Rinsai Rossetti Quotes

I am unlike most other people because I began, not in the body of my mother, but in the brain of my father. He invented me, you see. He sat down one day and dreamed me up. -- The Girl With Borrowed Wings ~ Rinsai Rossetti

Then I got to my feet, and, taking my arms, he drew me out of my picture frame, into the darkness and the heat, to a place where the ground was frighteningly, thrillingly far away, and the sunless sky was burning and trembling all around us. ~ Rinsai Rossetti

I rely on a backbone of books and, for the most part, it's enough to keep me quiet, half-drugged with dreams of imaginary worlds. ~ Rinsai Rossetti

He had an extraordinarily casual air about him. I'd noticed that before, when he had tossed himself out the window. ~ Rinsai Rossetti

He. Does there have to be a he? It seems weak and unoriginal doesn't it, for stories told by girls to always have a he? ~ Rinsai Rossetti

I used to come here to think," he told me, landing beside the tree. It was so short that my head was only a few inches above his.
"Sangris," I said in shock, "you think? When did this start? ~ Rinsai Rossetti

It is in Keats that the artistic spirit of this century first found its absolute incarnation. And these pre-Raphaelites, what were they? If you ask nine-tenths of the British public what is the meaning of the word aesthetics, they will tell you it is the French for affectation or the German for a dado; and if you inquire about the pre-Raphaelites you will hear something about an eccentric lot of young men to whom a sort of divine crookedness and holy awkwardness in drawing were the chief objects of art. To know nothing about their great men is one of the necessary elements of English education. As regards the pre-Raphaelites the story is simple enough. In the year 1847 a number of young men in London, poets and painters, passionate admirers of Keats all of them, formed the habit of meeting together for discussions on art, the result of such discussions being that the English Philistine public was roused suddenly from its ordinary apathy by hearing that there was in its midst a body of young men who had determined to revolutionise English painting and poetry. They called themselves the pre- Raphaelite Brotherhood. In England, then as now, it was enough for a man to try and produce any serious beautiful work to lose all his rights as a citizen; and besides this, the pre-Raphaelite Brotherhood - among whom the names of Dante Rossetti, Holman Hunt and Millais will be familiar to you - had on their side three things that the English public never forgives: youth, power and enthusia ~ Oscar Wilde

Born in a stable,
Cradled in a manger,
In the world His hands have made,
Born a stranger. ~ Christina Rossetti

Spring's an expansive time: yet I don't trust
March with its peck of dust,
Nor April with its rainbow-crowned brief showers,
Nor even May, whose flowers
One frost may wither thro' the sunless hours. ~ Christina Rossetti

I'll love him til he loves me best
Me best of all, Maude Clare ~ Christina Rossetti

I marked all kindred Powers the heart finds fair:--
Truth, with awed lips; and Hope, with eyes upcast;
And Fame, whose loud wings fan the ashen Past
To signal-fires, Oblivion's flight to scare;
And Youth, with still some single golden hair
Unto his shoulder clinging, since the last
Embrace wherein two sweet arms held him fast;
And Life, still wreathing flowers for Death to wear.

Love's throne was not with these; but far above
All passionate wind of welcome and farewell ~ Dante Gabriel Rossetti

I wish I could remember the first day,
First hour, first moment of your meeting me;
If bright or dim the season it might be;
Summer or winter for aught I can say.
So, unrecorded did it slip away,
So blind was i to see and to forsee,
So dull to mark the budding of my tree
That would not blossom, yet, for many a May. ~ Christina Rossetti

Obedience is the fruit of faith. ~ Christina Rossetti

The city mouse lives in a house, The garden mouse lives in a bower ~ Christina Rossetti

Mystics find themselves delighted in being surprised again and again by the many loving manifestations of God . . . "Surprise" is one of the hallmarks of a true manifestation of the divine. This may be because God wants us to learn and relearn more deeply that his presence is a gift that cannot be earned or controlled. Or, it may simply be that God wants to surprise his beloved. ~ Stephen J. Rossetti

Morning and evening
Maids heard the goblins cry:
'Come buy our orchard fruits,
Come buy, come buy ~ Christina Rossetti

Spring is when life's alive in everything. ~ Christina Rossetti

Song


When I am dead, my dearest,
Sing no sad songs for me;
Plant thou no roses at my head,
Nor shady cypress tree:
Be the green grass above me
With showers and dewdrops wet;
And if thou wilt, remember,
And if thou wilt, forget.

I shall not see the shadows,
I shall not feel the rain;
I shall not hear the nightingale
Sing on, as if in pain:
And dreaming through the twilight
That doth not rise nor set,
Haply I may remember,
And haply may forget.

Sir Thomas Wyatt has been credited with introducing the Petrarchan sonnet into the English language. Wyatt's father had been one of Henry VII's Privy Councilors and remained a trusted adviser when Henry VIII came to the throne in 1509. Wyatt followed his father to court, but it seems the young poet may have fallen in love with the king's mistress, Anne Boleyn. Their acquaintance is certain, although whether or not the two actually shared a romantic relationship remains unknown. But in his poetry, Wyatt called his mistress Anna and there do seem to be correspondences. For instance, this poem might well have been written about the King's claim on Anne Boleyn: ~ Christina Rossetti

Silence is more musical than any song. ~ Christina Rossetti

O Lord, I cannot plead my love of Thee: I plead Thy love of me: - the shallow conduit hails the unfathomed sea. ~ Christina Rossetti

A pin has a head, but has no hair ~ Christina Rossetti

The rose saith in the dewy morn,
I am most fair;
Yet all my loveliness is born
Upon a thorn. ~ Christina Rossetti

In Britain, chinoiserie was eclipsed by the medievalism of Sir Walter Scott and the Gothic Revival, while in Europe japonisme would be chinoiserie's successor. Japonisme never compelled the general middle-class British taste as did the indigenous medieval style. Nonetheless, through extensive importations to Britain of Japanese art and artifacts, notably by the shop Liberty's of London, as well as through the artists James McNeill Whistler and Dante Gabriel Rossetti, the architect E.W. Godwin, and the writer Oscar Wilde, the Japanese style of decoration was known in Britain well before 1894. ~ Linda Gertner Zatlin

The curtains were half drawn, the floor was swept
And strewn with rushes, rosemary and may
Lay thick upon the bed on which I lay,
Where through the lattice ivy-shadows crept.
He leaned above me, thinking that I slept
And could not hear him; but I heard him say,
'Poor child, poor child': and as he turned away
Came a deep silence, and I knew he wept.
He did not touch the shroud, or raise the fold
That hid my face, or take my hand in his,
Or ruffle the smooth pillows for my head:
He did not love me living; but once dead
He pitied me; and very sweet it is
To know he still is warm though I am cold. ~ Christina Rossetti

Sudden Light
I have been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet keen smell,
The sighing sound, the lights around the shore.
You have been mine before,
How long ago I may not know:
But just when at that swallow's soar
Your neck turn'd so,
Some veil did fall, - I knew it all of yore.
Has this been thus before?
And shall not thus time's eddying flight
Still with our lives our love restore
In death's despite,
And day and night yield one delight once more? ~ Dante Gabriel Rossetti

It is beautiful, the world, and life itself. I am glad I have lived. ~ Dante Gabriel Rossetti

I watched a rose-bud very long
Brought on by dew and sun and shower,
Waiting to see the perfect flower:
Then when I thought it should be strong
It opened at the matin hour
And fell at even-song. ~ Christina Rossetti

Sometimes thou seem'st not as thyself alone, But as the meaning of all things that are. ~ Dante Gabriel Rossetti

A man is ever apt to contemplate himself out of all proportion to his surroundings. ~ Christina Rossetti

Were there no God, we would be in this glorious world with grateful hearts, and no one thank. ~ Christina Rossetti

All things that pass Are wisdom's looking-glass. ~ Christina Rossetti

When I am dead, my dearest,
Sing no sad songs for me ~ Christina Rossetti

I am not as these are, the poet saithIn youth's pride, and the painter, among menAt bay, where never pencil comes nor pem ~ Dante Gabriel Rossetti

Who has seen the wind? Neither you nor I: But when the trees bow down their head, The wind is passing by. ~ Christina Rossetti

Look in my face; my name is Might-have-been;
I am also call'd No-more, Too-late, Farewell ~ Dante Gabriel Rossetti

Choose love not in the shallows
but in the deep. ~ Christina Rossetti

All others are outside myself;
I lock my door and bar them out
The turmoil, tedium, gad-about.
I lock my door upon myself,
And bar them out; but who shall wall
Self from myself, most loathed of all?
If I could once lay down myself,
And start self-purged upon the race
That all must run ! Death runs apace. ~ Christina Rossetti

What are the great poetical names of the last hundred years or so? Coleridge, Wordsworth, Byron, Shelley, Landor, Keats, Tennyson, Browning, Arnold, Morris, Rossetti, Swinburne - we may stop there. Of these, all but Keats, Browning, Rossetti were University men, and of these three, Keats, who died young, cut off in his prime, was the only one not fairly well to do. It may seem a brutal thing to say, and it is a sad thing to say: but, as a matter of hard fact, the theory that poetical genius bloweth where it listeth, and equally in poor and rich, holds little truth. As a matter of hard fact, nine out of those twelve were University men: which means that somehow or other they procured the means to get the best education England can give. As a matter of hard fact, of the remaining three you know that Browning was well to do, and I challenge you that, if he had not been well to do, he would no more have attained to write Saul or The Ring and the Book than Ruskin would have attained to writing Modern Painters if his father had not dealt prosperously in business. Rossetti had a small private income; and, moreover, he painted. There remains but Keats; whom Atropos slew young, as she slew John Clare in a mad-house, and James Thomson by the laudanum he took to drug disappointment. These are dreadful facts, but let us face them. It is - however dishonouring to us as a nation - certain that, by some fault in our commonwealth, the poor poet has not in these days, nor has had for two hund ~ Virginia Wolf

No sooner have you feasted on beauty with your eyes than your mind tells you that beauty is vain and beauty passes ~ Virginia Woolf

At college, I was told there were four great women novelists in the 19th century – Jane Austen, George Eliot, Charlotte and Emily Brontë. Not one of them led an enviable life – all of them had to sacrifice ludicrously in order to be writers. I wasn't prepared to do that.

You could become ill so that you could retreat to the bedroom, avoid your domestic responsibilities and write like Emily Dickinson and Christina Rossetti. You had to forget about writing if you weren't prepared to sacrifice any other things you might want from life, like kids or lovers. It's not like that now. ~ Jeanette Winterson

The hours I spent in this anachronistic, bibliophile, Anglophile retreat were in surreal contrast to the shrieking horror show that was being enacted in the rest of the city. I never felt this more acutely than when, having maneuvered the old boy down the spiral staircase for a rare out-of-doors lunch the next day - terrified of letting him slip and tumble - I got him back upstairs again. He invited me back for even more readings the following morning but I had to decline. I pleaded truthfully that I was booked on a plane for Chile. 'I am so sorry,' said this courteous old genius. 'But may I then offer you a gift in return for your company?' I naturally protested with all the energy of an English middle-class upbringing: couldn't hear of such a thing; pleasure and privilege all mine; no question of accepting any present. He stilled my burblings with an upraised finger. 'You will remember,' he said, 'the lines I will now speak. You will always remember them.' And he then recited the following:

What man has bent o'er his son's sleep, to brood
How that face shall watch his when cold it lies?
Or thought, as his own mother kissed his eyes,
Of what her kiss was when his father wooed?
The title (Sonnet XXIX of Dante Gabriel Rossetti) - 'Inclusiveness' - may sound a trifle sickly but the enfolded thought recurred to me more than once after I became a father and Borges was quite right: I have never had to remind myself of the words. I was mumbling my tha ~ Christopher Hitchens

Flowers preach to us if we will hear. ~ Christina Rossetti

So Spring comes merry towards me here, but earns
No answering smile from me, whose life is twin'd
With the dead boughs that winter still must bind,
And whom today the Spring no more concerns.
Behold, this crocus is a withering flame;
This snowdrop, snow; this apple-blossom's part
To breed the fruit that breeds the serpent's art.
Nay, for these Spring-flowers, turn thy face from them,
Nor stay till on the year's last lily-stem
The white cup shrivels round the golden heart. ~ Dante Gabriel Rossetti

This life is but the passage of a day,
This life is but a pang and all is over;
But in the life to come which fades not away
Every love shall abide and every lover. ~ Christina Rossetti

Better by far you should forget and smile that you should remember and be sad. ~ Christina Rossetti

So tired am I, so weary of to-day,
So unrefreshed from foregone weariness,
So overburdened by foreseen distress,
So lagging and so stumbling on my way,
I scarce can rouse myself to watch or pray,
To hope, or aim, or toil for more or less,--
Ah, always less and less, even while I press
Forward and toil and aim as best I may.
Half-starved of soul and heartsick utterly,
Yet lift I up my heart and soul and eyes
Which fail in looking upward ~ Christina Rossetti

What poets, I cried aloud, as one does in the dusk, what poets they were! In a sort of jealousy, I suppose, for our own age, silly and absurd though these comparisons are, I went on to wonder if honestly one could name two living poets now as great as Tennyson and Christina Rossetti were then. Obviously it is impossible, I thought, looking into those foaming waters, to compare them. The very reason why that poetry excites one to such abandonment, such rapture, is that it celebrates some feeling that one used to have (at luncheon parties before the war perhaps), so that one responds easily, familiarly, without troubling to check the feeling, or to compare it with any that one has now. But the living poets express a feeling that is actually being made and torn out of us at the moment. One does not recognize it in the first place; often for some reason one fears it; one watches it with keenness and compares it jealously and suspiciously with the old feeling that one knew. Hence the difficulty of modern poetry; and it is because of this difficulty that one cannot remember more than two consecutive lines of any good modern poet. ~ Virginia Woolf

Should one of us remember,
And one of us forget,
I wish I knew what each will do–
But who can tell as yet?"

Should one of us remember,
And one of us forget,
I promise you what I will do–
And I'm content to wait for you,
And not be sure as yet. ~ Christina Rossetti

Hope is like a hairball trembling from its birth ... ~ Christina Rossetti

My heart is like a singing bird. ~ Christina Rossetti