Tales Of The Madman Underground Quotes

By noon everyone had heard that I had spent the night with Marti in a hotel room and when the cops came by, with our mothers, I had asked for time to get dressed. It was also all over the school that I had deliberately provoked Gratz and lived to tell of it, and that Paul had knocked me flat. And on top of that, Spooky Darla had given me a thermonuclear kiss in public.
No getting away from it: I was now Public Madman Number One. ~ John Barnes

The lunatic is the man who lives in a small world but thinks it is a large one; he is the man who lives in a tenth of the truth, and thinks it is the whole. The madman cannot conceive any cosmos outside a certain tale or conspiracy or vision. ~ Gilbert K. Chesterton

If asked to list my ten favorite American fiction writers, Gail Godwin would be among them. In this, her latest ... she evokes in a short book the long married life of two artists. Evenings at Five is a strong tale of love-after-death. ~ Ned Rorem

Last night I dreamed of the "happy hunting ground." I passed through a place of bones that looked human, but weren't--the skulls were wrong. Then I came to a place where the days were the best of every season, the sweetest air and water in spring, then the dry heat where deer make dust in the road, the fog of fall with good leaves. And you could shoot without a gun, never kill, but the rabbits would do a little dance, all as if it were a game, and they were playing it too. Then winter came with heavy powder-snow, and big deer, horses, goats and buffaloes--all white--snorted, tossed their heads, and I lay down with my Army blanket, made my bed in the snow, then dreamed within the dream. I dreamed I was at Fleety's, and she told me the bones were poor people killed by bandits, and she took me back to the place, and under a huge rock where no light should have shown, a cave almost, was a dogwood tree. It glowed the kind of red those trees get at sundown, the buds were purple in that weird light, and a madman came out with an axe and chopped at the skulls, trying to make them human-looking. Then I went back to the other side of both dreams. --from a letter to his mother, Helen Pancake, where he describes a dream that seems to encapsulate the play between violence and gentleness in his life. ~ Breece D'J Pancake

I understand why society, especially American society, is gravitating toward fairy tales, given our economy. We've been exploring the world of witches and wizards for years. We've been exploring the world of vampires for years. Clearly the public - I mean, I feel like all of this was ushered in by 'Harry Potter' - in my own fannish beliefs. ~ Ginnifer Goodwin

Fate is a woman, I said to them. In fact, she is three women. Young, like us, so that they will have the courage to be cruel, having no weight of memory to teach temperance. Young, but so old, older than any stone. Their hair is silver, but full and long. Their eyes are black. But when they are at their work they become dogs, wolves, for they are hounds of death, and also hounds of joy. They take the strands of life in their jaws, and sometimes they are careful with their jagged teeth, and sometimes they are not. They gallop around a great monolith, the stone that pierces our Sphere where the meridians meet, that turns the Earth and pins it in place in the world. It is called the Spindle of Necessity, and all round it the wolves of fate run, and run, and run, and the patterns of their winding are the patterns of the world. Nothing can occur without them, but they take no sides.
I could also say that there is such a stone, such a place, but the dogs who are women died long ago, and left the strands to fall, and we have been helpless ever since. That in a wolfless world we must find our own way. That is more comforting to me. I want my own way, I want to falter; I want to fail, and I want to be redeemed. All these things I want to spool out from the spindle that is me, not the spindle of the world. But I have heard both tales. ~ Catherynne M. Valente

There is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but is a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are also the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale has no abode or place of beind except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And . . . in whatever . . . place by whatever . . . name or by no name at all . . . all tales are one. Rightly heard all tales are one. ~ Cormac McCarthy

Why all this insistence on the senses? Because in order to convince your reader that he is THERE, you must assault each of his senses, in turn, with color, sound, taste, and texture. If your reader feels the sun on his flesh, the wind fluttering his shirt sleeves, half your fight is won. The most improbable tales can be made believable, if your reader, through his senses, feels certain that he stands at the middle of events. He cannot refuse, then, to participate. The logic of events always gives way to the logic of the senses. ~ Ray Bradbury

[Enoch Root] hadn't really known what to expect of America. But people here seem to do things - hangings included - with a blunt, blank efficiency that's admirable and disappointing at the same time. Like jumping fish, they go about difficult matters with bloodless ease. As if they were all born knowing things that other people must absorb, along with faery-tales and superstitions, from their families and villages. Maybe it is because most of them came over on ships.
(Boston Common, October 12, 1713, 10:33:52 a.m.) ~ Neal Stephenson

Come sit, dear," the old woman said. "We were just discussing kelpies and changelings."

I turned a delightfully amused face at Ronan, hoping to see him embarrassed to be caught in a world of fantasy, but his face was impassive, completely unperturbed. Those were the hardest boys to ignore: the ones that weren't concerned with your opinion of them, not afraid to be caught listening to fairytales. ~ Annie Cosby

The men began to trade tales of atrocities, first stories they had heard, then those they'd witnessed, and finally the things that had happened to themselves. A litany of personal humiliation, outrage, and anger turned sicklelike back to themselves as humor. They laughed then, uproariously, about the speed with which they had run, the pose they had assumed, the ruse they had invented to escape or decrease some threat to their manliness, their humanness. All but Empire State, who stood, broom in hand and drop-lipped, with the expression of a very intelligent ten-year-old. ~ Toni Morrison

If you run about the streets pretending to be a madman, then a madman is what you are. If in pretence of being wicked you kill a man, wicked is what you are. A horse that pretends to fleetness must be counted among the fleet; a man who models himself on the saintly Emperor Shun157 will indeed be among his number. Even a deceitful imitation of wisdom will place you among the wise. ~ Yoshida Kenko

Jesus wastes none of our stories, even our tales of woe. He transforms them into epic adventures where we dare to face our past for the sake of our present. ~ Mary E. DeMuth

Do you wonder where poetry comes from? Where we get the songs we sing and the tales we tell? Do you ever ask yourself how it is that some people can dream great, wise, beautiful dreams and pass those dreams on as poetry to the world, to be sung and retold as long as the sun rises and sets, as long as the moon will wax and wane? Have you ever wondered why some people make beautiful songs and poems and tales, and some of us do not? It ~ Neil Gaiman

When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! ~ Lewis Carroll

The framed tale is, in my opinion, one of the most natural ways to tell a story. If you think of it, the conceit of the frame-less story is actually the odd way of doing things. Without the frame, how do you know the context for a story? ~ Patrick Rothfuss

Meant to be together? Are you listening to yourself? This isn't one of your fairy tales, Fallon. This is real life, and in the real world you have to bust your ass for the happy ever after! ~ Colleen Hoover

There is a peculiar strength that comes to one who is facing the final battle. That battle is not limited to war, nor the strength to warriors. I've seen this strength in old women with the coughing sickness and heard of it in families that are starving together. It drives one to go on, past hope or despair, past blood loss and gut wounds, past death itself in a final surge to save something that is cherished. It is courage without hope. During the Red-Ship Wars, I saw a man with blood gouting in spurts from where his left arm had once been yet swinging a sword with his right as he stood protecting a fallen comrade. During one encounter with Forged Ones, I saw a mother stumbling over her own entrails as she shrieked and clutched at a Forged man, trying to hold him away from her daughter.

The OutIslanders have a word for that courage. "Finblead", they call it, the last blood, and they believe that a special fortitude resides in the final blood that remains in a man or a woman before they fall. According to their tales, only then can one find and use that sort of courage.

It is a terrible bravery and at its strongest and worst, it goes on for months when one battles a final illness. Or, I believe, when one moves toward a duty that will result in death but is completely unavoidable. That "finblead" lights everything in one's life with a terrible radiance. All relationships are illuminated for what they are and for what they truly were in the past. All illus ~ Robin Hobb

After a childhood reading fairy tales and myths, is it any wonder that when I began to write my own stories I included fairy tales? Fairy tales are storytelling at its most basic. They've been with mankind for as long as people have told stories to each other. Fairy tales speak to something intrinsic in humans - they touch our most primitive selves. How else to explain that the Cinderella story is told in nearly every society on earth? To think of fairy tales as merely stories for children is to ignore thousands of years when fairy tales were used to teach morality, to warn, and to entertain both children and adults. ~ Elizabeth Hoyt

People keep asking me, "Where do you get the ideas for your books?"
From the worst moments in my life.
I call that "literature through disaster." I got the whole Tales from Earth's End Saga that way, as well as Numenon. Don't be afraid of the hard times. ~ Sandy Nathan

The women of the Malesian Tales were however modelled after the lovely women of Singapore, the most urbane of the Malesian cities & the winners of the War of the Sexes.These lovely women,who belonged to a unique sub-species known as the "Singapore Girl", were spawn when the little City State imposed draconian measures in order to ensure its survival- measures covering population control, civic-consciousness, national hygiene & military preparedness- just as Sparta did during Milesian times. And thus, the Singapore girls,just as the girls of Sparta, were constantly in a state of military preparedness when it came to men.[INTRO] ~ Nicholas Chong

Just like our story, the original Christmas tales were stories of searching, not so much for the lost, as for the familiar. Mary and Joseph sought in Bethlehem- the home of their familial ancestry- a place to start their own family; the three kings from the East journeyed beneath the sentinel star to find the King of Kings; and the shepherds sought a child in a place most familiar to them: a manger. ~ Richard Paul Evans

I now want to tell three stories about advances in twentieth-century physics. A curious fact emerges in these tales: time and again physicists have been guided by their sense of beauty not only in developing new theories but even in judging the validity of physical theories once they are developed. Simplicity is part of what I mean by beauty, but it is a simplicity of ideas, not simplicity of a mechanical sort that can be measured by counting equations or symbols. ~ Steven Weinberg

This is not the way these tales end," Calliope said firmly.
"This is not the way that things end when they get to be tales," Amatus said, "but since ours is not yet told, we cannot count on it. There were a hundred dead princes on the thorns outside Sleeping Beauty's castle, and I'm sure many of them were splendid fellows. ~ John Barnes

Werther identifies himself with the madman, with the footman. As a reader, I can identify myself with Werther. Historically, thousands of subjects have done so, suffering, killing themselves, dressing, perfuming themselves, writing as if they were Werther (songs, poems, candy boxes, belt buckles, fans, colognes a' la Werther). A long chain of equivalences links all the lovers in the world. In the theory of literature, "projection" (of the reader into the character) no longer has any currency: yet it is the appropriate tonality of imaginative readings: reading a love story, it is scarcely adequate to say I project myself; I cling to the image of the lover, shut up with his image in the very enclosure of the book (everyone knows that such stories are read in a state of secession, of retirement, of voluptuous absence: in the toilet). ~ Roland Barthes

In France, the literary fairy tale was a genre initially established by a group of women (and a few men, including Perrault, who frequented their circles and salons). Lewis Seifert has estimated that more than two-thirds of the tales that appeared during the first wave of fairy-tale production in France (between 1690 and 1715) were written by women. For more than a century the tales of d'Aulnoy, Lheritier, La Force, Bernard, and other women dominated the field of fairy tales and were the touchstones of the genre. They were often long, intricate, digressive, playful, self-referential, and self-conscious - far from the blunt terseness that Benjamin and many others would associate with the form. ~ Elizabeth Wanning Harries

I could barely even say Will's name. And listening to their tales of family relationships, of thirty-year marriages, shared houses, lives, children, I felt like a fraud. I had been a carer for someone for six months. I'd loved him, and watched him end his life. How could these strangers possibly understand what Will and I had been to each other during that time? How could I explain the way we had so swiftly understood each other, the shorthand jokes, the blunt truths and raw secrets? How could I convey the way those short months had changed the way I felt about everything? The way he had skewed my world so totally that it made no sense without him in it? ~ Jojo Moyes

The world shown us in books, whether the books be confessed epics or professed gospels, or in codes, or in political orations, or in philosophic systems, is not the main world at all: it is only the self-consciousness of certain abnormal people who have the specific artistic talent and temperament. A serious matter this for you and me, because the man whose consciousness does not correspond to that of the majority is a madman; and the old habit of worshipping madmen is giving way to the new habit of locking them up. And since what we call education and culture is for the most part nothing but the substitution of reading for experience, of literature for life, of the absolete fictitious for the contemporary real, education, as you no doubt observed at Oxford, destroys, by supplantation, every mind that is not strong enough to see through the imposture and to use the great Masters of Arts as what they really are and no more: that is, patentees of highly questionable methods of thinking, and manufacturers of highly questionable, and for the majority but half valid representations of life. The school boy who uses his Homer to throw at his fellow's head makes perhaps the safest and most rational use of him; and I observe with reassurance that you occasionally do the same, in your prime, with your Aristotle. ~ George Bernard Shaw

A drop of poison on that gathering snow. That moment in the fairy tale when we know what just happened but the princess doesn't. ~ Deb Caletti

Farewell, farewell," said the swallow, with a heavy heart, as he left the warm countries, to fly back into Denmark. There he had a nest over the window of a house in which dwelt the writer of fairy tales. The swallow sang "Tweet, tweet," and from his song came the whole story. ~ Hans Christian Andersen

Finally, I'd say to anyone who wants to tell these tales, don't be afraid to be superstitious. If you have a lucky pen, use it. If you speak with more force and wit when wearing one red sock and one blue one, dress like that. When I'm at work I'm highly superstitious. My own superstition has to do with the voice in which the story comes out. I believe that every story is attended by its own sprite, whose voice we embody when we tell the tale, and that we tell it more successfully if we approach the sprite with a certain degree of respect and courtesy. These sprites are both old and young, male and female, sentimental and cynical, sceptical and credulous, and so on, and what's more, they're completely amoral: like the air-spirits who helped Strong Hans escape from the cave, the story-sprites are willing to serve whoever has the ring, whoever is telling the tale. To the accusation that this is nonsense, that all you need to tell a story is a human imagination, I reply, 'Of course, and this is the way my imagination works. ~ Philip Pullman

The greatest handicap faced by the psychiatrist was, he argued, the inability to experience their patients' conditions; but hashish gave them a means to do so, safely and reversibly:

Can we be certain we are in a condition to understand these sick people when they tell us of their observations? [...] To comprehend the ravings of a madman, it is necessary to have raved oneself, but without having lost the awareness of one's madness. -Mike Jay ~ Cameron Adams

With these words there came the rending scream of a shattered stirk and an angry troubling of the branches as the poor madman percolated through the sieve of a sharp yew, a wailing black meteor hurtling through green clouds, a human prickles. ~ Flann O'Brien

Because..." he used to cradle his daughter in his arms every morning and often they would exchange soft nuances "...if you can dream it, if you can see it in your visions at night, if you can feel it in your soul, it's yours! And it never really belonged to anyone else, in the first place! It was always yours!" Viera returned her scroll to the drawer and closed it, she kissed the compass around her neck and climbed into her bed under the warm quilts, the candle flame crackled and the memories of her father's arms around her embraced her there in bed and his deep, hoarse voice resounded in her ears; "... and if you chance upon a treasure that is yours and it happens to be in the possession of someone else, it's not very wrong to take what is yours, to take what you dreamed, what you saw in your visions at night, what you felt visit you in your spirit! Sure, it's not lawful, but aye aye my little one, listen to me when I tell you that the best things in life are not under the laws of any sort! For which law created love? Which law created courage? The best things, the real things, are the things that are not measured by any man's laws! Fear is the only thing that any law has ever created! And what kind of pirates would we all be if we were afraid of any of our fears, even a little! ~ C. JoyBell C.

Pay heed to the tales of old wives. It may well be that they alone keep in memory what it was once needful for the wise to know. ~ J.R.R. Tolkien

The son has always felt like he was a footnote in one of the stories the father tells. The father is an amazing storyteller and one of the tales that he tells is how he met his wife. ~ Danny DeVito

Jack Vance's Lyonesse books are the greatest fairy tale of the twentieth century. ~ Jack Vance

Have you ever pondered the miracle of popcorn? It starts out as a tiny, little, compact kernel with magic trapped inside that when agitated, bursts to create something marvelously desirable. It's sort of like those tiny, little thoughts trapped inside an author's head that―in an excited explosion of words―suddenly become a captivating fairy tale! ~ Richelle E. Goodrich

The theatre has always been voraciously omnivorous. Dramatists have always raided every medium to find grist to their mill: myths, folk tales, newspapers, novels, films, works of art of all kinds. ~ Lee Hall

O! useful may it be to have shewn, that, though the vicious can sometimes pour affliction upon the good, their power is transient and their punishment certain; and that innocence, though oppressed by injustice, shall, supported by patience, finally triumph over misfortune!And, if the weak hand, that has recorded this tale, has, by its scenes, beguiled the mourner of one hour of sorrow, or, by its moral, taught him to sustain it - the effort, however humble, has not been vain, nor is the writer unrewarded. ~ Ann Radcliffe

He wasn't having me try on a glass slipper, but for some strange reason, I finally understood exactly why Cinderella ran off with the prince after having only known him for one night. Having a hot guy kneeling in front of you is sort of intoxicating. ~ Sariah Wilson

The naturalist worldview is a good way to feel grounded and feel part of something that isn't based on fairy tales. It's based on observable facts in the human and in the biological history of the planet. I think that can be a source for comfort. ~ Greg Graffin

Miss Hermione Jean Granger, I leave my copy of The Tales of Beedle the Bard, in the hope that she will find it entertaining and instructive. ~ J.K. Rowling

Never trust the teller, trust the tale. The proper function of a critic is to save the tale from the artist who created it. ~ D.H. Lawrence

They talked about fishing, food, winds and stonework; about growing tomatoes, keeping poultry and roasting lamb, catching crayfish and scallops; telling tales, jokes; the meaning of their stories nothing, the drift of them everything; the brittle and beautiful dream itself. ~ Richard Flanagan

What did the heroines in dramas and books do in such circumstances?

Frequently, it seemed, they would use their feminine wiles upon their male captors, promising them amorous attention and then turning the tables upon the foe when the moment was right (But before, of course, sacrificing anything like their virtue for the cause).

Bridget hadn't been an agent of the Spirearch for very long, but she felt that she had the concept sufficiently surrounded to see that such a ploy was unlikely to work. Even if Ciriaco had been amenable to such a thing, he had no real reason to release her from her bonds, now, did he? And, in point of fact, what captor with any professionalism at all would be taken in by such a ploy in the first place?

Besides, Bridget was not at all sure that she had any feminine wiles. And even if she did, she felt certain that they would not function as flawlessly in life as they did in tales and dramas. ~ Jim Butcher