Old Dead White Men Quotes

Do you read them? Faulkner, Hemingway, Fitzgerald?"
"Only if I have to. I try to avoid old dead white men. ~ John Grisham

Whenever you leave cleared land, when you step from some place carved out, plowed, or traced by a human and pass into the woods, you must leave something of yourself behind. It is that sudden loss, I think, even more than the difficulty of walking through undergrowth, that keeps people firmly fixed to paths. In the woods, there is no right way to go, of course, no trail to follow but the law of growth. You must leave behind the notion that things are right. Just look around you. Here is the way things are. Twisted, fallen, split at the root. What grows best does so at the expense of what's beneath. A white birch feeds on the pulp of an old hemlock and supports the grapevine that will slowly throttle it. In the dead wood of another tree grow fungi black as devil's hooves. Overhead the canopy, tall pines that whistle and shudder and choke off light from their own lower branches. (from "Revival Road") ~ Louise Erdrich

The Way the Cards Fall "

Why did you stay away
so long? I've buried another
husband, since I last saw you
holding to the horizon.
I hear where you now live
it snows year-round.
The pear & apple trees
have even missed you–
dead branches scattered
about like war. Come closer,
my eyes have grown night-dim.
Across the field white boxes
of honeybees silent as dirt,
silent as your missent
postcards. Evening
sunlight's faded my hair,
the old stable's slouched
to the ground. I dug a hole
for that calico, Cyclops,
two years ago. Now
milkweed & blackberries
are keepers of the cornfield.
That's how the cards fall;
& Anna, that beautiful girl
you once loved enough
to die over & over again for,
now lives in New Orleans
on both sides
of Bourbon Street. ~ Yusef Komunyakaa

People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her. ~ Marlon James

Stand ipecacuanha, and which of them were constitutionally unable to retain that powerful drug. One who lay dead he ordered to be carried out. He spoke in the sharp, peremptory manner of a man who would take no nonsense, and the well men who obeyed his orders scowled malignantly. One muttered deep in his chest as he took the corpse by the feet. The white man exploded in speech and action. It cost him a painful effort, but his arm shot out, landing ~ Jack London

Ahh, my heart fell down when I began to see dead buffalo scattered all over our beautiful country, killed and skinned, and left to rot by white men, many, many hundreds of buffalo ... Our hearts were like stones. And yet nobody believed, even then, that the white man could kill all the buffalo. Since the beginning of things there had always been so many! ~ Pretty Shield

I've just been thinking it would be a lot of fun to live in a defunct shopping mall!
Totally abandoned,
Yet still frozen in time,
Bright white lights shining,
Artificial turquoise fountains spewing out clear water,
Eerie eighties elevator music drifting by…
Dancing erratically, shouting to the top,
Because it's sad to see these places die.
They're a testament to the hubris of modern America, which is dying in and of itself.
Let's face it. We know we can't compete with
Online shopping
And
Made-in-China products
And
eBay
And
Amazon.

Those of us who spent our
High school
And college days
Being wage slaves to these dying malls,
We'll be old and nostalgic someday,
Telling our grandkids about these wonderful buildings!
They housed sets of trendy clothes
Which nobody was rich enough to afford
Or thin enough to fit in.
We'll tell them about the first time
We were almost trampled in a
Black Friday stampede.
The first time we saw a kid
Vomit in the ugly rainbow ball pit
At the children's play area,
Dumped by babysitters to grow up there,
Spending their childhood draped in neon.
The first time eating greasy pad-thai
And hamburgers
At the food court.
The first time falling in love
In the dark movie theatre
That charges too much for stale popcorn.
Holdi ~ Rebecca McNutt

When white men first effect contact with some unspoilt race of savages, they offer them all kinds of benefits, from the light of the gospel to pumpkin pie. These, however, much as we may regret it, most savages receive with indifference. What they really value among the gifts that we bring to them is intoxicating liquor which enables them, for the first time in their lives, to have the illusion for a few brief moments that it is better to be alive than dead. ~ Bertrand Russell

The white man's dead forget the country of their birth when they go to walk among the stars. Our dead never forget this beautiful Earth, for it is the mother of the red man. We are part of the Earth and it is part of us. ~ Chief Seattle

Shakespeare was a white male, but he is not a dead white male. There may be only three or four women in each Shakespeare play but they are the key to how to transform a society. They are the teachers and the leaders in a new way of thinking about relationships, hierarchies, and love. They have the focus and energy to counterbalance the authority of the ten to thirty men who inhabit each play. ~ Tina Packer

Then she did see it there - just a face, peering through the curtains, hanging in midair like a mask. A head-scarf concealed the hair and the glassy eyes stared inhumanly, but it wasn't a mask, it couldn't be. The skin had been powdered dead-white and two hectic spots of rouge centered on the cheekbones. It wasn't a mask. It was the face of a crazy old woman. Mary started to scream, and then the curtains parted further and a hand appeared, holding a butcher's knife. It was the knife that, a moment later, cut off her scream.
And her head. ~ Robert Bloch

A small group of horsemen were approaching the house, their pace slow enough to match Javelin, whose rider slumped over his neck.
Surely the Herrani wouldn't cheer if Arin was dead, or dying?
Fool, Kestrel told herself. Dead men can't ride.
A storm of feeling confused her, and Kestrel didn't know if her emotions were what they ought to be, because she didn't know what she felt. She couldn't even think.
Then the horses stopped. Arin slipped off Javelin, and there was a scuffle among the Herrani as each fought to get to him first. People supported him, nudged shoulders under his arms.
Arin's face was white with pain and blackened with patches of dirt and bruises. His torn clothes were stained crimson. Bright, bloody flags. One foot was bare.
He tipped his head back, caught Kestrel's gaze, and smiled.
Kestrel shut the window and shut her heart, for what she felt when she saw Arin limp up the path wasn't anything she had expected. She shouldn't feel this, not this:
A stark, shattering relief. ~ Marie Rutkoski

I am looking through a lace curtain at a dead man's feet. I am ten years old, the mist is rising on a fall morning in 1944 in Sawyer, Georgia, and I am standing on a front porch painted gray with white trim. ~ Anne Lovett

I take Democrats to bed with me for lack of a dachshund, although as a matter of fact on occasions like this I am almost certain to be visited by the ghost of Fred, my dash-hound everlasting, dead these many years. In life, Fred always attended the sick, climbing right into bed with the patient like some lecherous old physician, and making a bad situation worse. ~ E.B. White

What a fine thing capital punishment is! Dead men never repent; dead men never bring awkward stories to light. The prospect of the gallows, too, makes them hardy and bold. Ah, it's a fine thing for the trade! Five of them strung up in a row, and none left to play booty or turn white-livered! ~ Charles Dickens

Stern and white as a tomb, older than the memory of the dead, and built by men or devils beyond the recording of myth, is the mansion in which we dwell. ~ Clark Ashton Smith

our tragedy begins humid.
in a humid classroom.
with a humid text book. breaking into us.
stealing us from ourselves.
one poem. at a time.

it begins with shakespeare.

the hot wash.
the cool acid. of
dead white men and women. people.

each one a storm.

crashing. into our young houses.
making us islands. easy isolations.
until we are so beleaguered and
swollen
with a definition of poetry that is white skin and
not us.
that we tuck our scalding. our soreness.
behind ourselves and
learn
poetry.
as trauma. as violence. as erasure.
another place we do not exist.
another form of exile
where we should praise. honor. our own starvation.

the little bits of langston. phyllis wheatley.
and
angelou during black history month. are the crumbs. are the minor boats.
that give us slight rest.

to be waterdrugged into rejecting the nuances of
my own bursting
extraordinary
self.
and to have
this
be
called
education.

to take my name out of my name.
out of where my native poetry lives. in me.
and
replace it with keats. browning. dickson. wolf. joyce. wilde. wolfe. plath. bronte. hemingway. hughes. byron. frost. cummings. kipling. poe. austen. whitman. blake. longfellow. wordsworth. duffy. twain. emerson. yeats. tennyson. a ~ Nayyirah Waheed

Summer of the Grandmothers"

They come back in their white
shifts, their ruffled shawls of salt
white, the way the dead always return
when you need them the most--

when it's too hot to do anything
but picture the worst - the Bomb
finally fallen, the world burned-up,
the entire planet radioactive--

when you are too weak to do anything
but lie in a stupor and call them back
to drift at your side, in eyelit dresses
of old starlight, fresh-faced and cold. ~ Susan Kelly-De Witt

I am here because I worked too hard and too long not to be here. But although I told the university that I would walk across the stage to take my diploma, I won't. At age fifty-seven, I'm too damned old, and I'd look ridiculous in this crowd. From where I'm standing in the back of the hall, I can see that I am at least two decades older than most of the parents of these kids in their black caps and gowns.
So I'll graduate with this class, but I won't walk across the stage and collect my diploma with them; I'll have the school send it to my house. I only want to hear my name called. I'll imagine what the rest would have been like. When you've had a life like mine, you learn to do that, to imagine the good things.
The ceremony is about to begin. It's a warm June day and a hallway of glass doors leading to the parking lot are open, the dignitaries march onto the stage, a janitor slams the doors shut, one after the other.
That banging sound.
It's Christmas Day 1961 and three Waterbury cops are throwing their bulk against our sorely overmatched front door. They are wearing their long woolen blue coats and white gloves and they swear at the cold.
They've finally come for us, in the dead of night, to take us away, just as our mother said they would. ~ John William Tuohy

Unable to swim, he had maneuvered to fall off an old-timers' party yacht in the Hudson River. His departure was not remarked by the revelers. They motored on toward the Atlantic and he bobbed around in the wash. He couldn't swim. But he did. He learned how. Before he knew it, he was making time and nearing the dock where a small Italian liner sat dead still, white, three stories high. Nobody was around when he pulled up on a stray rope on the wharf and walked erect to the street, where cars were flashing. Day after tomorrow was his seventieth birthday. What a past, he said. I've survived. Further, I'm horny and vindictive. Does the fire never stop? ~ Barry Hannah

But, if you've decided to go out on a limb and kill one, for goodness' sake, be prepared. We all read, with dismay, the sad story of a good woman wronged in south Mississippi who took that option and made a complete mess of the entire thing. See, first she shot him. Well, she saw right off the bat that that was a mistake because then she had this enormous dead body to deal with. He was every bit as much trouble to her dead as he ever had been alive, and was getting more so all the time. So then, she made another snap decision to cut him up in pieces and dispose of him a hunk at a time. More poor planning. First, she didn't have the proper carving utensils on hand and hacking him up proved to be just a major chore, plus it made just this colossal mess on her off-white shag living room carpet. It's getting to be like the Cat in the Hat now, only Thing Two ain't showing up to help with the clean-up. She finally gets him into portable-size portions, and wouldn't you know it? Cheap trash bags. Can anything else possible go wrong for this poor woman? So, the lesson here is obvious--for want of a small chain saw, a roll of Visqueen and some genuine Hefty bags, she is in Parchman Penitentiary today instead of New Orleans, where she'd planned to go with her new boyfriend. Preparation is everything. ~ Jill Conner Browne

As colleges move to replace some of the dead white men of the literary canon with writers who are not dead, not white, and not men, the living white men of the Red Pill have appeared as the self-appointed guardians and defenders of the cultural legacy of Western civilization. ~ Donna Zuckerberg

Eyes, golden-brown curls and crimson cheeks. She laughed too much to please her father's congregation and had shocked old Mrs. Taylor, the disconsolate spouse of several departed husbands, by saucily declaring - in the church-porch at that - "The world ISN'T a vale of tears, Mrs. Taylor. It's a world of laughter." Little dreamy Una was not given to laughter. Her braids of straight, dead-black hair betrayed no lawless kinks, and her almond-shaped, dark-blue eyes had something wistful and sorrowful in them. Her mouth had a trick of falling open over her tiny white teeth, and a shy, meditative smile occasionally crept over her small face. She was much more sensitive to public opinion than Faith, and had an uneasy consciousness that there was something askew in their way of living. She longed to put it right, but did not know how. Now and then she dusted the furniture - but it was so seldom she could find the duster because it was never in the same place twice. And when ~ L.M. Montgomery

... it's just something women used to say when they sent their men off to war. Come back with your shield, or on it."
"On your shield?" said Nobby. ""You mean like ... sledging, sort of thing?"
"Like dead," said Angua. "It meant come back a winner or not at all."
"Well, I always came back with my shield," said Nobby. "No problem there."
"Nobby," sighed Colon, "you used to come back with your shield, everyone else's shield, a sack of teeth and fifteen pairs of still-warm boots. On a cart."
"We-el, no point in going to war unless you're on the winning side," said Nobby, sticking the white feather in his helmet.
"Nobby, you was always on the winning side, the reason bein', you used to lurk aroun' the edges to see who was winning and then pull the right uniform off'f some poor dead sod. I used to hear where the generals kept an eye on what you were wearin' so they'd know how the battle was going. ~ Terry Pratchett

But Doty felt white men treated her as something less than a full woman, a type of exotic object to display in their homes like a dead animal. ~ Kali Fajardo-Anstine

Yet, if the American Negro has arrived at his identity by virtue of the absoluteness of his estrangement from his past, American white men still nourish the illusion that there is some means of recovering the European innocence, of returning to a state in which black men do not exist. This is one of the greatest errors Americans can make. The identity they fought so hard to protect has, by virtue of that battle, undergone a change: Americans are as unlike any other white people in the world as it is possible to be. I do not think, for example, that it is too much to suggest that the American vision of the world-which allows so little reality, generally speaking, for any of the darker forces in human life, which tends until today to paint moral issues in glaring black and white owes a great deal to the battle waged by Americans to maintain between themselves and black men a human separation which could not be bridged. It is only now beginning to be borne in on us, very faintly, it must be admitted, very slowly, and very much against our will--that this vision of the world is dangerously inaccurate, and perfectly useless. For it protects our moral high-mindedness at the terrible expense of weakening our grasp of reality. People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster. ~ James Baldwin

Rooks have clustered on either side of the long road. It is as if they line a grand parade route for our passage. Their black feathers are stark as soot against the white road and the snow. They stab at the ground with their strange bare bills and gray unfeathered faces. The birds are like rough-edged black stones on a string around this stripped cold neck of road. The old books tell us rooks bring the virtuous dead to heaven's gate. ~ Ned Hayes

The fight unfolded like background noise. White noise. In the foreground, even with his ghastly pale face looking dead in my hands, my fingers clenching his ragged hair, all I could see was random images of Fang, not dead.

Fang telling me stupid fart jokes from the dog crate next to mine at the school, trying to make me laugh.

Fang asleep at Jeb's old house, and me jumping wildly on his bed to wake him up. Him pretending to be asleep. Me laughing when I "accidentally" kicked him where it counts. Him dumping me off the bed.

Fang gagging on my first attempt at cooking dinner after Jeb disappeared. Him spitting out the mac and cheese. Me dumping the rest of the bowl on him in response.

Fang on the beach, that first time he was badly injured. Me realizing how I felt about him.

Fang kissing me. So close I couldn't even see his dark eyes anymore. The first time. The second time. The third.

I could always remember each and every one of them. Would always remember them.

Fang.

Not.

Dead. ~ James Patterson

As the years passed, new myths arose to explain the mysterious objects the strangers brought from the land of the dead. A nineteenth-century missionary recorded, for example, an African explanation of what happened when captains descended into the holds of their ships to fetch trading goods like cloth. The Africans believed that these goods came not from the ship itself but from a hole that led into the ocean. Sea sprites weave this cloth in an "oceanic factory, and, whenever we need cloth, the captain ... goes to this hole and rings a bell." The sea sprites hand him up their cloth, and the captain "then throws in, as payment, a few dead bodies of black people he has bought from those bad native traders who have bewitched their people and sold them to the white men." The myth was not so far from reality. For what was slavery in the American South, after all, but a system for transforming the labor of black bodies, via cotton plantations, into cloth? ~ Adam Hochschild

A Favorite start to a book [sorry it's long!]:

"In yesterday's Sunday Times, a report from Francistown in Botswana. Sometime last week, in the middle of the night, a car, a white American model, drove up to a house in a residential area. Men wearing balaclavas jumped out, kicked down the front door, and began shooting. When they had done with shooting they set fire to the house and drove off. From the embers the neighbors dragged seven charred bodies: two men, three women, two children.
Th killers appeared to be black, but one of the neighbors heard them speaking Afrikaans among themselves. And was convinced they were whites in blackface. The dead were South Africans, refugees who had moved into the house mere weeks ago.
Approached for comment, the SA Minister of Foreign Affairs, through a spokesman, calls the report 'unverified'. Inquiries will be undertaken, he says, to determine whether the deceased were indeed SA citizens. As for the military, an unnamed source denies that the SA Defence Force had anything to do with the matter. The killings are probably an internal ANC matter, he suggests, reflecting 'ongoing tensions between factions.
So they come out, week after week, these tales from the borderlands, murders followed by bland denials. He reads the reports and feels soiled. So this is what he has come back to! Yet where in the world can one hide where one will not feel soiled? Would he feel any cleaner in the snows of Sweden, reading at a dist ~ J.M. Coetzee

Who"

The month of flowering's finished. The fruit's in,
Eaten or rotten. I am all mouth.
October's the month for storage.

The shed's fusty as a mummy's stomach:
Old tools, handles and rusty tusks.
I am at home here among the dead heads.

Let me sit in a flowerpot,
The spiders won't notice.
My heart is a stopped geranium.

If only the wind would leave my lungs alone.
Dogsbody noses the petals. They bloom upside down.
They rattle like hydrangea bushes.

Mouldering heads console me,
Nailed to the rafters yesterday:
Inmates who don't hibernate.

Cabbageheads: wormy purple, silver-glaze,
A dressing of mule ears, mothy pelts, but green-hearted,
Their veins white as porkfat.

O the beauty of usage!
The orange pumpkins have no eyes.
These halls are full of women who think they are birds.

This is a dull school.
I am a root, a stone, an owl pellet,
Without dreams of any sort.

Mother, you are the one mouth
I would be a tongue to. Mother of otherness
Eat me. Wastebasket gaper, shadow of doorways.

I said: I must remember this, being small.
There were such enormous flowers,
Purple and red mouths, utterly lovely.

The hoops of blackberry stems made me cry.
Now they light me up like an electric bulb.
For weeks I can remember nothing at all. ~ Sylvia Plath

Everyone always knows what they're doing," he says abruptly, still not looking up from his hands, the little plastic pot and the old tattoo and the new white dressing on his left wrist. "You know what you're doing, you got your work and your friends and everything and miserable headfucky little teenage girly boys think you're amazing and, I don't know, you might've saved my life, who knows? I might be dead if it weren't for you and Olly but people can't keep looking after me all the time cos that ain't healthy neither, that's just as bad as people not giving a fuck at all. And, like... I'm trying to sort my head out and be a proper grown-up and get my degree and go to work and look after them kids and make sure my dad ain't kicking my sister round the house like a football but it's just so hard all the time, and I know I ain't got no right to complain cos that's just life, ain't it? Everyone's the same, least I ain't got money worries or nothing. I just don't know what I'm doing, everything's too hard. I can try and try forever but I can't be good enough for no one so what the fuck's the point? ~ Richard Rider

Something More Fragile Than This"

Quick
before our bodies turn themselves in,
with a reverence reserved for the dead touch me
because I want to remember how beautiful I am.
While Spring snows around us, cracking her eggs
on our windows, in her meager dress of yellowing-white,
because I want to rise into today.

So why the urge to render something
more fragile than this?
Why, always, the soul blowing glass?
The soul, once again, filling the lungs
with smoke because a memory of regret sweats
in the plastic sleeve of a family
album. Because there's a snapshot caught
between the pages of some thick book:
my heavy 20 year old frame setting off
the 60lb weight of a dying mother. Because
somewhere, there's a negative slide
of my heart. Because and because and because
I'm sure there's a photo
in some drawer that shows me dressed in black.

But I want to devote myself to the mystery
of this afternoon. I want to honor this falling night, worship the
hour vanishing
between six and seven. This moment
where I'm standing against myself and against you with a taste in my mouth
that's yolk.

With Bob Marley taking that one long drag
on the refrigerator door. ~ Olena Kalytiak Davis