Onstage Or On Stage Quotes

I don't belong in limos or private jets or on stage with people cheering me but that's what's kept me grounded because I know it's not right. ~ Billy Joel

Who can make sense of the roles we play? If I could draw any conclusion about the long, depressing slog of human progress, it's the possibility that unseen elements lie just on the other side of the physical universe and that somehow we're actors on the stage of the Globe, right across the Thames from a place called Pissing Alley, whether William Shakespeare or Christopher Marlowe are aware of our presence or not. ~ James Lee Burke

It's a big raised platform at the end of the square, with steps running up to it."
Like a stage?" Evanlyn suggested. "Maybe they're planning to put on a play?"
Or an execution," Horace said. ~ John Flanagan

Men cooperate with one another. The totality of interhuman relations engendered by such cooperation is called society. Society is not an entity in itself. It is an aspect of human action. It does not exist or live outside of the conduct of people. It is an orientation of human action. Society neither thinks nor acts. Individuais in thinking and acting constitute a complex of relations and facts that are called social relations and facts.
The issue has been confused by an arithmetical metaphor. Is society, people asked, merely a sum of individuals or is it more than this and thereby an entity endowed with independent reality? The question is nonsensical. Society is neither the sum of individuais nor more nor less. Arithmetical concepts cannot be applied to the matter.
Another confusion arises from the no less empty question whether society is - in logic and in time - anterior to individuais or not. The evolution of society and that of civilization were not two distinct processes but one and the same process. The biological passing of a species of primates beyond the levei of a mere animal existence and their transformation into primitive men implied already the development of the first rudiments of social cooperation. Homo sapiens appeared on the stage of earthly events neither as a solitary foodseeker nor as a member of a gregarious flock, but as a being consciously cooperating with other beings of his own kind. Only in cooperation with his fellows could he develop ~ Ludwig Von Mises

The difference between supermind and Big Mind (if we take Big Mind to mean the state experience of nondual Suchness, or turiyatita) is that Big Mind can be experienced or recognized at virtually any lower level or rung. Magic to Integral. In fact, one can be at, say, the Pluralistic stage, and experience several core characteristics of the entire sequence of state-stages (gross to subtle to causal to Witnessing to Nondual), although, of course, the entire sequence, including nondual Suchness, will be interpreted in Pluralistic terms. This is unfortunate in many ways - interpreting Dharma in merely Pluralistic terms (or Mythic terms, or Rational, and so on) - because it is so ultimately reductionistic; but it happens all the time, given the relative independence of states and structures at 1st and 2nd tier.

Supermind, on the other hand, as a basic structure-rung (conjoined with nondual Suchness) can only be experienced once all the previous junior levels have emerged and developed, and as in all structure development, stages cannot be skipped. Therefore, unlike Big Mind, supermind can only be experienced after all 1st-, 2nd-, and 3rd-tier junior stages have been passed through. While, as Genpo Roshi has abundantly demonstrated, Big Mind state experience is available to virtually anybody at almost any age (and will be interpreted according to the View of their current stage), supermind is an extremely rare recognition. Supermind, as the highest structure-rung to date ~ Ken Wilber

Growing up, I was a very shy kid but I felt that being on stage or playing another character would somehow open me up. And I think it did. ~ Jesse Tyler Ferguson

When we teach a child to sing or play the flute, we teach her how to listen. When we teach her to draw, we teach her to see. When we teach a child to dance, we teach him about his body and about space, and when he acts on a stage, he learns about character and motivation. When we teach a child design, we reveal the geometry of the world. When we teach children about the folk and traditional arts and the great masterpieces of the world, we teach them to celebrate their roots and find their own place in history. ~ Jane Alexander

Although some graduating classes will have a "handful of celebrities" who move on to the national stage, he pointed out that most would find themselves "building or strengthening your communities. Please love that destiny, if it turns out to be yours - for communities are all that's substantial about the world. ~ Kurt Vonnegut

I was in bands, but they were punk bands, and you plug in the guitars, you turn them up really loud, you've got four or five other people on stage with you, you've got some protection from when they throw lighters. You can always hide behind the lead singer or the bass player. ~ Oscar Isaac

When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it. ~ Andrea Bocelli

Then there are those who think their bodies don't exist. They live by mechanical time. They rise at seven o'clock in the morning. They eat their lunch at noon and their supper at six. They arrive at their appointments on time, precisely by the clock. They make love between eight and ten at night. They work forty hours a week, read the Sunday paper on Sunday, play chess on Tuesday nights. When their stomach growls, they look at their watch to see if it is time to eat. When they begin to lose themselves in a concert, they look at the clock above the stage to see when it will be time to go home. They know that the body is not a thing of wild magic, but a collection of chemicals, tissues, and nerve impulses. Thoughts are no more than electrical surges in the brain. Sexual arousal is no more than a flow of chemicals to certain nerve endings. Sadness no more than a bit of acid transfixed in the cerebellum. In short, the body is a machine, subject to the same laws of electricity and mechanics as an electron or clock. As such, the body must be addressed in the language of physics. And if the body speaks, it is the speaking only of so many levers and forces. The body is a thing to be ordered, not obeyed. ~ Alan Lightman

That is why the second coming of the Lord is not only salvation, not only the omega that sets everything right, but also judgment. Indeed at this stage we can actually define the meaning of the talk of judgment. It means precisely this, that the final stage of the world is not the result of a natural current but the result of responsibility that is grounded in freedom. This must be regarded as the key to understanding why the New Testament clings fast, in spite of its message of grace, to the assertion that at the end men are judged "by their works" and that no one can escape giving an account of the way he has lived his life. There is a freedom that is not cancelled out even by grace and, indeed, is brought by it face to face with itself: man's final fate is not forced upon him regardless of the decisions he has made in his life. This assertion is in any case also necessary in order to draw the line between faith and false dogmatism or a false Christian self-confidence. This line alone confirms the equality of men by confirming the identity of their responsibility. ...

Perhaps in the last analysis it is impossible to escape a paradox whose logic is completely disclosed only to the experience of a life based on faith. Anyone who entrusts himself to a life of faith becomes aware that both exist: the radical character of grace that frees helpless man and,no less, the abiding seriousness of the responsibility that summons man day after day. Both together mean that the ~ Benedict XVI

There is nothing in us or done by us, at any stage of our earthly development, because of which we are acceptable to God. We must always be accepted for Christ's sake, or we cannot ever be accepted at all. This is not true of us only when we believe. It is just as true after we have believed. It will continue to be trust as long as we live. Our need of Christ does not cease with our believing; nor does the nature of our relation to Him or to God through Him ever alter, no matter what our attainments in Christian graces or our achievements in behavior may be. It is always on His "blood and righteousness" alone that we can rest. ~ Benjamin Breckinridge Warfield

I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you. ~ Saffron Burrows

A year or so earlier I had been to the Sky River Rock Festival in rural Washington, where a dosen stone-broke freaks from Seattle Liberation Front had assembled a sound system that carried every small note of an acoustic guitar - even a cough or the sound of a boot drooping on the stage - to half-deaf acid victims huddled under bushes a half mile away.
But the best technicians available to the National DAs' convention in Vegas apparently couldn't handle it. Their sound system looked like something Ulysses S. Grant might have triggered up to addres his troops during the Siege of Vicksburg. The voices from up front crackled with a fuzzy, high-pitched urgency, and the delay was just enough to keep the words disconcertingly out of phaze with the speaker's gestures. (Fear and Loathing in Las Vegas, p. 73) ~ Hunter S. Thompson

I think you can fall in love many times, and it depends on what stage you are in your life. Your soulmate requirements or deal-breakers change with you. ~ Claire Betita De Guzman

Coincidentally the couple who had endowed it had lived in her parents' building. They had had an eight-year-old with a pretty singing voice who drowned at a Maine summer camp. "You can't imagine what happened," said Sarah, but of course Rebecca could imagine. Being a boy soprano had a shorter shelf life than being a supermodel. She could almost see it as Sarah went on and on, the boy with the pale blue eyes, insensible to the hormones coursing through his body as he stood on the stage at Alice Tully Hall. Apparently his choir director had chosen "Old Man River," sung not in the bass range made famous by Paul Robeson, or in the dialect in which it had been written, but in a high register with crisp consonants. (To be fair to the choir director, he had never ~ Anna Quindlen

Knowing has two poles, and they are always poles apart: carnal knowing, the laying on of hands, the hanging of the fact by head or heels, the measurement of mass and motion, the calibration of brutal blows, the counting of supplies; and spiritual knowing, invisibly felt by the inside self, who is but a fought-over field of distraction, a stage where we recite the monotonous monologue that is our life, a knowing governed by internal tides, by intimations, motives, resolutions, by temptations, secrecy, shame, and pride. ~ William H Gass

One of the things about crowd work that's so exciting is when you discover a character in the audience who's interesting or funny, who you can vibe off of. If someone's got a weird job that you can make reference to throughout, or you can bring that person onstage - humiliate them, or celebrate them! You can put people in conversation with one another. The best is when something that they're doing can reflect back on something that you're doing. ~ John Hodgman

People have an idea that the preacher is an actor on a stage and they are the critics, blaming or praising him. What they don't know is that they are the actors on the stage; he (the preacher) is merely the prompter standing in the wings, reminding them of their lost lines. ~ Soren Kierkegaard

To be diagnosed with cancer was a frightening thing, and my first reaction was sheer panic, but I was really fortunate that the cancer was caught at such an early stage that I didn't need chemo or radiotherapy. But I know that cancer is a chronic condition, and once you've had it, you're on the list, because it can come back. ~ Marianne Faithfull

I have always been of the mind that good work is good work, whether performed on stage, on television or in film and, like any reasonable actor, I keep my options open. ~ Benjamin Bratt

If you go on stage with the wrong attitude, or something in your performance is off, you can lose an audience in the first minute. That first minute is crucial. ~ Allan Carr

Because if one starts from the premise that a stage is a stage -not a convenient place for the unfolding of a staged novel or a staged poem or a staged lecture or a staged story- then the word that is spoken on this stage exists, or fails to exist, only in relation to the tensions it creates on that stage within the given stage circumstances. ~ Peter Brook

It was close to like a 67- or 70-day shoot for 'Tron' on stage, in the suit. You can't even sit down during the day because of all the cables that divide the foam rubber and all the electrical circuits. We had these stools that were tall with a bicycle seat on them and you're just looking at a blue screen all day. ~ Garrett Hedlund

I'm not an actor who appears on the stage and gives people advice on how to live or what to do and entertains them. It is not my specialty. ~ Vagit Alekperov

I performed in public for the first time at three years old. I remember it like it was yesterday. It was on a big stage. There were probably three or four hundred people in the audience. We were doing this dance, this Kermit the Frog routine, all of us in our little green leotards. ~ Jaime Pressly

From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie. ~ Hokusai Katsushika

I like creating something from nothing and hearing it on the radio or on stage or from somebody driving down the street singing it. It's like building a house, taking a vacant piece of land, and next thing you know, there's a house with somebody living in it. ~ Harvey Mason, Jr.

When you're in love with the work, the energy comes more naturally. You want to wake up in the morning to write more material, or to go on stage and give every shred of emotion you have. ~ Matthew Hussey

I like to take a puff or two before going on the air. I still get stage fright when I have to perform. A little grass gets rid of the problem. ~ Bob Denver

A director is a general in charge of an army of traitors like any showman. An audience will love you, laugh with you and wait outside your stage door when you're hot and on a roll, but no audience is ever truly friendly. Not for long. Bore 'em or disappoint 'em - even once - and they'll turn on you and tear you to pieces, regardless of who you are or might once have been. ~ Richard Stanley

Screen is satisfying because it's so technical and mysterious. It's like playing roulette: you get a script, you think it's either great or naff, but you have no idea how it will really turn out. On stage, you are your own editor - and you get brief moments of grace, where suddenly you feel free. ~ Toby Stephens

Ultimately, the definition of both the wonder tale and the fairy tale, which derives from it, depends on the manner in which a narrator/author arranges known functions of a tale aesthetically and ideologically to induce wonder and then transmits the tale as a whole according to customary usage of a society in a given historical period. The first stage for the literary fairy tale involved a kind of class and perhaps even gender appropriation. The voices of the nonliterate tellers were submerged, and since women in most cases were not allowed to be scribes, the tales were scripted according to male dictates or fantasies, even though they may have been told by women. Put crudely, it could be said that the literary appropriation of the oral wonder tales served the hegemonic interests of males within the upper classes of particular communities and societies, and to a great extent this is true. However, such a statement must be qualified, for the writing down of the tales also preserved a great deal of the value system of those deprived of power. And the more the literary fairy tale was cultivated and developed, the more it became individualized and varied by intellectuals and artists, who often sympathized with those society marginalized or were marginalized themselves. The literary fairy tale allowed for new possibilities of subversion in the written word and in print, and therefore it was always looked upon with misgivings by the governing authorities in the civilization process ~ Jack D. Zipes

I've never raped or killed anybody, or hurt a kid. I've done all the more inept, high-volume stuff - like, "Whoops, sorry I came in your hair. Don't worry, I won't use your name when I tell this story on stage." ~ Henry Rollins

Life is like a theatre, but the question is not whether you are in the audience or on the stage but rather, are you where you want to be? ~ A.B. Potts

Art is inspiring. Walking into a gallery, or when the lights go up on a stage; that thrill of getting something that has nothing to do with acquisition. ~ Sadie Jones

Two years after I killed Blyth I murdered my young brother Paul, for quite different reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim. That's my score to date. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through. ~ Iain Banks

When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people." ~ Gaspar Noe

I'm intimidated every day I go on the stage and everyday I go on a movie set. It's terrifying and I always want to reshoot the first day or the first week, I'm so terrified. ~ Catherine Zeta-Jones

The Unknown is not the Unknowable; it need not remain the unknown for us, unless we choose ignorance or persist in our first limitations. For to all things that are not unknowable, all things in the universe, there correspond in that universe faculties which can take cognisance of them, and in man, the microcosm, these faculties are always existant and at a certain stage capable of development. We may choose not to develop them; where they are partially developed, we may discourage and impose on them a kind of atrophy. But, fundamentally all possible knowledge is knowledge within the power of humanity. And since in man there is the inalienable impulse of Nature towards self-realisation, no struggle of the intellect to limit the action of our capacities within a determined area can for ever prevail. ~ Sri Aurobindo

I had a very active imagination as a kid, and I was constantly performing, whether I was making money doing it or not, whether it was on a stage in front of 1,000 people or in the living room in front of my family. ~ Laura Bell Bundy