Poetics Quotes

There is a paradox in fiction that was first noticed by Aristotle in the Poetics. We are drawn to fiction because fiction gives us pleasure. But most of what is actually in fiction is deeply unpleasant: threat, death, despair, anxiety, Sturm und Drang. ~ Jonathan Gottschall

All good poems are victories over something. ~ Stephen Dunn

In 1941, Dorothy L. Sayers provided a detailed analysis of that creative process in The Mind of the Maker. She developed the relevance of the imago Dei for understanding artistic creation in explicitly trinitarian terms. In every act of creation there is a controlling idea (the Father), the energy which incarnates that idea through craftsmanship in some medium (the Son), and the power to create a response in the reader (the Spirit). These three, while separate in identity, are yet one act of creation. So the ancient credal statements about the Trinity are factual claims about the mind of the maker created in his image. Sayers delves into the numerous literary examples, in what is one of the most fascinating accounts ever written both of the nature of literature and of the imago Dei. While some readers may feel she has a tendency to take a good idea too far, The Mind of the Maker remains an indispensable classic of Christian poetics. ~ Leland Ryken

Here we are at the very core of the thesis we wish to defend in the present essay: reverie is under the sign of the anima. When the reverie is truly profound, the being who comes to dream within us is our anima. For a philosopher who takes his inspiration from phenomenology, a reverie on reverie is very exactly a phenomenology of the anima, and it is by coordinating reveries on reverie that he hopes to constitute a "Poetics of reverie". In other words, the poetics of reverie is a poetics of the anima. ~ Gaston Bachelard

What benefits new books bring us! I would like a basket full of books telling the youth of images which fall from heaven for me every day. This desire is natural. This prodigy is easy. For, up there, in heaven, isn't paradise an immense library?

But it is not sufficient to receive; one must welcome. One must, say the pedagogue and the dietician in the same voice, 'assimilate.' In order to do that, we are advised not to read too fast and to be careful not to swallow too large a bite. We are told to divide each difficulty into as many parts as possible, the better to solve them. Yes, chew well, drink a little at a time, savor poems line by line. All these precepts are well and good. But one precept orders them. One first needs a good desire to eat, drink and read. One must want to read a lot, read more, always read.

Thus, in the morning, before the books piled high on my table, to the god of reading, I say my prayer of the devouring reader: 'Give us this day our daily hunger . . .'" - Gaston Bachelard, "Introduction", The Poetics of Reverie: Childhood, Language, and the Cosmos, Pages 25-26 ~ Gaston Bachelard

Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years. And great fatigue followed by a good night's rest can to a certain extent help us to do so. For in order to make us descend into the most subterranean galleries of sleep, where no reflexion from overnight, no gleam of memory comes to light up the interior monologue - if the latter does not itself cease - fatigue followed by rest will so thoroughly turn over the soil and penetrate the bedrock of our bodies that we discover down there, where our muscles plunge and twist in their ramifications and breathe in new life, the garden where we played in our childhood. There is no need to travel in order to see it again; we must dig down inwardly to discover it. What once covered the earth is no longer above but beneath it; a mere excursion does not suffice for a visit to the dead city: excavation is necessary also. But we shall see how certain fugitive and fortuitous impressions carry us back even more effectively to the past, with a more delicate precision, with a more light-winged, more immaterial, more headlong, more unerring, more immortal flight, than these organic dislocations. ~ Marcel Proust

The next time you hear someone in a workshop remarking on how good a particular free-verse line or passage sounds, scan it. The odds are that it will fall into a regular metrical pattern. ~ Annie Finch

You really felt a radical shift in the advance of a poetics that had really been engendered by [Walt] Whitman. This was very exciting. I wanted to work in this environment. ~ Anne Waldman

Surrealism is not a poetry but a poetics, and even more, and more decisively, a world vision. ~ Octavio Paz

We must, however, reflect on what is happening. It is an urgent matter, especially for those of us who still live in a meaningful, even a numinous, earth community. We have not spoken. Nor even have we seen clearly what is happening. The issue goes far beyond economics, or commerce, or poetics, or an evening of pleasantries as we look out over a scenic view. Something is happening beyond all this. We are losing splendind and intimate modes of divine presence. We are, perhaps, losing ourselves. ~ Thomas Berry

In my Paris apartment, when a neighbor drives nails into the wall at an undue hour, I "naturalize" the noise by imagining that I am in my house in Dijon, where I have a garden. And finding everything I hear quite natural, I say to myself: "That's my woodpecker at work in the acacia tree." This is my method for obtaining calm when things disturb me. ~ Gaston Bachelard

My freedom thus consists in my moving about within the narrow frame that I have assigned to myself for each one of my undertakings. I shall go even further: my freedom will be so much the greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles. Whatever diminishes constraint diminishes strength. The more constraints one imposes, the more one frees oneself of the claims that shackle the spirit." - Igor Stravinsky, Poetics of Music ~ Dennis DeSantis

The idea of the person enters poetics where art and reality, or intentionality and circumstance, meet. ~ Lyn Hejinian

In 'A Poetics of Optics,' Equi writes that 'all images bank on alchemy.' This idea captures her fundamental sense of poetry as turning common material into something rare and valuable. ~ Floyd Skloot

When we relate to our bodies as having soul, we attend to their beauty, their poetry and their expressiveness. Our very habit of treating the body as a machine, whose muscles are like pulleys and its organs engines, forces its poetry underground, so that we experience the body as an instrument and see its poetics only in illness. ~ Thomas Moore

When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things. ~ Ken Burns

What a dynamic, handsome object is a path! How precise the familiar hill paths remain for our muscular consciousness! Oh, my roads and their cadence. ~ Gaston Bachelard

What mattered to Abu was the music of the sentence. 'A shadow does not belong to the object that casts it.' To Abu, it was a little poem. And in general, it was the poetics, the music of things that tossed his confetti. ~ Tom Robbins

For me there is a poesis, a poetics, around the trope of the road that is embedded within many life experiences of the people I've been close to. ~ Anne Waldman

Tonight I see no spheres, but project myself
and gaze back, an important trick
because the goal is to be on both sides of the poem,
shuttling between the you and I. ~ Ben Lerner

Poetry Is The Language Of Mysticism &
Discourse. It Is The Whisper In The Dark,
The Shadow In The Light. Poetry Is An Incantation From The Depths Of Your Very Soul. ~ R.M. Engelhardt

(She catches sight of herself in the mirror. Go in fear of hyperbole) ~ Ann Lauterbach

Reveries of idealization develop, not by letting oneself be taken in by memories, but by constantly dreaming the values of a being whom one would love. And that is the way a great dreamer dreams his double. His magnified double sustains him." - Gaston Bachelard, "Reveries on Reverie (Anima - Animus)", The Poetics of Reverie: Childhood, Language, and the Cosmos, Page 88 ~ Gaston Bachelard

The poetics of the oppressed is essentially the poetics of liberation: the spectator no longer delegates power to the characters either to think or to act in his place. The spectator frees himself; he thinks and acts for himself! Theatre is action! ~ Augusto Boal

The genuine artist, Harris is saying, finds reality in a point of identity between subject and object, a point at which the created world and the world that is really there become the same thing. [p.211] ~ Northrop Frye

The poetics of politics had to be observed. ~ Tom Clancy

To Wallace Stevens' post-Nietzschean formula 'God and the imagination are one,' these women poets would add a crucial third element: God and the imagination and my body are one. ~ Alicia Suskin Ostriker

Your friends, and your associates, and the people around you, and the environment that you live in, and the speakers around you - the speakers around you - and the communicators around you, are the poetry makers.
If your mother tells you stories, she is a poetry maker.
If your father says stories, he is a poetry maker.
If your grandma tells you stories, she is a poetry maker.
And that's who forms our poetics. ~ Juan Felipe Herrera

I should like my house to be similar to that of the ocean wind, all quivering with gulls. ~ Rene Cazelles

O friend unseen, unborn, unknown, Student of our sweet English tongue, I never indulge in poetics - Unless I am down with rheumatics. ~ Quintus Ennius

The author isn't altogether certain that there is any such thing as exaggeration. Our brains permit us to use such a wee fraction of their resources that, in a sense, everything we experience is a reduction. We employ drugs, yoga techniques and poetics - and a thousand more clumsy methods - in an effort just to bring things back up to normal. ~ Tom Robbins

I may want to sleep with Miss America, but I have no wish to hear her talk about herself and her family. ~ W. H. Auden

Flashlight beams danced crazily ~ Kurt Vonnegut Jr.

Just as if Manetho's "Aegyptiaca" or the second book of Aristotle's "Poetics" reappeared, the simple fact that such a significant text as "The Gospel of Judas," believed to be lost forever, comes back to light, constitutes in itself an absolutely exceptional event. But in the present case, the impact of such a discovery takes on particular importance, since, through the rehabilitation of Judas, by presenting him as the closest disciple of Christ and as the one he chose to "betray" him in order to fulfill God's will, this text not only seriously challenges one of the most firmly rooted believes in Christian tradition, but also reduces one of the favorite themes of anti-Semitism to nothing ~ Francois Gaudard

There is no single thing ... that is so cut and dried that one cannot attend to its secret whisper which says 'I am more than just my appearance'. If each object quivers with readiness to imply something other than itself, if each perception is a word in a poem dense with connotations, then the poet's selection of any given subject of speculation will become ... a means of attuning himself to the rhythms and harmonies of reality at large ... The notion of a network of correspondence is not an outmoded Romantic illusion: it represents a crucial intuition ... ~ Roger Cardinal

The rules are all in a sixty-four-page pamphlet by Aristotle called 'Poetics.' It was written almost three thousand years ago, but I promise you, if something is wrong with what you're writing, you've probably broken one of Aristotle's rules. ~ Aaron Sorkin

Becoming interested in poetics got me interested in theater. Theater is supposed to be poetry, you know, before it's anything else. It just doesn't fly if it isn't musical. ~ Steve Earle

at man's height the mouth utters its cries, tosses forth its oracles, gives vent to its puns. To allow words to come to life, bare themselves, and show us by chance, for the space of a lightning bolt bony with dice, a few of our reasons for living and dying ~ Michel Leiris

The unspeakable visions of the individual. ~ Jack Kerouac

[W]andering creates the desert. ~ Edmond Jabes

The poetry is not in speaking to the dead but listening to the dead. ~ Charles Bernstein

Insofar as craft and poetics in a poem have a politics, I wanted to avoid that brittle enjambed-prose-sentence-lyric verse, where you have standard sentences snapped off and scattered decoratively across the page (which I might go out on a limb and say was characteristic of some leftist poets, Beat poets, street poets and populist poets of the 70s and 80s - all of whom I basically view as comrades, I should probably say, to this day) and on the other hand I also wanted my poetics to operate differently than those more right-wing academics - in practice - even if in their poems or statements they proclaim public leftist views or ideas - they remain academic poets, operating in elite university-supported circles, institutionalized and reading before institutional audiences, awarding grants and awards to each other, sitting on each other's grants panels, awards and tenure committees, as Philip Levine admitted in an interview in Don't Ask, 'giving prizes to friends. ~ Sesshu Foster

What is a Poet? He is a man speaking to men: a man, it is true, endued with more lively sensibility, more enthusiasm and tenderness, who has a greater knowledge of human nature, and a more comprehensive soul, than are supposed to be common among mankind; a man pleased with his own passions and volitions, and who rejoices more than other men in the spirit of life that is in him; delighting to contemplate similar volitions and passions as manifested in the goings-on of the universe, and habitually impelled to create them where he does not find them. ~ William Wordsworth

Journey through the Power of the Rainbow represents a condensed compendium of literary efforts from a life dedicated to transforming the themes of injustice, grief, and despair that we all encounter during some unavoidable point of our existence into a sustainable life-affirming poetics of passionate creativity, empowered spiritual vision, and inspired commitment. ~ Aberjhani

I was a reader before I was a writer, and when I started putting together my first collection of short stories, Fairytales For Lost Children, I drew on my rich history as a reader to try and create my voice. I wanted this voice to reflect my Somali background, my Kenyan upbringing and my London home. This voice would be a mashup of all the elements that formed my youth; the sticky-sweet Jamaican patois, the Kenyan street slang, my Somali and Italian linguistic tics, my love of jazz poetics and nineties hip-hop slanguistics. This language would form the bed on which my narratives of love, loss, identity and hope would rest. ~ Diriye Osman

My inspiration came from the land, ... and, of course, from Paul Klee ... and the poetics of his paintings. ~ Renzo Piano

Hamartia (n.) The flaw that precipitates the destruction of a tragic hero. Hamartia is a noble word, with a fine history (the OED says also that it refers particularly to Aristotle's Poetics). If you have any decency or soul, please do not use this word to refer to your own weakness for something such as chocolate. also ~ Ammon Shea

My friend asked me if it had been cathartic, to write my memoir. I looked down at the sculptures - it was cathartic for me to look at them, but I could imagine it might have been hell to make them (I was cheered / when I came first to know / that there were flowers also / in hell). No, I answered - how was it for you to read it? Aristotle, in his Poetics, never promised catharsis for the makers of art, only for the audience. ~ Nick Flynn

Aristotle wrote the 'Poetics' 2,400 years ago. It's really an instruction manual for aspiring filmmakers. It's as valid today as it was then. ~ Nicholas Jarecki

Midway between the too soiled ground and the too-sublime vaults, at the level of the air, entering the skin of the role, poetry plays its game. ~ Michel Leiris

Other approaches to studying language, and there are many, go by names like poetics, philology, and rhetoric, but as long as we have had the word in English, linguistics has been associated with the methods, goals, and results of science.1 When William Whewell (who is also responsible for the coinage, scientist) first proposed the term, it was in his History of the Inductive Sciences (1837.1:cxiv; he was borrowing it from the Germans, who, Teutonically
enough, later came to prefer Sprachwissenschaft). ~ Randy Allen Harris

With women poets we look at or into, but not up at, sacred things; we unlearn submission. ~ Alicia Suskin Ostriker

Perhaps Aristotle's most widely-read work is his esoteric treatise on aesthetics, the Poetics. According to his analysis of tragic poetry (a section on comedy was either lost or never completed), the theatrical audience experiences katharsis ("purgation") of the heightened emotions of pity and fear as the tragic hero, a basically good but flawed aristocrat, is brought down by his own "error of judgment. ~ The New York Times

But now it seems clear that literary criticism was inherently doomed. Explicitly or otherwise it had based itself on a structure of echelons and hierarchies; it was about the talent elite. And the structure atomized as soon as the forces of democratization gave their next concerted push.

Those forces – incomparably the most potent in our culture – have gone on pushing. And they are now running up against a natural barrier. Some citadels, true, have proved stormable. You can become rich without having any talent (via the scratchcard and the rollover jackpot). You can become famous without having any talent (by abasing yourself on some TV nerdathon; a clear improvement on the older method of simply killing a celebrity and inheriting the aura). But you cannot become talented without having any talent. Therefore, talent must go.

Literary criticism, now almost entirely confined to the universities, thus moves against talent by moving against the canon. Academic preferment will not come from a respectful study of Wordsworth's poetics; it will come from a challenging study of his politics – his attitude toward the poor, say, or his unconscious 'valorization' of Napoleon; and it will come still faster if you ignore Wordsworth and elevate some (justly) neglected contemporary, by which process the canon may be quietly and steadily sapped. A brief consultation of the Internet will show that meanwhile, everyone has become a literary critic – or at least, a book-re ~ Martin Amis

In any case, it is a mistake to equate concreteness with things. An individual object is the unique phenomenon it is because it is caught up in a mesh of relations with other objects. It is this web of relations and interactions, if you like, which is 'concrete', while the object considered in isolation is purely abstract. In his Grundrisse, Karl Marx sees the abstract not as a lofty, esoteric notion, but as a kind of rough sketch of a thing. The notion of money, for example, is abstract because it is no more than a bare, preliminary outline of the actual reality. It is only when we reinsert the idea of money into its complex social context, examining its relations to commodities, exchange, production and the like, that we can construct a 'concrete' concept of it, one which is adequate to its manifold substance. The Anglo-Saxon empiricist tradition, by contrast, makes the mistake of supposing that the concrete is simple and the abstract is complex. In a similar way, a poem for Yury Lotman is concrete precisely because it is the product of many interacting systems. Like Imagist poetry, you can suppress a number of these systems (grammar, syntax, metre and so on) to leave the imagery standing proudly alone; but this is actually an abstraction of the imagery from its context, not the concretion it appears to be. In modern poetics, the word 'concrete' has done far more harm than good. ~ Terry Eagleton

And it's a case in point of the fact that these traditions - the mythology, the lore - are not being gone to as some kind of fixed, given entity that one then has to have a subservient relationship to. They are active and unfinished; they are subject to change; they are themselves in the process of transformation and transition. They speak to an open and open-ended possibility that the poetics that I've been involved in very much speaks to as well. To see cracks and incompleteness as not only inevitable but opportune. ~ Nathaniel Mackey