Spiritual Romantic Quotes

For the past six years, I've become a student on longing. I've read hundreds of books, articles, and studies on relationships, attended workshops, and sought the advice of spiritual counselors and trusted friends. And this is what I've learned: all of us long to be loved; we are searching for that perfect love - the perfect union that we read about in romantic novels or see on the silver screen. What we fail to realize is that we are human and because we are human, we are imperfect. We seek the impossible: perfect love from imperfect people. We fail to see that our longing for unconditional, perfect, or divine love can only be satiated by reunion and communion with the divine. ~ Randy Siegel

The Romantic journey was usually a solitary one. Although the Romantic poets were closely connected with one another, and some collaborated in their work, they each had a strong individual vision. Romantic poets could not continue their quests for long or sustain their vision into later life. The power of the imagination and of inspiration did not last. Whereas earlier poets had patrons who financed their writing, the tradition of patronage was not extensive in the Romantic period and poets often lacked financial and other support. Keats, Shelley and Byron all died in solitary exile from England at a young age, their work left incomplete, non-conformists to the end. This coincides with the characteristic Romantic images of the solitary heroic individual, the spiritual outcast 'alone, alone, all, all alone' like Coleridge's Ancient Mariner and John Clare's 'I'; like Shelley's Alastor, Keats's Endymion, or Byron's Manfred, who reached beyond the normal social codes and normal human limits so that 'his aspirations/Have been beyond the dwellers of the earth'. Wordsworth, who lived to be an old man, wrote poems throughout his life in which his poetic vision is stimulated by a single figure or object set against a natural background. Even his projected final masterpiece was entitled The Recluse. The solitary journey of the Romantic poet was taken up by many Victorian and twentieth-century poets, becoming almost an emblem of the individual's search for identity in an ever more confu ~ Ronald Carter

For me, it's sad to say, but I would probably have a spiritual marriage but not a legal marriage, because I think so much about marriage starts to become about finances. It has nothing to do with God or feelings or the romantic side of marriage. It's about who owns what, who gets what? So what's the point? ~ Andie MacDowell

Love in its essence is spiritual fire. ~ Lucius Annaeus Seneca

I'm not going to do it again," Lena Marquez whispered to the red purse across the hall from her nestle of blankets. "Never again. ~ Aaron Michael Ritchey

It is not the development of material need which sets the modern vocabulary of aspiration apart from anything which has gone before, but rather the transformation of our spiritual needs. It is our spirits, not our clothes and houses and cars, that set us so radically apart from our own past and form much of the rest of the world. Imagine what we must be like to the primitive peoples who receive our attentions as anthropologists. We come upon them armed with our mastery of nature, and yet they can disarm us with the simplest metaphysical inquiry: what happen when people die? where do they go? what are the duties of the living to the dead? Their cultures are as rich in answers to these questions as our culture is rich in answers to the technical and scientific problems which baffle them.

It has always been a truism of the Western bad conscience that we have purchased our mastery of nature at the price of our spirits. The conservative and romantic critique of Western progress has always used the example of the savage - rich in cosmology, poor in goods - to argue for an inverse historical relationship between the development of material and spiritual needs. Certainly this view could draw upon the dark side of the Christian theology of need. While secular optimists have trust in the permanence of spiritual need, Augustinian Christians have fixed their gaze on the nightmare of the happy slave: the being so absorbed by the material that all spiritual needs have perished.< ~ Michael Ignatieff

The importance of the romantic element does not rest upon conjecture. Pleasing testimonies abound. Hannah More traced her earliest impressions of virtue to works of fiction; and Adam Clarke gives a list of tales that won his boyish admiration. Books of entertainment led him to believe in a spiritual world; and he felt sure of having been a coward, but for romances. He declared that he had learned more of his duty to God, his neighbor and himself from Robinson Crusoe than from all the books, except the Bible, that were known to his youth. ~ Robert Aris Willmott

Being an author, writing a book was great fun. Publishing and marketing, not so fun. ~ Wynne Stevens

Romantic love is a passionate spiritual-emotional-sexual attachment between a man and a woman that reflects a high regard for the value of each other's person. ~ Nathaniel Branden

How to be in harmony with the cosmos? It seems that certain preliminaries are indispensable: Rid yourself of all beliefs; leave metaphysics to the sectarians of the absurd; understand that hope is fear gone bad; confront reality directly; stop upholding the romantic dream of realization; forget sentimental neurosis; play with your own limits; look at your confusion; confront life without the bric-a-brac of the religious and the spiritual - without, for all that, becoming a narrow-minded materialist who would make a new God out of rationalism; dare to be alone; do not oppose Essence against reality; give yourself over to the pleasures of pure subjectivity; understand that everything is real; and finally, one day, know exhilarating silence. ~ Daniel Odier

And this love of definite conception, this clearness of vision, this artistic sense of limit, is the characteristic of all great work and poetry; of the vision of Homer as of the vision of Dante, of Keats and William Morris as of Chaucer and Theocritus. It lies at the base of all noble, realistic and romantic work as opposed to the colourless and empty abstractions of our own eighteenth-century poets and of the classical dramatists of France, or of the vague spiritualities of the German sentimental school: opposed, too, to that spirit of transcendentalism which also was root and flower itself of the great Revolution, underlying the impassioned contemplation of Wordsworth and giving wings and fire to the eagle- like flight of Shelley, and which in the sphere of philosophy, though displaced by the materialism and positiveness of our day, bequeathed two great schools of thought, the school of Newman to Oxford, the school of Emerson to America. Yet is this spirit of transcendentalism alien to the spirit of art. For the artist can accept no sphere of life in exchange for life itself. For him there is no escape from the bondage of the earth: there is not even the desire of escape. He is indeed the only true realist: symbolism, which is the essence of the transcendental spirit, is alien to him. The metaphysical mind of Asia will create for itself the monstrous, many-breasted idol of Ephesus, but to the Greek, pure artist, that work is most instinct with spiritual life which conforms ~ Oscar Wilde

We can increase the frequency of guiding coincidences by uplifting every person that comes into our lives. Care must be taken not to lose our inner connection in romantic relationships. ~ James Redfield

The romantic view of the natural world as a blissful Eden is only held by people who have no actual experience of nature. People who live in nature are not romantic about it at all. They may hold spiritual beliefs about the world around them, they may have a sense of the unity of nature or the aliveness of all things, but they still kill the animals and uproot the plants in order to eat, to live. If they don't, they will die. ~ Michael Crichton

Thus while Ganesha helps devotees move from south to north, Kartikeya himself moves from north to south for the benefi t of devotees. While as Ganesha tempers materialistic cravings with spiritual insight, Murugan tempers his martial attitude with divine grace and romantic emotions. Thus the Goddess helps Shiva connect with humanity through her two sons. ~ Devdutt Pattanaik

Human love is the shadow of the Great love; its child. And of all human loves, it is romantic love which has the most riveting effect upon our soul. Ageless and perennial, it is forever finding an outlet in poetry, music, dance, story-telling, and the media. We never tire of it. It commands attention at so many turns, such is the longing for its presence in our life. It is not by accident that it has such an unfailing pull on our psyche. If we cannot connect with visible human love, we will not be able to find the invisible Love. Human love is leading us, most of us unknowingly, straight to the divinity of our own nature. And that nature leads us, in turn, to the source of life itself. ~ Donna Goddard

If beauty had religious and spiritual importance, there would have been your temples all around the world. ~ Amit Kalantri

I'm convinced that her obsession with Jesus was far more romantic than spiritual. I think she was actually attracted to him. I sincerely thought that one day while out on a grocery run, she would find some skinny, bearded, out-of-work Foote guy on the side of the road and, convinced that he was our anorexic Son of God, rescue him and head for some unincorporated Christian town in the middle of Illinois with a bingo hall and lots of roadside crucifixes, never to return. ~ Adam Rapp

If you can change the way you think in time you will notice a change in your heart and also a change in your life and the way you see things. ~ The Prolific Penman

We have been cut off from our souls in the West, and because romantic love has become our religion, we think we can find fulfillment through this extraordinary and powerful force that draws us into an illusion of permanence. Passion makes us feel alive, makes us sing, makes us feel in touch with something powerful and wonderful, just as it would if we followed this meaning in life in a more spiritual practice. In the West it is often through such relationships, through another human being, that we search desperately for something, not knowing it is to be found within ourselves. ~ Sarah Bartlett

If you do not feel deserving of happiness, consciously or subconsciously, or if you have accepted the idea that happiness is somehow wrong or cannot last, you will not respond appropriately when happiness comes knocking at your door in the form of romantic love. No matter how much you may have waited and cried, you will not welcome love when it arrives-you will find a way to sabotage it. What a challenge to resist this temptation! What an opportunity for true spiritual growth and transformation-to defy your negative feelings and honor the gift that life offers you! ~ Nathaniel Branden

Place where man laughs, sings, picks flowers, chases butterflies and pets birds, makes love with maidens, and plays with children. Here he spontaneously reveals his nature, the base as well as the noble. Here also he buries his sorrows and difficulties and cherishes his ideals and hopes. It is in the garden that men discover themselves. Indeed one discovers not only his real self but also his ideal self?he returns to his youth. Inevitably the garden is made the scene of man's merriment, escapades, romantic abandonment, spiritual awakening or the perfection of his finer self. ~ Confucius

The Beats were tremendously significant, but chiefly in the way that they provided a preview in the 1950s of the cultural, intellectual, and moral disasters that would fully flower in the late 1960s. The ideas of the Beats, their sensibility, contained in ovo all the characteristics we think of as defining the cultural revolution of the Sixties and Seventies. The adolescent longing for liberation from conventional manners and intellectual standards; the polymorphous sexuality; the narcissism; the destructive absorption in drugs; the undercurrent of criminality; the irrationalism; the naive political radicalism and reflexive anti-Americanism; the adulation of pop music as a kind of spiritual weapon; the Romantic elevation of art as an alternative to rather than as an illumination of normal reality; the pseudo-spirituality, especially the spurious infatuation with Eastern religions: in all this and more the Beats provided a vivid glimpse of what was to come. ~ Roger Kimball

It's of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It's maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it's the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip -- and keep in mind that, for kids and younger people, to be hip and cool is the same to be admired and accepted and included and so Unalone. Forget so-called peer pressure. It's more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great tanscendent horror is loneliness, excluded encagement in the self. Once we've hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the sahpe of whatever it wears. And then it's stuck there, the weary cynicism that save us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza's The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in th ~ David Foster Wallace

[A]s people are beginning to see that the sexes form in a certain sense a continuous group, so they are beginning to see that Love and Friendship which have been so often set apart from each other as things distinct are in reality closely related and shade imperceptibly into each other. Women are beginning to demand that Marriage shall mean Friendship as well as Passion; that a comrade-like Equality shall be included in the word Love; and it is recognised that from the one extreme of a 'Platonic' friendship (generally between persons of the same sex) up to the other extreme of passionate love (generally between persons of opposite sex) no hard and fast line can at any point be drawn effectively separating the different kinds of attachment. We know, in fact, of Friendships so romantic in sentiment that they verge into love; we know of Loves so intellectual and spiritual that they hardly dwell in the sphere of Passion. ~ Edward Carpenter

Be YOU. There is nothing sexier than someone who is confident enough to be themselves, quirks and all. It is often your unique nature that separates you from the crowd in the best way possible for your romantic match to notice you. ~ Alaric Hutchinson

His feeling for the South was not so much historic as it was
of the core and desire of dark romanticism--that unlimited and
inexplicable drunkenness, the magnetism of some men's blood that
takes them into the heart of the heat, and beyond that, into the
polar and emerald cold of the South as swiftly as it took the heart
of that incomparable romanticist who wrote The Rime of the Ancient
Mariner, beyond which there is nothing. And this desire of his was
unquestionably enhanced by all he had read and visioned, by the
romantic halo that his school history cast over the section, by the
whole fantastic distortion of that period where people were said to
live in "mansions," and slavery was a benevolent institution,
conducted to a constant banjo-strumming, the strewn largesses of
the colonel and the shuffle-dance of his happy dependents, where
all women were pure, gentle, and beautiful, all men chivalrous and
brave, and the Rebel horde a company of swagger, death-mocking
cavaliers. Years later, when he could no longer think of the
barren spiritual wilderness, the hostile and murderous intrenchment
against all new life--when their cheap mythology, their legend of
the charm of their manner, the aristocratic culture of their lives,
the quaint sweetness of their drawl, made him writhe--when he could
think of no return to their life and its swarming superstition
without weariness and h ~ Thomas Wolfe

Stendhal knows the source of his greatest happiness and his worst misery: the reflexivity of his spiritual life. When he loves, enjoys beauty, feels free and unconstrained, he realizes not only the bliss of these feelings but, at the same time, the happiness of being aware of this happiness. But now that he ought to be completely absorbed by his happiness and feel redeemed from all his limitations and inadequacies, he is still full of problems and doubts: Is that the whole story? - he asks himself. Is that what they call love? Is it possible to love, to feel, to be delighted and yet to observe oneself so coolly and so calmly? Stendhal's answer is by no means the usual one, which assumes the existence of an insurmountable gulf between feeling and reason, passion and reflexion, love and ambition, but is based on the assumption that modern man simply feels differently, is enraptured and enthusiastic differently from a contemporary of Racine or Rousseau. For them, spontaneity and reflexivity of the emotions were incompatible, for Stendhal and his heroes they are quite inseparable; none of their passions is so strong as the desire to be constantly calling themselves to account for what is going on inside them. Compared with the older literature, this self consciousness implies just as profound a change as Stendhal's realism, and the overcoming of classical-romantic psychology is just as strictly one of the preconditions of his art as the abolition of the alternative between the ro ~ Arnold Hauser