Jewish Story Telling Quotes

To me God's voice and inspiration is stronger, of greater importance and authority than that of any fairy or any other spirit like creature from above or below earth. My Spirit Tales are stories based on truth and inspired by His writings.
Stories about YHWH and His great wonderful acts are definitely not fairytales but Spirit Tales. ~ Sipporah Joseph

The ruach blows wherever it pleases. You hear its sound, but cannot tell from where it comes or where it goes. God is He, He is Ruach (Spirit) and Ruach is speaking to our ruach (spirit) revealing great mysteries, knowledge, wisdom, understanding and joy. ~ Sipporah Joseph

My daughter had carried within her a story that kept hurting her: Her dad abandoned her. She started telling herself a new story. Her dad had done the best he could. He wasn't capable of giving more. It had nothing to do with her. She could no longer take it personally. ~ Regina Brett

I prefer to think that no writer has got time to be too concerned with style, that he is simply telling this dramatic instance in the most effective way he knows, that the book, the story, creates its own style. ~ William Faulkner

Told you," said Mick. "Things comin' together. We set off lookin' for the Utz kids an' find a tree full o' everybody. That's magic, too."
"It's like a story."
"Same thing. The universe don't like plot. Story is magic's way o' telling the universe to sod off."
"That's good then, right?" said Scott. After this episode with Emily, he was ready for some optimism. "Magic wants us all to live happily ever after."
"Not necessarily," Mick answered. "Magic likes a good tragedy, too. ~ Adam Rex

I choose rather to tell of the island, of myself and Cruso and Friday and what we three did there: for I am a free woman who asserts her freedom by telling her story according to her own desire. ~ J.M. Coetzee

She stared at his nude body in awe. "My God, you look like a Greek god in the moonlight," she whispered.
'Darlin', Greek gods do not have black hair. They're all blonds," he said.
"Darlin,' I'm telling this story and you are a Greek god in it. ~ Carolyn Brown

[A]ll these years, I had been telling myself that my feelings for you were a juvenile infatuation; a dream inspired by my secret hope that somewhere there could be a creature who could love me. ~ Kellyn Roth

Vân Uoc decided that she too would get to know the book inside out. And something miraculous happened when they were about a quarter of the way through reading it. After weeks of ploughing and hesitating, something clicked; she stopped stumbling over the unknown words and long sentences. Words magically started to reveal meaning, most of the time anyway, through context. And the sentences themselves stopped being obstacles and started telling a story. Her eyes were racing ahead; she was comprehending the shape and rhythm of the language. ~ Fiona Wood

Jewish, black, Filipino, whatever the specificity is, it's specificity that makes a good story. And I think people are tired of seeing the same old shtick on network television. It's just a group of white people hanging out talking about their jobs. Who cares? We've seen that. ~ Rachel Bloom

As long as a memory is inaccessible, the mind is unable to change it. But as soon as a story starts being told, particularly if it is told repeatedly, it changes – the act of telling itself changes the tale. The mind cannot help but make meaning out of what it knows, and the meaning we make of our lives changes how and what we remember. ~ Bessel A. Van Der Kolk

There's nothing small or inconsequential about our stories. There is, in fact, nothing bigger. And when we tell the truth about our lives - the broken parts, the secret parts, the beautiful parts - then the gospel comes to life, an actual story about redemption, instead of abstraction and theory and things you learn in Sunday school. ~ Shauna Niequist

The Kingdom of Remain spans all space and memory.

It is the Eternal Kingdom, the Silver Kingdom, an ancient sphere born of our love and our sorrow, our blood and our joy.

The Kingdom of Remain encompasses countless stars and minds. It has served our people for millennia. And we have served it in return.

The Kingdom of Remain is our place. It is our home.

The Kingdom of Remain is our legacy. It is our story.

It is the only tale we have worth telling. ~ Peter Fane

He felt himself go cold as he suddenly realized what a dangerous game he was playing. So this is the difference between telling a story and being in one, he thought numbly, the fear. ~ Patrick Rothfuss

Such threats and promises often succeed in creating stable human hierarchies and mass-cooperation networks, as long as people believe that they reflect the inevitable laws of nature or the divine commands of God, rather than just human whims. All large-scale human cooperation is ultimately based on our belief in imagined orders. These are sets of rules that, despite existing only in our imagination, we believe to be as real and inviolable as gravity. 'If you sacrifice ten bulls to the sky god, the rain will come; if you honour your parents, you will go to heaven; and if you don't believe what I am telling you – you'll go to hell.' As long as all Sapiens living in a particular locality believe in the same stories, they all follow the same rules, making it easy to predict the behaviour of strangers and to organise mass-cooperation networks. Sapiens often use visual marks such as a turban, a beard or a business suit to signal 'you can trust me, I believe in the same story as you'. Our chimpanzee cousins cannot invent and spread such stories, which is why they cannot cooperate in large numbers. ~ Yuval Noah Harari

Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history. ~ Edward Rutherfurd

Story is revealed not in telling, but in listening. ~ Katharine Haake

Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night. ~ Carl Sandburg

Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story. ~ Pedro Almodovar

Some people love their story that much even if it's of their own misery, even if it ties them to unhappiness, or they don't know how to stop telling it. Maybe it's about loving coherence more than comfort, but it might also be about fear - you have to die a little to be reborn, and death comes first, the death of a story, a familiar version of yourself ~ Rebecca Solnit

I love the way folktale and fantasy tap into the roots of story telling. The paradox, for me, is that by moving a story into the fantastic we can actually bring it closer to the reader, not move it further away. It is more than an escape. When we read of the only daughter of a fisherman (or the third son of a woodcutter) in a fairy tale, we are all that character. That's the underlying pulse beat of such tales. Using the fantastic as a prism for the past, if done properly, removes the tale from distancing specificity. It can't just be read as unique to a time and place; it is universalized in interesting, powerful ways. When I wrote Tigana, about the way tyranny tries to erase identity in conquered peoples, the fantasy setting seems to have done exactly that: I'm asked in places ranging from Korea to Poland to Croatia to Quebec, "Were you writing about us?"

I was. All of them. That is the point. The fantastic is a tool in the writer's arsenal, as potentially powerful as any there is, and any tool we have works to the benefit of the reader. ~ Guy Gavriel Kay

A short story is not a portrayal of life. When life becomes disconsolate and the fear for the unknown seeps through the holes on the walls that we thought could protect us, telling a story could greatly help. The tradition of storytelling was oral, once. It's history. The wisdom in this history was the possibility to abide. Stories were medicines to drive away the ghosts of loneliness, boredom and ignorance. ~ Anu Lal

I think the best advice I ever got about acting was from my dad, which was, 'If they don't buy the fish on the first toss, throw it back in the wagon and go to the second house.' Which is like an old Jewish fishmongers' story about how you become a successful fish monger. ~ Lin Shaye

The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills. ~ George Orwell

For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is. ~ Taylor Swift

Everyone is a raconteur without realizing it. We speak to our friends, we speak to our doctors and therapists about the nothing-meaning nonsense that goes on in our lives, but the difference in telling a story and complaining about the ills of one's life is in the delivery. We can talk about how someone slighted you at work, or we can talk about how that person looked when they promptly fell down the stairs a moment after disdaining you. There, you see, is the difference: people will often notice the main but not the nuance; they will notice the face of the person yelling at them and the pitch of their shouts, but will not notice the comfort that the ululations of agony and twisted limbs lying on the bottom stile can promise. ~ Michelle Franklin

As an actor, you tell part of a story. As a writer, you get more of telling that story. But as a director, they're seeing the world through your eyes. ~ Jonah Hill

Middlemarch is a novel that is diminished by being put on the screen. It can't help but be, because so much of what we enjoy in Middlemarch is the interplay between what the characters do and what we know about them because of the telling voice.

It's less of a problem for the cinema when it deals with novels that are purely concerned with action and what people do. I haven't thought this through, and I'm just trying it now to see what it sounds like. But maybe it would be less a problem with novels that are told in the first person. The interesting thing to me about Middlemarch, and Thackeray's Vanity Fair, and several other great novels, is precisely this omniscient, as we call it, third person, which naive readers mistake for the author. It isn't George Eliot who is saying this; it's a voice that George Eliot adopts to tell this story.

There can be something very interesting in a novel like Bleak House, which was also done very well on the television by the same adapter, Andrew Davis. Now, Bleak House is told in two voices, as you remember. One is the somewhat trying Esther Summerson, who is a paradigm of every kind of virtue, and the other is a different sort of voice entirely, a voice that tells the story in the present tense, which was unusual for the time, a voice that doesn't seem to have a main character attached to it.

But I think that Dickens is playing a very subtle game here. I've noticed a couple of things about that second narrat ~ Philip Pullman

Literature is conscious mythology: as society develops, its mythical stories become structural principles of story-telling, its mythical concepts, sun-gods and the like, become habits of metaphoric thought. In a fully mature literary tradition the writerenters intoa structure of traditional stories and images. ~ Northrop Frye

Fiction is about telling a good story, first and foremost. But of course, everything I'm interested in or angry about leaks into my writing, from art to violence against women. ~ Lauren Beukes

Many more people saw me on TV than will ever get to see me on stage, but I do love being in the same room as the people I'm telling the story to. ~ Tyne Daly

I have kind of an intuitive feeling as a composer as to what would be appropriate for those groups and how to feature certain paths in a certain way, whether there was dialogue in a scene, or whether there was no dialogue and music was telling the story at that point. ~ Howard Shore

A girl who is a writer…
A girl who is a writer. She's a woman who lives in her head because the voices of the characters who reside there are ever present demanding their voices be heard.
A girl who is a writer. She's the girl with a cup of coffee and a plate of food that has gotten cold because she couldn't stop telling the story.
A girl who is a writer. She's the one who lives in a coffee stained flannel shirt but you won't mind because it's you who brings her the addiction that fuels her word count.
A girl who is a writer. You'll share her with the world and they will see parts of her naked soul, but you won't mind because it's who she is, not what she does.
A girl who is a writer. She's the one who dips her quill in the blood stains of her pain and splatters it on the world's wall of graffiti filled artists. Her voice will stand out because she is a girl who is a writer.
© Suzanne Steele ~ Suzanne Steele

Footnote 164: "I finally hooked up with Ashley. I went over to her place yesterday morning. Early. She lives in Venice. Her eyebrows look like flakes of sunlight. Her smile, I'm sure, burnt Rome to the ground. And for the life of me I didn't know who she was or where we met... We sat down and I wanted to talk. I wanted to ask her who she was, where we'd met, been before, but she just smiled and held my hand as we lay down on the hammock and started to swing above all those dead leaves... Before I left she told me our story: where we met - Texas - kissed, but never made love and this had confused and haunted her and she had needed it before she got married which was in four months to a man she loved who made a living manufacturing TNT exclusively for a highway construction firm up in Colorado where he frequently went on business trips and where one night, drunk, angry and disappointed he had invited a hooker back to his motel room and so on and who cared and what was I doing here anyway?... I was still hurting, abandoned, drank three glasses of bourbon and fumed on some weed, then came here, thinking of voices, real and imagined, of ghosts, my ghost, of her, at long last, in this idiotic footnote, when she gently pushed me out her door and I said quietly 'Ashley' causing her to stop pushing me and ask 'yes?' her eyes bright with something she saw that I could never see though what she saw was me, and me not caring now at least knowing the truth and telling her the truth: 'I've ~ Mark Z. Danielewski

I've always thought stand-up comedians were the oral storytellers of our time, because they know rhetoric, they know delivery, they know timing, they know all of these things that you can only learn by telling a story out loud and interacting with an audience. ~ Chuck Palahniuk

Their conversations were often charged with an excitement out of proportion to what they talked about... Their words seemed to glimmer in the air between them, dangerous metallic threads that quickly connected both of them to books and ideas, to language itself. The jailer told Teza about the daring subject matter of the famous writer Ju's recent novel, in which a passionate young man falls in love with an older woman, but the story, as he was telling it, became a metaphor for their own deepening and forbidden association....Teza refused to act like a prisoner, which freed Chit Naing from acting like a jailer. ~ Karen Connelly

There is a folk-tale about a shoemaker and his wife who were so poor that they had to send their many children out into the world to make a living. The lads went through many a perilous adventure but came home in the end, unscathed, to help their mother. They had always remembered their mother's advice and wise words; they often quoted them when they were in trouble, and in fact they recognized one another by them in foreign lands.
The countless peoples of the world may be looked upon as so many children sent out into the world. They have gone through many adventures and hardships. They have drifted apart and fallen out with one another, on many occasions. They have failed to realize soon enough that they are brothers.
But now it seems that they are beginning to realize this
at least to the extent that they are able to get acquainted with each other's fundamental natures
through their stories and songs. ~ Gyula Illyes

Frankly, I'm mainly telling the story to myself. Thinking about audience is too daunting, and worst case, invites you to homogenize, to soften the hard edges of things. ~ Anna Quindlen