Keep Trying Until You Make It Quotes

Stay up... 'till you come up... when you come up stay up! ~ Johnnie Dent Jr.

Was it a convent you escaped from, Miss Turner?" He turned the boat with a deft pull on one oar.
"Escaped?" Her heart knocked against her hidden purse. "I'm a governess, I told you. I'm not running away, from a convent or anywhere else. Why would you ask that?"
He chuckled. "Because you're staring at me as though you've never seen a man before."
Sophia's cheeks burned. She was staring. Worse, now she found herself powerless to turn away. What with the murky shadows of the tavern and the confusion of the quay, not to mention her own discomposure, she hadn't taken a good, clear look at his eyes until this moment.
They defied her mental palette utterly.
The pupils were ringed with a thin line of blue. Darker than Prussian, yet lighter than indigo. Perhaps matching that dearest of pigments-the one even her father's generous allowance did not permit-ultramarine. Yet within that blue circumference shifted a changing sea of color-green one moment, gray the next…in the shadow of a half-blink, hinting at blue.
He laughed again, and flinty sparks of amusement lit them.
Yes, she was still staring.
Forcing her gaze to the side, she saw their rowboat nearing the scraped hull of a ship. She cleared her throat and tasted brine. "Forgive me, Mr. Grayson. I'm only trying to make you out. I understood you to be the ship's captain."
"Well," he said, grasping a rope thrown down to him and securing it to the boat, "now you know I'm not."
"Might I ~ Tessa Dare

What are you two doing?" Her uncle's teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he'd actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet's tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. "Nothing your parents wouldn't approve of, I hope," he added.
Violet flashed Jay a wicked grin. "We were just making out, so if you could make this quick, we'd really appreciate it."
Jay jumped up from beside her. "She's kidding," he blurted out. "We weren't doing anything."
Her uncle Stephen stopped where he was and eyed them both carefully. Violet could've sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged.
Finally he raised his eyebrows, every bit the suspicious police officer. "Your parents asked me to stop by and check on you on my way home. They won't be back until late. Can I trust the two of you here . . . alone?"
"Of course you can - " Jay started to say.
"Probably not - " Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay's face, and she laughed. "Relax, Uncle Stephen, we're fine. We ~ Kimberly Derting

For a long time I didn't have a defined Dana doctrine to describe this approach; it was more a ball of string. Then one morning at a hotel I came back to my room for bed after a speaking event, and the hotel staff had placed a Zen card with a Buddhist saying on my pillow (this will make Gutfeld roll his eyes). It read, "Say little. But when you speak, utter gentle words that touch the heart. Be truthful. Express kindness. Abstain from vanity. This is the way." I had an "Aha!" moment when I read those words, because it captured how I was trying to live my life most productively and happily. I carried the card with me for months until I tacked it in my medicine cabinet, and I still see it every morning and night when I brush my teeth. The card is a little worn, but its message never gets old. In the morning it helps set my intention for the day, and at night it reminds me to forgive myself if I haven't lived up to it (usually because I've let Bob Beckel push my buttons). ~ Dana Perino

The woods played on our imaginations the most after dark, in our dorms as we were trying to fall asleep. You almost thought then you could hear the wind rustling the branches, and talking about it seemed only to make things worse. I remember one night, when we were furious with Marge K.
she'd done something really embarrassing to us during the day
we chose to punish her by hauling her out of bed, holding her face against the window pane and ordering her to look up at the woods. At first she kept her eyes screwed shut, but we twisted her arms and forced open her eyelids until she saw the distant outline against the moonlit sky, and that was enough to ensure for her a sobbing night of terror. ~ Kazuo Ishiguro

Machines never made mankind happy and never will make. He who is trying to make us believe this will claim that happiness is in the machine; but it is always in the mind. That man alone who is the lord of his mind can become happy, and none else. And what, after all, is this power of machinery? Why should a man who can send a current of electricity through a wire be called a very great man and a very intelligent man? Does not nature do a million times more than that every moment? Why not then fall down and worship nature? What avails it if you have power over the whole of the world, if you have mastered every atom in the universe? That will not make you happy unless you have the power of happiness in yourself, until you have conquered yourself. ~ Swami Vivekananda

I hit you. Won't that make you go away? What else can I do?" he snarled. He'd fallen back on his old standby, anger.
"I'm not going away, Cole, so maybe we can cut out the assaults in the future. You don't want me to go away. I know that. You love me, Cole. That's the feeling that makes you so angry." She'd sighed and looked at the ceiling. "You don't know what to do with it, because the people you've loved in the past caused you pain. That's what you think love is. Pain."
She'd looked at his face until he met her eyes. They were still green.
"But, Cole, I love you. Have I hurt you? Ever?"
Cole had to shake his head. She hadn't. Not once.
"I'm showing you what to do with love, Cole." She stood and held out her arms.
A hug. A simple hug he didn't have to earn by throwing a chair. Human contact that wasn't required because he was trying to hurt someone. She still trusted him. She still saw something in him. ~ Debra Anastasia

If you sense a deep human need, then you go back to all the basic science. If there is some missing, then you try to do more basic science and applied science until you get it. So you make the system to fulfill that need, rather than starting the other way around, where you have something and wonder what to do with it. ~ Edwin Land

There's some instinctive attraction that draws you, as a writer, to your subject. And the attraction usually has to do with some primal personal thing that, of course, you have no idea about. In the end, the piece always comes down to the one or two sentences you struggle over. The sentences where you try to say explicitly what it is that the two of you, subject and writer, have in common. Those are the sentences that you just bang your head against the wall over until you get them right. It's very hard to make that distillation but that is actually what your job is. Without trying to pin the person like a butterfly to the wall, to sum it up. If I can do that, then I feel satisfied. To give the subject a reality in the form of a sentence that is like a piece of rock crystal or a prism. ~ Judith Thurman

It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances."
Ian snickered. "Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that's how small it was. Ever since he fell asleep he's been trying to make us believe that contributed."
"It wasn't little. I have a scar. A knife fight." Sam was righteous about it.
"He barely nicked you," Ian sneered. "A tiny little slice that looked like a paper cut."
Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. "I bled profusely. I was weak and we hadn't slept in days."
"Profusely?" Ian echoed. "Ha! Two drops of blood is not profuse bleeding, Knight. We hadn't slept in days, that much is true, but the rest . . ." He trailed off, shaking his head and rolling his eyes at Azami.
Azami examined the barely there scar. The knife hadn't inflicted much damage, and Sam knew she'd seen evidence of much worse wounds. "Had you been drinking?" she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself.
Sam groaned. "Don't listen to him. I wasn't drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . ."
"Oh, no." Ian burst out laughing. "You're n ~ Christine Feehan

They are always the problem. There is no evil in this world you cannot blame on them. The world will never be right as long as they exist. Whereas we are right, we are always right. We desire to make the world a better place whereas they either consciously desire to make it worse or else are willing to make it so through wrong ideas. There is only one way to make the world we are trying to create, and that is to get rid of them, get rid of every last one of them. And the only way to do that is to stop creating them. Because there is no "they" until we choose to see someone as such. When we choose to see the humanity in everyone, then there is no more they, there is only us. ~ James Rozoff

Do you remember that I said I have something to show you?"
Back when they were entering the house. Before she'd seen Hugh. Before their argument. "Yes?"
He pushed open the door to her bedroom. "Look."
She went inside and saw Valente sitting on the floor in front of her fireplace with a basket. He had a silly grin on his face.
She glanced over her shoulder to Raphael. "What-?"
Her husband tilted his chin toward Valente and the basket. "Go and see."
At the same time she heard an animal whimper.
Her lips parted and she picked up her skirts to hurry to the basket. It was lined with a soft blanket and inside was the sweetest little blond puppy, looking very sorry for itself.
Iris stared, torn. Did Raphael think a 'puppy' would be an adequate substitution for him?
The moment the puppy saw her it began whimpering and yipping, trying to climb from its wicker prison, but its legs were too short to make the attempt and it ended by falling backward, revealing that it was female.
It was hardly the puppy's fault that she was angry with Raphael.
"Oh," Iris breathed, sinking to her knees on the carpet opposite Valente. "She's perfect."
Somehow the words made tears start in her eyes again.
She picked up the puppy, which wriggled in Iris's hands until she held the small animal against her chest. The puppy promptly began licking Iris's chin with a tiny pink tongue.
Iris looked up at Raphael through her tears. "What is her ~ Elizabeth Hoyt

She'd heard my theory on funnel cake and celery stalker men before. Most men were either like funnel cake: delicious and interesting, but who at the end of the day just aren't good for the heart or complexion. Or they were celery: a sensible, healthy choice that didn't really bring much to the table but an occasional crunch. If you OD on celery, you end up bingeing on cake behind closed doors.

Funnel cake, while warm and delicious, is difficult to make. But you go there because you long for it like the double-twist stomach-dropping roller coaster as soon as you arrive at the amusement park. Wet ribbons of batter crackle and pop until golden and crisp, yielding in the center. The steamy swirls of tender yellow dough absorb confectioners' sugar like pores. When the luxurious fat melts on your tongue, you exhale. You've got sticky batter, dribbling down spouts, leaving rings on your clean countertops, splattering oil growing darker and beginning to smoke. Layers of paper towels and oil-draining weapons clutter your space. With funnel cake, you've got steps to follow. Procedures. Rules.

No one makes rules about celery. It's always around for the snacking. You choose it when you're dieting or trying not to consume too many wings over football. Come to think of it, you don't even bother eating it when you diet. Instead it's a conduit for blue cheese. You use it to make stocks and stuffing. It becomes filler, pantry almost. ~ Stephanie Klein

Wearing my scarlet dress and high heels, I walk down the street a proud woman. A woman flawed, but still, a woman who takes chances, a woman who has loved and been loved. To go out on a limb (or twenty -or forty or sixty, for that matter) is what life is about. It's about trying until you get it right. I'm okay with where I'm at right now. I still don't have a job, a loft, a husband, or kids - but I have me. My grandpa is right. I can maybe maybe myself to death or make peace with the past, with any mistakes I might have made, remember the good times and move forward. ~ Karyn Bosnak

I'm gonna give you some unsolicited advice, okay?" Dan peered at me, as though making sure I knew to take his words seriously. "But it's good advice, even though I'm tired as hell, so it might not make much sense."
"Sure. Go for it." Even in my muddled state, I couldn't help but smile at my friend.
"You like that guy, you tell him flat out. You just lay what you want and everything out there. Don't waste time not saying things that need to be said. He'll always be in your mind, wrecking the possibility of things with other people, because your heart can't move on until it knows for sure a door is closed."
I managed a reassuring smile. "Thanks for the ad - "
"But then, if the door opens, make sure it's the right door, not a different door. Because then you'll be in the room, but it's not the right room. And then you're stuck in the room, you've committed to the room, and you'd be an asshole for trying a new door in the same house when you're already in a room. And then your fucking heart won't stop looking for a window. ~ Penny Reid

Translating how that latter fact came to life in the studio, engineer Chuck Zwicky explained from his own observations during the recording of the album that "the way that Prince's music comes together has everything to do with how he views the individual instruments, and for example, when he's sitting down at the drums, he's derivatively thinking about Dave Gerbaldi, the drummer from Tower of Power, and that's a real fascile and funky drummer; and when he plays keyboards, he's thinking about James Brown's horn player, on one aspect; and when he's playing guitar, other elements creep in, because he loves Carlos Santana, and Jimi Hendrix, and this other guitar player named Bill Nelson, a rock guitar player from the 70s. And so these aspects all come together to make this unique sound that is Prince, and it's not rock, it's not funk, it's not jazz, it's not blues - it's just his own kind of music. I remember there was one particular moment when he started playing this keyboard line, and I'm thinking 'He can't play that, that's Gary Newman.' And at that moment, he stops the tape, and turns and looks at me and asks 'Do you like Gary Newman?' And I said 'You know, the album Replica never left my turntable in Jr. High School after my sister bought it for me. I listened to it until it wore out.' And he said 'There are people still trying to figure out what a genius he is. ~ Jake Brown

If a bacterium is trying to infect you, it won't secrete alone, because your immune system will block it. Bacteria will hide until they can all act together and make an impact. ~ Bonnie Bassler

It's like trying to describe a color you've never seen before. Words can't make you understand what real love is like. But until you've felt it ... you haven't really lived. ~ Lisa Kleypas

Visualize the conversations your friends have about how they all knew you'd never be able to make it. Imagine having to explain quitting to every single person who knew you were going to BUD/S. You have to face them. You have to live with many of them. Imagine trying to find a way to overcome the shame of failing. How long is it going to take for them to stop thinking of you as a failure, a quitter, a pussy? How long until anyone takes anything you say seriously again? Visualize being sent to a crappy ship, an undesignated Seaman. Imagine, if you will, a life below deck where you spend 18 hours chipping paint and repainting the spot you chipped. Imagine not seeing the sun for days or weeks at a time. This picture is worse than anything in BUD/S. Experience the shame and humiliation of quitting once in your head. Feel how much you hate yourself for giving up on your dream. Then never, ever, ever experience it in real life. ~ Mark Owens

Of course there must be lots of Magic in the world," he said wisely one day, "but people don't know what it is like or how to make it. Perhaps the beginning is just to say nice things are going to happen until you make them happen. I am going to try and experiment. ~ Frances Hodgson Burnett

Will you just tell me, Brian.I need you to tell me you love me."
"I'm getting to it." He turned back. "I never thought I wanted family.I want to make children with you,Keeley.I want ours. Please don't cry."
"I'm trying not to.Hurry up."
"I can't be rushed at such a time.Sniffle those back or I'll blunder it.That's the way." He moved to her. "I don't want to own horses, but I can make an exception for the gift you gave me today.As a kind of symbol of things. I didn't have faith in him, not pure faith, that he'd run to win.I didn't have faith in you, either.Give me your hand."
She held it out, clasping his. "Tell me."
"I've never said the words to another woman. You'll be my first, and you'll be my last.I loved you from the first instant, in a kind of blinding flash. Over time the love I have for you has strengthened, and deepened until it's like something alive inside me."
"That's everything I needed to hear." She brought his hand to her cheek. "Marry me, Brian."
"Bloody hell.Will you let me do the asking?"
She had to bite her lip to hold off the watery chuckle. "Sorry."
With a laugh, he plucked her off her feet. "Well, what the hell.Sure, I'll marry you."
"Right away."
"Right away." He brushed his lips over her temple. "I love you,Keeley, and since you're birdbrain enough to want to marry a hardheaded Irish horse's ass, I believe it was, I'll go up now and ask your father."
"As my-Brian, really."
"I'll do this p ~ Nora Roberts

The biggest mistake people make when trying to be authentic is just that: they try. They see these role models of what an "authentic" person is supposed to look like or act like, and they try to emulate that.

Authenticity isn't about what things appear to be. It's about allowing things to be what they are. Authenticity is about getting away from hiding, from wearing a mask, from always asking, "How should I act? What should I say? What will people think?" That includes asking, "How should an authentic person act? What would a genuine person say?"

Being authentic isn't about making yourself a certain way. It's not even about finding out what you "really" enjoy as opposed to what other people enjoy, or who you "really" are as opposed to who other people are. Authenticity is allowing your likes, dislikes, personality, appearance, hobbies, and beliefs to be fluid, to change, to evolve as you learn, grow, and experience the world.

At its core, authenticity is the practice of surrendering the tiresome task of keeping up appearances and taking up of the lifetime work of allowing what is already within you to come out while you remove as many internal and external obstacles as possible.

And who knows what will spill out of you if you just allow it to? Who knows what is within you awaiting recognition, awaiting permission to show itself to the world? Even you don't know - until you try. Or, rather, until you stop trying. Until you become cu ~ Vironika Tugaleva

You're right," Jacks said. "You're not part of my world. You're not one of those girls. And maybe that's why."
"Why what?"
"Why I can't stop thinking about you."
Maddy rolled her eyes. "Guys like you don't say that to girls like me."
"I've never said that to anyone, actually," Jacks corrected. "In fact, I've never done anything like this before." He let out a little laugh. "How am I doing?"
He swallowed hard, trying to push down his nervousness. He was astonished to realize he was nervous. Somehow being around Maddy just put him in a different space. Jacks felt so present.
Maddy stared at him, letting the anger and frustration surge through her.
"Why are you doing this to me?" she asked finally.
He paused, considering.
"I'm being honest. I know you may not believe me. But I haven't been able to not think about you. When we were in the back at the restaurant, and . . ." Jacks's voice trailed off, his face coloring. "I still feel terrible about what I did. I lied to you and, even though I had good reasons for it, it was wrong of me."
Maddy studied him. Was he telling the truth?
Jacks smiled. "I mean this in the best possible way: I'm not going to leave you alone until you let me make it up to you. I'm serious. I'll be here every night. You might as well get me some pajamas and a toothbrush."
Despite her best efforts not to, Maddy laughed. She looked at Jacks and could see the faintest twinkle of light ~ Scott Speer

In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake.

When I told my mother about the dream, she was puzzled.

'But what's scary about that? You were never scared of that doll.'

I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying.

My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. ~ Lisa Tuttle

Don't worry," she whispered. "You're going to make it."
"I know." His whisper came so quietly, and sounded so impossibly sad, that Luce wasn't sure she'd heard him right. Until then,she'd thought he was unconscious,but something in her voice seemed to reach him.
His eyelids fluttered. Then, slowly, they opened.
They were violet.
The jug of water fell from her hands.
Daniel.
Her instinct was to crawl in next to him and cover his lips with kisses, to pretend he wasn't as badly wounded as he was.
At the sight of her, Daniel's eyes widened and he started to sit up. But then the blood began to flow from his neck again and his face drained of all its color. Luce had no choice but to restrain him.
"Shhh. She pressed his shoulders back against the stretcher, trying to get him to relax.
He squirmed under her grip. Every time he did, bright new blood bloomed through the bandage.
"Daniel,you have to stop fighting," she begged. "Please stop fighting. For me."
They locked eyes for a long,intense moment=and then the ambulance came to an abrupt stop. The back door swung open. A shocking breath of fresh air flowed in. The streets outside were quiet, but the place had the feel of a big city,even in the middle of the night.
Milan. That was where the soldier had said they were going when he assigned her to this ambulance. They must be at a hospital in Milan. ~ Lauren Kate

I rest my elbows on my knees, watching Paco make a complete fool of himself.
Paco takes a little white golf ball and places it on top of a rubber circle inserted into the fake grass. When he swings the golf club, I wince. The club misses the ball and connects with the fake grass instead. Paco swears. The guy next to Paco takes one look at him and moves to another section.
Paco tries again. This time the club connects, but his ball only rolls along the grass in front of him. He keeps trying, but each time Paco swings, he makes a complete ass out of himself. Does he think he's hitting a hockey puck?
"You done?" I ask once he's gone through half the basket.
"Alex," Paco says, leaning on the golf club like it's a cane. "Do ya think I was meant to play golf?"
Looking Paco straight in the eye, I answer, "No."
"I heard you talkin' to Hector. I don't think you were mean to deal, either."
"Is that why we're here? You're tryin' to make a point?"
"Hear me out," Paco insists. "I've got the keys to the car in my pocket and I'm not goin' nowhere until I finish hittin' all of these bulls, so you might as well listen. I'm not smart like you. I don't have choices in life, but you, you're smart enough to go to college and be a doctor or computer geek or somethin' like that. Just like I wasn't meant to hit golf balls, you weren't meant to deal drugs. Let me do the drop for you."
"No way, man. I appreciate you makin' an ass out of yourself to prove a ~ Simone Elkeles

We'll find him, sir." "No you won't," Childermass said. "Because Peter has done it again." He then flew into a tantrum that lasted more than five minutes. He repeatedly kicked the side of a car. He snatched the machine gun from his bodyguard and shot out two searchlights. Grown men got in each other's ways trying to make themselves scarce. Childermass dropped the machine gun and hit himself in the face with his fist until they were able to subdue him and sit him down and pour whiskey into him. ~ Chet Williamson

Stop. Stop trying to make the illusion of strength. You don't need it. Not here. Not now. Let yourself be sad until the real strength returns. ~ Elise Kova

Listening to sermons was wrong... people ought to refuse to be preached at by these men. Trying to listen to them made her more furious than anything she could think of, more base in submitting... those men's sermons were worse than women's smiles... just as insincere at any rate... and you could get away from the smiles, make it plain you did not agree and that things were not simple and settled... but you could not stop a sermon. It was so unfair. The service might be lovely, if you did not listen to the words; and then the man got up and went on and on from unsound premises until your brain was sick... droning on and on and getting more and more pleased with himself and emphatic... and nothing behind it. ~ Dorothy M. Richardson

He seemed every bit as riled and menacing as the bull had a few minutes ago. But Phoebe wasn't about to let him make his injury worse out of pure male stubbornness.
"Forgive me if I'm being tyrannical," she said in her most soothing tone. "I tend to do that when I'm concerned about someone. It's your decision, naturally. But I wish you would indulge me in this, if only to spare me from worrying over you every step of the way home."
The mulish set of his jaw eased. "I manage other people," he informed her. "People don't manage me."
"I'm not managing you."
"You're trying," he said darkly.
An irrepressible grin spread across her face. "Is it working?"
Slowly Mr. Ravenel's head lifted. He didn't reply, only gave her a strange, long look that spurred her heartbeat until she was light-headed from the force of its pounding. No man had ever stared at her like this. Not even her husband, for whom she'd always been close and attainable, her presence woven securely into the fabric of his days. Since childhood, she'd always been Henry's safe harbor.
But whatever it was this man wanted from her, it wasn't safety.
"You should humor my daughter's wishes, Ravenel," Sebastian advised from behind her. "The last time I tried to refuse her something, she launched into a screaming fit that lasted at least an hour."
The comment broke the trance. "Father," Phoebe protested with a laugh, twisting to glance at him over her shoulder. "I was two years old!"< ~ Lisa Kleypas

Morfyd pulled out the only other chair and sat across from Annwyl. "I have heard much about your brother. It amazes me you still live."
Annwyl began to eat the hearty stew, desperately trying not to think too hard about what kind of meat it contained.
"It amazes me as well. Daily."
"But you saved many people. Released many from his dungeons."
Annwyl shrugged silently as she wondered whether that was gristle she currently chewed on.
"No one else would challenge him. No man would step forward to face him," Morfyd pushed.
"Well, he's my brother. He used to set fire to my hair and throw knives at my head. Facing him in combat was inevitable."
"But you lived under his roof until two years ago. We've all heard the stories about life on Garbhán Isle."
"My brother had other concerns after my father died. He wanted to make sure everyone feared him. He didn't have time to worry about his bastard sister."
"Why didn't he marry you off? He could have forged an alliance with one of the bigger kingdoms." Annwyl briefly thought of Lord Hamish of Madron Province and how close she came to being his bride. The thought chilled her.
"He tried. But the nobles kept changing their minds."
"And did you help them with that?"
She held up her thumb and forefinger, a little bit apart.
"Just a little. ~ G.A. Aiken

Being older, I began to understand the lyrics. At the beginning, it sounds like a guy is trying to get his girlfriend to secretly meet up with him at midnight. But it's an odd place for a tryst, a hanging tree, where a man was hung for murder. The murderer's lover must have had something to do with the killing, or maybe they were just going to punish her anyway, because his corpse called out for her to flee. That's weird obviously, the talking-corpse bit, but it's not until the third verse that "The Hanging Tree" begins to get unnerving. You realize the singer of the song is the dead murderer. He's still in the hanging tree. And even though he told his lover to flee, he keeps asking if she's coming to meet him. The phrase Where I told you to run, so we'd both be free is the most troubling because at first you think he's talking about when he told her to flee, presumably to safety. But then you wonder if he meant for her to run to him. To death. In the final stanza, it's clear that that's what he was waiting for. His lover, with her rope necklace, hanging dead next to him in the tree.

I used to think the murderer was the creepiest guy imaginable. Now, with a couple of trips to the Hunger Games under my belt, I decide not to judge him without knowing more details. Maybe his lover was already sentenced to death and he was trying to make it easier. To let her know he'd be waiting. Or maybe he thought the place he was leaving her was really worse than death. Didn't I wa ~ Suzanne Collins

You ask for too much, Iain," she murmured. "More than I can give."
"Do I?"
Movement against her made her pause, made her stiffen as she felt him press forward, felt his body shift until his back and shoulders were pressing indecently against her belly and his head was turned, the curve of his cheek lying on her lap.
"Can you give me this, Beth? Just one moment to lie here and close my eyes, and feel you beneath me, soft and curved?"
"And what would you find?" she asked, her voice little more than a breathless whisper.
"Solace."
Closing her eyes, she bit hard on her lip, trying not to weaken against that one word. There had been no hesitation when he said it. It was as if he'd known it - what he'd desired all along, a feeling of tranquility. Peace. Rightness.
Her hand hovered over his head, her fingers itching to touch, to run her fingers through his hair, which would be damp with snow. What picture did they make, seated on this bench, a tempest of white swirling around them as he laid his head in her lap? ~ Charlotte Featherstone

Changing Your Opinion
Think back to the low self-esteem statements you identified with, bearing in mind that, no matter how you came by your low opinion of yourself, you can change it. As Eleanor Roosevelt once said, "No one can make you feel inferior without your permission." You own your self-image, and you can feel about yourself whatever you choose to feel. Throughout this book, there are exercises to help you change how you feel about yourself. And in the next chapter, we'll look at some ways to set social goals. For now, try repeating what Mrs. Roosevelt said: "No one can make you feel inferior without your permission." Give yourself credit for seeking help with your social problems. You care about yourself, and that counts for a lot.
Social anxiety and low self-esteem go hand in hand. In fact, many people simplify so-called "shyness" as a self-esteem problem. The reality is, however, that poor self-esteem is a by-product of social anxiety. It is the social anxiety that comes first, not the other way around! Social failures cause anxiety, which causes avoidance, which causes low self-esteem. As a person's confidence dwindles, the fears become greater, until eventually the individual simply stops trying. With fewer and fewer opportunities for social interaction, there are also fewer opportunities to receive positive feedback. This combination of factors perpetuates low self-esteem, which cannot be replaced with a healthy self-image until the avoidant behavior c ~ Jonathan Berent