Ministry Musical Group Quotes

As a minister of the Lord in whatever way the Lord decides to use you and with the gifts he gives you for the work, there is the tendency to start idolizing the work itself or the gifts that you forget it is the father who gave it to you. Who picked you up and dusted you from nothing and adorned you. You forget and make the work a god before him. Exodus 20:3 "You shall have no other gods before me".
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This can be very subtle especially for social media ministry. You begin to love your social image over the word of God. You begin to dampen and tweak the word of God to appeal to a wider audience. You're suddenly no longer about the raw truth of the gospel. As the followers and likes increase you begin to get more and more addicted to the fruit of the works and the response to YOUR messages and posts. If a post doesn't do too well and get many likes and comments you are not happy. It hurts you deeply. That is how you know It has become about you.
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If this is you and this message has touched your heart, if this post is like a mirror to your face, go back to God and ask for forgiveness. Ask God to forgive you for elevating yourself and your work as a god before him and return back to when it was just about loving him and preaching the good news. You probably may have noticed you lost the fire of inspiration you used to have at the beginning. This is why. ~ Daniel Friday Danzor

Sometimes you're a psychiatrist and sometimes you're a group therapist. The dynamics in between people and the misgivings sometimes that artists have when they get into the studio because they're under a different level of scrutiny. A lot of them can be insecure about it. My job is not simply to make musical determinations but sometimes to just keep people from flipping out during the process. ~ Todd Rundgren

When she opened her eyes they were confronted by a musical box against the opposite wall - one of those early Bavarian toys where mechanical figures perform to the tune.

'How odd,' she thought. The little stage showed a group of fiddlers, two couples in costumes like those of the ball she had just quitted, and in a doorway at the side, a gypsy or beggar man.

Very faintly the distant waltz came to her ears, but no footsteps ringing in the abandoned halls.

With her hand pressed to her unsteady heart, acting under a sudden compulsion, she pushed down the lever. Delicate plucked music started up; the fiddlers sawed with their clumsy arms in time to an ethereal waltz. The couples moved jerkily out and each raised an arm to clasp its partner. To various clicks and rumbles from under the floor they began to revolve with each other and to orbit round the room. Their movements were sinister because of being both reluctant and predestined. Here they were and this is was what they must do. ("Many Coloured Glass") ~ Lucy M. Boston

It is fruitless to search for a single musical style, or even any blend of musical styles, that can assist all Christians with true worship. The followers of Jesus are a far too diverse group of people-which is exactly as it should be. We need, rather, to welcome any worship music that helps churches produce disciples of Jesus Christ. ~ Michael Adam Hamilton

Our musical artistry and leadership of people need to work together to create an environment that welcomes participation instead of causing disengagement. ~ Gangai Victor

My parents say it all began with my role of Percy the Polar Bear back in nursery school! I began dance classes at the age of five (you would never guess though) and then I went on to join my local theatre group, Glantawe Players, at the age of eight and then Swansea Amateur Dramatics Society. I then joined the National Youth Music Theatre, so I really can't remember a time when I wasn't interested in Musical Theatre! ~ Francesca Jackson

Uh-oh," Will muttered. "This is going to be ... interesting."
It turned out the creative genius behind the movie was Will's dad - the god Apollo, which meant this was not going to be a typical orientation flick. No, as we soon found out, Apollo had written, directed, produced, hosted and starred in ... a variety show.
For those of you who don't know what a variety show is, imagine a talent show on steroids, complete with canned laughter, pre-recorded applause, and an extra-large helping of hokeyness. For the next hour, we cringe-watched as Apollo and our demigod predecessors performed in song-and-dance numbers, recited poetry, acted in comedy sketches and harmonized in a musical group called the Lyre Choir. Naturally, Apollo featured prominently in most of the acts. The one of him hula-hooping shirtless while satyrs capered around with long rainbow ribbons on sticks ... you can't unsee that kind of thing. ~ Rick Riordan

Danny and the Memories was the band at the root of Crazy Horse. They were a vocal group with Danny Whitten, Ralphie, Billy, and a guy named Ben Rocco. When I recently saw their old video of "Land of a Thousand Dances" on You-Tube, I realized that is is truly the shit. You know, I looked at it maybe twenty times in a row. Even though Danny was amazing and he held the Horse together in the early days, I did not know how great Danny was until I saw this! The moves! What an amazing dancer he was. His presence on that performance is elevating! He is gone, and no one can change that. We will never see and hear where he was going. I am telling you, the world missed one of the greatest when Danny and the Memories did not have a NUMBER ONE smash record back in the day. They were so musical, with great harmonies, and Danny was a total knockout! I am so moved by this that it could make me cry at any time. This is one of those many times when words can't describe the music.

Danny and the Memories eventually transformed into the Rockets; they were playing in this old house in Laurel Canyon, and I somehow connected with them while Buffalo Springfield was at the Whiskey. We had a lot of pots jams in the house. Later on I saw Danny and the guys at somebody's house in Topanga. After that I asked if Danny, Billy, and Ralphie would play on a record with me. We did one day, practicing in my Topanga house, and it sounded great. I named the band Crazy Horse and away we went. The Rockets ~ Neil Young

Fisher outlines the different hormones and personalities for me. Those with lots of dopamine, she says, are likely to be "Explorers," optimistic risk takers. Serotonin breeds "Builders," who tend to be calm and organized and work well in groups. Those brimming with testosterone she calls "Directors." Two thirds of them are men. They're analytical, logical, and often musical. (They sound suspiciously like Numerati to me.) In the fourth group, their brains coursing with estrogen, are the negotiators. They're verbal and intuitive, and have good people skills. You'd think they'd be built for relationships. But sometimes, Fisher says, "they're so pliable that they turn into placaters. You don't know who they are. ~ Stephen Baker

She is an office girl, her name is Betty. Her favorite group is Helen Reddy. ~ Frank Zappa

I can rap. Not openly in the world, but it's important that people know! I can rap for a very specific reason, which is that in college I was in an improv comedy group, and we did musical improv. ~ Allison Williams

And I said - Styx - as a musical group it is our place to reflect the light that is shining on us back onto this place and say - this is where so much great stuff started. ~ James Young

Genius' was a word loosely used by expatriot Americans in Paris and Rome, between the Versailles Peace treaty and the Depression, to cover all varieties of artistic, literary and musical experimentalism. A useful and readable history of the literary Thirties is Geniuses Together by Kay Boyle-Joyce, Hemingway, Scott Fitzgerald, Pound, Eliot and the rest. They all became famous figures but too many of them developed defects of character-ambition, meanness, boastfulness, cowardice or inhumanity-that defrauded their early genius. Experimentalism is a quality alien to genius. It implies doubt, hope, uncertainty, the need for group reassurance; whereas genius works alone, in confidence of a foreknown result. Experiments are useful as a demonstration of how not to write, paint or compose if one's interest lies in durable rather than fashionable results; but since far more self-styled artists are interested in frissons á la mode rather than in truth, it is foolish to protest. Experimentalism means variation on the theme of other people's uncertainties. ~ Robert Graves

Life is not an orderly progression, self-contained like a musical scale or a quadratic equation ... If one is to record one's life truthfully, one must aim at getting into the record of it something of the disorderly discontinuity which makes it so absurd, unpredictable, bearable. ~ Leonard Woolf

They have statues," Jenna said. "In a hallway." Sure enough, two bronze statues of veiled women guarded the massive staircase, where even more people were now lining up. They were all wearing black uniforms, and had nearly identical smiles plastered on their faces.
"What are those people doing?" Jenna whispered to me.
"I don't know," I replied through a frozen grin, "but I'm afraid a musical number might be involved."
"This is our household staff," Dad said, sweeping his arm toward the group. "Anything you need, they'll be happy to help you with."
"Oh," I said weakly, feeling like my voice echoed in the cavernous room. "Great. ~ Rachel Hawkins

The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique. ~ Mick Taylor

Jazz is improvisation and syncopation, with resilience and flow, with earthy elegance, nuance and subtlety, with the integrity of individual expression within (usually) a group context, with true democracy in action. ~ Greg Thomas

I consider myself very lucky, essentially - I was put into a pop group even though my musical taste was very niche before. ~ Zayn Malik

The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races. The economics of this musical Esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud. ~ George Steiner

Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends ~ Christine Feehan

What are the true reasons why the purchaser is planning to spend his money on a new car instead of a piano? Because he has decided that he wants the commodity called locomotion more than he wants the commodity called music? Not altogether. He buys a car, because it is at the moment the group custom to buy cars.

The modern propagandist therefore sets to work to create circumstances which will modify that custom. He appeals perhaps to the home instinct which is fundamental. He will endeavor to develop public acceptance of the idea of a music room in the home. This he may do, for example, by organizing an exhibition . . . key people, persons known to influence the buying habits of the public, such as a famous violinist, a popular artist, and a society leader, are invited. These key persons affect other groups, lifting the idea of the music room to a place in the public consciousness which it did not have before. The juxtaposition of these leaders, and the idea which they are dramatizing, are then projected to the wider public through various publicity channels . . .

The music room will be accepted because it has been made the thing. And the man or woman who has a music room, or has arranged a corner of the parlor as a musical corner, will naturally think of buying a piano. It will come to him as his own idea. ~ Edward L. Bernays

The main reason for the break was a combination of travel and going back to university, which drew me into theatre more than music. I did stuff on acoustic guitar when I was traveling, filed it away and made notes, without it being musical notation. Just taped the odd thing, did a sketch, stuck it on a cassette. I thought at some point, I'll go back to it. Some of it I did use in '84-'85 when I started working in the Free Theatre in Christchurch. So it might seem like I had given up after the Pin Group, but I just went into a different avenue. ~ Roy Montgomery

I used to perform with the Pussycat Dolls before Nicole Scherzinger, before they were a musical group. ~ Jaime Pressly

Me and my brothers started a musical group early on, and we were playing in places where we really weren't supposed to be. ~ Maceo Parker

Do you know anything about silent films?"
"Sure," I said. "The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn't until the 1920s that sound became truly incorporated into films, eventually making silent ones obsolete in cinema. ~ Richelle Mead

How is it that Asians and Westerners can look at the same classroom interactions and one group will label it class participation and the other talking nonsense? The Chinese emphasize deeper attributes focusing on moral virtues and achievement. Another study asked Asian-Americans and European-Americans to think out loud while solving reasoning problems, and found that the Asians did much better when they were allowed to be quiet, compared to the Caucasians, who performed well when vocalizing their problem solving. These results would not surprise anyone familiar with traditional Asian attitudes to the spoke word: Talk is for communicating need to know information; quiet and introspection are signs of deep thought and higher truth. ~ Susan Cain

If we analyze religious or political doctrines with regard to their psychological significance we must differentiate between two problems. We can study the character structure of the individual who creates a new doctrine and try to understand which traits in his personality are responsible for the particular direction of his thinking.
[ ... ] The other problem is to study the psychological motives, not of the creator of a doctrine, but of the social group to which his doctrine appeals. The influence of any doctrine or idea depends on the extent to which it appeals to psychic needs in the character structure of those to whom it is addressed. Only if the idea answers powerful psychological needs of certain social groups will it become a potent force in history. ~ Erich Fromm

When someone "can not" or will not let go of some notion, injustice or loss, a fixation can develop, which can "fix" that person in place. When a person, a soul (or a group), becomes stuck or fixated on some specific perspective or emotion to the exclusion of the bigger picture, one can get a distorted view, one can be lost for a while. I am reminded of the saying one can't see the forest for the trees, for short-sightedness, especially combined with reactive emotions, obstinacy, and even obsessiveness, can cause one to lose all proportion and perspective. One can lose one's bearings; One can get lost. ~ Stephen Poplin

S/M flies in the face of every attempt the state makes to appropriate our bodies, our labor, our time, and our imaginations. ... the state is deeply offended by any group of people who say, 'My body doesn't belong to you, it belongs to me, so fuck off' ... ~ Patrick Califia-Rice

If anyone has conducted a Beethoven performance, and then doesn't have to go to an osteopath, then there's something wrong. ~ Simon Rattle

Filmmaking creates a sort of - trust, maybe. It has led me to a group of people I feel good with. We have something in common because of film, when otherwise we might have nothing. ~ Claire Denis

With a group of people, it's easer to say, I want this, this and this. It's different with the soloists, because they are the ones who will be in the spotlight. You can't force an interpretation on them. With soloists, it's all about diplomacy. ~ Laurence Equilbey

I've been writing music since I was a teenager. I play keyboards. I'm not much of a player, but I can write. That will come along. I'd like to do a musical. ~ Paul Eenhoorn