Modernist Quotes

The Church also seems to be in the social service business, the counseling business, the fundraising business, the daycare business-dozens of the same worthy businesses the secular world is also in. Why? What justifies these things? The Church's ultimate end for all these things is different from the world's end; it is salvation. This is its distinctive "product."
Why put out a product that is just the same as other compa-
vies' products already on the market? Why would anyone expect such a product to sell? That's why modernist or liberal Christianity, charitable as its services are, is simply not selling. The only reason for any of the Church's activities, the only reason for the very existence of the Church at all, is exactly the same as the reason Jesus came to earth: to save poor and lost humanity. ~ Peter Kreeft

It is incomprehensible to me that any thinker can calmly call himself a modernist; he might as well call himself a Thursdayite. ~ G.K. Chesterton

The 1980s: feminism, postmodernism, sexual/textual politics

While it might be tempting to generalise that Woolf 's writing was being discussed almost in two separate camps during the 1980s, formalists on the one hand, and feminists on the other, this would be to simplify things too far.
Many critics were attempting to make sense of and connect her feminist politics with her modernist practices. Such investigations coincided with the explosion of theory in literary studies, and once again the work of Virginia
Woolf was central to the framing of many of the major theoretical developments in literary critical engagements with feminism, postmodernism, deconstruction and psychoanalysis. In the context of the rise of 'high theory'
and the questioning of old-school Marxist, materialist, humanist and historicist literary theories, Woolf studies wrestled with the locating of her radical feminist politics in the avant-garde qualities of the text itself, and its endlessly transgressive play of signifiers, with the Woolfian inscription of radically deconstructed models of the self and of sexuality and jouissance. ~ Jane Goldman

What does it mean when you hook up your work to that of a late modernist giant working in a reductive vein - Ad Reinhardt, Agnes Martin, Robert Ryman, Ellsworth Kelly, Frank Stella, or Donald Judd, for example - like a caboose? I am not talking about engaging directly with another artist's work or ideas, but of perpetuating a look or, in the case of Wade Guyton, the various monochromatic, striped and geometric surfaces we associate with Minimalism. ~ John Yau

Where the Old Masters created an illusion of space into which one could imagine walking, the illusion created by a Modernist is one into which one can look, can travel through, only with the eye. ~ Clement Greenberg

I'm truly an outsider in the poetry world. When I started writing, I was trying to move my poems away from modernist lines. ~ Richard Grossman

Those of us born into vitalist and expressionist cultures must hope that governments will draw back from shutting down the modernist project of exploring, experimenting, and imagining - of voyaging into the unknown - that has been essential for rewarding lives. ~ Edmund Phelps

So where will the children of the future come from? Increasingly they will come from people who are at odds with the modern world. Such a trend, if sustained, could drive human culture off its current market-driven, individualistic, modernist course, gradually creating an anti-market culture dominated by fundamentalism - a new dark ages. ~ Philip Longman

I'm often called an old-fashioned modernist. But the modernists had the absurd idea that architecture could heal the world. That's impossible. And today nobody expects architects to have these grand visions any more. ~ Thom Mayne

God says He made man out of the dust of the ground; the modernist tells us this is false - man evolved from lower life forms. ~ Anonymous

[ ... ] a familiar art historical narrative [ ... ] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [ ... ] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. ~ Grant H. Kester

I wouldn't call my work Modernist. I would rust if I try to think about labels. I'd feel like the Tin Man in 'The Wizard of Oz.' ~ Ali Smith

The Ridyadh Bodkin and the Kuala Lumpur Mushroom are positive Meccas for all kinds of daredevils-of this much I'm sure. Decadent Saudi princes pilot microlights through huge holes in their facades, while Malaysian spider men scale them using giant suckers in lieu of crampons. All these activities serve to demonstrate is that modernist megaliths have completely suborned the role of natural features in providing us with the essential and vertiginous perspective we require to comprehend accurately our ant-like status. ~ Will Self

Modernist literature with all its vast apparatus was an instrument, a form of perception, and once absorbed, the insights it brought could be rejected without its essence being lost, even the form endured, and it could be applied to your own life, your own fascinations, which could then suddenly appear in a new and significant light. Espen took that path, and I followed him like a brainless puppy, it was true, but I did follow him. I leafed through Adorno, read some passages of Benjamin, sat bowed over Blanchot for a few days, had a look at Derrida and Foucault, had a go at Kristeva, Lacan, Deleuze, while poems by Ekelöf, Björling, Pound, Mallarmé, Rilke, Trakl, Ashbery, Mandelstam, Lunden, Thomsen, and Hauge floated around, on which I spent more than a few minutes, I read them as prose, like a book by MacLean or Bagley, and learned nothing, understood nothing, but just having contact with them, having their books in the bookcase, led to a shifting of consciousness, just knowing they existed was an enrichment, and if they didn't furnish me with insights I became all the richer for intuitions and feelings. ~ Karl Ove Knausgaard

This compulsion to an activity without respite, without variety, without result was so cruel that one day, noticing a swelling over his stomach, he felt an actual joy in the idea that he had, perhaps, a tumor that would prove fatal, that he need not concern himself with anything further, since it was this malady that was going to govern his life, to make a plaything of him, until the not-distant end. If indeed, at his period, it often happened that, though without admitting it even to himself, he longed for death, it was in order to escape not so much from the keenness of his sufferings as from the monotony of his struggle. ~ Marcel Proust

In Jack Nasar's research on American's taste in homes, only one group preferred the modernist house: architects. ~ Winifred Gallagher

Unfortunately, we live in an era where once a person learns a bit of the Arabic language and memorizes the translation of the Qur'an, he thinks he has the right to make his own opinions regarding the Qur'an. The Blessed Prophet s said, "Whosoever explains the Qur'an from his own opinion is wrong even if he is right."

Modernists generally ignore the opinions and exegesis of the pious predecessors [al-salaf al-salihun] issuing fatwas that are based on their own whims. In our time, the modernist desires to embody all the greatest attributes in every field. If he can write simple Arabic, articulate himself in his native language, or deliver impromptu speeches, he sees himself the teacher of Junaid and Shiblõ in Taüawwuf and also a mujtahid in fiqh (Islamic jurisprudence). He introduces new ideas in the exegesis of the Qur'an without concern for the opinions of the pious predecessors or that his opinions contradict the aúódõth of the Blessed Prophet (PBUH).He is whimsical in matters of Dõn. He states his heart's desire no matter how much it contradicts the Qur'an and the Sunna. Despite this, no one discredits him, protests his incompetence, or shows him his deviation.

If one gathers the courage to say, "This is against the teachings of the pious predecessors," he is immediately branded a sycophant of the pious predecessors. He is condemned as ultra-orthodox, anti-intellectual, and someone not attuned to the modern world. Conversely, if a person rejects the e ~ Shaykh Muhammad Zakariyya Kandhlawi

Modernist architecture and town planning is inimical to human beings ... based on the Darwinian concept that evolution is open ended, that there must always be something new and better. ~ Leon Krier

Then I celebrated my Wall of Books. I counted the volumes on my twenty-foot-long modernist bookshelf to make sure none had been misplaced or used as kindling by my subtenant. "You're my sacred ones," I told the books. "No one but me still cares about you. But I'm going to keep you with me forever. And one day I'll make you important again." I thought about that terrible calumny of the new generation: that books smell. ~ Gary Shteyngart

When modernist poetry, or what not so long ago passed for modernist poetry, can reach the stage where the following piece by Mr. Ezra Pound is seriously offered as a poem, there is some justification for the plain reader and orthodox critic who shrinks from anything that may be labelled 'modernist' either in terms of condemnation or approbation ... Better he thinks, that ten authentic poets should be left for posterity to discover than one charlatan should be allowed to steal into the Temple of Fame. ~ Laura Riding

Today we take New England clam chowder as something traditional that makes our roots as American cooking very solid, with a lot of foundation. But the first person who decided to mix potatoes and clams and bacon and cream, in his own way 100 to 200 years ago, was a modernist. ~ Jose Andres

Cooking is an art, but all art requires knowing something about the techniques and materials. Using modernist techniques, you get more control, and that allows you to be more artistic, not less! ~ Nathan Myhrvold

Beowulf stands out as a poem which makes extensive use of this kind of figurative language. There are over one thousand compounds in the poem, totalling one-third of all the words in the text. Many of these compounds are kennings. The word 'to ken' is still used in many Scottish and Northern English dialects, meaning 'to know'. Such language is a way of knowing and of expressing meanings in striking and memorable ways; it has continuities with the kinds of poetic compounding found in nearly all later poetry but especially in the Modernist texts of Gerard Manley Hopkins and James Joyce. ~ Ronald Carter

Modernist discourse [ ... ] incorporates semantic devices - such as the labeling of theism as 'religion' and naturalism as 'science' - that work to prevent a dangerous debate over fundamental assumptions from breaking out in the open. ~ Phillip E. Johnson

It was a very stupid mistake to think you could deal with heresy by burning heretics. It's the very same mistake that modernist Catholics are making today in reverse. They think you can love heretics by loving heresies. ~ Peter Kreeft

Modernist manuals of writing often conflate story with conflict. This reductionism reflects a culture that inflates aggression and competition while cultivating ignorance of other behavioral options. No narrative of any complexity can be built on or reduced to a single element. Conflict is one kind of behavior. There are others, equally important in any human life, such as relating, finding, losing, bearing, discovering, parting, changing. Change is the universal aspect of all these sources of story. Story is something moving, something happening, something or somebody changing. ~ Ursula K. Le Guin

Peter Kropotkin described Anarchism as the extreme left wing of socialism - a view with which I completely agree. One of my deepest concerns today is that the libertarian socialist core will be eroded by fashionable, post- modernist, spiritualist, mystic individualism. ~ Murray Bookchin

If modernist naturalism were true, there would be no objective truth outside of science. In that case right and wrong would be a matter of cultural preference, or political power, and the power already available to modernists ideologies would be overwhelming. ~ Phillip E. Johnson

members of labor unions, and un-organized unskilled workers, will sooner or later realize that their government is not even trying to prevent wages from sinking or to prevent jobs from being exported. Around the same time, they will realize that suburban white-collar workers - themselves desparately afraid of being downsized - are not going to let themselves be taxed to provide social benefits for anyone else.
At that point, something will crack. The non-suburban electorate will decide that the system has failed and start looking around for a strongman to vote for - someone willing to assure them that once he is elected, the smug bureaucrats, tricky lawyers, overpaid bond salesmen and post modernist professors will no longer be calling the shots...
One thing that is very likely to happen is that the gains made in the past forty years by black and brown Americans, and by homosexuals, will be wiped out. Jocular contempt for women will come back into fashion... All the resentment which badly educated Americans feel about having their manners dictated to them by college graduates will find an outlet pp89-90 ~ Richard M. Rorty

These comments recall Turkle's distinction between two kinds of "transparency" in technological cultures. Modernist transparency is the notion that users can and should have access to the inner workings of a technology. It evokes the aesthetic of early relationships with cars in which one could "open the hood and see inside." Turkle contrasts this with an opposing, post-modern meaning of the term - the notion that something is transparent if you can use it without knowing how it works. Post-modern transparency allows the user to navigate the surface of a system without ever having to access its underlying mechanics. Are young engineers more susceptible to post-modern ways of seeing simulation? ~ Yanni Alexander Loukissas

We're living among infinite possibilities. And the prevalent philosophies of post-modernist pessimism that come out of the universities are really a major tragedy. The opportunities for progress and change ... are absolutely tremendous. Anybody who tells you that we're running out of resources or in a terrible mess
they are idiots. We can't run out of resources. Resources exist when the human mind sees how to use something. To say we are running out of resources is like saying we are running out of brain cells. ~ Robert Anton Wilson

Insofar as I think about postmodernism at all, and it doesn't exactly keep me awake at nights, I think of it as something that happens to one, not a style one affects. We're postmoderns because we're not modernists. The modernist writers-Pound, Eliot, Joyce, Stevens, Yeats, Woolf, Williams-spoke with a kind of vatic authority: they were really the last of the Romantics, for whom authorship itself was like being a solitary prophet in the wasteland. ~ Jonathan Raban

I think our sensibility is not modernist anymore, that is, sensibility of people who are interested in art and literature. ~ Louis Menand

As a pure source of reference, 'Modernist Cuisine' is incredibly helpful. It's like a modern-day encyclopedia, except for a single subject. It's not always the answer, but it's always a starting point. I feel honored to have been able to contribute to it. ~ Wylie Dufresne

Hollywood Regency is a label some people put on me, but I consider myself a modernist in that I always try to make the work feel fresh. ~ Kelly Wearstler

You remember I had a strong inclination all my life to be a painter. Under different circumstances I would rather have been a painter than to bother with these god-damn words. I never actually thought of myself as a poet but I knew I had to be an artist in some way. ~ William Carlos Williams

I returned rather feebly to the subject of her daughter. 'I suppose she talks, she eats, and everything. ~ F. Scott Fitzgerald

Part of the triumph of modernist poetry is, indeed, to have demonstrated the great extent to which verse can do without explicit meaning and yet not sacrifice anything essential to its effect as art. Here, as before, successful art can be depended upon to explain itself. ~ Clement Greenberg

If you want to know why the "new atheists" like Richard Dawkins, Christopher Hitchens, and Sam Atkins sell so many books, the answer is that they're offering the modernist version of the good old-fashioned theological term "assurance." They are assuring anxious ex-believers that the nightmare of small-minded and stultifying "religion" is gone ~ N. T. Wright

Modernist fiction is tied to problems of writers. Self-glorifying. Existential struggle. This has not been a big part of genre writing. ~ Paul Park

The idea that we live in a post-modern culture is a myth. In fact a post-modern culture is an impossibility; it would be utterly unlivable. Nobody is a post-modernist when it comes to reading the labels on a medicine bottle versus a box of rat poison! You better believe that texts have objective meaning! ~ William Lane Craig

It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods--though the work was suppressed--'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre fe ~ Frank Kermode

When we first did 'Modernist Cuisine,' I think most people in cookbook publishing would have said, 'This is insane.' ~ Nathan Myhrvold

One may as well begin with Helen's letters to her sister. ~ E. M. Forster

But if this biography suggests a varied and sympathetic apprehension of the world, it was with a far darker palette that Céline came to paint his word-pictures when he began writing in the late 1920's. Straightforward fear adumbrates his invective, which - despite the reputation he would later earn as a rabid anti-Semite - is aimed against all classes and races of people with indiscriminate abandon. Indeed, if "Ulysses" is the great modernist novel most inspired by a desire for humanistic inclusion, then "Journey" is its antithesis: a stream of misanthropic consciousness, almost unrelieved by any warmth or fellow-feeling. ~ Will Self

The modernist preference for high seriousness is replaced by the postmodernist preference for playfulness. ~ Dharanidhar Sahu

BY DISPOSITION OF ANGELS
Messengers much like ourselves? Explain it.
Steadfastness the darkness makes explicit?
Something heard most clearly when not near it?
Above particularities,
these unparticularities praise cannot violate.
One has seen, in such steadiness never deflected,
how by darkness a star is perfected.
Star that does not ask me if I see it?
Fir that would not wish me to uproot it?
Speech that does not ask me if I hear it?
Mysteries expound mysteries.
Steadier than steady, star dazzling me, live and elate,
no need to say, how like some we have known; too like her,
too like him, and a-quiver forever. ~ Marianne Moore

The pure modernist is merely a snob; he cannot bear to be a month behind the fashion. ~ G.K. Chesterton

In one sense, (Duchamp's) "The Large Glass" is a glimpse into Hell; a peculiarly modernist Hell of repetition and loneliness. ~ Robert Hughes

A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!» ~ Slavoj Zizek

Nobody would seriously describe a tiny child as a Marxist child or an Anarchist child or a Post-modernist child. Yet children are routinely labelled with the religion of their parents. We need to encourage people to think carefully before labelling any child too young to know their own opinions and our adverts will help to do that. ~ Richard Dawkins

Who'd want to be a modernist writer in the English-speaking world? ~ Will Self

Despite their claims to a purely scientific and reasoned approach, the relationship of Modernist architects to their work remained at base a romantic one; they looked to architecture to support a way of life that appealed to them. Their domestic buildings were conceived as stage sets for actors in an idealised drama about contemporary existence. ~ Alain De Botton

In the attacks on the old ways of doing things on word in particular came into currency. That word was "kitsch." Once introduced, the word stuck. Whatever you do, it musn't be kitsch. This became the first precept of the modernist artist in every medium. ~ Roger Scruton

The 1970s and 1980s: feminism, androgyny, modernism, aesthetics

In the 1970s and 1980s, Woolf studies expanded in a number of directions,
most notably in relation to feminism. Critical interest in Woolf developed at the same time as feminism developed in related academic disciplines. In this period her writings became central to the theoretical framing of feminism, in
particular to debates on Marxist and materialist feminism and to the emergent theories of androgyny. Both these areas of debate takeWoolf 's A Room of One's Own as a major point of reference...
...........
At the same time as feminist approaches to Woolf were developing and expanding, so, too, was the critical interest in her modernist theories and her formal aesthetics. Again, Woolf 's writing became central to critical and theoretical formulations on modernism.

..........

This period also saw considerable critical interest in the influence of the visual arts on Woolf 's writing, and particularly in the influence of the formalist theories of her Bloomsbury colleagues Roger Fry and Clive Bell. ~ Jane Goldman

But re-reading Voss also demonstrates again that although White wasn't 'a nice man', and indeed was - perhaps rightly - scathingly dismissive of my and other Australian writers' work and origins unless they were his friends, he was a genius, and Voss one of the finest works of the modernist era and of the past century. ~ Thomas Keneally

As Adam Gopnik remarked in The New Yorker, "Post-modernist art is, above all, post-audience art." In ~ David Bayles

It's just about asking why. We as cooks historically have been very, very technically proficient but not technically informed as to why we do what we do. Modernist cuisine is about that knowledge. ~ Wylie Dufresne

It was then that Brown took his revenge upon the world which, after twenty years of contemptuous and reckless bullying, refused him the tribute of a common robber's success. It was an act of cold-blooded ferocity, and it consoled him on his deathbed like a memory of an indomitable defiance. . . . Thus Brown balanced his account with the evil fortune. Notice that even in this awful outbreak there is a superiority as of a man who carries right - the abstract thing - within the envelope of his common desires. It was not a vulgar and treacherous massacre; it was a lesson, a retribution - a demonstration of some obscure and awful attribute of our nature which, I am afraid, is not so very far under the surface as we like to think. ~ Joseph Conrad

To the horror of those who can genuinely claim to have suffered from its effects, alienation has proved a highly profitable commodity in the cultural marketplace. Modernist art with its dissonances and torments, to take one example, has become the staple diet of an increasingly voracious army of culture consumers who know good investments when they see them. The avant-garde, if indeed the term can still be used, has become an honored ornament of our cultural life, less to be feared than feted. The philosophy of existentialism, to cite another case, which scarcely a generation ago seemed like a breath of fresh air, has now degenerated into a set of easily manipulated clichés and sadly hollow gestures. This decline occurred, it should be noted, not because analytic philosophers exposed the meaninglessness of its categories, but rather as a result of our culture's uncanny ability to absorb and defuse even its most uncompromising opponents. ~ Martin Jay

After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's ... ~ Philip Pullman

I had read another book, called Chromophobia, by David Batchelor, around this time, and he described how the modernist design aesthetic - the white kitchen, white floors, white walls - is a denial of our humanity. The reason bathrooms are white, too, is not only so you know that they are clean, but also so you know that they are not what's inside of us. ~ Emily Spivack

In the traditional modernist planning that created the suburbs, you put residential buildings in suburban neighborhoods, office spaces into brain parks and retail in shopping malls. But you fail to exploit the possibility of symbiosis or synthesis that way. ~ Bjarke Ingels

He pulled me up into the world of advanced literature, where you wrote essays about a line of Dante, where nothing could be made complex enough, where art dealt with the supreme, not in a high-flown sense because it was the modernist canon with which we were engaged, but in the sense of the ungraspable, which was best illustrated by Blanchot's description of Orpheus's gaze, the night of the night, the negation of the negation, which of course was in some way above the trivial and in many ways wretched lives we lived, but what I learned was that also our ludicrously inconsequential lives, in which we could not attain anything of what we wanted, nothing, in which everything was beyond our abilities and power, had a part in this world, and thus also in the supreme, for books existed, you only had to read them, no one but myself could exclude me from them. You just had to reach up. ~ Karl Ove Knausgaard

.'All is suffering' is a bad modernist translation. What the Buddha really said is: It's all a mixed bag. Shit is complicated. Everything's fucked up. Everything's gorgeous. ~ Robin Coste Lewis

In contrast, markets - oft mythologized as "natural" are the most unnatural things going. Libertarians will tell you "market laws are laws of nature", what baloney. Markets - and the other great modernist cornucopian tools - are magnificent wealth generating machines, built ad-hoc, through trial and error, constantly fine-tuned and refined, tinkered, adjusted. ~ David Brin

Palestinian society is filled with poetry, but not experimental poetry. The Palestinian poetry that people know is not the modernist experimentations, it's certain kinds of poetry that lends itself to recitation and song and things like that. ~ Elliott Colla

The two most potent post-war orthodoxies
socialist politics and modernist art
have at least one feature in common: they are bothforms of snobbery, the anti-bourgeois snobbery of people convinced of their right to dictate to the common man in the name of the common man. ~ Roger Scruton

By 1970, the first stirrings of the revolt against Modernist orthodoxy in architecture had been felt, although it would be several years more until Postmodernism was widely accepted and made classical motifs permissible in high-style building design for the first time in decades. ~ Martin Filler

They shared much with Bloomsbury, including love of beauty, companionship, and conversation, but they differed from their older London counterpart in their religious ardor, their social conservatism, and their embrace of fantasy, myth, and (mostly) conventional literary techniques instead of those dazzling experiments with time, character, narrative, and language that mark the modernist aesthetic. ~ Philip Zaleski

...pseudo-scientific minds, like those of the scientist or the painter in love with the pictorial, both teaching as they were taught to become architects, practice a kind of building which is inevitably the result of conditioning of the mind instead of enlightenment. By this standard means also, the old conformities are appearing as new but only in another guise, more insidious because they are especially convenient to the standardizations of the modernist plan-factory and wholly ignorant of anything but public expediency. So in our big cities architecture like religion is helpless under the blows of science and the crushing weight of conformity--caused to gravitate to the masquerade in our streets in the name of "modernity." Fearfully concealing lack of initial courage or fundamental preparation or present merit: reactionary. Institutional public influences calling themselves conservative are really no more than the usual political stand-patters or social lid-sitters. As a feature of our cultural life architecture takes a backward direction, becomes less truly radical as our life itself grows more sterile, more conformist. All this in order to be safe?
How soon will "we the people" awake to the fact that the philosophy of natural or intrinsic building we are here calling organic is at one with our freedom--as declared, 1776? ~ Frank Lloyd Wright

The alarming lack of ideas that is recognizable in all acts of culture, politics, organization of life, and the rest is explained by this, and the weakness of the modernist constructers of functionalist cities is only a particularly visible example of it. Intelligent specialists only ever have the intelligence to play the game of specialists: hence the fearful conformity and fundamental lack of imagination that make them admit that this or that product is useful, good, necessary. In fact, the root of the reigning lack of imagination cannot be understood if one does not have access to the imagination of lack
that is to conceiving what is absent, forbidden, and hidden, and yet possible, in modern life. ~ Tom McDonough

A cool white, wintry light glazed the buildings on the highest hill: Will's memorial, the unsightly chimney from the hospital, the modernist cathedral in Clifton. The jumble of styles and eras lent the city the semblance of a medieval Roman town. Laura drove the long way round, up past the Clifton Suspension Bridge, strung like an a engineer's dream over a river sinking into the mud. Leigh Woods was on the far side, the trees dark, bereft of leaves, clawing at the sky. ~ Sanjida Kay

ROSEMARY
Beauty and Beauty's son and rosemary -
Venus and Love, her son, to speak plainly -
born of the sea supposedly, at Christmas each, in company,
braids a garland of festivity.
Not always rosemary - since the flight to Egypt, blooming differently.
With lancelike leaf, green but silver underneath,
its flowers - white originally -
turned blue. The herb of memory,
imitating the blue robe of Mary,
is not too legendary
to flower both as symbol and as pungency.
Springing from stones beside the sea,
the height of Christ when thirty-three -
it feeds on dew and to the bee
"hath a dumb language"; is in reality
a kind of Christmas-tree. ~ Marianne Moore

My favorite method of encryption is chunking revolutionary documents inside a mess of JPEG or MP3 code and emailing it off as an "image" or a "song." But besides functionality, code also possesses literary value. If we frame that code and read it through the lens of literary criticism, we will find that the past hundred years of modernist and postmodernist writing have demonstrated the artistic value of similar seemingly arbitrary arrangements of letters. ~ Kenneth Goldsmith

Before World War II, Modernist architects sometimes had to resort to custom fabrication or outright fakery to achieve the machine imagery advocated by the Bauhaus after its initial, Expressionist, phase. Stucco masqueraded as reinforced concrete; rivets were used for decoration. ~ Martin Filler

Solidarity with local communities lies at the heart of culture-centered public relations because it seeks to co-create local narratives that have otherwise been erased from the mainstream public spheres (de Sousa Santos, Nunes, and Meneses, 2008). Local voices offer entry points for co-creating narratives that have otherwise been erased. It is through the re-appropriation of the community as a site of resistance as opposed to a site of neoliberal governance that new meaning structures are articulated (Beverly, 2004a,b; Spivak, 1988a,b; Tihuwai Smith, 2006). It is through these new meanings narrated at local community levels that the scientific modernist discourses of neoliberalism are disrupted. For instance, to the large-scale funding of the Human Genome Diversity Project (HGDP) with the goal of mapping ~ Krishnamurthy Sriramesh

For Guy Davenport--whom he told me John Barth once called the last modernist--modernism is 'a renaissance of the archaic'. ~ Lance Olsen

If novelists truly wanted to simulate the delta of lfe's possibilities, this is what they'd do. At the back of the book would be a set of sealed envelopes in various colours. Each would be clearly marked on the outside: Traditional Happy Ending; Traditional Unhappy Ending; Traditional Half-and-Half Ending; Deus ex Machina; Modernist Arbitrary Ending; End of the World Ending; Cliffhanger Ending; Dream Ending; Opaque Ending; Surrealist Ending; and so on. You would be allowed only one, and would have to destroy the envelopes you didn't select. ~ Julian Barnes

An exciting and yet highly lucid account of the formation and significance of Karl Kraus's modernist journalism, an activity that Walter Benjamin and Gershom Scholem regarded as the most Jewish writing in the German language. The Anti-Journalist is the best book I have seen on this engaging topic. ~ Istvan Deak

He himself, Anthony went on to think, he himself had chosen to regard the whole process as either pointless or a practical joke. Yes, chosen. For it had been an act of the will. If it were all nonsense or a joke, then he was at liberty to read his books and exercise his talents for sarcastic comment; there was no reason why he shouldn't sleep with any presentable woman who was ready to sleep with him. If it weren't nonsense, if there was some significance, then he could no longer live irresponsibly. There were duties towards himself and others and the nature of things. Duties with whose fulfilment the sleeping and the indiscriminate reading and the habit of detached irony would interfere. He had chosen to think it nonsense, and nonsense for more than twenty years the thing had seemed to be – nonsense, in spite of occasional uncomfortable intimations that there might be a point, and that the point was precisely in what he had chosen to regard as the pointlessness, the practical joke. ~ Aldous Huxley

But the fact is that the Bible itself is the grandest of grand stories, yet it prizes truth and reason without being modernist, and it prizes countless stories within its overall story without being postmodern either. In short, the Bible is both rational and experiential, propositional as well as relational, so that genuinely biblical arguments work in any age and with any person. ~ Os Guinness

Following the Post Modernist route, we may indeed never arrive at meaning, but not because meaning is not there ... only because we are lost in endless linguistic games that are entirely beside the point. ~ Massimo Pigliucci

Downtown Toronto is a very good place to talk about the neutrality of modernist architecture. I'm sure this kind of box-building was interesting in the Twenties, Thirties and Forties, but I think it's absolutely ridiculous to build like this in 2013. ~ Stefan Sagmeister

The French Revolution is the ultimate modernist statement. Destroy everything. Don't build on the past. There is no past. ~ John Corigliano

To the modernist, "myth," like religion, merely signifies a comfortable and entrenched lie. For the postmodernist, myth simply represents one story, one narrative among many; it is purely subjective, certainly signifying nothing of transcendent or any other kind of importance. ~ Bradley J. Birzer