Protagonista En Quotes

Let us narrow the arguments down further. In certain respects, the theme of supplementarity is certainly no more than one theme among others. It is in a chain, carried by it. Perhaps one could substitute something else for it. But it happens that this theme describes the chain itself, the being-chain of a textual chain, the structure of substitution, the articulation of desire and of language, the logic of all conceptual oppositions taken over by Rousseau ... It tells us in a text what a text is, it tells us in writing what writing it, in Rousseau's writing it tells us Jean-Jacque's desire etc ... the concept of the supplement and the theory of writing designate textuality itself in Rousseau's text in an indefinitely multiplied structure - en abyme. ~ Jacques Derrida

The reality of en-masse inner transformation of human beings by self-realisation is the most revolutionary discovery of the present age. ~ Nirmala Srivastava

This body of thought represents an almost total inversion of Westphalian world order. In the purist version of Islamism, the state cannot be the point of departure for an international system because states are secular, hence illegitimate; at best they may achieve a kind of provisional status en route to a religious entity on a larger scale. Noninterference in other countries' domestic affairs cannot serve as a governing principle, because national loyalties represent deviations from the true faith and because jihadists have a duty to transform dar al-harb, the world of unbelievers. Purity, not stability, is the guiding principle of this conception of world order. ~ Henry Kissinger

Oh, but Paris isn't for changing planes, it's ... it's for changing your outlook, for ... for throwing open the windows and letting in ... letting in la vie en rose. ~ Sabrina

I detest audiences - not in their individual components, but en masse I detest audiences. I think they're a force of evil. It seems to me rule of mob law. ~ Glenn Gould

Public justice is the greatest kind of show, my brother. Drama. Suspense. And best of all education en masse. ~ Khaled Hosseini

En Lima to be or not to be significan la misma cosa ~ Gunter Silva Passuni

Te amo, Querida," he whispered, stroking her hair. "Tu eres mi luz en la oscuridad." I love you. You are my light in the darkness. ~ Brooklyn Ann

One's-Self I Sing
One's-self I sing, a simple separate person,
Yet utter the word Democratic, the word En-Masse.
Of physiology from top to toe I sing,
Not physiognomy alone nor brain alone is worthy for the Muse, I say
the Form complete is worthier far,
The Female equally with the Male I sing.
Of Life immense in passion, pulse, and power,
Cheerful, for freest action form'd under the laws divine,
The Modern Man I sing. ~ Walt Whitman

I got some of their jabber out of a book. S'pose a man was to come to you and say Polly-voo-franzy - what would you think?" "I wouldn' think nuffn; I'd take en bust him over de head - dat ~ Mark Twain

Perhaps the Ci-ty dreamed of an-other, en-emy city, float-ing across the sea to invade the es-tuary ... or of waves of darkness ... waves of fire ... Perhaps of being swallowed again, by the immense, the si-lent Mother Con-tinent? It's none of my business, city dreams ... But what if the Ci-ty were a growing neo-plasm, across the centuries, always chang-ing to meet exactly the chang-ing shape of its very worst, se-cret fears? ~ Thomas Pynchon

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On the way to the drain in the shower, you could be the cables hidden in the bathroom near the wall. The second cou ~ Elite Shower

Amé, fuí amado, el sol acarició mi faz.
¡Vida, nada me debes! ¡Vida, estamos en paz!
I loved, I was loved, the sun stroked my face.
Life, you owe me nothing! Life, we are at peace! ~ Amado Nervo

It is wrong to oppose to objects an isolated ego-subject, without seeing in the Dasein the basic constitution of being-in-the-world; but it is equally wrong to suppose that the problem is seen in principle and progress made toward answering it if the solipsism of the isolated ego is replaced by a solipsism en deux in the I-thou relationship. As a relationship between Dasein and Dasein this has its possibility only on the basis of being-in-the-world. Put otherwise, being-in-the-world is with equal originality both being-with and being-among. ~ Martin Heidegger

May my enemies tremble if they still have time! (Que mes ennemis soient tremblants - S'ils en ont encore le temps!) ~ Charles De Leusse

Ce fut le temps sous de clairs ciels,
(Vous en souvenez-vous, Madame?)
De baisers superficiels
Et des sentiments à fleur d'âme.

It was a time of cloudless skies,
(My lady, do you recall?)
Of kisses that brushed the surface
And feelings that shook the soul. ~ Paul Verlaine

Deconstruction seems to offer a way out of the closure of knowledge. By inaugurating the open-ended indefiniteness of textuality-by thus 'placing in the abyss' (mettre en abime), as the French expression would literally have it-it shows us the lure of the abyss as freedom. The fall into the abyss of deconstruction inspires us with as much pleasure as fear. We are intoxicated with the prospect of never hitting bottom ~ Gayatri Chakravorty Spivak

You know, I've never known much about fashion, living in the country and all," she said innocently. "What sort of hat would a lady like myself wear to an afternoon tea outside, in the garden, with other ladies? Assuming I'm ever invited, of course."
"Oh, that's easy... a lovely straw number, with a wide brim, en grecque curls if you're dining amongst the ruins, or piles of flowers and feathers, and tipped, just so..."
Belle allowed herself a little smile.
"No one has worn hats like that, even in this remote part of the world, for at lest ten years. Not even Madame Bussard has pulled one out of her own wardrobe recently. And she is very thrifty with her accessories. So whatever happened here must have happened at least a decade ago. ~ Liz Braswell

Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance - not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. ~ Jane Jacobs

In particular those who are condemned to stagnation are often pronounced happy on the pretext that happiness consists in being at rest. This notion we reject, for our perspective is that of existentialist ethics. Every subject plays his part as such specifically through exploits or projects that serve as a mode of transcendence; he achieves liberty only through a continual reaching out towards other liberties. There is no justification for present existence other than its expansion into an indefinitely open future. Every time transcendence falls back into immanence, stagnation, there is a degradation of existence into the 'en-sois' – the brutish life of subjection to given conditions – and of liberty into constraint and contingence. This downfall represents a moral fault if the subject consents to it; if it is inflicted upon him, it spells frustration and oppression. In both cases it is an absolute evil. Every individual concerned to justify his existence feels that his existence involves an undefined need to transcend himself, to engage in freely chosen projects. ~ Simone De Beauvoir

I'll never forget the time I went duck-hunting with my buddy Mike Williams; you'll read a lot about our adventures and shenanigans in this book. Mike and I were hunting blue-winged teal ducks, which tend to move en masse, so typically you'll either shoot your limit or not see a duck. In other words, there is a lot of idle time involved with teal hunting, so we usually bring along our fishing poles. After a hunt with Mike one morning, in which we had not seen a single teal, I hooked a four-pound bass. Almost simultaneously, one lone blue-winged teal flew over our heads. As I was reeling in the bass, I reached for my shotgun, raised it with only my left hand, and shot the duck. Now, I'm right-handed but left-eye dominant. It was the first duck I ever shot left-handed, but it would be the first of many. I eventually made the switch to shooting left-handed permanently. It was the hardest obstacle I've ever had to overcome in hunting, but it made me a better shot because I'm left-eye dominant.
When Mike and I went back to my dad's house and told him what happened, Phil didn't believe us, even though we had the teal and bass as evidence. He'd told us about a similar feat many times before, when his friend Hookin' Bull Thompson pulled in a fish with one hand and shot a duck with the other. I had heard the story many time, but only then did I realize it had now been duplicated. No matter how many times we told Phil about what I did, he didn't believe us. He thought we made the e ~ Jase Robertson

Growing up, my imagined life as a musician was something along the lines of me lounging in a Learjet en route to a swelling outdoor amphitheatre on a dazzling summer's eve. ~ Kat Edmonson

Watched as they flashed clips of people dancing, bartenders fixing whatever drink was en vogue, and a montage of interviews with delighted patrons. Maybe I really should try going out, it looks like fun ... but drunk people always look like they're having a good time. ~ Amber Lynn Natusch

The gods weave misfortunes for men, so that the generations to come will have something to sing about." Mallarmé repeats, less beautifully, what Homer said; "tout aboutit en un livre," everything ends up in a book. The Greeks speak of generations that will sing; Mallarmé speaks of an object, of a thing among things, a book. But the idea is the same; the idea that we are made for art, we are made for memory, we are made for poetry, or perhaps we are made for oblivion. But something remains, and that something is history or poetry, which are not essentially different. ~ Jorge Luis Borges

That was what made the story so epic: the player, the hero, had to suffer mightily en route to his final triumph. Schwartz knew that people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering. Most people couldn't do this alone; they needed a coach. A good coach made you suffer in a way that suited you. A bad coach made everyone suffer in the same way, and so was more like a torturer. ~ Chad Harbach

In space-time everything which for each of us constitutes the past, the present and the future is given en bloc ... Each observer, as his time passes, discovers, so to speak, new slices of space-time which appear to him as successive aspects of the material world, though in reality the ensemble of events constituting space-time exist prior to his knowledge of them. ~ Louis De Broglie

Our Jewishness is not a creed, it is ourself, our totality. Indeed, it may be fairly said that the surest evidence of your lack of seriousness in religion is the fact that your religions are not national, that you are not compromised and dedicated, en masse, to the faith. ~ Maurice Samuel

But it's awluz jis' so; people dat's sot, stays sot; dey won't look into noth'n'en fine it out f'r deyselves, en when you fine it out en tell um 'bout it, dey doan' b'lieve you. ~ Mark Twain

New York, forever the port of em- and de-barkation en route to Adventure. ~ Cornelia Parker

It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart. ~ Karl Barth

En voiture, Monsieur,' said the Wagon Lit conductor. ~ Agatha Christie

Babel led to an explosion in the number of languages. That was part of Enki's plan. Monocultures, like a field of corn, are susceptible to infections, but genetically diverse cultures, like a prairie, are extremely robust. After a few thousand years, one new language developed - Hebrew - that possessed exceptional flexibility and power. The deuteronomists, a group of radical monotheists in the sixth and seventh centuries B.C., were the first to take advantage of it. They lived in a time of extreme nationalism and xenophobia, which made it easier for them to reject foreign ideas like Asherah worship. They formalized their old stories into the Torah and implanted within it a law that insured its propagation throughout history - a law that said, in effect, 'make an exact copy of me and read it every day.' And they encouraged a sort of
informational hygiene, a belief in copying things strictly and taking great care with information, which as they understood, is potentially dangerous. They made data a controlled substance... [and] gone beyond that. There is evidence of carefully planned biological warfare against the army of Sennacherib when he tried to conquer Jerusalem. So the deuteronomists may have had an en of their very own. Or maybe they just understood viruses well enough that they knew how to take
advantage of naturally occurring strains. The skills cultivated by these people were passed down in secret from one generation to the next and manifested themselves tw ~ Neal Stephenson

in Edward Glaeser, The Triumph of the City: How Our Greatest Invention Makes Us Richer, Smarter, Greener, Healthier, and Happier (New York: Penguin, 2011). 2. The Dictionary of Biblical Imagery (ed. Leland Ryken, James C. Wilhoit, and Tremper Longman III [Downers Grove, Ill.: InterVarsity, 1998], 150) speaks of the city as "humanity en masse" and therefore "humanity 'writ large.'" 3. The Dictionary of Biblical Imagery (p. 150) defines city as a "fortified habitation." 4. See Frank Frick, The City ~ Timothy J. Keller

As a fantasist, I well understand the power of escapism, particularly as relates to romance. But when so many stories aimed at the same audience all trumpet the same message – And Lo! There shall be Two Hot Boys, one of them your Heart's Intended, the other a vain Pretender who is also hot and with whom you shall have guilty makeouts before settling down with your One True Love – I am inclined to stop viewing the situation as benign and start wondering why, for instance, the heroines in these stories are only ever given a powerful, magical destiny of great importance to the entire world so long as fulfilling it requires male protection, guidance and companionship, and which comes to an end just as soon as they settle their inevitable differences with said swain and start kissing.

I mean to invoke is something of the danger of mob rule, only applied to narrative and culture. Viz: that the comparative harmlessness of individuals does not prevent them from causing harm en masse. Take any one story with the structure mentioned above, and by itself, there's no problem. But past a certain point, the numbers begin to tell – and that poses a tricky question. In the case of actual mobs, you'll frequently find a ringleader, or at least a core set of agitators: belligerent louts who stir up feeling well beyond their ability to contain it. In the case of novels, however, things aren't so clear cut. Authors tell the stories they want to tell, and even if a number of them choose ~ Foz Meadows

Tell me something from Spanish literature," Schiele said.
"I'll give you a line from my favorite novel. 'Los seres humanos no nacen para siempre el dia en que sus madres los alumbran, sino que la vida los obliga a parirse a si mismos una y otra vez.'"
("Humans are not born forever on the day their mothers have them; life necessitates giving birth to themselves over and over again.") ~ Gabrielle Zevin

Oh yes, technique has definitely advanced. But you never advance without losing something en passant, and you lose it because you're paying so much attention to the new thing. ~ Ninette De Valois

In the distance, the cat hears the sound of lobster minds singing in the void, a distant feed streaming from their cometary home as it drifts silently out through the asteroid belt, en route to a chilly encounter beyond Neptune. The lobsters sing of alienation and obsolescence, of intelligence too slow and tenuous to support the vicious pace of change that has sandblasted the human world until all the edges people cling to are jagged and brittle. ~ Charles Stross

With subjectivism in philosophy, anarchism in politics goes hand in hand.
http://en.wikiquote.org/wiki/Bertrand... ~ Bertrand Russell

There followed three years in which I became a semi-respectable commuter, rising with everybody else and frequently being stranded on a Central Line train with revolting strangers due to signalling problems. It was difficult because doing anything en masse just goes against my nature. ~ James Maker

It is a little bit humiliating when I have to say that Chou En-lai to me appears as the most superior brain I have so far met in the field of foreign politics ... so much more dangerous than you imagine because he is so much better a man than you have ever admitted. ~ Dag Hammarskjold

My hatred of crowds, the obviousness of crowds, of anything en masse. Is this why I like little-known books? A general desire to escape the main world. ~ John Fowles

YOU
You are that song that plays rarely on the radio,
But when it does I have to sing it out loud…
You are the water that formed a puddle on a rainy day,that I played in,
When I was only eight years old.
You are the first snowfall of the season,
And the reason I like the morning...
You're a single seashell that washed up onto the shore.
You are my set of old medals
Hidden deep in a drawer…
You are the sun, the moon, the stars, and all the planets.
You are the first breath of a baby just born.

Eres una dandelion que encuentro,
I pull, make a wish, then blow.
You are the sunrise that I tried to paint
after I woke up in Eilat.
You give the nights its meaning…
to dream, while others just sleep.
You are my 3rd grade valentine,
Read, frayed and loved a thousand times.
Eres perfección envuelto en humildad…

Eres oro, plata, y diamantes…
Eres mi querido viejito Pooh, que nunca lo abandonare.
You are my first time driving my brother's Impala,
When I was just fourteen.
You are the name hidden deep inside my name…
And I'm the fingers interlaced with yours.
Eres el PS: I love you at the end la carta,
Y yo soy el PS: I love you too.
Somos el principio, el medio y la ultima palabra
De mi libro final.

Eternamente nosotros, nosotros, nosotros…
Porque nosotros siempre es mejor
Que solamente… yo…
YOU ~ Jose N Harris

Even though she wasn't thrilled they were en route to exterminate bugs, Alex couldn't deny how amazing it was to be gliding between a massive spaceship and the atmosphere of an alien planet.
"I'll have to admit, this is pretty cool," she said.
Conner didn't respond. Alex turned to check on him and saw tears glistening in his eyes. He had seen so many things from his imagination come to life, but seeing an actual planet was surprisingly emotional.
"Are you okay?" she asked.
"I'm fine," Conner said. "Just allergies."
"In space?"
"Yeah, I think there might have been a cat in here before us."
Alex just smiled and didn't press it further. "Well, whatever you're reacting to, thanks for sharing it with me. This is an experience I would never have had without you. ~ Chris Colfer