Narrator Quotes

She was like a heroine in a novel that she herself was writing the character kept protesting that she was too strong for love and yet the narrator went on describing her desire. ~ Anna Godbersen

I didn't know how to kill off a character unless I was able, as a narrator, to get really complicated. Because it was a big deal. I'd never killed a character before. ~ Rick Moody

We must carefully cultivate the voice that speaks to us because an internal voice is the ultimate narrator of our charming and delightful personal story or the documentarian of our tragic and disgraceful plotlines. Stories that we tell ourselves become our functional reality, which format structures the concourse of the nested emotional control panel that guides and girds us through the din of the present. ~ Kilroy J. Oldster

She sang lead, and I belted out the background voice that just repeated, "You're everything everything everything," and I felt like I was. You're both the fire and the water that extinguishes it. You're the narrator, the protagonist, and the sidekick. You're the storyteller and the story told. You are somebody's something, but you are also you. ~ John Green

When writing, there are some scenes that are emotionally overwhelming. They completely overcome the author, and only when they do this can they cause a similar reaction in the reader.

Through this, the author gets to experience multiple lives. If a character's life flashes before their eyes, it flashes before the author's eyes too, and he or she remembers it as his or her own.

With reading, we get to live other lives vicariously, and this is doubly so with writing. It is like a lucid dream, where we guide the outcome. In this, we don't merely write *about* a character -- we momentarily *become* them, and walk as they walk, think as they think, and do as they do. When we return to our own life, we might return a little shaken, likely a little stronger, hopefully a little wiser.

What is certain is that we return better, because experiencing the lives of others makes us understand their aims and dreams, their fears and foils, the challenges and difficulties, and joys and triumphs, that they face. It helps us grow and empathise, and see all the little pictures that make up the bigger one we see from the omniscience of the narrator. ~ Dean F. Wilson

What am I? The modest narrator who accompanies your triumphs; the dancer who supports you when you rise in your lovely grace; the branch upon which you rest a moment when you are tired of flying; the bass that interposes itself below the soprano's fervour to let it climb even higher - what am I? I am the earthly gravity that keeps you on the ground. What am I, then? Body, mass, earth, dust and ashes. - You, my Cordelia, you are soul and spirit."

- Johannes the Seducer, from_Either/Or_ ~ Søren Kierkegaard

Heaven preserve us! what a hotch-potch!" cried Hubert. "Is that what they are doing nowadays? I very seldom read a novel, but when I glance into one, I'm sure to find some such stuff as that! Nothing irritates me so as the flatness of people's imagination. Common life - I don't say it's a vision of bliss, but it's better than that! Their stories are like the underside of a carpet, - nothing but the stringy grain of the tissue - a muddle of figures without shape and flowers without color. When I read a novel my imagination starts off at a gallop and leaves the narrator hidden in a cloud of dust; I have to come jogging twenty miles back to the denouement. Your clergyman here with his Romish sweetheart must be a very pretty fellow. Why didn't he marry her first and convert her afterwards? Isn't a clergyman after all, before all, a man? I ~ Henry James

She learned
that dead moms
were not just
a thing that
happened to
characters
in her favorite
fairy tales.
it happened to
girls like her, too.
but the
difference was
there was no
omniscient narrator
to teach her how
to navigate it.
- the cracked compass. ~ Amanda Lovelace

Using a dog as a narrator has limitations and it has advantages. The limitations are that a dog cannot speak. A dog has no thumbs. A dog can't communicate his thoughts except with gestures. ~ Garth Stein

In Eudora Welty's masterful story "Why I Live at the P.O." (1941), the narrator is engaged in a sibling rivalry with her younger sister, who has come home after leaving under suspicious if not actually disgraceful circumstances. The narrator, Sister, is outraged at having to cook two chickens to feed five people and a small child just because her "spoiled" sister has come home. What Sister can't see, but we can, is that those two fowl are really a fatted calf. It may not be a grand feast by traditional standards, but it is a feast, as called for upon the return of the Prodigal Son, even if the son turns out to be a daughter. Like the brothers in the parable, Sister is irritated and envious that the child who left, and ostensibly used up her "share" of familial goodwill, is instantly welcomed, her sins so quickly forgiven. Then ~ Thomas C. Foster

But music doesn't sum up my approach to literature - even in Vain Art of the Fugue. To 'fugue' I had to invent 'trap-words,' or words that would force the narrator to turn around and start his path anew. ~ Dumitru Tepeneag

A passenger on a road journey is in the hands of a driver; a reader embarking on a book is in the hands of a narrator. ~ Romesh Gunesekera

I felt deep within me that the highest point a man can attain is not Knowledge, or Virtue, or Goodness, or Victory, but something even greater, more heroic and more despairing: Sacred Awe! - The Narrator. ~ Nikos Kazantzakis

that ugly truth about Manto, the man: that for all his love of Indian multiplicity, he went to Pakistan. He even tried convincing Chughtai to go. 'The future looks beautiful in Pakistan,' he said to her, 'We'll be able to get the houses of people who've fled from there. It'll be just us there. We'll progress very quickly.' When I read this, I had trouble holding the two Mantos in my mind. It seemed impossible that the creator of Manto, the narrator and fictional presence, so immersed in the variety of India, seeming so much to rejoice in it, should also be the author of that remark, with its sly wish for homogeneity, for the place where 'It'll be just us.' Chughtai, for other reasons, was also disgusted. ~ Saadat Hasan Manto

Do you have any idea how hard a story is to write? My brain is jumpy, and my heart doesn't know where to live. Is Male is such an imperfect narrator, but he will try to finish his tale. ~ Jenny Hubbard

ASSOCIATIVE MEMORY
In Proust's Swann's Way a sip of tea and a bite of a small scallopshaped cake known as a petite madeleine cause the narrator to find himself suddenly flooded with memories from his past. At first he is puzzled, but then, slowly, after much effort on his part, he remembers that his aunt used to give him tea and madeleines when he was a little boy, and it is this association that has stirred his memory. We have all had similar experiences - a whiff of a particular food being prepared, or a glimpse of some long-forgotten object - that suddenly evoke some scene out of our past. The holographic idea offers a further analogy for the associative tendencies of memory. This is illustrated by yet another kind of holographic recording technique. First, the light of a single laser beam is bounced off two objects simultaneously, say an easy chair and a smoking pipe. The light bounced off each object is then allowed to collide, and the resulting interference pattern is captured on film. Then, whenever the easy chair is illuminated with laser light and the light that reflects off the easy chair is passed through the film, a three-dimensional image of the pipe will appear. Conversely, whenever the same is done with the pipe, a hologram of the easy chair appears. So, if our brains function holographically, a similar process may be responsible for the way certain objects evoke specific memories from our past ~ Michael Talbot

The poet Rilke once reported seeing a dying dog give its mistress a look full of reproach. Later, he gave this experience to the narrator of a novel: He was convinced I could have prevented it. It was now clear that he had always overrated me. And there was no time left to explain it to him. He continued to gaze at me, surprised and solitary, until it was over. ~ Sigrid Nunez

And it occurred to me; I was not part of the action. Oh God, I thought, I'm not an anthropologist. I'm the lonely voice-over narrator of adolescence. The bitter, voice-over voice. ~ Joanna Pearson

Nostalgia for people, cultures, everything. There's an ability to use these marks to note things that are erased, deleted. Traces are a species of history, of evidence. It's a way for the way the narrator to construct a semblance of self, even though all of this creates a deception, a way to think of one's traces as a real way to define oneself. The trace is fallible, impermanent. It's one of the motives I had in mind throughout the text. ~ Sergio Chejfec

CUSTOMER: I'd like to buy this audiobook.
BOOKSELLER: Great.
CUSTOMER: Only, I don't really like this narrator.
BOOKSELLER: Oh.
CUSTOMER: Do you have a selection of narrators to choose from? Ideally, I'd like Benedict Cumberbatch ~ Jen Campbell

Ezra clapped his hands. "all right," he said. "In addition to the books we're reading as a class, I want to do an extra side project on unreliable narrators." Devon Arliss raised her hand. "what does that mean?" Ezra strode around the room. "well, the narrator tells us the story in the book, right? But what if ... the narrator isn't telling us the truth? Maybe he's telling us his skewed version of the story to get you on his side. Or to scare you. Or maybe he's crazy! ~ Sara Shepard

Originally the structure was ... a modern narrator who would appear intermittently and talk about his memories of his grandmother, which would then be juxtaposed against scenes from the past. But the stories from the past were always more interesting that the things in the present. I find this almost endemic to modern plays that veer between past and present ... So as we've gone on developing GOLDEN CHILD, the scenes from the past have become more dominant, and all that remains of the present are these two little bookends that frame the action. ~ David Henry Hwang

At ten, I couldn't articulate much but I got the message: to be a true historian, you had to mourn amply and well. (spoken by narrator Ava Bigtree in Swamplandia!) ~ Karen Russell

refers to linguistic hybridity on the level of text that has no representational function within the narrative. In other words, it has no object: it is neither translational mimesis representing another language nor does it represent the self-translation of a character or an embodied narrator. It is characterized by the absence of a fictional translator. If, ~ Susanne Klinger

I have never read anything quite like Mark Haddon's funny and agonizingly honest book, or encountered a narrator more vivid and memorable. I advise you to buy two copies; you won't want to lend yours out. ~ Arthur Golden

I was good at digging holes. It was the rest of life I sucked at. ~ Laurie Halse Anderson

In a thriller, the camera's an active narrator, or can be. ~ John McTiernan

I have tried to be a generous narrator and care for my girl as best I can. I cannot help that readers will always insist on adventures ... ~ Catherynne M Valente

I'm really shocked when critics get morally outraged at my fiction because they think I'm condoning what's going on. I never come in as the author and say, "Hey, okay. I'm interrupting the narrator here. I'm Bret Easton Ellis, and I'm the author." ~ Bret Easton Ellis

The narrator welcomes new students to his school by offering to tell them who the easy teachers are, or who the good ones are. ~ Pat Conroy

Apparently I am what is known as an Unreliable Narrator, though of course if you believe everything you're told you deserve whatever you get. ~ Iain M. Banks

A narrator should not supply interpretations of his work; otherwise he would have not written a novel, which is a machine for generating interpretations. ~ Umberto Eco

If somebody from the past doesn't rise up from the grave and start talking to me, I haven't got a book. I have to hear that voice, the voice of the narrator. How she sounds will tell me who she is, and who she is will tell me how she will act - and that starts the plot in motion. ~ Geraldine Brooks

The narrator analyzes that the maturing, passing away boy within him, had issued me a challenge as he passed the baton to the man in me: He had challenged me to have the courage to become a gentle, harmless man. ~ Pat Conroy

By definition, memoir demands a certain degree of introspection and self-disclosure: In order to fully engage a reader, the narrator has to make herself known, has to allow her own self-awareness to inform the events she describes. ~ Caroline Knapp

My friend Markus Zusak wrote a story from the point of view of death, 'The Book Thief.' I thought that's a great idea, where your omniscient narrator is death. I'm glad he had that idea because I wouldn't have been able to work so well with it. ~ Shaun Tan

We all recognize grief in moments that should be celebrations; it is the salt in the pudding. Didn't Roman generals hire slaves to march beside them in a triumphant parade and remind them that they too would die? Even your narrator, one morning after what should have been a happy occasion, was found shivering at the end of the bed (spouse: "I really wish you weren't crying right now"). Don't little children, awakened one morning and told, "Now you're five!" - don't they wail at the universe's descent into chaos? The sun slowly dying, the spiral arm spreading, the molecules drifting apart second by second toward our inevitable heat death - shouldn't we all wail to the stars? ~ Andrew Sean Greer

This is what you learned in college," the narrator tells you early on. "A man desires the satisfaction of his desire; a woman desires the condition of desiring. ~ Pam Munoz Ryan

I'm the omniscient narrator ~ Karen M. McManus

What the narrator comes to realize is that the past "cannot be described objectively" and that her present will always mediate her past. ~ Linda Hutcheon

The moment in which the narrator, reaching for his boots, becomes vividly and lastingly aware of the finality of his grandmother's death is another such moment. It would be interesting to explore Proust's great novel from the perspective of seeing how stable synthetic complexes are formed and modified. ~ Philip Kitcher

Narrative horror, disgust. That's what drives him mad, I'm sure of it, what obsesses him. I've known other people with the same aversion, or awareness, and they weren't even famous, fame is not a deciding factor, there are many individuals who experience their life as if it were the material of some detailed report, and they inhabit that life pending its hypothetical or future plot. They don't give it much thought, it's just a way of experiencing things, companionable, in a way, as if there were always spectators or permanent witnesses, even of their most trivial goings-on and in the dullest of times. Perhaps it's a substitute for the old idea of the omnipresence of God, who saw every second of each of our lives, it was very flattering in a way, very comforting despite the implicit threat and punishment, and three or four generations aren't enough for Man to accept that his gruelling existence goes on without anyone ever observing or watching it, without anyone judging it or disapproving of it. And in truth there is always someone: a listener, a reader, a spectator, a witness, who can also double up as simultaneous narrator and actor: the individuals tell their stories to themselves, to each his own, they are the ones who peer in and look at and notice things on a daily basis, from the outside in a way; or, rather, from a false outside, from a generalised narcissism, sometimes known as "consciousness". That's why so few people can withstand mockery, humiliation, ridicule, the ~ Javier Marias

There is a great similarity between legal evidence and historical evidence. The only difference lies in the fact that in legal evidence it is the judge who determines whether the account of a witness is acceptable or not... The historian is prosecuting attorney and defense attorney and the judge all rolled into one, and he is the narrator and the interpreter. ~ Teodoro A. Agoncillo

He heard me through in silence, for it was a rule with him never to interrupt a narrator. He used to say, You will generally get at more, and in a better fashion, if you let any narrative take its own devious course, without the interruption of requested explanations. By the time it is over, you will find the questions you wanted to ask mostly vanished. ~ George MacDonald

I'm not trying as a writer to be smart or to understand the inner workings of my narrator, I'm trying to survive the typing of this story. ~ Ron Carlson

The eagerness of a listener quickens the tongue of a narrator. ~ Charlotte Bronte

When I got home, I seemed in a dream. My windows looked upon hers; I remained all the day looking at them, and all the day they were closed and dark. I forgot everything for this woman; I slept not, I eat nothing. That evening I fell into a fever, the next morning I was delirious, and the next evening I was DEAD!'
'Dead!' cried his hearers.
'Dead!' answered the narrator, with a conviction in his voice which words alone cannot give; 'dead as Fabian, the
cast of whose dead face hangs from that wall!'
'Go on,' whispered the others, holding their breath.
The hail still rattled against the windows, and the fire had so nearly died out, that they threw more wood on the feeble flame which penetrated the darkness of the studio and cast a faint light upon the pale face of him who told the story. (The Dead Man's Story ~ James Hain Friswell

Pearl introduces an original story, in a form which was to become one of the most frequent in mediaeval literature, the dream-vision. Authors like Chaucer and Langland use this form, in which the narrator describes another world - usually a heavenly paradise - which is compared with the earthly human world. In Pearl, the narrator sees his daughter who died in infancy, 'the ground of all my bliss'. She now has a kind of perfect knowledge, which her father can never comprehend. The whole poem underlines the divide between human comprehension and perfection; these lines show the gap between possible perfection and fallen humanity which, thematically, anticipate many literary examinations of man's fall, the most well known being Milton's late Renaissance epic, Paradise Lost. ~ Ronald Carter

Kerouac's books portray a hero and narrator free and easy, confident, sure of his rebellion against the American system. In reality, Jack was torn between Catholicism, Buddhism, and his own demon-driven pursuit of kicks, between spirit and flesh, between mom's house and the Beat coffeehouse, patriotism and subversion, men and women, society and solitude, carousing and meditation, sacred and profane, secular and divine. It's a miracle he survived as long as he did. ~ Gerald Nicosia

She wants what she wants," Kath says.

Don't we all? ~ Kristen Roupenian

Writing a story is pretty all-consuming for me - it feels a lot like method acting, and for the eight or twelve or fifteen months that I'm working on a story, I'm constantly thinking about how my narrator would react to whatever tangled situation I'm in. ~ Molly Antopol

Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. ( ... ) Other stories are damaged by the urge to distance the narrator. ~ Yiyun Li

I do not believe that I will ever write an adult novel from an animal's point of view unless someday it becomes suddenly appealing to me to make a narrator a mentally ill pet. Never say never. ~ Andrea Seigel

When I was writing 'You Suck,' in 2006, I constructed the diction of the book's narrator, perky Goth girl Abby Normal, from what I read on Goth blog sites. ~ Christopher Moore

A lot of crime writing suffers from treading water. I feel an obligation to move the character on and not repeat myself. I try to fit him into a different period and a different agenda. That way, you learn slightly more about his personal history in the tradition of the unreliable narrator. It makes it more challenging to write. ~ Philip Kerr

All I ever wanted was for our story - the story of me and Mark told through the eyes of a non-sexual narrator - I wanted that story to be available so that other people who might never see themselves in print could have someone to identify with. ~ Christopher X. Sullivan

There's something uniquely exhilarating about puzzling together the truth at the hands of an unreliable narrator. ~ Maria Semple

I had this story from one who had no business to tell it to me, or to any other. I may credit the seductive influence of an old vintage upon the narrator for the beginning of it, and my own skeptical incredulity during the days that followed for the balance of the strange tale. ~ Edgar Rice Burroughs

Sit tight, I'm gonna need you to keep time
Come on just snap, snap, snap your fingers for me
Good, good now we're making some progress
Come on just tap, tap, tap your toes to the beat
And I believe this may call for a proper introduction, and well
Don't you see, I'm the narrator, and this is just the prologue?

Swear to shake it up, if you swear to listen
Oh, we're still so young, desperate for attention
I aim to be your eyes, trophy boys, trophy wives

Swear to shake it up, if you swear to listen
Oh, we're still so young, desperate for attention
I aim to be your eyes, trophy boys, trophy wives

Applause, applause, no wait wait
Dear studio audience, I've an announcement to make:
It seems the artists these days are not who you think
So we'll pick back up on that on another page

And I believe this may call for a proper introduction, and well
Don't you see, I'm the narrator and this is just the prologue

Swear to shake it up, if you swear to listen
Oh, we're still so young, desperate for attention
I aim to be your eyes, trophy boys, trophy wives

Swear to shake it up, if you swear to listen
Oh, we're still so young, desperate for attention
I aim to be your eyes, trophy boys, trophy wives

Swear to shake it up, you swear to listen
Swear to shake it up, you swear to listen
Swear to shake it up, you ~ Panic At The Disco

In stories, when someone behaves uncharacteristically, we take it as a meaningful, even pivotal moment. If we are surprised again and again, we have to keep changing our minds, or give up and disbelieve the writer. In real life, if people think they know you well enough not only to say, 'It's Tuesday, Amy must be helping out at the library today,' but well enough to say to the librarian, after you've left the building, 'You know, Amy just loves reading to the four-year-olds, I think it's been such a comfort for her since her little boy died' - if they know you like that, you can do almost anything where they can't see you, and when they hear about it, they will, as we do, simply disbelieve the narrator. ~ Amy Bloom

Then he imagined his narrator standing before it, imagined that the gaslight cut across worlds and not just years, that the author and the narrator, while they couldn't face each other, could intuit each other's presence by facing the same light, a kind of correspondence. ~ Ben Lerner

Be a good listener in the special way a story requires: note the manner of presentation; the development of plot, character; the addition of new dramatic sequences; the emphasis accorded to one figure or another in the recital; and the degree of enthusiam, of coherence, the narrator gives to his or her account. ~ Robert Coles

The Polar Express was the easiest of my picture book manuscripts to write ... Once I realized the train was going to the North Pole, finding the story seemed less like a creative effort than an act of recollection. I felt, like the storys narrator, that I was remembering something, not making it up. ~ Chris Van Allsburg

And it [Fight Club novel] was written so general that my father thought I was writing about his father, and my boss thought I was writing about his boss. People really put themselves, you know, in the shoes of the narrator. ~ Chuck Palahniuk

The narrator refers to a character as an oily scoundrel whose hands were heavy with the money that stuck to them. ~ Pearl S. Buck

It is time to put down the pen; time to clear the throat. Speaking is a different thing altogether from writing. The spoken word has different properties, and different powers. If I have learned anything from writing down my own tale, it is this. ~ Dexter Palmer

I am voice actor Roger Craig Smith. You may know me as Batman, Captain America, Sonic the Hedgehog, Ezio from Assassin's Creed, Transformers: RID, or narrator of "Say Yes To the Dress" (among many other things). AMA! ~ Roger Craig Smith

But inside loss there can be gain, too,like the small silver spider Bela had discovered one dewy morning, curled asleep at the center of a rose. ~ Chitra Banerjee Divakaruni

You might even ask me to apply my 'theory' to myself and explain what damage I had suffered a long way back and what its consequences might be: for instance, how it might affect my reliability and truthfulness. I'm not sure I could answer this, to be honest. ~ Julian Barnes

For it is humanly certain that most of us remember very little of what we have read. To open almost any book a second time is to be reminded that we had forgotten well-nigh everything that the writer told us. Parting from the narrator and his narrative, we retain only a fading impression; and he, as it were, takes the book away from us and tucks it under his arm. ~ Siegfried Sassoon

A vivid portrait of a teenage girl and her family in disarray. Meredith is a wonderful narrator, witty, feisty, full of yearning, and the story she tells is as complicated as life itself. This is a richly satisfying novel. ~ Margot Livesey

Myth becomes a kind of experimental hypothesis through which the individual or the community formulates an explanation of life, so replacing the fixed systems and creeds of earlier generations. Inevitably, each hypothesis or world-view proves inadequate when subjected to harsh reality, and collapses. 'None of our theories,' comments the narrator in Felix Holt laconically, 'are quite large enough for all the disclosures of time.' But this is the education of the human race out of which new myths or patterns of meaning emerge. ~ David Carroll

It's a rare memoir that can tell a story that seems brand new, but Nina Here Nor There does it. This one-of-a-kind narrator undertakes a quest that is unmistakably timely. But in its yearning for awareness and connection, this book feels timeless. ~ K.M. Soehnlein

I used to be a narrator for bad mimes. ~ Steven Wright

A poet or prose narrator usually looks back on what he has achieved against a backdrop of the years that have passed, generally finding that some of these achievements are acceptable, while others are less so. ~ Eyvind Johnson

Since these wonder tales have been with us for thousands of years and have undergone so many different changes in the oral tradition, it is difficult to determine the ideological intention of the narrator, and when we disregard the narrator's intention, it is often difficult to reconstruct (and/or deconstruct) the ideological meaning of a tale. In the last analysis, even if we cannot establish whether a wonder tale is ideologically conservative, sexist, progressive, emancipatory, etc., it is the celebration of wonder that constitutes its major appeal. No matter what the plot may be, this type of tale calls forth our capacity as readers and potential transmitters of its signs and meanings to wonder. We do not want to know the exact resolution, the "happily ever after," of a tale - that is, what it is actually like. We do not want to name God, gods, goddesses, or fairies, who will forever remain mysterious and omnipotent. We do not want to form graven images. We do not want utopia designated for us. We want to remain curious, startled, provoked, mystified, and uplifted. We want to glare, gaze, gawk, behold, and stare. We want to be given opportunities to change, and ultimately we want to be told that we can become kings and queens, or lords of our own destinies. We remember wonder tales and fairy tales to keep our sense of wonderment alive and to nurture our hope that we can seize possibilities and opportunities to transform ourselves and our worlds. ~ Jack D. Zipes

A song is not a tool for changing a human heart in the way that a wrench is a tool for changing a bolt, but it was the tool I had, and I was the tool the OSP had.
The cansos in "Songs from Underneath" were not really as subtle as a wrench. Their primary trope was the ancient trick of making the viewpoint character a victim of oppression, because people identify passionately with a strong viewpoint character, and there is intense pleasure in identifying with the narrator of a sad story or song. In "Black Beauty" that trick had made people begin to think that beating horses was bad; it was the trope that make privileged white children burn with outrage at "Native Son" and prudes weep over prostitutes in "Elle frequentait la rue Pigalle" and "My Name is Not Bitch." They also received, at no extra cost, the delicious smug superiority of sympathizing with an underdog, unlike their less-enlightened neighbors.
Their primary ~ John Barnes

there was daunting poverty, and there was haunting wealth and the narrator warned her to keep to herself ~ Alix Olson

Sometimes I can better describe a person by another person's reaction. In a story in my first book, I couldn't think of a way to sufficiently describe the charisma of a certain boy, so the narrator says, "I knew girls who saved his gum." ~ Amy Hempel

I was taken in the Spirit to the burning bush on Mount Horeb, Moses' "first ascension," and allowed to witness the encounter he had with the Lord there. Throughout the visitation, I was enabled to know and feel the thoughts and emotions of Moses' inner being ... There was a Holy Narrator beside me who helped me understand what I saw and heard, and he made references to relevant passages of Scripture. There were other Biblical figures also present - Joshua, Samuel, David, and even the Lord Jesus were there. ~ Bob Hartley

Shall I tell her? Shall I be a kind and merciful narrator and take our girl aside? Shall I touch her new, red heart and make her understand that she is no longer one of the tribe of heartless children, nor even the owner of the wild and infant heart of thirteen-year-old girls and boys? Oh, September! Hearts, once you have them locked up in your chest, are a fantastic heap of tender and terrible wonders - but they must be trained. Beatrice could have told her all about it. A heart can learn ever so many tricks, and what sort of beast it becomes depends greatly upon whether it has been taught to sit up or to lie down, to speak or to beg, to roll over or to sound alarm, to guard or to attack, to find or to stay. But the trick most folk are so awfully fond of learning, the absolute second they've got hold of a heart, is to pretend they don't have one at all. It is the very first danger of the hearted. Shall I give fair warning, as neither you nor I was given? ~ Catherynne M Valente

I think I knew even then it would be my maps that would take me across the world, to places and people unknown and into cultures otherwise closed to me. In mapping them I would come to know them a little and at times my very eagerness pained me. ~ Julie Haydon

And this is where I, the narrator, tell you that it's my story and I'll do as I please. You can close the book at any time, you know. ~ K.L. Montgomery

I personally just want to do as many different things as I can do, whether it's comedy, drama, science fiction, horror, narrator ... You've got a documentary, I've got a voice. Animated films. Big films, small films. ~ Colin Farrell

Then the front doorbell (already too long delayed by my rambling narrative) rang. ~ Iris Murdoch

Who Dunnit?' profoundly expresses the theme of confusion against a funky groove, and what makes this song so exciting is that it ends with its narrator never finding anything out at all. ~ Bret Easton Ellis

[W]hen I put Jorge in the library I did not yet know he was the murderer. He acted on his own, so to speak. And it must not be thought that this is an 'idealistic' position, as if I were saying that the characters have an autonomous life and the author, in a kind of trance, makes them behave as they themselves direct him. That kind of nonsense belongs in term papers. The fact is that the characters are obliged to act according to the laws of the world in which they live. In other words, the narrator is the prisoner of his own premises. ~ Umberto Eco

If you ever find yourself coming out of a time machine, run. Run away as fast you can. Don't stop. Don't try to talk. Nothing good can come out of it. narrator Charles Yu, not author Charles Yu p19 ~ Charles Yu

The truthfulness of 'The Theory and Practice of Oligarchical Collectivism' is in doubt largely because of uncertainty about its authorship, and, as we have seen, a nearly identical ambiguity surrounds the Appendix. The parallel is significant. Two psychologically oriented critics, Murray Sperber and J. Brooks Bouson, have each pointed out strong resemblances between O'Brien's manipulation of Winston and Orwell's manipulation of the reader. I believe these resemblances extend to the book's handling of its two principal documents. Just as O'Brien plays upon Winston's desire for certain knowledge about Oceania's social and political structure, leading him on with the possibly spurious 'Goldstein' tract, so the story's narrator draws the truth-seeking reader into an Appendix whose truth value cannot be determined. ~ Richard K. Sanderson

Anyone who has ever tried to write a novel knows what an arduous task it is, undoubtedly one of the worst ways of occupying oneself. You have to remain within yourself all the time, in solitary confinement. It's a controlled psychosis, an obsessive paranoia manacled to work completely lacking in the feather pens and bustles and Venetian masks we would ordinarily associate with it, clothed instead in a butcher's apron and rubber boots, eviscerating knife in hand. You can only barely see from that writerly cellar the feet of passers-by, hear the rapping of their heels. Every so often someone stops and bends down and glances in through the window, and then you get a glimpse of a human face, maybe even exchange a few words. But ultimately the mind is so occupied with its own act, a play staged by the self ofr the self in a hasty, makeshift cabinet of curiosities peopled by author and character, narrator and reader, the person describing and the person described, that feet, shoes, heels, and faces become, sooner or later, mere components of that act. ~ Olga Tokarczuk

... Man's heart is a ditch full of blood. The loved ones who have died throw themselves down on the bank of this ditch to drink the blood and so come to life again; the dearer they are to you, the more of your blood they drink. - The Narrator. ~ Nikos Kazantzakis

I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain? ~ Anne Enright

The only difference between the narrator of contemporary affairs and the ordinary historian is that moral judgments about the present provoke fiercer reactions and have more immediately practical implications than moral judgments about the past. ~ Geoffrey Barraclough

I just respect audiences to understand that that's what goes on in movies. I just try to make movies that respect the intelligence of the audience. Respect that they understand that the narrator is always unreliable and respect that they understand that the medium can do whatever it wants. ~ Guy Maddin

But I was not good enough. You should understand this about me - I am not a hero; not one to tap unknown reserves of courage; not one to rise to circumstance. I am the understudy who chokes on his lines when he is forced onto the stage. I am never, ever good enough. ~ Dexter Palmer

Sometimes I think I am the unreliable narrator of my own life. Sometimes I think we all are. ~ Alice Feeney

The narrator, I think, must succeed in frightening himself before he can think of frightening his reader… ~ E.F. Benson

In [James Kelman's story] 'The Third Man, or Else the Fourth,' four men stand around a fire, on a freezing day. They appear to be out of work, and very poor. They talk about politics, about an old man who was recently found dead in a cold tenement building, about prison. One of the men, Arthur, starts describing a dream he had. Like most dreams, it is incomprehensible; it gathers pace, and we are drawn into it, and then it fizzles out. Kelman makes a funny, implicit connection between maintaining the fire (the narrator goes off to get "burnables") and maintaining a story: everything is potentially burnable, everything can be used. ~ James Wood

Lauren Kirshner creates a first-person narrator you never stop rooting for ... [Where We Have to Go] highlights Kirshner as a new novelist to watch. A very strong, original debut. ~ Zoe Whittall

I played Joseph in 'Joseph & The Technicolor Dreamcoat,' which was a bit silly because I am a girl. I wanted to be the narrator, but I had fun with it anyway. ~ Eliza Doolittle