Moonu Film Images With Quotes

My films are an extension of my poetry, using the white screen like the white page to be filled with images. ~ James Broughton

There are a lot of companies - not just Sony and Kodak - that have spent a lot of money trying to make the quality of the digital images comparable with film. But when you're sending these things over the Internet, they don't have to be high quality. ~ Clayton M Christensen

A book is actually a place, a place where we, as adults, still have the chance to engage in active imagining, translating word into image, connecting these images to memories, dreams and larger ideas. Television, film, even the stage play, have already been imagined for us, but the book, in whatever form we choose to interact with it, forces us to complete it ... The fact that books provide us the place to imagine is critically important, as it is there, in the imagination, that all sense of possibility rests. ~ Joe Meno

My favourite stuff is visual, and I always want to work with visual artwork. I think it depends on the person, but for me, photographs of an image of something interesting or inspiring is worth a lot more than words to me. I think every concept I've come up with and turned into films or that will be hopefully become a film comes from images first. ~ Neill Blomkamp

I look at the film as an opportunity to see some bountifully creative minds do something that I could not do - tell the story with images. I can't wait to see what they do. ~ Laura Hillenbrand

I'VE NOTICED, FROM MY EXPERIENCE, IF THE EXTERNAL, EMOTIONAL CONSTRUCTION OF IMAGES IN A FILM ARE BASED ON THE FILMMAKER'S OWN MEMORY, ON THE KINSHIP OF ONE'S PERSONAL EXPERIENCE WITH THE FABRIC OF THE FILM, THEN THE FILM WILL HAVE THE POWER TO AFFECT THOSE WHO SEE IT. ~ Andrei Tarkovsky

Ophüls's images are perfect crystals. Their facets are oblique mirrors…And the mirrors are not content with reflecting the actual image, but constitute the prism, the lens where the split image constantly runs after itself to connect up with itself…On the track or in the crystal, the imprisoned characters bustle, acting and acted on…Crystalline perfection lets no outside subsist: there is no outside of the mirror or the film set, but only an obverse where the characters who disappear or die go, abandoned by life which thrusts itself back into the film set. ~ Gilles Deleuze

I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them. ~ Thomas Koerfer

THE VASTNESS OF OUR MEMORY
Holography also explains how our brains can store so many memories in so little space. The brilliant Hungarian-born physicist and mathematician John von Neumann once calculated that over the course of the average human lifetime, the brain stores something on the order of 2. 8 x 1020 (280, 000, 000, 000, 000, 000, 000) bits of information. This is a staggering amount of information, and brain researchers have long struggled to come up with a mechanism that explains such a vast capability. Interestingly, holograms also possess a fantastic capacity for information storage. By changing the angle at which the two lasers strike a piece of photographic film, it is possible to record many different images on the same surface. Any image thus recorded can be retrieved simply by illuminating the film with a laser beam possessing the same angle as the original two beams. By employing this method researchers have calculated that a one-inch-square of film can store the same amount of information contained in fifty Bibles! ~ Michael Talbot

With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song. ~ P.J. Harvey

Watching a scene from a film in slow motion is possible, but there's an unreal air to it; reading a passage from a book slowly does nothing to rob the words of their power. A film presents images; a book creates images inside the reader, with the reader's active participation. Books are good for your brain. ~ Lewis Buzbee

A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. ~ Roland Barthes

Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space. ~ Camille Paglia

Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage. ~ Scott Kelby

All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film. ~ Jack Nance

...when all the openings were closed, then the worlds would all be restored to their proper relations with one another, Lyra's Oxford and Will's would lie over each other again, like transparent images on two sheets of film being moved closer and closer until they merged–although they would never truly touch. ~ Philip Pullman

When I was a child, I had a ViewMaster, those red box glasses with little discs, so that you can see 3D images. They were my first steps in cinema. I was eight years old, I would cut and change the order of the images and that's how I created films that subsequently I recorded and projected and showed my friends. So I already took my first steps in 3D when I was eight years old. ~ Jean-Pierre Jeunet

Gray mattresses with red and blue stripes in something that looks like a hallway or an overly long waiting room. In any case, his memory is frozen in immediate past like a faceless man in a dentist's chair. There are houses and streets that run down to the sea, dirty windows and shadows on staircase landings. We hear someone say "a long time ago it was noon," the light bounces off the center of immediate past, something that's neither a screen nor attempts to offer images. Memory slowly dictates soundless sentences. We imagine that all of this has been done to avoid confusion, a layer of white paint covers the film on the floor. Fleeing together long ago became living together and thus the integrity of the gesture was lost; the shine of immediate past. ~ Roberto Bolano

I was a musician who began playing with computers, to see if they could make some tasks simpler. I developed some "tricks" or strategies for working with audio files, and then discovered that the same tricks could be applied to video files, or really, any type of data. Previously I made many different kinds of music. I did some work as a composer of film scores. In that role, my task was to create audio to match and deepen the visual. In my work now, the role is often reversed: I have to create images to match and deepen the audio. ~ Kurt Ralske

As a relentless gatherer of moments, I find that my favorite images, although grounded in the present, are like spirits shaped by memories. They whisper of fairy tales, poetry, and other lives, as each gesture connects with another and raises yet another from the dead. Shadows flicker on film to an inner melody as I navigate, camera at hand and at the speed of light, through unimaginable worlds - desperately trying to make sense of the joy and suffering before it all disappears. ~ Sylvia Plachy

The cinema has done more for my spiritual life than the church. My ideas of fame, success and beauty all originate from the big screen. Whereas Christian religion is retreating everywhere and losing more and more influence; film has filled the vacuum and supports us with myths and action-controlling images. ~ John Updike

What is the total sum of autumn? What is its content, form purpose? Its style, certainly, has unity. But what does it amount to? Eh, but what did the summer amount to, with all its greenery and flowers and sun? Fountains of red and brown will shot out soon. That's what the summer amounted to.

And you ask me about movies. I don't know what any movie amounts to. I am looking more for some light behind it, behind the images; I am trying to see the man.

It was Barbara Wise who said to me the other day - and she was right: The film critic should not explain what the movie is all about, surely an impossible task; he should help to create the right attitude for looking at movies. That's what my rambling is all about, nothing more.

Where was I? Yes, rambling. I will tell you the real truth: All that I have learned in my life (and I have seen many movies) amounts to this: Leaves are falling every autumn. I will be there with my camera when they fall. ~ Jonas Mekas

Ultimately, we want to provide people with a unique experience, and an unexpected one as well. We'd like people to leave the theater having questions, being intrigued, wanting to know more, and forming their own opinions about the characters and the world we created. We'd like the film and its images to stick around in people's heads, possibly be recalled every time the letter "H" comes up in everyday life. ~ Rania Attieh

[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape. ~ Martin Scorsese

I've been making films with almost no dialogue (laughs), so sound and music become a very powerful character to tell the story. It's almost like with sound and music and images, it's your tool to tell the story, especially when I decide to structure the film in a way that usually goes against the conventions of the three-act structure which most films are made out of. ~ Nicolas Winding Refn

All things considered, I've learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy
it's tough being creative in a materialistic society
but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don't feel so acutely the weight of language. ~ Tom Robbins

We Californians can watch the Weather Channel for images of winter's brutality unleashed upon our fellow Americans and thank our lucky stars we don't have to contend with it. ~ Henry Rollins

Creativity is the ability to form similar connections between disparate images and to create something new and hurl it into the future so it becomes a poem, or a building, or a dance, or a novel. Creativity is, in a sense, future memory. If the essence of creativity is linking disparate facts and ideas, then the more facility you have making associations, and the more facts and ideas you have at your disposal, the better you'll be at coming up with new ideas. ~ Joshua Foer

When your culture comes from watching TV every day, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities. None of that happened where I was. You're almost taught to realize it's not for you. ~ Trent Reznor

You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. ~ Anton Corbijn

They turned on the television and saw some news story about another goddamn humanitarian crisis, another goddamn civil war in some godforsaken place, and saw images of wounded people or starving children and felt a bright, bitter anger at the children for invading and ruining the only moments of relaxation and "me time" the neighbors had all day. The neighbors would get a little indignant here, about how their own lives were hard too, and yet nobody heard them complaining about it. everyone had problems - why couldn't they just quietly deal with them? On their own? With a bit of self-respect? Why did they have to get everyone else involved? It's not like the neighbors could do anything. It's not like civil wars were their fault. ~ Nathan Hill

"Maybe it's like this, Max
you know how, when you are working on a long and ordered piece, all sorts of bright and lovely ideas and images intrude. They have no place in what you are writing, and so if you are young, you write them in a notebook for future use. And you never use them because they are sparkling and alive like colored pebbles on a wave-washed shore. It's impossible not to fill your pockets with them. But when you get home, they are dry and colorless. I'd like to pin down a few while they are still wet." ... '
John Steinbeck ~ John Steinbeck

In dreams the images in the mind, in the subconscious, merge with and obliterate the perceptions from the astral senses, in a similar way that in daily life the subconscious causes the external world to be perceived with the colorations of thoughts, feelings, images, and emotions; in other words, we daydream or get lost in thoughts. ~ Belsebuub

Radio, which was a much better medium than television will ever be, was easy and pleasant to listen to. Your mind filled automatically with images. ~ Dick Cavett

When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images-things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit. ~ China Mieville