New Girl Remy Quotes

Abby stared at me, her fingers going all grabby like she wanted to snatch the phone and save me. No girl had ever wanted to save me before. I glanced away, because her worried expression made me want to laugh, but when I wasn't looking at her, the thought of it made me want to kiss her. ~ Ophelia London

A little downy girl still wearing poppies
still eating popcorn in the colored gloam
where tawny Indians took paid croppers
because you stole her
from her wax-browed and dignified protector
spitting into his heavy-lidded eye
ripping his flavid toga and at dawn
leaving the hog to roll upon his new discomfort
the awfulness of love and violets
remorse despair while you
took a dull doll to pieces
and threw its head away
because of all you did
because of all I did not
you have to die ~ Vladimir Nabokov

My favorite thing about playing a vampire is the stunts. It's just a new, fun thing to do. Especially as a girl, being able to be all dolled up in heels and little outfits and be able to kick boys' butts, I think it's a really fun, make-believe world to play. ~ Candice Accola

Naked Girl and Mirror

This is not I. I had no body once-
only what served my need to laugh and run
and stare at stars and tentatively dance
on the fringe of foam and wave and sand and sun.
Eyes loved, hands reached for me, but I was gone
on my own currents, quicksilver, thistledown.
Can I be trapped at last in that soft face?

I stare at you in fear, dark brimming eyes.
Why do you watch me with that immoderate plea-
'Look under these curled lashes, recognize
that you were always here; know me-be me.'
Smooth once-hermaphrodite shoulders, too tenderly
your long slope runs, above those sudden shy
curves furred with light that spring below your space.

No, I have been betrayed. If I had known
that this girl waited between a year and a year,
I'd not have chosen her bough to dance upon.
Betrayed, by that little darkness here, and here
this swelling softness and that frightened stare
from eyes I will not answer; shut out here
from my own self, by its new body's grace-

for I am betrayed by someone lovely. Yes,
I see you are lovely, hateful naked girl.
Your lips in the mirror tremble as I refuse
to know or claim you. Let me go-let me be gone.
You are half of some other who may never come.
Why should I tend you? You are not my own;
you seek that other-he will be your home.

Yet I pity your eyes in the mirror, misted ~ Judith A. Wright

The antique, almost primitive band he held between his fingers caught the sunlight, glinting silver. I found this ring shortly after I was banished from heaven. I kept it to remind myself of how endless my sentence was, how eternal one small choice can be. I've kept it a long time. I want you to have it. You broke my suffering. You've given me a new eternity. Be my girl, Nora. Be my everything. ~ Becca Fitzpatrick

So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl,' and what my experience on 'Veronica Mars' was like. Everybody was just so great. ~ Max Greenfield

Ever since I first read Midori Snyder's essay, 'The Armless Maiden and the Hero's Journey' in The Journal of Mythic Arts, I couldn't stop thinking about that particular strand of folklore and the application of its powerful themes to the lives of young women. There are many different versions of the tale from around the world, and the 'Armless Maiden' or 'Handless Maiden' are just two of the more familiar. But whatever the title, we are essentially talking about a narrative that speaks of the power of transformation – and, perhaps more significantly when writing young adult fantasy, the power of the female to transform herself. It's a rite of passage; something that mirrors the traditional journey from adolescence to adulthood.

Common motifs of the stories include – and I am simplifying pretty drastically here – the violent loss of hands or arms for the girl of the title, and their eventual re-growth as she slowly regains her autonomy and independence. In many accounts there is a halfway point in the story where a magician builds a temporary replacement pair of hands for the girl, magical hands and arms that are usually made entirely of silver. What I find interesting is that this isn't where the story ends; the gaining of silver hands simply marks the beginning of a whole new test for our heroine. ~ Karen Mahoney

I was 11 years old and horse-obsessed. New York City was an unfortunate place for a girl like me to be growing up. ~ Jean Hanff Korelitz

I want world leaders to choose books over bullets ... We can afford to give every girl 12 years of free education. It is absolutely in our power, and when we do, we will realize a whole new world of possibility. ~ Malala Yousafzai

Maybe it wasn't rational, but she didn't like the idea of Leo invading her little world. Yesterday, Brooklyn had belonged to her. The Long Island 'burbs where she'd grown up had felt far away from the brick streets and renovated factory spaces of Brooklyn. In this job, she'd felt truly independent, putting down her own fragile roots in a new place.

Fast forward twenty-four hours, and her daddy had joined the workplace and her ex-boyfriend had shown up to remind her of all that she'd lost. Really, a girl could be forgiven for feeling slightly hysterical.

Not that there was any time to panic. ~ Sarina Bowen

The group that evening turned out to be almost a who's who of Hollywood royalty, many of whom were Brits and all of whom could not have been kinder to this new kid on the block. Some of the people I remember meeting were: Greer Garson; Ronald Colman; David Niven, who had also been under contract to Goldwyn, and who was the best raconteur I have ever met; Myrna Loy; Ray Milland, with whom I later worked in The Girl in the Red Velvet Swing; and James Mason, who never seemed to be in the moment. It was as if he was off in his own secret places. Meeting him confirmed what I'd always suspected: he would have been terrific as Rupert in Rope. ~ Farley Granger

What do you think it takes to reinvent yourself as an all-new person, a person who makes sense, who belongs? Do you change your clothes, your hair, your face? Go on, then. Do it. Pierce your ears, trim your bangs, buy a new purse. They will still see past that, see you, the girl who is still too scared, still too smart for her own good, still a beat behind, still, always, wrong. Change all you want; you can't change that. ~ Leila Sales

But Anya, you're not any girl, you are someone very special. You have a gift of happiness that's almost magical".
To Anya the gentle fluttering of new life within reminded her that Adam had not only been there in Stockholm but would remain with her forever.
"It is completely possible. Idiopathic reversals of ovarian failure are well documented in the literature. ~ Erich Segal

My advice for girls who are waiting for their Prince Charming is to be open for anything. Be open to new experiences, be open to the idea that it may take longer than you want, but if you're open to meeting new people and new adventures, then love will come along. ~ Lily Collins

One could know a thousand women, Gascoigne thought; one could take a different girl every night for years and years - but sooner or later, the new lovers would do little more than call to mind the old, and one would be forced to wander, lost, in that reflective maze of endless comparison, forever disappointed, forever turning back. ~ Eleanor Catton

What is it, Master Calligrapher, that little girls do in the way that spiders weave?" sleeve asked primly.
The Calligrapher coughed, for his room was very dusty, and there was dust even on his eyelashes, and said: "It is right and proper," he said, "for a girl to read as many books as there are bricks in this city, and then, when she is finished, to begin to write new ones which are made out of the old ones, as this city is made of those stones. ~ Catherynne M Valente

In my art history degree course, we did a module on palimpsests - medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view.

Sometimes I have a sense that this house - our relationship in it, with it, with each other - is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame. ~ J.P. Delaney

I'm second string to a true, actual, just-moved-here new girl. Mackenzie's from Minnesota, says her O's in a really weird way, and already has more friends than I do. ~ Alecia Whitaker

In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate's face at their wedding would never be duplicated. But when they placed the tiny little boy in his father's gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He'd taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances.
"Generations of our families," he said softly, "all there, in that face." He'd looked down at his wife with unashamedly wet eyes. "In our son's face."
She wiped her own tears away with a corner of the sheet and coaxed Tate's head down so that she could do the same for him where they were, temporarily, by themselves.
Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. "Isn't he beautiful?" he murmured, still awed by the child. "Next time, we have to have a little girl," he said with a tender smile, "so that she can look like you."
Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn.
"My heart is happy when I see you," she whispered in Lakota.
He chuckled, having momentarily forgotten that he'd taught her how to say it. "Mine is equally happy ~ Diana Palmer

We've decided that your birthday present will be a car", said Marion.
Danny was touched. "But the thing I can't figure out is, why would I need a new car?"
"You can't very well gate a girl to the movies, Danny," Leslie replied.
"I think you're overlooking the biggest point here," said Danny. "I don't need a CAR so I can date. I need a GIRL. ~ Orson Scott Card

Are you really going to turn down gifted help? That's your plan? Do without what could make all the difference?"
"My plan is to move swiftly, strike fast, and get out. You would slow me down."
She arched an admonishing eyebrow. "And if you break a leg in a badger hole while moving swiftly, who is going to help you? I'm going with you, Lord Rahl, and that is all there is to it."
Richard pressed his lips tight as he appraised the determination in her dark eyes.
"You are one stubborn little girl."
"Not a girl," she said with conviction. "Samantha, sorceress serving the Lord Rahl."

******

Richard sighed as he rose up from beside Kahlan. "I know. But there's no choice. It's something I have to do. This threat could kill people in numbers beyond your ability to imagine. I'm the Lord Rahl. I have to do what is necessary to protect all the people of the New World."
Ester dipped her head. "I can't argue with the word of the Lord Rahl..." Ester gestured at Samantha. "But why is she going?"
"Because she is stubborn," Richard said. ~ Terry Goodkind

I'd never have gotten this far without you, I said.
Jack tipped his cap to me. My heart squirmed around to find a new position under my ribs. I closed the door fast before I could say something really stupid. ~ Sarah Zettel

There. You see? You're just figuring it out now, but I discovered a long time ago that the smarter you are, the more tempting it is to just let people imagine you. We move through each other's lives like ghosts, leaving behind haunting memories of people who never existed. The popular jock. The mysterious new girl. But we're the ones who choose, in the end, how people see us. And I'd rather be misremembered. Please, Ezra, misremember me. ~ Robyn Schneider

Cinderella does not represent contemporary girls.

Today's girls are no 'damsels-in-distress.' They figure and solve problems, invent solutions, and herald in the new world order. ~ Tina Sequeira

Once the vehicle started moving, she realized she had no idea where she was going.

Wasn't that always the case?

Her phone chimed. Nick.

Where did you go?

Quinn deleted it.

Then she started a new text.

Playing sentry again tonight?

The response text took less than three seconds.

Why? Need rescuing, baby girl?

Quinn smiled.

Now that you mention it, yeah. I do.

Her phone vibrated almost immediately.

What's up?

I'm on a bus, bound for nowhere.

Sweetheart, it's a TRAIN bound for nowhere.

Her heart gave a little squee at the endearment. It meant nothing and everything all at once. She smiled over her phone while she texted back.

Well, I'm on a bus with no destination in mind.

Want me to come get you?

Quinn stopped and stared at the phone. Was this dangerous?

It didn't feel dangerous. Tyler had had ample opportunity to hurt her last night and he hadn't.

When Becca had first told her about finding Chris in the middle of a fight with Tyler and Seth in the parking lot, Quinn's first question had been, "Why?"

She'd never gotten a good answer.

She slid her thumbs across the face of her phone.

Are more taquitos in my future?

Play your cards right and there might be a soda, too.

His texts were teasing, so she wasn't sur ~ Brigid Kemmerer

Gaman. I've fought my whole life against it, but looking back, it's all I know how to do. I used gammon when I saw that first text to Dad when I was twelve. I used gammon with Trish when she got popular and made all those new, popular friends. I used gaman when I had a crush on her. I thought I'd changed when we moved to California and I finally made real friends, finally kissed Jamie, finally started to live a little. I thought I was done with gaman. But I was wrong. I tried to do something about Dad, and I failed. I tried to tell Mom the truth about me, and I chickened out. I tried to take action when I thought Jamie might leave me, and I screwed up. So I've resigned myself to my fate like a good Japanese girl, and I'm doing my best to pull myself together, squelch the complaints, and endure, endure, endure. Gaman. This is what Mom has been training me for since I was born, and it's clearly what I'm best at. ~ Misa Sugiura

When I first came to New York, I would scream like a girl and run to the other side of the street if there was a pigeon. Now I can face off with a pigeon. ~ John Searles

The sad fact is, there are 7.220.400.641 people on the planet, but right now I haven't got a single one to talk to. ~ Holly Smale

Then: I google "time-series visualization" and start work on a new version of my model, thinking that maybe I can impress her with a prototype. I am really into the kind of girl you can impress with a prototype. ~ Robin Sloan

This was it: this was the moment where I would have to decide whether I wanted to be the girl I'd always been, or whether I was ready to become someone new. Someone who was brave enough to crawl into the dark alone, and see where the risk would take her. Someone who was going to survive. ~ Mira Grant

Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot.

Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm....

The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview) ~ Patti Smith

Oh my. He's English.

"Er. Does Mer live here?"

Seriously, I don't know any American girl who can resist an English accent.

The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?"

"I'm sorry." He takes the smallest step away from me. "You were going to bed."

"Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating.

The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin.

"Étienne," he says. "I live one floor up."

"I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused.

He raps twice on Meredith's door. "Well. I'll see you around then, Anna."

Eh-t-yen says my name like this: Ah-na. ~ Stephanie Perkins

Girl: The kid buys a new tie and you curse him like he was Ramsay MacDonald. ~ Vladimir Mayakovsky

I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds. ~ Cecily Von Ziegesar

'Guyism' wanted a daily video series. They told me they were planning on hiring a girl and then hiring someone to write all her jokes. Then they figured it would be easier just to get me, so they offered me $750 a month to do it, which turned into an offer to move to New York and do it full-time for $30,000 a year. ~ Katie Nolan

MIND YOUR OWN SOCIAL MEDIA BUSINESS ~ Qwana M. BabyGirl Reynolds-Frasier

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for "a thrilling, dramatic and enlightening story based on prison reform."

---

Frances now shared George's obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was "an acknowledged expert and a very human individual." He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed "his smile at my discomfort." Warden James Hoolihan started testing her right away by inviting ~ Cari Beauchamp