Modern Art Market Quotes

I have never been against new art as such; some of it is good, much is crap, most is somewhere in between. ~ Robert Hughes

We know that modern art tends to realise these conditions: in this sense it becomes a veritable theatre of metamorphoses and permutations. A theatre where nothing is fixed, a labyrinth without a thread (Ariadne has hung herself). The work of art leaves the domain of representation in order to become 'experience', transcendental empiricism or science of the sensible. ~ Anonymous

What does cookery mean? It means the knowledge of Medea and of Circe,
and of Calypso, and Sheba. It means knowledge of all herbs, and fruits, and
balms and spices ... It means the economy of your great-grandmother and the
science of modern chemistry, and French art, and Arabian hospitality. It
means, in fine, that you are to see imperatively that everyone has something
nice to eat. ~ John Ruskin

Photography - the supreme form of travel, of tourism - is the principal modern means for enlarging the world. As a branch of art, photography's enterprise of world enlargement tends to specialize in the subjects felt to be challenging, transgressive. A photograph may be telling us: this too exists. And that. And that. (And it is all 'human.') But what are we to do with this knowledge - if indeed it is knowledge, about, say, the self, about abnormality, about ostracized or clandestine worlds? ~ Susan Sontag

Art is the means by which we communicate what it feels like to be alive - in the past, that was mixed up with other illustrative duties, but that was still its central function that has been liberated in the art called modern. ~ Antony Gormley

SUGGESTIONS FOR FURTHER READING Judith Barrington, Writing the Memoir: From Truth to Art; Annie Dillard and Cort Conley, eds., Modern American Memoirs; Patricia Hampl, I Could Tell You Stories: Sojourns in the Land of Memory; Anne Lamott, Bird by Bird: Some Instructions on Writing and Life; Phillip Lopate, ed., The Art of the Personal Essay; Jane Taylor McDonnell, Living to Tell the Tale: A Guide to Writing Memoir; and William Zinsser, ed., Inventing the Truth: The Art and Craft of Memoir. ~ Vivian Gornick

I can pick out people in this city to follow. I can be in a show at the Museum of Modern Art, my space in the Museum of Modern Art is my mailbox, my mail is delivered there. Whenever I want mail, I have to go through this city to get my mail. ~ Vito Acconci

It is, of course, much easier for a literary character to take a risk for love. The realities of social strata and responsibility mean nothing but a plot point in today's modern literature, but outside of these stories we are not pushing for change. The ideals we embody in our art rarely play themselves out in our lives. What would happen if we took the example of our fictional heroes; what if each of us was a Don Juan? ~ Evelyn Pryce

And government (to define it de facto, or according to modern prudence) is an art whereby some man, or some few men, subject a city or a nation, and rule it according to his or their private interest; which, because the laws in such cases are made according to the interest of a man, or of some few families, may be said to be the empire of men, and not of laws. ~ James Harrington

The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little. ~ Banksy

I've always cared more about taking pictures than about the art market. ~ Annie Leibovitz

So long as painting deals with objective nature, it is an impure art, for recognizability precludes the highest aesthetic emotion. All painting, ancient or modern, moves us aesthetically only in so far as it possesses a force over and beyond its aspect. ~ Lawren Harris

The theological perspective of participation actually saves the appearances by exceeding them. It recognizes that materialism and spiritualism are false alternatives, since if there is only finite matter there is not even that, and that for phenomena really to be there they must be more than there. Hence, by appealing to an eternal source for bodies, their art, language, sexual and political union, one is not ethereally taking leave of their density. On the contrary, one is insisting that behind this density resides an even greater density – beyond all contrasts of density and lightness (as beyond all contrasts of definition and limitlessness). This is to say that all there is only is because it is more than it is. (...)

This perspective should in many ways be seen as undercutting some of the contrasts between theological liberals and conservatives. The former tend to validate what they see as the modern embrace of our finitude – as language, and as erotic and aesthetically delighting bodies, and so forth. Conservatives, however, seem still to embrace a sort of nominal ethereal distancing from these realities and a disdain for them. Radical orthodoxy, by contrast, sees the historic root of the celebration of these things in participatory philosophy and incarnational theology, even if it can acknowledge that premodern tradition never took this celebration far enough. The modern apparent embrace of the finite it regards as, on inspection, illusory, since in order to ~ John Milbank

Yet Laudan's mother had no choice about whether to be a good cook or not. It was simply what was expected of her, and of every other farmer's wife in England at that time. She did not cook because she 'loved' cooking but because this was the role that life had allotted her.
There was nothing unusual in the way that Laudan's mother cooked. If anything, her life in the kitchen was easy by the standards of the day. At least a farmer's wife had access to plentiful meat and vegetables, whereas city cooks in early twentieth-century Britain were expected to produce the same quantity of meals but with meagre ingredients and limited equipment, often in single-room dwellings where there was no kitchen and no escape from cooking. We idealise the homespun meals of the past, imagining rosy-cheeked women laying down picturesque bottles of peaches and plums. But much of the art of 'cooking' in pre-modern times was a harried mother slinging what she could in a pot and engaging in a daily smoke-filled battle to keep a fire alive and under control, on top of all the other chores she had to manage.
Before we offer too many lamentations for the cookery of the past, we should remember how hard it was – and still is, for millions of people – to cook when you have no choice in the matter. ~ Bee Wilson

As the unity of the modern world becomes increasingly a technological rather than a social affair, the techniques of the arts provide the most valuable means of insight into the real direction of our own collective purposes. ~ Marshall McLuhan

Modern value-neutral society (Gesellschaft rather than Gemeinschaft) is systematized predation tempered not by conscience or values but rather merely by a system of law, which is no less corrupt with private interests and its own forms of predation. In modernity sophism is the order of the day, and this obliges its most adept practitioners to learn how to develop the art of appearing to be other than one actually is. ~ Kenny Smith

I was very prejudiced when I started arts school. I, like all of those kids, was like, "I don't like this modern stuff." I came to arts school with a very stupid, conservative set of ideas about art. ~ Ragnar Kjartansson

Realism without naturalism... is a leading motif in Modern Art. There is a move away from the struggle to perfect the reflection of Nature in Art's mirror, which I attribute to the all-pervading effects of photography...You must serve the tradition without being its slave. Remember you are an artist, not a draughtsman. ~ Tom Holt

The great Christian art did not die because all possible forms had been used up; it died because faith was being transformed into piety. Now, the same conquest of the outside world that brought in our modern individualism, so different from that of the Renaissance, is by way of relativizing the individual. It is plain to see that man's faculty of transformation, which began by a remaking of the natural world, has ended by calling man himself into question. ~ Andre Malraux

The whole history of modern poetry is a continuous commentary on the short text of philosophy: every art should become science, and every science should become art; poetry and philosophy should be united. ~ Karl Wilhelm Friedrich Schlegel

It is interesting to note that, as historians and archeologists discover art and writings from ancient civilizations, there are certain patterns that show up in each civilization's mythology.
For example: Chinese, Europeans, and ancient central and south Americans all have art depicting large, winged lizards, most of which could breathe fire. While it is possible that the idea of these creatures were shared between the Chinese and Europeans, there is no historical evidence suggesting that they had done so. Besides that, it is near impossible that they could have shared this idea with, say, the Aztecs, as exploration into the new world didn't happen until centuries after the first carvings of the Quetzalcoatl. Each culture portrayed these beings differently, ranging in size, shape, and purpose, but the defining physical traits are still, undeniably and bizarrely, too similar to be a coincidence.
While there are some modern theories for this phenomenon, and no physical evidence suggesting that they existed, it still raises the question: is it possible that dragons were real?
Another example: every civilization in the Common Era has at one point in their history sustained superstitions that, either through ritual or through improper burial, a corpse can rise from the dead and take the life force of living humans to gain great power.
Each culture had their own name for these monsters, but as time has progressed society has been satisfied to call them the same ~ August Westman

I shall call modern that art which ... presents the fact that the unpresentable exists. To make visible that there is something which can be conceived and which can neither be seen nor made visible. ~ Jean Francois Lyotard

Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization. The skyscraper is the point where art and the city meet. ~ Ada Louise Huxtable

The art world had turned out to be like the stock market, a reflection of political trends and the persuasions of capitalism, fueled by greed and gossip and cocaine. ~ Ottessa Moshfegh

Remember The Poem ... ~ R.M. Engelhardt

Ours is a bourgeois civilization. I am not using this term in its Marxian sense. Chicken! In the vocabularies of modern art and religion it is bourgeois to consider that the universe was made for our safe use and to give us comfort, ease, and support. Light travels at a quarter of a million miles per second so that we can see to comb our hair or read in the paper that ham hocks are cheaper than yesterday. De Tocqueville considered the impulse toward well-being as one of the strongest impulses of a democratic society. He can't be blamed for underestimating the destructive powers generated by this same impulse. ~ Saul Bellow

War is the highest form of modern art. ~ Filippo Tommaso Marinetti

The science, the art, the jurisprudence, the chief political and social theories, of the modern world have grown out of Greece and Rome - not by favour of, but in the teeth of, the fundamental teachings of early Christianity, to which science, art, and any serious occupation with the things of this world were alike despicable. ~ Thomas Henry Huxley

What art was to the ancient world, Science is to the modern; the distinctive faculty. In the minds of men, the useful has succeeded to the beautiful. ~ Benjamin Disraeli

I used to envy kids who had an old-fashioned Grandpa. Not any more. I've got a new ambition. Now I just want to become a modern-type Grandpa myself-and really start living. ~ Hal Boyle

All art is bad, but modern art is the worst. ~ Joyce Cary

The modern naturalist must realize that in some of its branches his profession, while more than ever a science, has also become an art. ~ Theodore Roosevelt

Culture as art is the peak expression of man's creativity, his capacity to break out of nature's narrow bounds, and hence out of the degrading interpretation of man in modern natural and political science. ~ Allan Bloom

What's called art now probably has some legitimate things happening in it, but I've become more and more distrustful of a lot of it because it seems like an extension of the fashion trade and the stock market. ~ Art Spiegelman

The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire.

...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ...

Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close ~ Linda H. Davis

I like a lot of modern art. I like Chuck Close a lot. It doesn't necessarily directly influence the work I draw on the page. ~ Jim Lee

There are a lot of designers who think they understand technology and a lot of technology guys who think they understand design. But to put them together and make it robust and repeatable for the mass market? It's an art. ~ Tony Fadell

Since it is sure of its ability to control the entire domain of the visible and the audible via the laws governing commercial circulation and democratic communication, Empire no longer censures anything. All art, and all thought, is ruined when we accept this permission to consume, to communicate and to enjoy. We should become the pitiless censors of ourselves. ~ Alain Badiou

The truth is that art does not teach; it makes you feel, and any teaching that may arise from the feeling is an extra, and must not be stressed too much. In the modern world, and in Canada as much as anywhere, we are obsessed with the notion that to think is the highest achievement of mankind, but we neglect the fact that thought untouched by feeling is thin, delusive, treacherous stuff. ~ Robertson Davies

I visited the Museum of Modern Art and viewed the exhibition of Picasso's sculptures, and I couldn't help but think about what it would be like to have a room full of school children explore Picasso's approach to making art. ~ Jerry Pinkney

If you ask today what art is, what its function is, what the meaning of art is and why one should create art, the answer given oftentimes by Western philosophers of art and those who special- ize in modern aesthetics is 'art for art's sake.' The modern response is that you just create art for the sake of art; but this was never the answer of traditional civilizations where one created art for both the sake of attainment of inner perfection and for human need in the deepest sense - because the needs of man are not only physical, they are also spiritual. We are as much in need of beauty as of the air that we breathe. ~ Seyyed Hossein Nasr