Mikaella 2225 Quotes

What's the matter, Yer Ladyship?" "I don't think I can do this," she whispered, hating herself for the admission of weakness. "O' course you can, darlin'. Just take your time." "I'm Lirin - " The Firbolg giant chuckled. "'Ey, don't remind me. Oi ain't eaten recently." ========== The Symphony of Ages (Haydon, Elizabeth) - Your Highlight on Location 2224-2225 | Added on Friday, February 20, 2015 6:55:03 PM ~ Anonymous

Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever "truer." The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent.

The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to "landscape" the virtual past. (He who pays the historian calls the tune.)

Symmetry demands an actual + virtual future too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone.

Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--t ~ David Mitchell