Rocking Horses Painted Red Quotes

Death came as a whisper. It wasn't frightening or horrible at all. In that final moment, it washed over me like a gentle wave, covering me in a velvety darkness. And for a while everything remained that way. ~ Terry Lovett

The game jostled back and forth, and then came the final inning. Some player named Casey came to bat, like his teammates, looking like a rock. Lightning ripped through the air as rain came down in sheets. The scoreboard said the horses were beating the rocks by two points, but there were two men on base. If Casey hit a homerun, the rocks would beat the horses. If not, too bad for the rocks.
This man, Ben, and the two people with him looked horrified as this Casey came to bat. They had red shirts with horses painted on them. They jumped up and down for joy when they saw the final pitch, and Casey sulking back to the dugout. He had struck out. After the game, the four hiked back to a very small car. ~ Molly Maguire McGill

A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools. ~ Cormac McCarthy

The ladies of St. James's! They're painted to the eyes; Their white is stays for ever, Their red it never dies; But Phyllida, my Phillida! Her colour comes and goes; It trembles to a lily,
It wavers to a rose. ~ Henry Austin Dobson

Being a painter, I ought to say why in pictures people's faces are painted green and red. ~ Kazimir Malevich

We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio
very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters.
Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the
present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a
dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your
memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory
on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this?
Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how,
find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar,
dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on
for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but
who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your
life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled ~ Leonard Cohen

She couldn't have been more than twelve years old. In her hands was a sign that said RED-HEADS RULE! with a little crown painted in the corner and tiny stars everywhere. I knew I was the only redhead in the competition, and I noticed that her hair and mine were very nearly the same shade. ~ Kiera Cass

The Woman Poet // Die Dichterin

You hold me now completely in your hands.

My heart beats like a frightened little bird's
Against your palm. Take heed! You do not think
A person lives within the page you thumb.
To you this book is paper, cloth, and ink,

Some binding thread and glue, and thus is dumb,
And cannot touch you (though the gaze be great
That seeks you from the printed marks inside),
And is an object with an object's fate.

And yet it has been veiled like a bride,
Adorned with gems, made ready to be loved,
Who asks you bashfully to change your mind,
To wake yourself, and feel, and to be moved.

But still she trembles, whispering to the wind:
"This shall not be." And smiles as if she knew.
Yet she must hope. A woman always tries,
Her very life is but a single "You . . ."

With her black flowers and her painted eyes,
With silver chains and silks of spangled blue.
She knew more beauty when a child and free,
But now forgets the better words she knew.

A man is so much cleverer than we,
Conversing with himself of truth and lie,
Of death and spring and iron-work and time.
But I say "you" and always "you and I."

This book is but a girl's dress in rhyme,
Which can be rich and red, or poor and pale,
Which may be wrinkled, but with gentle hands,
And only may be torn by loving nails.

Gertrud Kolmar

I should like the fields tinged with red, the rivers yellow and the trees painted blue. Nature has no imagination. ~ Charles Baudelaire

There it was, a sign above a shop that said 221B BAKER STREET. My mouth hung open. I looked around at the ordinary street and the white-painted buildings, looking clean in the morning rain. Where were the fog, the streetlights, the gray atmosphere? The horses pulling carriages, bringing troubled clients to Watson and Holmes? I had to admit I had been impressed with Big Ben and all, but for a kid who had devoured the adventures of Sherlock Holmes, this was really something. I was on Baker Street, driving by the rooms of Holmes and Watson! I sort of wished it were all in black and white and gray, like in the movies. ~ James R. Benn

After tidying the kitchen, Claire walked upstairs and found Tyler in the hallway, lost in thought as he rearranged his paintings hanging there, a series he called "Claire's World," which he'd painted when they first married. She wasn't actually in the paintings, he wasn't a portrait painter, but they were beautiful studies in light and color- leafy greens, black lines that looked like lettering, bright apple-red dots. If she stared at them long enough, sometimes she thought she could make out a figure, crouched among the greens. Claire wondered, not for the first time, what she did to deserve this man, her husband. ~ Sarah Addison Allen

After Tom leaves for work, I take Evie to the park, we play on the swings and the little wooden rocking horses, and when I put her back into her buggy she falls asleep almost immediately, which is my cue to go shopping. We cut through the back streets towards the big Sainsbury's. It's a bit of a roundabout way of getting there, but it's quiet, with very little traffic, and in any case we get to pass number thirty-four Cranham Road. It gives me a little frisson even now, walking past that house - butterflies suddenly swarm in my stomach, and a smile comes to my lips and colour to my cheeks. I remember hurrying up the front steps, hoping none of the neighbours would see me letting myself in, getting myself ready in the bathroom, putting on perfume, the kind of underwear you put on just to be taken off. Then I'd get a text message and he'd be at the door, and we'd have an hour or two in the bedroom upstairs. ~ Paula Hawkins

Clowns."

Clowns? "Really?" I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn't.

The big guy was still facing me. His expression clear and even, as he dipped his chin. "Eh."

God help me, he'd gone Canadian on me. I had to will my face not to react at the fact he'd gone with the one word he usually used only when he was super relaxed around other people. "I thought they were going to eat me."

Now imagining that had me cracking a little smile. I slid my palm under my cheek. "How old were you? Nineteen?"

Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. "Are you making fun of me?" he drawled.

"Yes." The fractures of my grin cracked into bigger pieces.

"Because I was scared of clowns?" It was like he couldn't understand why that was amusing.

But it was. "I just can't imagine you scared of anything, much less clowns. Come on. Even I've never been scared of clowns."

"I was four."

I couldn't help but snicker. "Four… fourteen, same difference."

Based on the mule-ish expression on his face, he wasn't amused. "This is the last time that I come over to save you from the boogeyman."

Shocked out of my mind for a split second, I tried to pretend like I wasn't, but… I was. He was joking with me. Aiden was in bed joking around. With me. "I'm sorry. I'm ~ Mariana Zapata

The face of the clown in the stormdrain was white, there were funny tufts of red hair on either side of his bald head, and there was a big clown-smile painted over his mouth. If George had been inhabiting a later year, he would have surely thought of Ronald McDonald before Bozo or Clarabell. ~ Stephen King

… the countryside and the village are symbols of stability and security, of order. Yet they are also, as I have noted, liminal spaces, at a very narrow remove from the atavistic Wild. Arcadia is not the realm even of Giorgione and of Claude, with its cracked pillars and thunderbolts, its lurking banditti; still less is it Poussin's sun-dappled and regularised realm of order, where, although the lamb may be destined for the altar and the spit, all things proceed with charm and gravity and studied gesture; least of all is it the degenerate and prettified Arcady of Fragonard and Watteau, filled with simpering courtier-Corydons, pallid Olympians, and fat-arsed putti. (It is only family piety that prevents me from taking a poker to an inherited coffee service in gilt porcelain with bastardised, deutero-Fragonard scenes painted on the sides of every damned thing. Cue Wallace Greenslade: '… "Round the Horne", with Marie Antoinette as the dairymaid and Kenneth Williams as the manager of the camp-site….') No: Arcadia is the very margin of the liminal space between the safe tilth and the threatening Wild, in which Pan lurks, shaggy and goatish, and Death proclaims, from ambush, et in Arcadia ego. Arcadia is not the Wide World nor the Riverbank, but the Wild Wood. And in that wood are worse than stoats and weasels, and the true Pan is no Francis of Assisi figure, sheltering infant otters. The Wild that borders and penetrates Arcady is red in tooth and claw. ~ G.M.W. Wemyss

Even with her red-rimmed eyes she was the reason artists painted portraits. ~ Chelsey Philpot

I see a red door and i want it painted black. ~ Rolling Stones

The kitchen door, painted red from the day Naomi moved in, and a geranium, also red, outside on the stoop, gave the whole area a feeling of whimsy. ~ Suzanne Palmieri

I walked along the side with the spray-painted trees, some in white like a starched chemical snowfall, others painted gold, pink, red, even black. The black tree, about three feet high, looked like it had been burnt. I wondered who would want a black tree, but I knew someone would. There was no limit to the ways in which people could be strange."

~ White Oleander ~ Janet Fitch

His fingers painted my skin with ruby red patterns of desire. In Keahi's kiss I could taste the red burn of chili encrusted in the rich sweetness of melted chocolate. I breathed in his scent and it spoke to me of vanilla. The ink of my malu tattoo began to burn, searing markings of fiery joy. ~ Lani Wendt Young

Usually, we think of an apple as being red.
This is not the same red as that of a cherry or tomato.
A lemon is yellow and an orange like that of its name.
Bricks vary from beige to yellow to orange,
and from ochre to brown to deep violet.
Foliage appears in innumerable shades of green.
In all these cases the colors named are surface colors.

In a very different was, distant mountains appear uniformly blue,
no matter whether covered
with green trees or consisting of earth and rocks.
The sun is glaring white in daytime, but it is full red at sunset.
The white ceiling of houses surrounded by lawns or the white-painted
eaves of a roof on a sunny day appear in bright green, which is
reflected from the grass on the ground.
All these cases present film colors.

They appear as a thin, transparent, translucent layer between the eye and an object, independent of the object's surface color. ~ Josef Albers

The nice thing about poetry is that you're always stretching the definitions of words. Lawyers and scientists and scholars of one sort or another try to restrict the definitions, hoping that they can prevent people from fooling each other. But that doesn't stop people from lying.

Cezanne painted a red barn by painting it ten shades of color: purple to yellow. And he got a red barn. Similarly, a poet will describe things many different ways, circling around it, to get to the truth.

My father also had a nice little simile. He said, "The truth is a rabbit in a bramble patch. And you can't lay your hand on it. All you do is circle around and point, and say, 'It's in there somewhere. ~ Pete Seeger

It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles pi ~ Emile Zola

In a sudden inspiration, Florentino Ariza opened a can of red paint that was within reach of the bunk, wet his index finger, and painted the pubis of the beautiful pigeon fancier with an arrow of blood pointing south, and on her belly the words: This pussy is mine. ~ Gabriel Garcia Marquez

As they roared past the streetlamps, people emerged from their houses to see what was happening. Nina tried to imagine what their wild crew must look like to these Fjerdans. What did they see as they poked their heads out of windows and doorways? A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade: a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life - a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, "We have a moat! ~ Leigh Bardugo

I love London. I love everything about it. I love its palaces and its museums and its galleries, sure. But also, I love its filth, and damp, and stink. Okay, well, I don't mean love, exactly. But I don't mind it. Not any more. Not now I'm used to it. You don't mind anything once you're used to it. Not the graffiti you find on your door the week after you painted over it, or the chicken bones and cider cans you have to move before you can sit down for your damp and muddy picnic. Not the everchanging fast food joints – AbraKebabra to Pizza the Action to Really Fried Chicken – and all on a high street that despite its three new names a week never seems to look any different. Its tawdriness can be comforting, its wilfulness inspiring. It's the London I see every day. I mean, tourists: they see the Dorchester. They see Harrods, and they see men in bearskins and Carnaby Street. They very rarely see the Happy Shopper on the Mile End Road, or a drab Peckham disco. They head for Buckingham Palace, and see waving above it the red, white and blue, while the rest of us order dansak from the Tandoori Palace, and see Simply Red, White Lightning, and Duncan from Blue. But we should be proud of that, too. Or, at least, get used to it. ~ Danny Wallace

To reach the farthest chamber of Lascaux, it's likely a man had to snuff out his light, lower himself down a shaft with a rope made of twisted fibers, and then rekindle his lamp in the dark so as to draw the woolly rhinoceros, the half horse, and the raging bison there. A long spear transfixes that bison, and entrails pour from its side. Beneath its front hooves lies the one painted man in all of Lascaux: prone, spindly wounded, disguised behind a bird mask. And below him, until its discovery in 196o, lay a spoon-shaped lamp carved of red sandstone ... Hold it again as it once was held, and the animals will emerge out of darkness as you pass. Nothing stays still. Shadows nestle in the cavities; a flicker of light across pale protruding rock turns a hoof or raises a head. One shape recedes as another emerges, and everything lingers in the imagination. ~ Jane Brox

We had pale yellow tile in our bathroom rimmed with thin tiles of white. I'd dumped Tack's old, mismatched towels and added new, thick emerald green ones. They were hanging on the towel rack.
My eyes moved.
My moisturizer and toner bottles were the deep hued color of moss. My toothbrush was bright pink, Tack's was electric blue. There was a little bowl by the tap where I tossed my jewelry when I was washing my hands or preparing for bed. It was ceramic painted in glossy sunshine yellow and grass green. My eyes went to the mirror. My undies were cherry red lace.
I grinned at myself in the mirror.
I lived in color, every day, and my life was vibrant.
I rubbed in moisturizer hoping our baby got his or her Dad's sapphire blue eyes.
But I'd settle if they were my green. ~ Kristen Ashley

And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding, "Darling, let me dip into it," to a young servant-maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says: "Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence. ~ Italo Calvino

And that's why you are a brilliant choice for pilot. Octogenarian Grandmother Paves Way for Humanity."

"You can't pave the stars. I'm not a grandmother. And I'm sixty-three not eighty."

"It's a figure of speech. The point is that you're a PR goldmine."

I had known that they asked me to helm this mission because of my age - it would be a lot to ask of someone who had a full life ahead of them. Maybe I was naive to think that my experience in establishing the Mars colony was considered valuable.

How can I explain the degree to which I resented being used for publicity? This wasn't a new thing by a long shot. My entire career has been about exploitation for publicity. I had known it, and exploited it too, once I'd realized the power of having my uniform tailored to show my shape a little more clearly. You think they would have sent me to Mars if it weren't intended to be a colony? I was there to show all the lady housewives that they could go to space too. Posing in my flight suit, with my lips painted red, I had smiled at more cameras than my colleagues.

I stared Garrett Biggs and his fork. "For someone in PR, you are awfully blunt. ~ Mary Robinette Kowal

One day he trapped a large raven, whose wings he painted red, the breast green, and the tail blue. When a flock of ravens appeared over our hut, Lekh freed the painted bird. As soon as it joined the flock a desperate battle began. The changeling was attacked from all sides. Black, red, green, blue feathers began to drop at our feet. The ravens ran amuck in the skies, and suddenly the painted raven plummeted to the freshly-plowed soil. It was still alive, opening its beak and vainly trying to move its wings. Its eyes had been pecked out, and fresh blood streamed over its painted feathers. It made yet another attempt to flutter up from the sticky earth, but its strength was gone. ~ Jerzy Kosinski

They swayed about upon a rocking horse, And thought it Pegasus. ~ John Keats

Yes, Madame. The Jews of Frankfort are not allowed to use family names." He looked up and smiled lopsidedly. "For the sake of convenience, the neighbors call us after an old red shield that was painted on the front of our house, many years ago. But beyond that ... no, Madame. We have no name. ~ Diana Gabaldon

Chronicler picked up his pen, but before he could dip it, Kvothe held up a hand. Let me say one thing before I start. I've told stories in the past, painted pictures with words, told hard lies and harder truths. Once, I sang colors to a blind man. Seven hours I played, but at the end he said he saw them, green and red and gold. That, I think, was easier than this. Trying to make you understand her with nothing more than words. You have never seen her, never heard her voice. You cannot know. ~ Patrick Rothfuss

He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast's mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing. ~ Neil Gaiman

a band of painted horses, all from that bright land that lingers for so long before it fades ~ Rainer Maria Rilke

Our house is old, and noisy, and full. when we moved into it we had two children and about five thousand books; I expect that when we finally overflow and move out again we will have perhaps twenty children and easily half a million books; we also own assorted beds and tables and chairs and rocking horses and lamps and doll dresses and ship models and paint brushes and literally thousands of socks. ~ Shirley Jackson

They were all there for the food, the drink, and the ambience, even as everyone devoured plates as disparate as Korean bibimbap and French vichyssoise.
"I'm going over there." Ana pointed to a midnight-blue food truck that was known for having the best bao, steamed Vietnamese buns, in Denver. Which, given the popularity of the southeast Asian cuisine in the city lately, was more of an accomplishment than it might have seemed.
"What about you?" Rachel asked Melody.
"I'm having what you're having. You never steer me wrong."
"Then A Parisian in Denver is the way to go. Come on. I want to say hello to Lilia."
They found their way to the end of the line in front of a food truck painted in red, blue, and white, and Rachel craned her neck to feet a better look at the chalkboard that proclaimed the day's specials. There was French street food like crepes and merguez sausages alongside trendy favorites like duck confit pommes frites. ~ Carla Laureano

I grew up loving horses. I was relatively obsessed, starting with my rocking horse at age 2, all the way through my painting and drawing phase. ~ Diane Lane

I'd have avoided some of the pain if I could. Anyone would. But I wouldn't have missed knowing any of the people-even the ones whose leaving hurt most. In fact, the only thing I'm sorry about is that I didn't meet one particular guy, a clown named Joe Skelton. You know, he sure picked the right profession. I mean, a clown's got it all. He never has to hold back: He can do as he pleases. The mouth and the eyes are painted on. So if you wanta cry, you can go right ahead. The make up won't smear. You'll still be smiling ... ~ Red Skelton

But somehow the small red-painted sled had become a symbol of courage and hope. ~ Lois Lowry

Bright headlights and wailing sirens approached the dormitory parking lot. They were the village fire trucks, painted red and carrying tanks of water.
One of the four trucks came to a stop in front of the police cruiser. The two firefighters hanging from beside the driver's seat leapt onto the ground and approached the police car. They were shocked to find a man handcuffed and bound to the car door. They were floored when they realized that the man was a police officer.
The firefighters approached the police officer, who stood hanging his head. Next to his head - on the doorframe - was posted a note.
[I set fire to an empty room and decided to arrest myself. I'm sorry for all the trouble. I must have gone crazy for a moment. I'm very very very very very very sorry.]
The firefighters silently exchanged glances. ~ Keiichi Sigsawa

I. Those of us born by water are never afraid enough of drowning. Bruises used to trophy my knees from my death-defying tree climb jumps. Growing up, my backyard was a forest of blackberry bushes. I learned early nothing sweet will come to you unthorned.

II. At twelve your body becomes a currency. So Jenny and I sat down and cut up all our clothes into nothing. That year I failed math class but knew the exact number of calories in a carrot stick. I learned early being desired goes hand in hand with hunger.

III. The last time I tried to scream I felt my father climbing up through my throat and into my mouth.

IV. There is a certain kind of girl who reads Lolita at fourteen and finds religion. I painted my eyes black and sucked barroom cherries to red my tongue. There was a boy who promised Judas really did love Jesus. I learned early every kiss and betrayal are up for interpretation.

V. I think he must have conferenced with my nightmares on exactly how to hurt me.

VI. He never broke my heart. He only turned it into a compass that always points me back to him. ~ Clementine Von Radics

Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people
and of towns, which they accustom us to believe are individual, unique like people
an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets. ~ Marcel Proust

The saucy Miss Tottenham slipped the strawberry into her delectable mouth, all the while looking at Cyrus. His thigh muscles tensed inside the velvet prison of his breeches. Hot pleasure shot through his body at the sight of the red berry slipping through her lips. Adding to his misery, a spurt of juice from the tender morsel painted her bottom lip red. He nearly groaned.
Tradition named the apple as the fruit of man's downfall, but tonight he'd argue mightily for the dangers of a ripe strawberry on a certain woman's lips. ~ Gina Conkle

Any number of holier-than-thou honorable realists walk around in the belief that they have accomplished something, simply because they tell you for the hundredth time that a field is green and a red-painted house is painted red. ~ Edvard Munch

I painted one dining room red and I must say, the conversation became very heated in that room. ~ Amanda Pays

He went to look closely at the painting, which portrayed a parade of fat white geese strolling past the doorway of a cottage.
"Someday I'll be able to afford real art," Garrett said, coming to stand beside him. "In the meantime, we'll have to make do with this."
Ethan's attention was drawn to the tiny initials in the corner of the work: G.G. A slow smile broke over his face. "You painted it?"
"Art class, at boarding school," she admitted. "I wasn't bad at sketching, but the only subject I could manage to paint adequately was geese. At one point I tried to expand my repertoire to ducks, but those earned lower marks, so it was back to geese after that."
Ethan smiled, imagining her as a studious schoolgirl with long braids. The light of a glass-globe parlor lamp slid across the tidy pinned-up weight of her hair, bringing out gleams of red and gold. He'd never seen anything like her skin, fine and powerless, with a faint glow like a blush-colored garden rose.
"What gave you the idea to paint geese in the first place?" he asked.
"There was a goose pond across from the school," Garrett said, staring absently at the picture. "Sometimes I saw Miss Primrose at the front windows, watching with binoculars. One day I dared to ask her what she found so interesting about geese, and she told me they had a capacity for attachment and grief that rivaled humans. They mated for life, she said. If a goose was injured, the gander would stay with her even if the rest ~ Lisa Kleypas

I chuckled. "Yeah, okay." He relaxed, sinking back in his chair, mirroring my smile. "But you know the old saying," I told him. His brow furrowed. "What old saying?" "Two people can keep a secret," I said, "if one of them is dead." He barely had time for the shock to register on his face as I grabbed his wrist and yanked up his right hand. I pressed the muzzle to his temple and his hand to the barrel. "No," he gasped, just before I pulled the trigger and painted his desk cherry red. ~ Craig Schaefer

She is not a bulldog, only a woman pressed into the shape of a small jar, possibly attempting to dance in there. It shows in the way she places a seashell on a window sill, a red-painted chair in the corner: she is practiced in the art of creating a still life and taking up residence inside it. ~ Barbara Kingsolver