Narrators Quotes

For years, I've written narrators who aren't gender-identified. When I do autobiographical stuff, that's different, obviously. But I've always tried to keep my songs as potentially not a man's thing. ~ John Darnielle

In love and life, we never know when we are telling ourselves stories. We are the ultimate unreliable narrators. ~ Jean Kwok

I see people sometimes who remind me of my narrators. ~ Lydia Davis

Using a dog as a narrator has limitations and it has advantages. The limitations are that a dog cannot speak. A dog has no thumbs. A dog can't communicate his thoughts except with gestures. ~ Garth Stein

But music doesn't sum up my approach to literature - even in Vain Art of the Fugue. To 'fugue' I had to invent 'trap-words,' or words that would force the narrator to turn around and start his path anew. ~ Dumitru Tepeneag

Do you remember being born? Only a few can say they do and not be caught immediately in the lie, and most of them are wizards. I, of course, remember it perfectly. Certain benefits are granted to narrators as part of the hiring package, to compensate for our irregular hours and unsafe working conditions. ~ Catherynne M Valente

You're probably thinking the same thing we were: where did Jane get the rope to tie the prisoners? We researched this very conundrum thoroughly, and after two weeks we can say, without a doubt : nobody knows. It's a question that has baffled historians and archaeologists alike. Professor Herbert Halprin explains: "Ropes have been a mystery to scholars throughout the ages. The first ropes were thought to appear as far back as 17,000 BC and made of vines. Unfortunately, being made of vines, none of those early examples survived. Later, da Vinci drew sketches for a rope-making machine, but it was never built. In medieval times, there were secret societies, called Rope Guilds, whose rope-twisting practices were protected via a complicated series of handshakes and passwords -" Okay. Your narrators are interrupting the dear professor, for reasons of boredom. Plus, his English accent sounded sketchy and forced. We asked him where Jane could've gotten the rope, but maybe he thought we asked him where anyone could've gotten any rope at any given point in history. Trust us, we are as frustrated as you must be about the lack of a definitive answer. ~ Cynthia Hand

Well, there's good fiction. There are wonderful books, and yes, it's good to read them. Maybe if you've read a lot of fiction, you reach this stage of satiation, and you start thinking well, what's the point, but then you talk to people who've read barely any, and you realize that things you take for granted if you've read a lot of fiction - unreliable narrators, how language frames your perception of people - things that seem obvious to the point of banality, except they're not to people who aren't in the habit of reading fiction. ~ Helen DeWitt

Nostalgia for people, cultures, everything. There's an ability to use these marks to note things that are erased, deleted. Traces are a species of history, of evidence. It's a way for the way the narrator to construct a semblance of self, even though all of this creates a deception, a way to think of one's traces as a real way to define oneself. The trace is fallible, impermanent. It's one of the motives I had in mind throughout the text. ~ Sergio Chejfec

CUSTOMER: I'd like to buy this audiobook.
BOOKSELLER: Great.
CUSTOMER: Only, I don't really like this narrator.
BOOKSELLER: Oh.
CUSTOMER: Do you have a selection of narrators to choose from? Ideally, I'd like Benedict Cumberbatch ~ Jen Campbell

Ezra clapped his hands. "all right," he said. "In addition to the books we're reading as a class, I want to do an extra side project on unreliable narrators." Devon Arliss raised her hand. "what does that mean?" Ezra strode around the room. "well, the narrator tells us the story in the book, right? But what if ... the narrator isn't telling us the truth? Maybe he's telling us his skewed version of the story to get you on his side. Or to scare you. Or maybe he's crazy! ~ Sara Shepard

I'm really shocked when critics get morally outraged at my fiction because they think I'm condoning what's going on. I never come in as the author and say, "Hey, okay. I'm interrupting the narrator here. I'm Bret Easton Ellis, and I'm the author." ~ Bret Easton Ellis

Apparently I am what is known as an Unreliable Narrator, though of course if you believe everything you're told you deserve whatever you get. ~ Iain M. Banks

A narrator should not supply interpretations of his work; otherwise he would have not written a novel, which is a machine for generating interpretations. ~ Umberto Eco

In the end, the tenses of the verbs settled into a common groove, the persons of the narrators, first and third (the latter with so many variants and identities), became one, and events thronged toward a day that began uncertainly and remained undecided, with a light gray film covering the sky. ~ Filip Florian

First-person narrators can't die, so as long as we keep telling the story of our own lives we're safe. Ha bloody fucking Ha. ~ Pat Barker

By definition, memoir demands a certain degree of introspection and self-disclosure: In order to fully engage a reader, the narrator has to make herself known, has to allow her own self-awareness to inform the events she describes. ~ Caroline Knapp

We see everything from the narrator's point of view, so exposition about the world is limited to what impinges directly on him and the story he's telling. Considering how old the world is, we learn very little about its history, which I think is a good thing. ~ Neal Stephenson

This is what you learned in college," the narrator tells you early on. "A man desires the satisfaction of his desire; a woman desires the condition of desiring. ~ Pam Munoz Ryan

1 Pardon this highly unusual footnote, but I must break the Narrator's "fourth wall" to explain that this story will be "tricksy" in more than one way. Kitty Cheshire does not like being narrated. She seems to be aware of my watching her, and she resists. At times her thoughts and feelings squirm away from my inspection. I shall do my best, however, to narrate a completely true story about Ever After's most elusive character. ~ Shannon Hale

These girls aren't wounded so much as post-wounded, and I see their sisters everywhere. They're over it. *I am not a melodramatic person.* God help the woman who is. What I'll call "post-wounded" isn't a shift in deep feeling (we understand these women still hurt) but a shift away from wounded affect---these women are aware that "woundedness" is overdone and overrated. They are wary of melodrama so they stay numb or clever instead. Post-wounded women make jokes about being wounded or get impatient with women who hurt too much. The post-wounded woman conducts herself as if preempting certain accusations: don't cry too loud, don't play victim, don't act the old role all over again. Don't ask for pain meds you don't need, don't give those doctors another reason to doubt the other women on their examination tables. Post-wounded women fuck men who don't love them and then they feel mildly sad about it, or just blase about it, more than anything they refuse to care about it, refuse to hurt about it---or else they are endlessly self-aware about the posture they have adopted if they allow themselves this hurting.

The post-wounded posture is claustrophobic. It's full of jadedness, aching gone implicit, sarcasm quick-on-the-heels of anything that might look like self-pity. I see it in female writers and their female narrators, troves of stories about vaguely dissatisfied women who no longer fully own their feelings. Pain is everywhere and nowhere. Post-wounded women know tha ~ Leslie Jamison

I wonder what it is about a certain novel that ticks the boxes for a reader. I mean, for me, a story can have the most fascinating plot in the world, but if the narrator's voice is dull, then the plot counts for nothing. For me, authorial charm is everything. ~ Victoria Connelly

Yet the Narrator's quest is not only for his own identity and vocation. He seeks an understanding of art, sexuality and worldly and political affairs: he is a snoop and a voyeur; he comments and classifies; his taxonomic impulse makes the novel appear to be a vast compendium, replete with burrowing wasps and bedsteads, military strategies, stereoscopes, asparagus and aeroplanes. ~ Adam A. Watt

But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past
or more accurately, pastness
is a position. Thus, in no way can we identify the past as past." p. 15
" ... But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands." p. 153
Silencing the Past: Power and the Production of History (1995) ~ Michel-Rolph Trouillot

Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. ( ... ) Other stories are damaged by the urge to distance the narrator. ~ Yiyun Li

All of the narration in 'Smile' is first-person. Most of the books that I grew up reading had first-person narrators for some reason. My diaries were written in this voice, and since this story is autobiographical, it just felt like a natural extension. ~ Raina Telgemeier

The first unanalysed impression that most readers receive from Jane Eyre is that it has a very violent atmosphere. If this were simply the effect of the plot and the imagined events then sensation novels like Walpole's The Castle of Otranto or Mrs Radcliffe's The Mystery of Udolpho ought to produce it even more powerfully.
But they do not. Nor do they even arouse particularly strong reader responses. Novelists like Charlotte Brontë or D. H. Lawrence, on the other hand, are able quite quickly to provoke marked reactions of sympathy or hostility from readers. The reason, apparently, is
that the narrator's personality is communicating itself through the style with unusual directness. ~ Ian Gregor

I think narrators expect a high level of intimacy with their readers, and vice versa. ~ Tom Barbash

At a time when history made its way slowly, the few events were easily remembered and woven into a backdrop, known to everyone, before which private life unfolded the gripping show of its adventures. Nowadays, time moves forward at a rapid pace. Forgotten overnight, a historic event glistens the next day like the morning dew and thus is no longer the backdrop to a narrator's tale but rather an amazing adventure enacted against the background of the over-familiar banality of private life. ~ Milan Kundera

Thus we come to the problem of determining what the poem is 'about.' Charles Altieri notes that '[a]n expression of the self can be one that is intended, the self's act, or one that is symptomatic, the act of a self not in control of what it manifests'(24) In 'Yankee Doodle,' and to a lesser extent in '$$$$$$," the interesting aspects of the poem are not 'the intended expression of the self.' The lack of explicitness is not suggestive in any positive sense because we feel that were things to be spelled out, this would weaken, not strengthen, the narrator's case by revealing the unacknowledged irrationality at the root of it. ~ Russell Harrison

she constantly shifts back and forth between her "literate" narrator's voice and a highly idiomatic black voice ~ Zora Neale Hurston

The Polar Express was the easiest of my picture book manuscripts to write ... Once I realized the train was going to the North Pole, finding the story seemed less like a creative effort than an act of recollection. I felt, like the storys narrator, that I was remembering something, not making it up. ~ Chris Van Allsburg

They say the eyes are the windows to our soul; glass gateways that do little to conceal our true self. Yet, for me, they're also the narrators of our heart and give insight to our well-kept secrets... secrets I wanted to remain hidden. ~ K.M. Golland

I am voice actor Roger Craig Smith. You may know me as Batman, Captain America, Sonic the Hedgehog, Ezio from Assassin's Creed, Transformers: RID, or narrator of "Say Yes To the Dress" (among many other things). AMA! ~ Roger Craig Smith

The designation of the locality in one excludes the appearances narrated by the rest; the determination of time in another leaves no space for the narratives of his fellow-evangelists; the enumeration of a third is given without any regard to the events reported by his predecessors; lastly, among several appearances recounted by various narrators, each claims to be the last, and yet has nothing in common with the others. Hence nothing but wilful blindness can prevent the perception that no one of the narrators knew and presupposed what another records. ~ David Friedrich Strauss

I used to be a narrator for bad mimes. ~ Steven Wright

In fiction, especially in texts that are framed by a storytelling situation, aporia is a favourite device of narrators to arouse curiosity in their audience, or to emphasize the extraordinary nature of the story they are telling. It is often combined with another figure of rhetoric, "aposiopesis", the incomplete sentence or unfinished utterance, usually indicated on the page by a trail of dots ... ~ David Lodge

Since these wonder tales have been with us for thousands of years and have undergone so many different changes in the oral tradition, it is difficult to determine the ideological intention of the narrator, and when we disregard the narrator's intention, it is often difficult to reconstruct (and/or deconstruct) the ideological meaning of a tale. In the last analysis, even if we cannot establish whether a wonder tale is ideologically conservative, sexist, progressive, emancipatory, etc., it is the celebration of wonder that constitutes its major appeal. No matter what the plot may be, this type of tale calls forth our capacity as readers and potential transmitters of its signs and meanings to wonder. We do not want to know the exact resolution, the "happily ever after," of a tale - that is, what it is actually like. We do not want to name God, gods, goddesses, or fairies, who will forever remain mysterious and omnipotent. We do not want to form graven images. We do not want utopia designated for us. We want to remain curious, startled, provoked, mystified, and uplifted. We want to glare, gaze, gawk, behold, and stare. We want to be given opportunities to change, and ultimately we want to be told that we can become kings and queens, or lords of our own destinies. We remember wonder tales and fairy tales to keep our sense of wonderment alive and to nurture our hope that we can seize possibilities and opportunities to transform ourselves and our worlds. ~ Jack D. Zipes

Philip Galanes has fashioned a novel both bleak and funny about a young man's struggle to sort out his troubled love: the too-strong love for his mother, the too-weak love for his suicidal father, and the all-consuming love of anonymous sexual encounters. Pointed and acute, this story tells of the narrator's many betrayals of others and their many betrayals of him. It exists in an uncomfortable moral space where the humor of terrible things sometimes outweighs, but never obscures, their poignancy. ~ Andrew Solomon

I don't normally make documentaries. I'm a drama director. I've made a few short docs, but I don't like talking heads or 'voice of God' narrators. ~ Asif Kapadia

I'm starting to think that pure truth is impossible, and that all narrators and all people are at least a little unreliable. ~ Susan Juby

Sometimes I can better describe a person by another person's reaction. In a story in my first book, I couldn't think of a way to sufficiently describe the charisma of a certain boy, so the narrator says, "I knew girls who saved his gum." ~ Amy Hempel

I had done a deed - what was it? ~ Edgar Allan Poe

I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain? ~ Anne Enright

Charlus takes the narrator's chin and slides his magnetized fingers up to the ears "like a barber's fingers." This trivial gesture, which I begin, is continued by another part of myself; without anything interrupting it physically, it branches off, shifts from a simple function to a dazzling meaning, that of the demand for love. Meaning (destiny) electrifies my hand: I am about to tear open the other's opaque body, oblige the other (whether there is a response, a withdrawal, or mere acceptance) to enter into the interplay of meaning: I am about to make the other speak. In the lover's realm, there is no acting out: no propulsion, perhaps even no pleasure
nothing but signs, a frenzied activity of language: to institute, on each furtive occasion, the system (the paradigm) of demand and response. ~ Roland Barthes

The only difference between the narrator of contemporary affairs and the ordinary historian is that moral judgments about the present provoke fiercer reactions and have more immediately practical implications than moral judgments about the past. ~ Geoffrey Barraclough

Usually when I finish the draft of a book, I'm sure I'll never write another one. I'm just that tired and sick of myself. But then another idea starts percolating. It usually begins with the narrator's name, then some idea that intrigues me about her life or situation. I try to ignore it as long as I can, because I know when I start writing, I'll be right back into it, every single day. But eventually, I just have to. It's a compulsion! ~ Sarah Dessen

I just respect audiences to understand that that's what goes on in movies. I just try to make movies that respect the intelligence of the audience. Respect that they understand that the narrator is always unreliable and respect that they understand that the medium can do whatever it wants. ~ Guy Maddin

The Watch is a powerful tale, courageous both in concept and creation: an ancient tale made modern, passed through different narrators in extraordinary shape-shifting prose that makes this not just an important novel, but a remarkable read. ~ Aminatta Forna

I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted. ~ Rick Moody

Their three approaches fail but somehow the story itself succeeds, despite its narrator's and even author's failures! ~ Dan Simmons

One of the fun things about unreliable narrators is they can be funny. You can admire things about them and laugh with them. ~ Hanya Yanagihara

Narrators are often unreliable, and part of the reader's pleasure is figuring out what's really true. The ~ Lisa Cron

Filmmakers who use narrators pay a price for taking the easy way: narrated films date far more quickly than films without narrators. ~ Bruce Jackson

As sneakily addictive as a game of Pong (which was named, we're told, after the narrator's dad), this zany zip-line of a novel takes the piss out of the Asian-American 'good immigrant' story. Full of charming antiheroes making comically bad choices, the story dazzles us with its absurdity, which makes its eventual wisdom--about lineage, ethnicity, and the meaning of family--all the more wonderfully surprising. ~ Michael Lowenthal

BOMBAY WAS CENTRAL, had been so from the moment of its creation: the bastard child of a Portuguese-English wedding, and yet the most Indian of Indian cities. In Bombay all Indias met and merged. In Bombay, too, all-India met what-was-not-India, what came across the black water to flow into our veins. Everything north of Bombay was North India, everything south of it was the South. To the east lay India's East and to the west, the world's West. Bombay was central; all rivers flowed into its human sea. It was an ocean of stories; we were all its narrators, and everybody talked at once. ~ Salman Rushdie

WARNING:
The following is a transcript of a digital recording. In certain places, the audio quality was poor, so some words and phrases represent the author's best guesses. Where possible, illustrations of important symbols mentioned in the recording have been added. Background noises such as scuffling, hitting, and cursing by the two speakers have not been transcribed The author makes no claims for the authenticity of the recording. It seems impossible that the two young narrators are telling the truth, but you, the reader, must decide for yourself. ~ Rick Riordan

I wanted to do a collection where the narrator is constant throughout, so that there's a little unity. ~ Arthur Bradford

I'm starting to think my narrators' sentences are getting too big for them, and they are getting to sound a bit samey and, more disturbingly, a bit too much like me. ~ Anne Enright

The truth of the matter is that for all the drive-in movie references, what Weston Ochse has really created in Multiplex Fandango is a travelogue. Acting as narrator and guide, Weston takes you on a trip to places familiar and obscure-New Orleans, the Sonoran desert, Mexico's Pacific coast, and the dark, impenetrable reaches of the soul. He shows off sights that chill the blood, and as with any good trip, the things seen and experienced along the way will stay with you for a lifetime. ~ Jeff Mariotte

In the end, history, especially British history with its succession of thrilling illuminations, should be, as all her most accomplished narrators have promised, not just instruction but pleasure. ~ Simon Schama

My biggest lesson ... was to try and create narrators that were believable ... so the listener becomes really invested in the story or the song. ~ Kristian Bush

I go straight from thinking about my narrator to being him. ~ S.E. Hinton

evangelism can never be only proclamation or invitation, for it begins logically (even if not always chronologically) in allowing ourselves to be narrated by that story. Apart from our own formation into that story through baptism, worship, and the various practices and patterns of ecclesial life, we do not have the capacity to be faithful "rememberers" of the story, much less narrators or "counternarrators" of the story to others. ~ Bryan P. Stone

The thing is, and maybe I'm biased by all those years I've spent in fictional realms built on deceit, I don't trust narrators any more than I trust the actual people in my life. We never get the whole truth, not from anybody. When we first meet someone, before words are ever spoken, there are already lies and half-truths. The clothes we wear cover the truth of our bodies. But they also present who we want to be to the world. They are fabrications, figuratively and literally. ~ Peter Swanson

You could tell 'The Handmaid's Tale' from a male point of view. People have mistakenly felt that the women are oppressed, but power tends to organise itself in a pyramid. I could pick a male narrator from somewhere in that pyramid. It would interesting. ~ Margaret Atwood

Narrators can make or break your audiobook experience. Make sure your read first. always remember who's voice you can stand and try to stick to these people other wise your will end up hating the book. 50shades worst narrator ever. wined the whole book. enjoyed it much more in my head ~ Anonymous

I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels. ~ Bret Easton Ellis

It is rare and almost impossible for a novel to have only one narrator. ~ Mario Vargas-Llosa

One naturally identifies to some extent with an "I" female narrator going through something that you recognize whether you've gone through it or not. ~ Ann Goldstein

Now, we, as narrators, feel the need to inform you, dear reader, that we do not know how Edward always managed to thwart kisses. All we do know is that it was a gift he demonstrated throughout his life, most notably when his third cousin the Lady Dalrymple of Cheshire was about to kiss her new husband over their wedding altar, just after the priest pronounced them man and wife, and Edward stepped forward from his place of honor by the priest and said, "I hate to interrupt, but I thought now would be an excellent time to remind the wedding party not to throw rice, on account of the fact that birds, even kestrels, can choke on it. ~ Cynthia Hand

Six silent people in a room got me to thinking about the voice we hear in our heads when we read, the universal narrator's voice you may well be hearing right now. Whose voice *is* it you're hearing? It's not your own, is it? I didn't think so. It never is. So I posed the question out loud ... "
" ... When you read a book, whose voice is it you hear inside your head?"
"It's certainly not my own", said Harj, and the others chimed in with the same claim.
"Then whose it? ~ Douglas Coupland

My narrators tend to be women with low self-esteem, so I can send them to charm school. ~ Elinor Lipman

I have never done anything except write, but I don't possess the vocation or talents of a narrator, have no knowledge at all of the laws of dramatic composition, and if I have embarked upon this enterprise it is because I trust in the light shed by how much I have read in my life. ~ Gabriel Garcia Marquez

The story of my family ... changes with the teller. ~ Jennifer Haigh

The underlying and more ominous question is whether the story of our species - the greater human narrative - has simply become too enormous, too confused and terrifying, for us to grapple with. This might explain why so many of us now rely on a cacophony of unreliable narrators to shape our view of the world and ourselves . . . these voices deal in the same commodity: a fraudulent folklore whose central aim is insulate us from the true nature of our predicament, to manipulate our anxieties, to goad us into empty consumption or snag us in cycles of grievance and panic. ~ Steve Almond

I think every narrator is an unreliable narrator. In its classic definition - an unreliable narrator is one who reveals something they don't know themselves to be revealing. We all do that. ~ Rob Roberge

Stories are told at festive, joyful gatherings, but the ones narrated at funerals are special because they reaffirm existence, of the listeners and the narrators. They are times of remembrance that haul the past into the present, and keep people alive even when they're gone. ~ Janice Pariat

It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader. ~ Akhil Sharma

A miracle signifies nothing more than an event ... the cause of which cannot be explained by another familiar instance, or ... which the narrator is unable to explain. ~ Baruch Spinoza

But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands. ~ Michel-Rolph Trouillot

Time passes, as the novelist says. The single most useful trick of fiction for our repair and refreshment: the defeat of time. A century of family saga and a ride up an escalator can take the same number of pages. Fiction sets any conversion rate, then changes it in a syllable. The narrator's mother carries her child up the stairs and the reader follows, for days. But World War I passes in a paragraph. I needed 125 pages to get from Labor Day to Christmas vacation. In six more words, here's spring. ~ Richard Powers

I think every first-person narrator in a novel should be compromised. I prefer that word to 'unreliable.' ~ Charles Palliser

They collapsed into each other, and although it would be indelicate to detail what happened next, these narrators will tell you that a "very special hug" does not begin to describe it. P.S. They totally consummated. ~ Cynthia Hand

I chose the title Dogwalker because that describes me pretty well. I spend a lot of time walking around with my dogs. I'd say the narrator is me in an alternate universe. ~ Arthur Bradford

Is any story not always the narrator's story, in the end? ~ Lee Smith

Too many poets are insufficiently interested in story. Their poems could be improved if they gave in more to the strictures of fiction: the establishment of a clear dramatic situation, and a greater awareness that first-person narrators are also characters and must be treated as such by their authors. The true lyric poet, of course, is exempt from this. But many poets wrongly think they are lyric poets. ~ Stephen Dunn

I learned capacity for self-reflection very early, finding it through interior monologues that books are so good at and that visual media is so bad at because it's so boring - nothing's happening. In a book, you can be inside the narrator's head for 50 pages, and nothing needs to happen. Then you learn to be inside your own head without something needing to happen. It's a very good antidote to a crazy, restless, "what's next?" culture - that you can just be in your own head and nothing is happening except that this is a rich place. I love that. ~ Jeanette Winterson

Very often, or perhaps more often, and even in very good collections - even in some of the best collections ever written, I would argue - it's because our "voicier" writers hew so closely to one given set of dictional tics that we as readers can't read the books all the way through in a single sitting, because if we did, the stories and their narrators would all start to bleed together. ~ Roy Kesey

Nothing is as important as a likable narrator. Nothing holds a story together better. ~ Anne Lamott

Fatal human malice is the staple of narrators, original sin the mother-fluid of historians. But it is a risky enterprise to have to write of virtue. ~ Thomas Keneally

Oh Beck, I love reading your e-mail. Learning your life. And I am careful; I always mark new messages unread so that you won't get alarmed. My good fortune doesn't stop there; You prefer e-mail. You don't like texting. So this means that I am not missing out on all that much communication. You wrote an "essay" for some blog in which you stated that "e-mails last forever. You can search for any word at any time and see everything you ever said to anyone about that one word. Texts go away." I love you for wanting a record. I love your records for being so accessible and I'm so full of you, your calendar of caloric intake and hookups and menstrual moments, your self-portraits you don't publish, your recipes and exercises. You will know me soon too, I promise. ~ Caroline Kepnes

If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed. ~ Margaret Atwood

First-person narrators is the way I know how to write a book with the greatest power and chance of artistic success. ~ Anne Rice