again, generation after generation, along with the color of eyes and the shape of hands and characteristic habits of mind and temperament. ~ William Maxwell

She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her the in the gloom of an Italian tomb, sucking the poison from her lover's lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear, and bitter herbs to taste of. She has been innocent, and the black hands of jealousy have crushed her reed-like throat. I have seen her in every age and in every costume. Ordinary women never appeal to one's imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in any of them: ~ Oscar Wilde

How to appreciate the beauty of a woman: First, close your eyes without any lust or sexual desire, then feel the softness of her body, her delicate hands, her eyes, her lips, her breasts, her thighs. Second, soak your soul in her mind, feel the vortex of her inner needs and desires, listen to the rhythmic sound of her joys and sorrows, and tiptoe on the matrix of her dreams and longings. As soon as you imagine and understand these nuances in a woman, you'll immediately feel a strange sensation of warmth and nurturing presence, almost maternal, like a gentle breeze in the sea or the fragrance of flowers in the forest. You see, her beauty does not reside in her physical appearance - whoever she is and no matter how she looks - because she, the woman herself, is the definition, the embodiment, and the birthplace of beauty. (Danny Castillones Sillada, The Phenomenology of Beauty in a Woman) ~ Danny Castillones Sillada

When you make a mistake with metal, you can melt things down and start afresh. It is irritating, and it costs in time and soot and sweat, but it can be done. There is a comfort in iron, knowing that a fresh start is always possible.

But a city is not a sword. It is a living thing, and living things defy simple fixing. Roots cannot be reforged. They scar, and broken branches must be cut and sealed with tar, and this makes me angry, as it always has, and my anger has no place to go.

It was easier when I was young. I could use my anger like a hammer against the world. I was so sure of myself and my friends and my rightness. I would hammer at the world, and breaking felt like making to me, and I was good at it. And while I was not wrong, neither was I entirely right.

Nothing is simple. I do not work in wood. I am not brave enough for that. There is a comfort in iron, a promise of safety, a second chance if mistakes are made. But a city is more a forest than a sword. No, it needs more tending than that. Perhaps a city is like a garden, then.

So these days, it seems I have become a gardener. I dig foundations in the earth. I sow rows of houses. I plan and plant. I watch the skies for rain and ruin. I cannot help but think that you would be better at this, but circumstance has put both of us in our own odd place. You are forced to be a hammer in the world, and my ungentle hands are learning how to tend a plot of land.

We must d ~ Patrick Rothfuss

If you don't attend, Gwendolen," said the mistress, "and stop looking out of the window, I shall have to give you an order-mark."
"But please, Miss Prizzle-" began Gwendolen.
"Did you hear what I said, Gwendolen?" asked Miss Prizzle.
"But please, Miss Prizzle," said Gwendolen, "there's a LION!"
"Take two order-marks for talking nonsense," said Miss Prizzle. "And now-" A roar interrupted her. Ivy came curling in at the windows of the classroom. The walls became a mass of shimmering green, and leafy branches arched overhead where the ceiling had been. Miss Prizzle found she was standing on grass in a forest glade. She clutched at her desk to steady herself, and found that the desk was a rose-bush. Wild people such as she had never even imagined were crowding round her. Then she saw the Lion, screamed and fled, and with her fled her class, who were mostly dumpy, prim little girls with fat legs. Gwendolen hesitated.
"You'll stay with us, sweetheart?" said Aslan.
"Oh, may I? Thank you, thank you," said Gwendolen. Instantly she joined hands with two of the Maenads, who whirled her round in a merry dance and helped her take off some of the unnecessary and uncomfortable clothes that she was wearing. ~ C.S. Lewis

I spin in the trail to face Kat, who raises her own walking stick to meet mine.
'A duel to the death?' Kat says, giggling.
I laugh, too, and we spar for a moment playfully until Kat gently presses the tip of her stick into my chest. 'On your knees and beg for mercy.'
Oh, god. This feels silly and dangerous at the same time. I kneel. I look up at Kat, beautiful and fierce standing there with the setting sun in her hair and her face so stern. Only her eyes are full of mirth. I stare.
'Close your eyes, prisoner.'
I giggle stupidly, my heart leaping at the point of her stick.
'Close your eyes. And stop laughing.'
I try to obey, shaking a little.
Katy moves her makeshift lance to my neck, pressing gently. 'Close em.'
I close my eyes, serious at last. There is a long silence, and I feel genuinely vulnerable for a moment, as though Kat really does have a sword to my neck. Then I feel the stick come down gently and touch each of my shoulders.
'I… dub… thee… mine,' says Kat softly. 'Sealed with a kiss.' The stick falls to the forest floor behind her. She kneels down in front of me and touches my face with both hands. It's all I can do to stay here, to be here, to hold still. ~ Elissa Janine Hoole

Work hard. Work dirty. Choose your favourite spade and dig a small, deep hole; located deep in the forest or a desolate area of the desert or tundra. Then bury your cellphone and then find a hobby. Actually, 'hobby' is not a weighty enough word to represent what I am trying to get across. Let's use 'discipline' instead. If you engage in a discipline or do something with your hands, instead of kill time on your phone device, then you have something to show for your time when you're done. Cook, play music, sew, carve, shit - bedazzle! Or, maybe not bedazzle... The arrhythmic is quite simple, instead of playing draw something, fucking draw something! Take the cleverness you apply to words with friends and utilise it to make some kick ass cornbread, corn with friends - try that game. I'm here to tell you that we've been duped on a societal level. My favourite writer, Wendell Berry writes on this topic with great eloquence, he posits that we've been sold a bill of goods claiming that work is bad. That sweating and working especially if soil or saw dust is involved are beneath us. Our population especially the urbanites, has largely forgotten that working at a labour that one loves is actually a privilege. ~ Nick Offerman

A wild boar was sharpening his tusks upon the trunk of a tree in the forest when a fox came by and asked, Why are you doing that, pray? The huntsmen are not out today and there are no other dangers at hand that I can see. True, my friend, replied the Boar, but the instant my life is in danger, I shall need to use my tusks. There will be no time to sharpen them then. ~ Aesop

I want porridge!" she said, exasperated. "That's all. I wanted a bunny before and 'it' appeared, and now I want porridge. The way my aunts used to make it on cold mornings. Warm and buttery, with rich toasted acorns in it."
"Acorns? Really? That sounds... um... I mean, it's an interesting gastronomic choice."
She rolled her eyes. "We lived in the middle of a 'forest,' Royal Prince. It was what we had. And a real treat in the middle of winter."
Then she proceeded to ignore him.
She closed her eyes and cupped her hands. She prayed and wished and imagined and begged.
Phillip stayed politely silent- though he did look around, sigh a little, and do all sorts of other things to obviously fret over the passage of time.
She tried to call up the feel of the wooden bowl in her hands: it warmed almost like flesh where the wood was thin and the heat of her fingers and the hot porridge mingled. She summoned the smell, a mix of dairy and things of the earth and the tall green grass and the woods. Sometimes there was even a dollop of honey on top.
She thought so hard she felt like she had to go to the privy.
Her concentration faltered for a moment when she distractedly wondered if that ever happened to Maleficent when she was performing an incantation. But after a few seconds she was back in her dream of porridge.
Time passed...
"GOOD LORD!"
The smell in her head was giving to a real scent in her nose now, with even that faint, almost ' ~ Liz Braswell

She nodded, but looked off into the distance, keeping her weight on her uninjured ankle. "Uh...I have to go...you know...I have to go."

He looked up at her, his brow furrowed. "Go where?"

"Oh my god. Shoot me now," she said, fisting her hands.

"I'm trying to-oh." His eyes lit up with comprehension. He dug around in the bag a little bit, and handed her a roll of toilet paper. "Here."

She eyed his bag hopefully. "You got a toilet and shower in there, too, Eagle Scout?"

He laughed. "I wish. It's not so bad, I promise."

"Maybe not for you," she pointed out. "At least you get to stand. I have to squat with my bare butt hanging out with a white flag for all the forest creatures. ~ Diane Alberts

Lot of questions came up during that struggle between life and death. Are such bonds, with a husband and sons, necessary for women? I thought they were not, so I moved away from them. I am living with my art. I give the same advice to my students. I don't make a sand pot often. I make it occasionally so that I don't forget the fragile nature of paativratyam.'
'Does a woman have a world other than her husband's? Is there a higher meaning to a woman's life than motherhood? Your experience may have been different. But to preach everyone on the basis of your experience …'
'A woman thinks she doesn't have a world other than that of her husband's. True. But some day that very husband will tell her that there is no place for her in his world. Then what's left for her? She thinks giving birth to sons is the ultimate goal of her life. But those sons become heirs to their father, and even before we realize it, they leave her hands and go under the wing of their father. They submit to his authority. Or they begin to legislate our lives. Why bear such sons? Nobody will experience this as harshly as I have. Having realized this bitter truth, isn't it my responsibility to share it with other women? But you Brahmins give no value for my words anyway. I teach my skills to people of different tribes in this forest and give them the essence of my experience. ~ Volga