Knowing The Real Character Quotes

If you want to know the real character of man, intentionally and timely give him the test of 3d's; delay, denial and disappointment ~ Ernest Agyemang Yeboah

The difference between House M.D series and me is that I am real, he is just a character build by someone. BUT...?! ~ Deyth Banger

What does it say about a president's policies when he has to use a cartoon character rather than real people to justify his record? What does it say about the fiction of old liberalism to insist that good jobs and good schools and good wages will result from policies that have failed us, time and again? ~ Mitt Romney

One of their last days in unbroken country, the wind was blowing in the high Indian grass, and her father said, "There's your gold, Dahlia, the real article." As usual, she threw him a speculative look, knowing by then roughly what an alchemist was, and that none of that shifty crew ever spoke straight - their words always meant something else, sometimes even because the "something else" really was beyond words, maybe in the way departed souls are beyond the world. She watched the invisible force at work among the million stalks tall as a horse and rider, flowing for miles under the autumn suns, greater than breath, than tidal lullabies, the necessary rhythms of a sea hidden far from any who would seek it. They ~ Thomas Pynchon

To fit in with the change of events, words, too, had to change their usual meanings. What used to be described as a thoughtless act of aggression was now regarded as the courage one would expect to find in a party member; to think of the future and wait was merely another way of saying one was a coward; any idea of moderation was just an attempt to disguise one's unmanly character; ability to understand a question from all sides meant that one was totally unfitted for action. Fanatical enthusiasm was the mark of a real man, and to plot against an enemy behind his back was perfectly legitimate self-defence. Anyone who held violent opinions could always be trusted, and anyone who objected to them became a suspect. ~ Thucydides

I like her. She makes life interesting. She, herself, is interesting, I suppose. She talks right from the heart. I appreciate her frankness and I like the fact that she doesn't force the natural flow of a conversation. There's personality in her words. She thus gets to the core of things and that's important because with her - I can talk knowing that the talk is real! Oh believe me, it's amazingly real! And she also gives me the opportunity to listen as fully and completely as possible. And I can't seem to get her out of my head [ ... ] ~ Virginia Woolf

I'd say that any character or setting can be given a bit of an otherworldly sheen and be the better for it. The one thing I insist on with my own writing is that I won't let magic solve my characters' real world problems. The solutions have to come from the characters themselves. ~ Charles De Lint

Reality is hard to see through the adrenaline rush of a new love. It's easy to project your hopes and dreams onto a relationship when it's new and exciting, but the truth is that it is only in knowing who you are at your core and staying true to yourself that you can possibly see the difference between passion and real love. ~ Jennifer Lopez

All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well. ~ Stephenie Meyer

Since I hold no judgments against my characters, no matter how heinous they might seem, I present them as real people with their own moral centers. We might feel those moral centers are mis-calibrated, but they are there and are the rudders that propel them. This makes reading my work a visceral roller coaster, 'cause the reader must embark on the journey of the protagonist equipped only with his or her own moral center. ~ Chris Abani

I haven't been disingenuous in what I've said describing my perception of "truth" and "reality." Certainly, I understand what is generally meant to be the "truth," I understand this notion, but it's not something I trust in, OK?

The only answer that feels true (I said feels, not is) is that yes, the character Minnie is me, but she is not me. She is a projection of some tumult which originates within me, but she is not me. I use elements of myself, including my likeness, for the character, perhaps as Cindy Sherman uses herself in her work, but like Sherman's photographs, the work itself is not any more about the creator than it is about everyone. I won't deny that Minnie does things I have done, and that things happen to her that have happened to me, but she, unlike me, having been created, is who she is and will remain so, unchanged now. I make no attempt to create "documentary." There is a process of dissociation that takes place when I make a story, I make creative decisions in a fugue state that I could hardly describe to you, but the end result is, I hope, a story with some meaning or resonance, something created, with a beginning, a middle and an end, an encapsulation of feeling and impression, but in no way a documentary of anything other than an "emotional truth."

If I told most interviewers that my work is "true" and that it is based on real events that occurred in my life, they would more readily accept this than they do the explanation I try to ~ Phoebe Gloeckner

Conscience, as a mentor, the guide and compass of every act, leads ever to happiness. When the individual can stay alone with his or her conscience and get its approval, without knowing force or specious knowledge, then he or she begins to know what real happiness is. ~ William George Jordan

Alex's experience of real family - of blood relations - was more like having a lot of people who had all wound up on the same mailing list without knowing quite why they signed up for it. ~ James S.A. Corey

Real understanding of any scientific subject must include some knowledge of its historical growth; we cannot comprehend and accept modern concepts and theories without knowing something of their origins - of how we have got where we are. Neglect of this maxim can lead to that unfortunate state of mind which regard the science of the day as finality. ~ Colin Cherry

All obstructions to the execution of the laws, all combinations and associations, under whatever plausible character, with the real design to direct, control, counteract, or awe the regular deliberation and action of the constituted authorities, are destructive of this fundamental principle, and of fatal tendency. They serve to organize faction, to give it an artificial and extraordinary force; to put, in the place of the delegated will of the nation the will of a party, often a small but artful and enterprising minority of the community; and, according to the alternate triumphs of different parties, to make the public administration the mirror of the ill-concerted and incongruous projects of faction, rather than the organ of consistent and wholesome plans digested by common counsels and modified by mutual interests. ~ George Washington

When we reach a certain age we have opportunity to decide how we present ourselves to the world, and that age is getting ever younger. Even our young teenage generation is aware of fashion and we grow acutely more and more aware of how obsessed our society is with imagery and appearance. Or rather we become more aware that to get on in life we need to be brash and bright and sparkling all the time. That bright colours and big noises is what gets your through life, that any substance behind that is almost irrelevant to success. We only need look at who we proclaim as celebrities, who society rewards with wealth, that substance is not a prerequisite to success.




Be bright, make a statement, choose a bold look, dye your hair, pierce your body, paint it with permanent ink, wear outlandish clothes and don't be afraid to say something crude or mean or controversial because that's the person you are.




Or is it?




Is it that when you've done with the all the additions to your body, the person you look at in the mirror is no longer the real you. It is a character, the one you think society wants you to be, that society has convinced you that you want to be, substance optional. One of the most beautiful moments of conversation on and offline I've had with some people is when they surprise me, a comment or opinion with substance and thought, something away fro their character, revealing the real indivi ~ Raven Lockwood

The interesting thing is, when you play a real-life character or someone based in a book, you always come up against people's preconceptions of what they have in their heads. ~ Harry Lloyd

Research seems to indicate that there is a third and better alternative: We can recognize the in love experience for what it was - a temporary emotional high - and now pursue "real love" with our spouse. That kind of love is emotional in nature but not obsessional. It is a love that unites reason and emotion. It involves an act of the will and requires discipline, and it recognizes the need for personal growth. Our most basic emotional need is not to fall in love but to be genuinely loved by another, to know a love that grows out of reason and choice, not instinct. I need to be loved by someone who chooses to love me, who sees in me something worth loving.
That kind of love requires effort and discipline. It is the choice to expend energy in an effort to
benefit the other person, knowing that if his or her life is enriched by your effort, you too will find a sense of satisfaction - the satisfaction of having genuinely loved another ~ Gary Chapman

Before and after the funeral I never ceased to cry and be miserable, but it makes me ashamed when I think back on that sadness of mine, seeing that always in it was an element of self-love - now a desire to show that I prayed more than any one else, now concern about the impression I was producing on others, now an aimless curiosity which caused me to observe Mimi's cap or the faces of those around me. I despised myself for not experiencing sorrow to the exclusion of everything else, and I tried to conceal all other feelings: this made my grief insincere and unnatural. Moreover, I felt a kind of enjoyment in knowing that I was unhappy and I tried to stimulate my sense of unhappiness, and this interest in myself did more than anything else to stifle real sorrow in me. ~ Leo Tolstoy

Real life is so secret that not even I, who am dying of it, have been given the password, I am dying without knowing of what. ~ Clarice Lispector

Listen to the way people talk. If your characters sound real the rest is easy. ~ David Eddings

I live inside my own skin. Anything that happens outside it doesn't change who I am. This isn't something I'm proud of; as far as I'm concerned, it's a bare minimum baseline requirement for calling yourself an adult human being, somewhere around the level of knowing how to do your own washing or change a toilet roll. All those idiots on the websites, begging for other people to pull their sagging puppet-strings, turn them real: they make me want to spit. ~ Tana French

If the actor gave his performance without knowing that he was in a play, then his tears would be real tears and his life a real life. And whenever I think of this pain and joy that rise up in me, I am carried away by the knowledge that the game I am playing is the most serious and exciting there is. ~ Albert Camus

There's also something happening in television similar to what happened in the '80s, when people stopped taking so many drugs and wanted to hear real instruments in music again. I think people want plot, story and characters. Those are more important than having a big star. ~ Jessica Pare

The Illusionist is the storyteller in so many ways. Symbols become his obsession. It's not simply about creating plot - one must also grapple with theme. Nowadays we have a lot of characters and a lot of action but it's hard to sit still and really meditate on meaning, worldviews, concepts, ideologies even. I make my Illusionist do what I've had to do, often with copious amounts of stumbling and frustration. His real humanity comes from being an artist, I think - his creativity is what makes him a man. ~ Porochista Khakpour

No fiction can have real interest if the central character is not an agent struggling for his or her own goals but a victim, subject to the will of others. (Failure to recognize that the central character must act, not simply be acted upon, is the single most common mistake in the fiction of beginners.) ~ John Gardner

I think there really is no other way to write a long, serious
novel. You work, shelve it for a while, work, shelve it again,
work some more, month after month, year after year, and then
one day you read the whole piece through and, so far as you
can see, there are no mistakes. (The minute it's published and
you read the printed book you see a thousand.) This tortuous
process is not necessary, I suspect, for the writing of a popular
novel in which the characters are not meant to have depth and complexity, where character A is consistently stingy and character
B is consistently openhearted and nobody is a mass of
contradictions, as are real human beings. But for a true novel
there is generally no substitute for slow, slow baking.
We've all heard the stories of Tolstoy's pains over Anna Karenina,
Jane Austen's over Emma, or even Dostoevsky's over Crime and Punishment, a novel he grieved at having to publish prematurely,though he had worked at it much longer than most popular-fiction writers work at their novels. ~ John Gardner

I'm not a glamour boy, and I never get the girl. I like to play old people, because there's something to them. Did you ever see anybody under 30 with any real character or expression in his face? ~ Walter Brennan

Monsters were real. They wore human flesh and looked out from behind the eyes of seemingly benign people. You passed them on the street every day, never knowing they'd marked you as prey until it was too late. ~ Liana LeFey

Telling the truth ... is not solely a matter of moral character; it is also a matter of correct appreciation of real situations and of serious reflection upon them. ~ Dietrich Bonhoeffer

We need both reverence and obedience. If we worship but do not walk in obedience and discipline, we are emotional, lacking self-control and godly character. If we obey God's commandments but are not true worshipers, we become religious and judgmental. As the Pharisees in Jesus' day, we may miss the real meaning and purpose, even God Himself. ~ Amy Layne Litzelman

You know, of course, that as prophesied by Moroni, there are those whose research relating to Joseph Smith is not for the purpose of gaining added light and knowledge but to undermine his character, magnify his flaws, and if possible destroy his influence. Their work product can sometimes be jarring, and so can issues raised at times by honest historians and researchers with no "axe to grind." But I would offer you this advice in your own study: Be patient, don't be superficial, and don't ignore the Spirit.

In counseling patience, I simply mean that while some answers come quickly or with little effort, others are simply not available for the moment because information or evidence is lacking. Don't suppose, however, that a lack of evidence about something today means that evidence doesn't exist or that it will not be forthcoming in the future. The absence of evidence is not proof. . . .

When I say don't be superficial, I mean don't form conclusions based on unexamined assertions or incomplete research, and don't be influenced by insincere seekers. I would offer you the advice of our Assistant Church Historian, Rick Turley, an intellectually gifted researcher and author whose recent works include the definitive history of the Mountain Meadows Massacre. He says simply, "Don't study Church history too little." While some honestly pursue truth and real understanding, others are intent on finding or creating doubts. Their interpretations may come from project ~ D. Todd Christofferson

Towards the preservation of your government, and the permanency of your present happy state, it is requisite, not only that you steadily discountenance irregular oppositions to its acknowledged authority, but also that you resist with care the spirit of innovation upon its principles, however specious the pretexts. One method of assault may be to effect, in the forms of the Constitution, alterations which will impair the energy of the system, and thus to undermine what cannot be directly overthrown. In all the changes to which you may be invited, remember that time and habit are at least as necessary to fix the true character of governments as of other human institutions; that experience is the surest standard by which to test the real tendency of the existing constitution of a country; that facility in changes, upon the credit of mere hypothesis and opinion, exposes to perpetual change, from the endless variety of hypothesis and opinion; and remember, especially, that for the efficient management of your common interests, in a country so extensive as ours, a government of as much vigor as is consistent with the perfect security of liberty is indispensable. ~ George Washington

Deception is the natural defence of the weak against the strong, and the South used it for many years against its conquerors; to-day it must be prepared to see its black proletariat turn that same two-edged weapon against itself. And how natural this is! The death of Denmark Vesey and Nat Turner proved long since to the Negro the present hopelessness of physical defence. Political defence is becoming less and less available, and economic defence is still only partially effective. But there is a patent defence at hand, - the defence of deception and flattery, of cajoling and lying. It is the same defence which peasants of the Middle Age used and which left its stamp on their character for centuries. To-day the young Negro of the South who would succeed cannot be frank and outspoken, honest and self-assertive, but rather he is daily tempted to be silent and wary, politic and sly; he must flatter and be pleasant, endure petty insults with a smile, shut his eyes to wrong; in too many cases he sees positive personal advantage in deception and lying. His real thoughts, his real aspirations, must be guarded in whispers; he must not criticise, he must not complain. Patience, humility, and adroitness must, in these growing black youth, replace impulse, manliness, and courage. With this sacrifice there is an economic opening, and perhaps peace and some prosperity. Without this there is riot, migration, or crime. Nor is this situation peculiar to the Southern United States, is it not ra ~ W.E.B. Du Bois

I suspect that for a good deal of the time you live in a sort of glass case, not knowing real enthusiasm or genuine emotion; or feeling them perhaps at second hand, feeling them sometimes because you think you ought to, not because you really do. ~ Winston Graham

My objective is that I don't try to do the same thing. I try not to emulate something I've done before. And, I'm a real people watcher, so I like trying to play characters that are as diverse from each other as possible, simply because it's more fun for me, actually. ~ Emily Blunt

I love to share my problems with friends. They think I'm revealing my personal life, but I'm actually revealing theirs. What a person does with what you give reveals the real character of such person, and you can envision and predict a whole set of interactions through their life and based on such reactions. You can even predict a long their marriage will last, or what they will do when you need them. ~ Robin Sacredfire

I enjoyed playing this kind of character, the smiling girl who remembered things. Bobbi told me she thought I didn't have a 'real personality', but she said she meant it as a compliment. Mostly I agreed with her assessment. At any time I felt I could do or say anything at all, and only afterwards think: oh, so that's the kind of person I am. ~ Sally Rooney

They'd been sitting on the couch for a few hours trying to find something to watch. Cop and military type shows were out - too much like real life. The Walking Dead marathon was out, because people you liked always died on that show - too much like what they feared life might become. Ike had suggested the World Series of Poker, but Jess thought watching people play cards was boring. She'd suggested a dancing reality show, but Ike put the kibosh on that idea with a single look. Ike's desire to put off sleeping alone again had him finally agreeing to a house hunting show Jess liked where the couple saw three houses and had to decide which to buy. Ike's conclusion: people were idiots sometimes. "Should've picked the older house. More character," he said. "Right?" Jess said, smiling. "You can fix up an older house, but it's harder to give a newer house that kind of character." "I knew I liked you for a reason," he said, giving her a wink. "Because I'm awesome." She turned toward him on the couch and propped her elbow on the back of the couch. ~ Laura Kaye