Quotes About Saber Graffiti
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#1. His face is more open than an open book, like a wall of graffiti really. I realize I'm writing wow on my thigh with my finger, decide I better open my mouth and snap us out of this impromptu staring contest. - Author: Jandy Nelson

#2. After pop art, graffiti is probably the biggest art movement in recent history to have such an impact on culture. - Author: Jeffrey Deitch

#3. A tattoo is graffiti on the temple of the body. - Author: Gordon B. Hinckley

#4. So the next time you see a person with a composed face and a soft voice, remember that inside her mind she might be solving an equation, composing a sonnet, designing a hat. She might, that is, be deploying the powers of quiet.
We know from myths and fairy tales that there are many different kind of powers in this world. One child is given a light saber, another a wizard's education. - Author: Susan Cain

#5. In the summer of 1988, my father took me up to look at the remains of our home, the dream house that he'd built. It was my first time since our family left four years earlier. Political and obscene graffiti covered the half-torn walls. There was no ceiling and surprisingly no floor: the parquet, the stone, the marble, all looted. - Author: Rabih Alameddine

#6. Everyone has to scratch on walls somewhere or they go crazy - Author: Michael Ondaatje

#7. Virus writers are, sociologically, not much different from taggers who spray cryptic symbols on walls, or even the "unofficial" graffiti artists: they feel (or say they feel) justified in doing their work, and have a wanton disregard for the dignity and property of others. They feel not mere justification, but pride in what they do. - Author: Peter H. Gregory

#8. In some places - particularly in Asia and Europe - you often see anti-government graffiti, seditious slogans, banners, leaflets, in certain neighbourhoods. The idea is that rather than wait for an explosion to occur from a bomb, it would be useful to gather intelligence on the location of these incidents. - Author: Kim Rossmo

#9. For me, graffiti writers were always the fascinating eccentrics of hip-hop culture. What they do is secretive by definition, and not remunerative in any way. - Author: Adam Mansbach

#10. The confessional writer will treat her story like a wailing wall. She kneels, and her story spills out, messy, improper. It isn't a protest or even graffiti, but her story is an offering of things that she overlooked or notices that others have overlooked. She is in danger of exposure but she remembers when she lived in hiding and that was worse. She cannot turn back now because this is how life has spun out of her, part vexing passage and part prayer. - Author: Patricia Hickman

#11. I used to breakdance, be a b-boy. I love hip-hop from back in the graffiti days, growing up listening to Michael Jackson. Loved it from birth. I know it all, from Afrika Bambaataa, the roots and the beginning. I came up in a good era. - Author: DJ Khaled

#12. graffiti in the stall read: CALL DANA FOR BLOW. Colin wondered whether Dana provided fellatio or cocaine, - Author: John Green

#13. The deeper we go, the fewer the lights, the dirtier the buildings, the stranger the animals, but the more brilliant the graffiti. - Author: Pierce Brown

#14. Graffiti is a lot easier than the canvas actually, because it's such a large format, so when you're going to such a thin detail, it's not that thin in the realm of things because it's such a big wall. This would take a small paint brush of detail, but on a huge wall, if that's the size of a building, the thinnest detail is still that big, it's a quick spray. Spray paint is easiest for me. I love spray paint. - Author: Alec Monopoly

#15. As long as they are carnivorous and/or humanoid, the monster's form matters little. Whether it is Tyrannosaurus rex, saber toothed tiger, grizzly bear, werewolf, bogeyman, vampire, Wendigo, Rangda, Grendel, Moby-Dick, Joseph Stalin, the Devil, or any other manifestation of the Beast, all are objects of dark fascination, in large part because of their capacity to consciously, willfully destroy us. What unites these creatures--ancient or modern, real or imagined, beautiful or repulsive, animal, human, or god--is their superhuman strength, malevolent cunning, and, above all, their capricious, often vengeful appetite--for us. This, in fact, is our expectation of them; it's a kind of contract we have. In this capacity, the seemingly inexhaustible power of predators to fascinate us--to "capture attention"--fulfills a need far beyond morbid titillation. It has a practical application. Over time, these creatures or, more specifically, the dangers they represent, have found their way into our consciousness and taken up permanent residence there. In return, we have shown extraordinary loyalty to them--to the point that we re-create them over and over in every medium, through every era and culture, tuning and adapting them to suit changing times and needs. It seems they are a key ingredient in the glue that binds us to ourselves and to each other. - Author: John Vaillant

#16. If anything is terrifying, if there is a reality that surpasses dream, it is this:
to live, to see the sun, to be in full possession of manly vigor, to be full of health and joy, to laugh valiantly, to run toward the glory in front of you, dazzling, to feel in your chest lungs that breathe, a heart that beats, a will that reasons, to speak, to think, to love, to have a mother, to have a wife, to have children, to have the light, and all of a sudden, in the time it takes to let out a cry, in less than one minute flat, to tumble into an abyss, to fall, to roll, to crush, to be crushed, to see the blades of wheat, flowers, leaves, branches, and yet not to be able to stop yourself by grabbing any of them, to feel your saber useless, men underneath you, horses on top of you, to flail about in vain, your bones broken by some kick in the dark, to feel a heel making your eyes pop out of your head, to bite into horseshoes with rage, to suffocate, to howl, to twist yourself in knots, to be at the bottom of all this and tell yourself: Just now I was one of the living! - Author: Victor Huge

#17. Graffiti is like building a career. And there is a dialogue with the other artists out there mostly fellow writers because a lot of people who don't paint just see a blur when they look at it. - Author: KAWS

#18. We know from myths and fairy tales that there are many different kinds of powers in this world. One child is given a light saber, another a wizard's education. The trick is not to amass all the different kinds of power, but to use well the kind you've been granted. - Author: Susan Cain

#19. Someone had scrawled graffiti in black marker on the metal: JUST DIE, it said. Like it was easy. - Author: Neil Gaiman

#20. The cream-tiled walls were spattered here and there with old dried bloodstains, deep gouges that might have been clawmarks, and all kinds of graffiti. As usual, someone had spelt Cthulhu wrongly. - Author: Simon R. Green

#21. [Smiley contemplates graffiti:]'Punk is destructive. Society does not need it.' The assertion caused him a moment's indecision. 'Oh, but society does,' he wanted to reply; 'society is an association of minorities. - Author: John Le Carre

#22. Each of our cells is a living entity, and the main thing that influences them is our blood. If I open my eyes in the morning and my beautiful partner is in front of me, my perception causes a release of oxytocin, dopamine, growth hormones - all of which encourage the growth and health of my cells. But if I see a saber tooth tiger, I'm going to release stress hormones which change the cells to a protection mode. People need to realize that their thoughts are more primary than their genes, because the environment, which is influenced by our thoughts, controls the genes. - Author: Bruce H. Lipton

#23. Traditional graffiti writers have a bunch of rules they like to stick to, and good luck to them, but I didn't become a graffiti artist so I could have somebody else tell me what to do. If you're the type who gets sentimental about people scribbling over your stuff, I suggest graffiti is probably not the right hobby for you. - Author: Banksy

#24. Beerlight was a blown circuit, where to kill a man was less a murder than a mannerism. Every major landmark was a pincushion of snipers. Cop tanks navigated a graffiti-rashed riot of needle bars, oil-scabbed neon and diced rubble. Fragile laws were shattered without effort or intent and the cops considered false arrest a moral duty. Integrity was no more than a fierce dream. Crime was the new and only art form. The authorities portrayed shock and outrage but never described what it was they had been expecting. Anyone trying to adapt was persecuted. One woman had given birth to a bulletproof child. Other denizens were bomb zombies, pocketing grenades and wandering gaunt and vacant for days before winding down and pulling the pin on themselves. There was no beach under the sidewalk. Yet in dealing with this environment the one strategy common to all was the assumption that it could be dealt with. - Author: Steve Aylett

#25. As a matter of fact, that was a bit of a problem for me at the beginning of my career - the problem of identification. In The Conversation I played a character who was gay, so nobody recognised me from American Graffiti. When I did Apocalypse Now, after Star Wars, I played an intelligence officer of the American army. George Lucas saw the footage I had done and didn't recognise me until halfway through the scene. - Author: Harrison Ford

#26. I started painting graffiti in the classic New York style of big letters and characters but I was never very good at it. - Author: Banksy

#27. Scars - the graffiti of violence. - Harry Dresden - Author: Jim Butcher

#28. The shelves are filled with books about improving the process of leadership; discussions of how to hone its art are few. Checklists and processes do not challenge our ability to think, they do not force us to defend our ideas or look new ones in the face. They demand no depth. Defining leadership as an art rather than as a process does not mean that leadership cannot be taught. It merely means that gaining a greater understanding of leadership requires intellectual courage. Just as we develop physical courage by experiencing and functioning under physical fear and moral courage by making the choice of right amidst the pressure to do otherwise, so we develop intellectual courage through the discomfort and ambiguity of experiencing ideas that challenge our depth and perspective. Leaders develop intellectual courage by continuously sharpening the saber through education, and in doing so they
hone within themselves the art of leadership. - Author: Christopher D. Kolenda

#29. Love is like graffiti on the train,
Meaning love isn't easy to explain - Author: Tonedeff

#30. Don't. Don't play that game." His brow pressed to hers. "When I heard you cry out . . . it was like a saber to the gut. I wanted to die. - Author: Tessa Dare

#31. The people who run our cities dont understand graffiti because they think nothing has the right to exist unless it makes a profit ...
the people who truly deface our neighborhoods are the companies that scrawl giant slogans across buildings and buses trying to make us feel inadequate unless we buy their stuff ...
any advertisement in public space that gives you no choice whether you see it or not is yours, it belongs to you ,, its yours to take, rearrange and re use.Asking for permission is like asking to keep a rock someone just threw at your head.. - Author: Banksy

#32. Of course. I died today, and now I'm going to fight aliens with a light saber. Maybe after that we can look for mermaids. Or unicorns."
"No," he says. "Just aliens."
Was that the barest hint of humour in his tone? - Author: Eve Silver

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