Quotes About Spoken From The Main Character
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A SMALL PIECE OF TRUTH
I do not carry a sickle or scythe.
I only wear a hooded black robe when it's cold.
And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue. ~ Markus Zusak
It's easy to think that if we had a different house, different car, different job, different relationship, different city, everything would be different; that we would feel different then.
The problem is, you are the main character in the story that is your life. No matter how much you alter the setting of that story, you can't escape from yourself. There are many factors which contribute to your experience on this planet, but ultimately, you are the one creating your experience here. In order to get to the life you are here to live, you must begin by becoming the person you are here to become. ~ Stephen Lovegrove
PERIODIC MOOD-CHANGES We have already spoken of the affective concomitants of common migraines - elated and irritable prodromal states, states of dread and depression associated with the main phase of the attack, and states of euphoric rebound. Any or all of these may be abstracted as isolated periodic symptoms of relatively short duration - some hours, or at most two or three days, and as such may present themselves as primary emotional disorders. The most acute of these mood-changes, generally no more than an hour in duration, usually represents concomitants or equivalents of migraine aura. We may confine our attention at this stage to attacks of depression, or truncated manic-depressive cycles, occurring at intervals in patients who have previously suffered from attacks of undoubted (classical, common, abdominal, etc.) migraine. ~ Oliver Sacks
Each of us gets to choose the movie of our life. Not only that, but we're the main character, the director, and the producer. So we get to choose how we want it to be.
From the Soul of Uncertainty ~ Mark Susnow
The English language is the tongue now current in England and her colonies throughout the world and also throughout the greater part of the United States of America. It sprang from the German tongue spoken by the Teutons, who came over to Britain after the conquest of that country by the Romans. These Teutons comprised Angles, Saxons, Jutes and several other tribes from the northern part of Germany. They spoke different dialects, but these became blended in the new country, and the composite tongue came to be known as the Anglo-Saxon which has been the main basis for the language as at present constituted and is still the prevailing element. ~ Joseph Devlin
In fact it might be said that the main reason why modern science never arose in China or Islam is precisely because of the presence of metaphysical doctrine and a traditional religious structure which refused to make a profane thing of nature. Neither the 'Oriental bureaucratism' of Needham nor any other social and economic explanation suffices to explain why the scientific revolution as seen in the West did not develop elsewhere. The most basic reason is that neither in Islam, nor India nor the Far East was the substance and stuff of nature so depleted of a sacramental and spiritual character, nor was the intellectual dimension of these traditions so enfeebled as to enable a purely secular science of nature and a secular philosophy to develop outside the matrix of the traditional intellectual orthodoxy. Islam, which resembles Christianity in so many ways, is a perfect example of this truth, and the tact that modern science did not develop in its bosom is not the sign of decadence as some have claimed but of the refusal of Islam to consider any form of knowledge as purely secular and divorced from what it considers as the ultimate goal of human existence. ~ Seyyed Hossein Nasr
Excerpt from page 3 of "Wicked Washington"
Shelly Williams, the main character, speaking about her life:
And close and dangerous calls were almost my last name. Yet I felt as comfortable among the street hustlers, junkies, thieves, and criminals of D.C. as I did dining with my
white-collar, college-pedigreed friends over filet mignon, Maine lobster, and strawberry cheesecake at LaMermaid
Seafood Restaurant. ~ Sonja D. Jones
'One Day' is definitely heartbreaking in a few ways, but one of the main ways is that my character and Jim Sturgess's character are just people from two different worlds who love each other in so many ways and can't quite seem to get it together. ~ Anne Hathaway
In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character. ~ Andrew Coyle Bradley
The main entrance reminded me of the Alamo, a place Chris had always loved. His fascination with history seemed to fit perfectly with the place. School kids came regularly to learn about our history, something I knew would appeal to him.
It just felt like Chris.
Still, I had to be sure. I excused myself and took a walk away from the others, moving down the hill to a spot where I could see the immense flag.
"Okay, babe," I said. "If you can talk to me, tell me what you think. I don't know."
Bad-ass.
The words flew into my head, bypassing my ears.
Bad-ass. Bad-ass. Bad-ass.
Over and over, I heard those words in my head. It was as if Chris was there, telling me yes, this is where I want to be buried.
There were plenty of logical reasons to choose Austin-it's much closer to the family, and I can be buried next to him when my time comes. But I truly felt that Chris had spoken at that moment to me.
Walking back to the family, I felt his arm around me and his gentle lips on my temple.
"Okay, babe. Austin. ~ Taya Kyle
I'd like a book for a friend about saving the world from alien invasion. I'd like the main character to be a little like Freddie Mercury and a little like Arnold Schwarzenegger. Does anything spring to mind? ~ Jen Campbell
CUSTOMER: Do you have any of those books where you can change the names of the main character to the name of the person you're giving the book to? Do you have Alice in Wonderland, but not Alice, I'd like Sarah in Wonderland.
BOOKSELLER: I'm afraid you have to buy those from the publisher, as they're a print on demand service.
CUSTOMER: Yeah, I don't really have time to do that. Do you have a copy of Alice? Then I can buy some Tipp-ex or something, and edit it. ~ Jen Campbell
The reader [as well as the main character] does not view the work from outside. He too is in the labyrinth. ~ Alain Robbe-Grillet
I'll tell you a secret about storytelling. Cinderella, Snow White, Sleeping Beauty ... were not perfect in the beginning. It's only a happy ending on the last page, right? If the princess had everything from the beginning, there wouldn't be a story. Anyone who is imperfect or incomplete can become the main character in the story. ~ Peach-Pit
I had access to excerpts to the original version of Per Fine Ounce which were provided to us by David Jenkins, the son of Geoffrey Jenkins, with his consent to write another South Africa thriller using Commander Geoffrey Peace as the main character, and using the same title Per Fine Ounce. David kindly gave us permission to include previously unpublished extracts from the original Bond novel as a front piece for my novel. ~ Peter Vollmer
What helped me a lot was that I chose an American lead protagonist, because that liberated a lot from my own knowledge. If I had approached it from the perspective of an Indian main character, I think I would have assumed a lot of knowledge and I would have resented the presence of the author. ~ Karan Bajaj
For over twenty-five centuries we've been bearing the weight of superb and heterogeneous civilizations, all from outside, none made by ourselves, none that we could call our own.
This violence of landscape, this cruelty of climate, this continual tension in everything, and even these monuments of the past, magnificent yet incomprehensible because not built by us and yet standing round us like lovely mute ghosts; all those rulers who landed by main force from every direction who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn't understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind. ~ Giuseppe Tomasi Di Lampedusa
The difficulty with women in film and literature is similar to the cultural minority, in that they are often a plot device rather than a character unto themselves. For example, even a strong woman may appear alongside a man in a story, but she ultimately is part of the hero's overall goal; something to be won, or an element of his proving himself is winning her affections, or being captured or killed in order to send the hero into overdrive to complete his mission. In a story where she is the main protagonist, she often has to shed her femininity in order to complete the task. The fact that they are women overtakes from their serving the story as a character, rather than an object. Cultural minorities often appear to portray a view of their culture; the Russian will be a Russian and do Russian things. The woman will be contrary, or compensate for her womanhood by being overtly tough and masculine, or sexy and seductive therefore manipulative and ultimately something for the hero to either deny or conquer. A great example of the culture stigma NOT being exploited is in Wentworth: Doreen is an aboriginal, we see that, but being an aboriginal doesn't play as a device. It's a part of her, not the overruling definition of her, and while issues pop up regarding the fact, they are not at the forefront of the character. Women, it seems, are even more ingrained in our minds as elements or objects which only appear in order to have a titillating effect on the audience, or to serve anot ~ Max Davine
There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. ~ Gene Wolfe
But when the wizard is onstage as the main character, you have to adopt what I call the Jack Vance Rule. I call it this because Jack Vance is the first author successfully and adroitly to have applied this rule in his The Dying Earth. The Jack Vance Rule is: (1) The wizard has to be able to do something unusual, or else he is not a wizard, (2) he cannot do everything, or else there is no drama; therefore (3) the story teller has to communicate to the reader whatever the dividing line is that separates what the wizard can do from what he cannot do, so that the reader can have a reasonable expectation of knowing what the wizard can and cannot do. ~ John C. Wright
The main character, Gene Moore, is shown how much of his identity is wrapped up in his career and potential in that career. When he comes home from war no longer able to see himself as a baseball prospect, he isn't sure who he is. This is thoroughly reinforced every time one of his acquaintances identifies him by baseball or inquires about his status. How much of our identity and worth is wrapped up in our job title or the one we are aspiring to? ~ Gary Moore
I get really flowery and verbose in my adult books, but I don't think I dumb down my Y.A. It's just cleaner and more snappy. And the adult books have multiple points-of-view. In my Y.A., it's always third person from the main character's perspective. ~ Gail Carriger
From the beginning, I did not intend to create a typical classic fantasy. I wanted an organic, harmonious world where my story could evolve. If this world needed gnomes, I put them in there. As for drevalyankas, pikshas, bolugs and other totally original creatures, they appeared there somehow by themselves in the course of events, and then just began "to get under the feet of the main heroes" ... ~ Irina Lopatina
I'm a gay man who came from the last years of illegality. That focused my whole character. I think it focused everyone's character in a way. You saw yourself as outside of the main structure. ~ Rupert Everett
I think 'The Searcher' is a departure from my first because it's less grounded in religion and is far more rooted in the mythic tradition: more of an existential thriller where the main character is actually the central mystery, and his journey is all about trying to figure himself out. ~ Simon Toyne
I live, at all times, for imaginative fiction; for ambivalence, not instruction. When language serves dogma, then literature is lost. I live also, and only, for excellence. My care is not for the cult of egalitarian mediocrity that is sweeping the world today, wherein even the critics are no longer qualified to differentiate, but for literature, which you may notice I have not defined. I would say that, because of its essential ambivalence, 'literature' is: words that provoke a response; that invite the reader or listener to partake of the creative act. There can be no one meaning for a text. Even that of the writer is a but an option.
"Literature exists at every level of experience. It is inclusive, not exclusive. It embraces; it does not reduce, however simply it is expressed. The purpose of the storyteller is to relate the truth in a manner that is simple: to integrate without reduction; for it is rarely possible to declare the truth as it is, because the universe presents itself as a Mystery. We have to find parables; we have to tell stories to unriddle the world.
"It is a paradox: yet one so important I must restate it. The job of a storyteller is to speak the truth; but what we feel most deeply cannot be spoken in words. At this level only images connect. And so story becomes symbol; and symbol is myth."
"It is one of the main errors of historical and rational analysis to suppose that the 'original form' of myth can be separated from its ~ Alan Garner
They came to Virginia City as soon as the true value of the Comstock was perceived. They constituted, no doubt, a deplorable source of gambling, pleasure and embroilment. They were not soft-spoken women, their desire was not visibly separate from the main chance, and they would have beheld Mr. Harte's portrayal of them at Poker Flat with ribald mirth. But let them have a moment of respect. They civilized the Comstock. They drove through its streets reclining in lacquered broughams, displaying to male eyes fashions as close to Paris as any then current in New York. They were, in brick houses hung with tapestries, a glamour and a romance, after the superheated caverns of the mines. They enforced a code of behavior: one might be a hard-rock man outside their curtains but in their presence one was punctilious or one was hustled away. They brought Parisian cooking to the sagebrush of Sun Mountain and they taught the West to distinguish between tarantula juice and the bouquet of wines. An elegy for their passing. The West has neglected to mention them in bronze and its genealogies avoid comment on their marriages, conspicuous or obscure, but it owes them a here acknowledged debt for civilization. ~ Bernard DeVoto
There was magic. Some kind of alchemy. I don't remember the moment you transformed from a prop into a main character. No, that's not what happened. I don't remember when you shape-
shifted from an elf into a Prince. No, that isn't it either. What I really mean is: I don't know if we were meant to fall into each other all along or if you were just in the right place at the right time. Yes, I found safety in your arms in the middle of a hurricane I chose to escape, and I still don't know how it would have turned out if someone else came to my door that day. Or if you never held me. Or if I never cried. Or if everything hadn't been so fairy tale. Until it wasn't. Do you see the magic now, now that it's too late? Do you still remember me? Do I still remember you? And what, in the end, have we learned? Is it really better to have loved and lost? Was it love for you? Who now is dying faster from the lonely? ~ Vironika Tugaleva
Martial (the main character of LOCUS SOLUS) has a very interesting conception of literary beauty: the work must contain nothing real, no observations about the world or the mind, nothing but completely imaginary constructions. These are in themselves ideas from an extrahuman world. ~ Pierre Janet
Particularly, the actors, to have analyzed the script in great detail from the point of view of their specific character. So that they have a handle on exactly where the character is in the chronology of things. In that sense the actors become your best check on the logic of the piece, and the way in which it all fits together. They become essential collaborators. The main thing is you have to work with very smart actors. ~ Christopher Nolan
The main interest of my work is not concerned with the treatment of neuroses but rather with the approach to the numinous. But the fact that the approach to the numinous is the real therapy, and inasmuch as you attain to the numinous experience you are released from the curse of pathology. Even the very disease takes on a numinous character. ~ Carl Jung
Being truly biblical means that my counsel reflects what the entire Bible is about. The Bible is a narrative, a story of redemption, and its chief character is Jesus Christ. He is the main theme of the narrative, and he is revealed in every passage in the book. This story reveals how God harnessed nature and controlled history to send his Son to rescue rebellious, foolish, and self-focused men and women. He freed them from bondage to themselves, enabled them to live for his glory, and gifted them with an eternity in his presence, far from the harsh realities of the Fall. ~ Paul David Tripp
And then it developed that Campbell was not going to go unanswered after all. Poor old Derby, the doomed high school teacher, lumbered to his feet for what was probably the finest moment in his life. There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters. But old Derby was a character now. ~ Kurt Vonnegut
The acting style that has emerged from HD, because of the contrast and how sharp the picture is, it's more neutrally played. The main character is very minamalistic. That's what works in this digital age. ~ Dolph Lundgren
I believe the main purpose of life is to accept with gratitude what you've been blessed with so that you may use those gifts to mold yourself into the best person you can possibly be. Learning to discern things of true value from those of little or no worth is part of the process. ~ Richelle E. Goodrich
I'm not dark; I'm not. The main thing I consider in accepting a role is less the tone of the movie and more whether I think it's a good film, whether I like the character and whether I think I could do it. I don't think, 'Oh, I've done X amount of dark films.' ~ Rachel Hurd-Wood
Fly with those who lift you up and thrust you forward
A pilot friend of mine told me there are four main principles to master when flying airplanes: lift, thrust, weight, and drag. You have to take all these into account to make sure the plane will fly.
It struck me that these same principles apply to specific types of people. There are some who lift you, brighten your day, cheer you up, and make you feel better about yourself. You meet them and you have a spring in your step. They're a lift. Then there are people who thrust you. They inspire you, motivate you, challenge you to move forward and pursue your dreams. The third group are weights. They pull you down, dump their problems on you, so that you leave feeling heavier, negative, discouraged, and worse than you did before.
Finally, there are those who are a drag. They've always got a sad song. The dishwasher broke. The goldfish died. They didn't get invited to a party. They're stuck in a pit. They expect you to cheer them up, fix their problems, and carry their loads.
We all encounter people from each of these four groups. You have to make sure you're spending the majority of your time with lifters and thrusters. If you're only hanging out with weights and drags, it will keep you from becoming everything you were created to be. ~ Joel Osteen
He taught me to read and write. I learned my lessons with my elder children. He has always kept school in our house, every night of his life. Our children supposed it was for them; I knew it was quite as much for me. While I sat at knitting or sewing, I spelled over the words he gave out. I know nothing of my ancestors, save that they came from the lowlands of Holland, down where there were cities, schools, and business. They were well educated, but they would not take the trouble to teach their children. As I have spoken to you, my husband taught me. All I know I learn from ~ Gene Stratton-Porter
Despite my vast interest in other universes and new ideas and space, travel and time travel, which by the way I think is impossible, the basic thing is human character, which is the main thing of most writers. ~ Philip Jose Farmer