Sanshiro Quotes

Even bigger than Japan is the inside of your head. ~ Soseki Natsume

When he heard that Sanshiro was going to school forty hours a week, his eyes popped. "You idiot! Do you think it would 'satisfy' you to eat what they serve at your rooming house ten times a day?"
"What should I do?" Sanshiro pleaded.
"Ride the streetcar," Yojiro said.
Sanshiro tried to find Yojiro's hidden meaning, without success.
"You mean a real streetcar?" he asked.
Yojiro laughed uncontrollably. "Get on the streetcar and ride around Tokyo ten or fifteen times. After a while it will just happen by itself- you will become satisfied.
"Why?"
"Why? Well, look at it this way. Your head is alive, but if you seal it up inside dead classes, you're lost. Take it outside and get the wind into it. Riding the streetcar is not the only way to get satisfaction, of course, but it's the first step, and the easiest. ~ Soseki Natsume

He saw the human shadows flitting through his second world. Most of them had unkempt beards. Some walked along looking at the sky, others at the ground. All wore shabby clothing. All lived in poverty. And all were serene. Closed in on every side by streetcars, they freely breathed the air of peace. The men in this world were unfortunate, for they knew nothing of the real world. But they were fortunate as well, for they had fled the Burning House of worldly suffering. Professor Hirota was in this second world. So, too, was Nonomiya. Sanshiro stood where he could understand the air of this world more or less. He could leave it whenever he wished. But to do so, to relinquish a taste he had finally begun to savor, was something he was loath to do. ~ Soseki Natsume

Hirota feels strongly drawn toward nature and the natural, is hyper-sensitive to the artificial - particularly that most cramped and constraining man-made creation, society - and does his best to avoid it. ~ Soseki Natsume

Works that have a certain imperfection to them have an appeal for that very reason - or at least they appeal to certain types of people. Just like you're attracted to Soseki's The Miner. There's something in it that draws you in, more than more fully realized novels like Kokoro or Sanshiro. You discover something about that work that tugs at your heart - or maybe we should say the work discovers you. Schubert's Sonata in D Major is sort of the same thing. ~ Haruki Murakami

...He said defensively, "But from now on, Japan is sure to develop."

"Japan's headed for a fall," the man said coolly.

Say a thing like that in Kumamoto and you'd get a punch in the nose, or be called a traitor. The atmosphere Sanshiro grew up in left no room in his head for such an idea. Just because he was young, was the man having some fun at his expense? The man kept on grinning. Yet his way of talking was perfectly composed. Not knowing what to think, Sanshiro held his tongue.

His companion went on, "Tokyo is bigger than Kumamoto. Japan is bigger than Tokyo. And what's bigger than Japan is..." He paused and looked at Sanshiro, who was listening intently. "...the inside of your head. That's bigger than Japan. Don't let yourself get bogged down. You may believe your way of thinking is for the good of the nation, but you could actually be bringing it down."

When he heard this, Sanshiro felt he had indeed left Kumamoto. And he realized, too, what a small person his Kumamoto self had been. ~ Natsume Sōseki