Literary Analysis Quotes

Classification may very well not be useless, but it is never analysis, no matter how baroquely detailed and comprehensive-seeming its categories. At best, it begs questions. At worst it is presumptuous and totalitarian, replacing understanding with filing. We have all heard papers where categories are the driving force, according to which the way we understand literature (or whatever) is to work out what title fits where, as if literary theory was a giant card-catalog. Even when the last book has been slotted neatly into the last of the holes that were cut to be filled with books, what we have are books in neat piles. Which is not nothing, but neither is it that much. ~ China Mieville

Anybody gets to ask questions about any fiction-related issues she wants. No question about literature is stupid. You are forbidden to keep yourself from asking a question or making a comment because you fear it will sound obvious or unsophisticated or lame or stupid. Because critical reading and prose fiction are such hard, weird things to try to study, a stupid-seeming comment or question can end up being valuable or even profound.

I am deadly-serious about creating a classroom environment where everyone feels free to ask or speak about anything she wishes. So any student who groans, smirks, mimes machines-gunning or onanism, chortles, eye-rolls, or in any way ridicules some other student's in-class question/comment will be warned once in private and on the second offense will be kicked out of class and flunked, no matter what week it is. If the offender is male, I am also apt to find him off-campus and beat him up. ~ David Foster Wallace

In my view, the gospels are true, not historically, but theologically, or, as I would argue, prophetically! What we have is, the Messiah's history written in advance in story form. ~ Eli Of Kittim

I call that creativity," Orville said. "The purpose of literature is to teach you how to THINK, not how to be practical. Learning to discover the connective tissue between seemingly unrelated events is the only way we are equipped to understand patterns in the real world. ~ Catherine Lowell

I would argue that stupidity is born out of bad reading, bad teaching and bad thinking! ~ John Green

ONCE WHEN I WAS ninth grade i had to write a paper on a poem. One of the lines wasIf your eyes weren't open you wouldn't know the difference between dreaming and waking' It hadn't meant meant much to me at the time. After all there'd been a guy in the class that i liked so how could i be expected to pay attention to literary analysis? Now three year later i understand the poem perfectly. ~ Richelle Mead

I would want kids to talk and write about how the book makes them feel, what it reminded them of, if it changed their thoughts about anything. I'd have them keep a journal and have them freewrite after they read each assignment. What did this make you think about? That's what I'd want to know. I think you could get some really original ideas that way, not the old regurgitated ones like man versus nature. Just shoot me if I ever assign anyone an essay about man versus nature. Questions like that are designed to pull you completely out of the story. Why would you want to pull kids out of the story? You want to push them further in, so they can feel everything the author tried so hard to create for them. ~ Lily King

Modern discussions of the possibility of tragedy are not exercises in literary analysis; they are exercises in cultural diagnostics, more or less disguised. ~ Susan Sontag

Eliot's own reflections on the primitive mind as a model for nondualistic thinking and on the nature and consequences of different modes of consciousness were informed by an excellent education in the social sciences and philosophy. As a prelude to our guided tour of the text of The Waste Land, we now turn to a brief survey of some of his intellectual preoccupations in the decade before he wrote it, preoccupations which in our view are enormously helpful in understanding the form of the poem. Eliot entered Harvard as a freshman in 1906 and finished his doctoral dissertation in 1916, with one of the academic years spent at the Sorbonne and one at Oxford. At Harvard and Oxford, he had as teachers some of modern philosophy's most distinguished individuals, including George Santayana, Josiah Royce, Bertrand Russell, and Harold Joachim; and while at the Sorbonne, he attended the lectures of Henri Bergson, a philosophic star in Paris in 1910-11. Under the supervision of Royce, Eliot wrote his dissertation on the epistemology of F. H. Bradley, a major voice in the late-nineteenth-, early-twentieth-century crisis in philosophy. Eliot extended this period of concentration on philosophical problems by devoting much of his time between 1915 and the early twenties to book reviewing. His education and early book reviewing occurred during the period of epistemological disorientation described in our first chapter, the period of "betweenness" described by Heidegger and Ortega y Gasset, the ~ Jewel Spears Brooker

Britain has had a very honourable tradition of literary sci-fi - H. G. Wells, John Wyndham, J. G. Ballard, Brian Aldiss, Michael Moorcock - but for whatever reason, they have never really been given the time of day on screen. ~ Richard Stanley

Before I went to college I read two books. I read a book "Moral Mazes" by Robert Jackall which is a study of how corporations work, and it's actually a fascinating book, this sociologist, he just picks a corporation at random and just goes and studies the middle managers, not the people who do any of the grunt work and not the big decision makers, just the people whose job is to make sure that things day to day get done, and he shows how even though they're all perfectly reasonable people, perfectly nice people you'd be happy to meet any of them, all the things that they were accomplishing were just incredibly evil. So you have these people in this average corporation, they were making decisions to blow out their worker's eardrums in the factory, to poison the lakes and the lagoons nearby, to make these products that are filled with toxic chemicals that poisoned their customers, not because any of them were bad people and wanted to kill their workers and their neighbourhood and their customers, but just because that was the logic of the situation they were in.

Another book I read was a book "Understanding Power" by Noam Chomsky which kind of took the same sort of analysis but applied it to wider society which you know we're in a situation where it may be filled with perfectly good people but they're in these structures that cause them to continually do evil, to invade countries, to bomb people, to take money from poor people and give it to rich people, to do all th ~ Aaron Swartz

That which gives detailed analysis of anger-pride-deceit-greed and puts them aside and doesn't allow any clashes to occur at home, is known as intellect. It makes one do 'everywhere adjustment'. ~ Dada Bhagwan

In Russia, the person who put Sevastopol on the literary map was Leo Tolstoy, a veteran of the siege. His fictionalized memoir The Sebastopol Sketches made him a national celebrity. Already with the first installment of the work published, Tsar Alexander II saw the propaganda value of the piece and ordered it translated into French for dissemination abroad. That made the young author very happy. Compared with Tolstoy's later novels, The Sebastopol Sketches hasn't aged well, possibly because this is not a heartfelt book. As the twenty-six-year-old Tolstoy's Sevastopol diaries reveal, not heartache but ambition drove him at the time. Making a name as an author was just an alternative to two other grand plans - founding a new religion and creating a mathematical model for winning in cards (his losses during the siege were massive even for a rich person). ~ Constantine Pleshakov

He looked along the line of children, exhibits A to C of his existence and heirs to the twisted throne of his corrupt genetics. ~ David Louden

Emma's mid-twenties had brought a second adolescence even more self-absorbed and doom-laden than the first one. 'Why don't you just come home, sweetheart?' her mum had said on the phone last night, using her quavering, concerned voice, as if her daughter had been abducted. 'Your room's still here. There's jobs at Debenhams' - and for the first time she had been tempted.
Once, she thought she could conquer London. She had imagined a whirl of literary salons, political engagement, larky parties, bittersweet romances conducted on Thames embankments. She had intended to form a band, make short films, write novels, but two years on slim volume of verse was no fatter, and nothing really good had happened to her since she'd been baton-charged at Poll Tax Riots. ~ David Nicholls

Poetry is the most subtle of the literary arts, and students grow more ingenious by the year at avoiding it. If they can nip around Milton, duck under Blake and collapse gratefully into the arms of Jane Austen, a lot of them will. ~ Terry Eagleton

Everything makes so much more sense, when you forget what life forces you to remember. ~ Constantina Maud

There is an all powerful force or energy that creates all and draws all back into it. This is God. It is beyond intelligence, beyond analysis. ~ Frederick Lenz

Nature to all things fixed the limits fit
And wisely curbed proud man's pretending wit.
As on the land while here the ocean gains.
In other parts it leaves wide sandy plains
Thus in the soul while memory prevails,
The solid power of understanding fails
Where beams of warm imagination play,
The memory's soft figures melt away
One science only will one genius fit,
So vast is art, so narrow human wit
Not only bounded to peculiar arts,
But oft in those confined to single parts
Like kings, we lose the conquests gained before,
By vain ambition still to make them more
Each might his several province well command,
Would all but stoop to what they understand. ~ Alexander Pope

She said, "Your approach is wrong. You're writing an essay rather than creating a literary figure. What a literary character does in ten minutes might be a reflection of ten years' experience. You can't be limited to the plot of a novel - you've got to imagine her entire life, and what actually gets put into words is just the tip of the iceberg." So ~ Liu Cixin

The core of the person is what he or she loves, and that is bound up with what they worship - that insight recalibrates the radar for cultural analysis. The rituals and practices that form our loves spill out well beyond the sanctuary. Many secular liturgies are trying to get us to love some other kingdom and some other gods. ~ Dallas Willard

Sometimes you can't wait for the rest of your life to come to you. You have to go to it. Or at least meet it half way. ~ Gerry Pirani

Language is the thing that exceeds us all, being not merely conduit or message, but a placeless frieze of timeless resonance, a maze of etymology in which its ancient users and misusers whisper to us with dead glottises. ~ Paul West

The question of manuscript changes is very important for literary criticism, the psychology of creation and other aspects of the study of literature. ~ Umberto Eco

Nathaniel Philbrick's 'In the Heart of the Sea' has rightfully taken its place as a classic for its literary merits. It has a special place in the cannibalism canon as well. ~ Mitchell Zuckoff

Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads, - a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne. ~ Henry James

NO reader has ANY obligation to an author, whether it be to leave a review or to write a "constructive" one. I put out a product. You are consumers of that product. Since when does that mean you have to kiss my ass? Hey, I like Pop-Tarts and eat them a few times a year; since when does that mean I'm obligated to support Kellogg's in any way except legally purchasing the Pop-Tarts before I eat them? I wasn't aware that purchasing and consuming a product meant I was under some sort of fucking thrall in which I'm only allowed to either praise the Pop-Tart (which to be honest isn't hard, especially the S'mores flavor) or, if I am going to criticize a flavor, offer a specific and detailed analysis as to why, phrased in as inoffensive and gentle a manner as possible so as not to upset the gentle people at Kellogg's."
[Something in the Water? (blog post; January 9, 2012)] ~ Stacia Kane

To eliminate the discrepancy between men's plans and the results achieved, a new approach is necessary. Morphological thinking suggests that this new approach cannot be realized through increased teaching of specialized knowledge. This morphological analysis suggests that the essential fact has been overlooked that every human is potentially a genius. Education and dissemination of knowledge must assume a form which allows each student to absorb whatever develops his own genius, lest he become frustrated. The same outlook applies to the genius of the peoples as a whole. ~ Fritz Zwicky

The Marxist analysis has got nothing to do with what happened in Stalin's Russia: it's like blaming Jesus Christ for the Inquisition in Spain. ~ Tony Benn

Critical feedback shared in good faith is inherently a constructive dialogue. A "critique," a term that is both a noun and a verb, represents the systematical application of critical thought, a disciplined method of analysis, expressing of opinions, and rendering judgments. ~ Kilroy J. Oldster

In other words, my literary agenda begins by acknowledging that America has transformed me. It does not end until I show how I (and the hundreds of thousands like me) have transformed America. ~ Bharati Mukherjee

This was, he told the King, a femfatalatron, an erotifying device stochastic, elastic and orgiastic, and with plenty of feedback; whoever was placed inside the apparatus instantaneously experienced all the charms, lures, wiles, winks and witchery of all the fairer sex in the Universe at once. The femfatalatron operated on a power of forty megamors, with a maximum attainable efficiency - given a constant concupiscence coefficient - of ninety-six percent, while the system's libidinous lubricity, measured of course in kilocupids, produced up to six units for every remote-control caress. This marvelous mechanism, moreover, was equipped with reversible ardor dampers, omnidirectional consummation amplifiers, absorption philters, paphian peripherals, and "first-sight" flip-flop circuits, since Trurl held here to the position of Dr. Yentzicus, creator of the famous oculo-oscular feel theory.
There were also all sorts of auxiliary components, like a high-frequency titillizer, an alternating tantalator, plus an entire set of lecherons and debaucheraries; on the outside, in a special glass case, were enormous dials, on which one could carefully follow the course of the whole decaptivation process. Statistical analysis revealed that the femfatalatron gave positive, permanent results in ninety-eight cases of unrequited amatorial superfixation out of a hundred. ~ Stanisław Lem

The literary publishers were the Lords of Culture, the master parasites sitting on top of this swarming dunghill. ~ Jonathan Galassi

So poets keep on trying, and sooner or later the consecutive results of their self-dissatisfaction are clipped together with a giant paperclip by literary historians and called their oeuvres. ~ Wislawa Szymborska

A usable design starts with careful observations of how the tasks being supported are actually performed, followed by a design process that results in a good fit to the actual ways the tasks get performed. The technical name for this method is task analysis. The name for the entire process is human-centered design (HCD), discussed ~ Donald A. Norman

The text contains no literary criticism. I wanted to describe books, not to be clever at their expense. ~ Kenneth McLeish

In the final analysis, terror is also another proof of the fact that the superpower is not really a superpower. It was vulnerable. ~ Ulrich Beck

Suddenly, literature, politics, and analysis came together, and I began to think more inclusively about the emotional imprisonment of mind and spirit to which all human beings are heir. In the course of analytic time, it became apparent that -- with or without the burden of social justice -- the effort required to attain any semblance of inner freedom was extraordinary.

Great literature, I then realized, is a record not of the achievement, but of the effort. ~ Vivian Gornick

Critics in New York are made by their dislikes, not by their enthusiasms. ~ Irwin Shaw

To literary critics a book is assumed to be guilty until it proves itself innocent. ~ Nelson Algren

If literary terms were about artistic merit and not the rules of convenience, about achievement and not safety, the term 'realism' would be an honorary one, conferred only on work that actually builds unsentimental reality on the page, that matches the complexity of life with an equally rich arrangement in language. ~ Charles J. Shields

Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties. ~ Harold Bloom

In matters of religion a skeptical mind is not a higher manifestation of virtue than is a believing heart, and analytical deconstruction in the field of, say, literary fiction can be just plain old-fashioned destruction when transferred to families yearning for faith at home. ~ Jeffrey R. Holland

Theories about world literature, of which fairy tale is a fundamental part, emphasize the porousness of borders, geographical and inguistic: no frontiercan keep a good story from roaming. It will travel, and travel far, and travel back again in a different guise, a changed mood, and, above all, a new meaning. ~ Marina Warner

Appalling things can happen to children. And even a happy childhood is filled with sadnesses. Is there any other period in your life when you hate your best friend on Monday and love them again on Tuesday? But at eight, 10, 12, you don't realise you're going to die. There is always the possibility of escape. There is always somewhere else and far away, a fact I had never really appreciated until I read Gitta Sereny's profoundly unsettling Cries Unheard about child-killer Mary Bell.
At 20, 25, 30, we begin to realise that the possibilities of escape are getting fewer. We begin to picture a time when there will no longer be somewhere else and far away. We have jobs, children, partners, debts, responsibilities. And if many of these things enrich our lives immeasurably, those shrinking limits are something we all have to come to terms with.
This, I think, is the part of us to which literary fiction speaks. ~ Mark Haddon

I was a businessman for 16 years of my life, so when I started writing, I wanted to keep my literary identity separate. ~ Ashwin Sanghi

Some very eminent critics writing in the decades immediately after the novel's publication felt that Eliot failed to maintain sufficient critical distance in her depiction of Ladislaw
that she fell in love with her own creation in a way that shows a lack of artistic control and is even unseemly, like a hoary movie director whose lens lingers too long on the young flesh of a favored actress. Lord David Cecil calls Ladislaw 'a schoolgirl's dream, and a vulgar one at that,' while Leslie Stephen complained 'Ladislaw is almost obtrusively a favorite with his creator,' and depreciated him as 'an amiable Bohemian. ~ Rebecca Mead

Writers who teach tend to prefer literary theory to literature and tenure to all else. Writers who do not teach prefer the contemplation of Careers to art of any kind. ~ Gore Vidal

The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this:

'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!'

Those were the days.

(introduction to "The Weird Woman") ~ Hugh Lamb

A writer's voice emanates from their interest and compulsions that absorbs them completely. Only by fully committing himself or herself to a pet subject or issue can the writer develop a thematic tone that speaks to other people with authority and serenity. The quality of their literary voice is the crucial part of the writer's legitimacy, and their authenticity cannot come from mimicking other writers' style, but must evolve naturally from their inner sanctity and must flow effusively from an inner necessity. ~ Kilroy J. Oldster

Henry's recollections of the past, in contrast to Proust, are done while in movement. He may remember his first wife while making love to a whore, or he may remember his very first love while walking the streets, traveling to see a friend; and life does not stop while he remembers. Analysis in movement. No static vivisection. Henry's daily and continuous flow of life, his sexual activity, his talks with everyone, his cafe life, his conversations with people in the street, which I once considered an interruption to writing, I now believe to be a quality which distinguishes him from other writers. He never writes in cold blood: he is always writing in white heat.
It is what I do with the journal, carrying it everywhere, writing on cafe tables while waiting for a friend, on the train, on the bus, in waiting rooms at the station, while my hair is washed, at the Sorbonne when the lectures get tedious, on journeys, trips, almost while people are talking.
It is while cooking, gardening, walking, or love-making that I remember my childhood, and not while reading Freud's 'Preface to a Little Girl's Journal. ~ Anais Nin

A statement that is repugnant to one's beliefs can be as true as one that is pleasurable. ~ Taylor Caldwell

Like Dvoretsky, I think that (all other things being equal), the analytical method of studying chess must give you a colossal advantage over the chess pragmatist, and that there can be no certainty in chess without analysis. I personally acquired these views from my sessions with Mikhail Botvinnik, and they laid the foundations of my chess-playing life. ~ Garry Kasparov

I don't mean that literary fiction is better than genre fiction, On the contrary; novels can perform two functions and most perform only one. ~ Mark Haddon

Even after making up one's mind to the sacrifices I
had decided upon, there is always left a trace of envy
for those who have triumphed in the melancholy
struggle for literary supremacy ~ Paul Bourget

When teachers participate in a literary experience with a professionally presented children's play, they are offering their students a text quite different from anything that they will experience within their classrooms. Within this literary experience, teachers join as equals with their students, and each, as audience members within the darkened space of the performance, create their own poems to hold within themselves or share with others. ~ James Hugh Comey