Jepson Center For The Arts Quotes

Hopefully, you will glimpse something of your own life's journey and with Elemental's Power of Illuminated Love, possibly recognize and celebrate something you had not been able to recognize or celebrate before. ~ Luther E. Vann

It doesn't matter if people are playing jazz or writing poetry
if they want to be successful, they need to learn how to persist and persevere, how to keep on working until the work is done. Woody Allen famously declared that "eighty percent of success is showing up." NOCCA (New Orleans Center for the Creative Arts) teaches kids how to show up again and again. ~ Jonah Lehrer

The vocational approach at NOCCA (New Orleans Center for the Creative Arts) helps build grit in students. It teaches them how to be single-minded in pursuit of a goal, to sacrifice for the sake of a passion. The teachers demand hard work from their kids because they know, from personal experience, that creative success requires nothing less. ~ Jonah Lehrer

Active scholars are uniquely attracted by a high-quality graduate school of arts and sciences. Faculty members consider the teaching and training of new generations of graduate students as their highest calling. They believe that working with graduate students maintains and develops their professional skills more effectively than any other activity. It may be the main reason for the great attraction of academic jobs. Laboratory scientists have told me that the opportunity to work with graduate students keeps them in the university. For them, other options would center on research in commercial laboratories, but there the principal investigator would be assisted by technicians, and that is considered a far less creative interaction. ~ Henry Rosovsky

The [engineer] should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory. ~ Marcus Vitruvius Pollio

In 7.81 square miles of vaunted black community, the 850 square feet of Dum Dum Donuts was the only place in the "community" where one could experience the Latin root of the word, where a citizen could revel in common togetherness. So one rainy Sunday afternoon, not long after the tanks and media attention had left, my father ordered his usual. He sat at the table nearest the ATM and said aloud, to no one in particular, "Do you know that the average household net worth for whites is $113,149 per year, Hispanics $6,325, and black folks $5,677?"

"For real?"

"What's your source material, nigger?"

"The Pew Research Center."

Motherfuckers from Harvard to Harlem respect the Pew Research Center, and hearing this, the concerned patrons turned around in their squeaky plastic seats as best they could, given that donut shop swivel chairs swivel only six degrees in either direction. Pops politely asked the manager to dim the lights. I switched on the overhead projector, slid a transparency over the glass, and together we craned our necks toward the ceiling, where a bar graph titled "Income Disparity as Determined by Race" hovered overhead like some dark, damning, statistical cumulonimbus cloud threatening to rain on our collective parades.

"I was wondering what that li'l nigger was doing in a donut shop with a damn overhead projector. ~ Paul Beatty

Thoughtfully or thoughtlessly he had left the keys in the ignition, and I switched on the radio. It was tuned to WQED. A local arts reporter I didn't particularly admire was interviewing old Q. about his life and work and personal demons. I reflected for a moment on the journalistic euphemism that allowed personal demons to writers who were only fucked up. ~ Michael Chabon

We've created a system that demands almost no engagement with our food; we've wrung all the responsibility and sweat equity from the process. It's not that we're getting something for nothing - after all, we do pay for our food, and we suffer the consequences of dining from the industrial trough. But charging a package of center-cut pork chops to your Visa is a hell of a lot different than facing down the source of those chops with a .22 in one hand and a well-honed knife in the other. ~ Ben Hewitt

The Honda Center is a wonderful arena. And it's a great arena, not only for the NHL, but it would be a great arena for an NBA team. ~ Henry Samueli

For the perfect idler, for the passionate observer it becomes an immense source of enjoyment to establish his dwelling in the throng, in the ebb and flow, the bustle, the fleeting and the infinite. To be away from home and yet to feel at home anywhere; to see the world, to be at the very center of the world, and yet to be unseen of the world, such are some of the minor pleasures of those independent, intense and impartial spirits, who do not lend themselves easily to linguistic definitions. The observer is a prince enjoying his incognito wherever he goes. ~ Charles Baudelaire

I didn't go to a normal high school. It was for people in the performing arts. ~ Marla Sokoloff

As a southerner I had been brought up to believe that through conditioning and experience you could accept with some measure of tranquility any of the flaws in the human situation. But death is one flaw that always lands like a fist in the center of the forehead. No matter how many times you see it, or smell its gray rotting odor, or come close to buying it yourself, each time is always like the first. No amount of earlier experience prepares you for it, and after it happens the world is somehow unfairly diminished and bent out of shape. ~ James Lee Burke

Walmart and other big-boxers could become the center of gravity for the conservation of goods, employ people with actual know-how, and develop deeper, longer term, more profitable relationships with their customers. ~ Lisa Gansky

And I am homesick After mine own kind that know, and feel And have some breath for beauty and the arts. ~ Ezra Pound

The next thing you do is center yourself, get to that Effortless Action place, and then you present yourself in the middle of the environment you want to Create a Cause in, from a perfectly centered position. And then you place your Intention on the desired Result. As soon as you do that, "accidents" begin to happen. Jung calls them "synchronicities". Be prepared for those accidents to happen. You know they're going to happen. You don't know when or what they're going to be. Every one is a surprise. But every time an accident occurs in a situation, you pick it up and say Thank you to Mother Nature for creating this accident. And place it on the focus of your Intention. The causation thus begins, and your idea begins to become manifested. You're building a bridge, you're building a house, you're building a relationship with your girl friend or boy friend. You're bombarded with chaos and accidents, but every time something happens that aligns with your intention, thank the universe for it, position it, stroke it, mould it, "kiss it", as Blake would say. And go back to the beginning. I'm drawing a closed loop to fulfil your intention. Correct things to be sure that the results you're getting are what you really want. Get centered again. Be alert for more "accidents". And Mother Nature will produce what you desire. And She'll thank you for it. Mother Nature is a living principle that is dedicated to your well being, but you've got to ask before She can do it. So She's sitting the ~ Dean Brown

And, er, these stories about you..."

"Oh, all true. Most of them. A bit of exaggeration, but mostly true."

"The one about the Citadel in Muntab and the Pash and the fish bone?"

"Oh, yes."

"But how did you get in where half a dozen armed and trained men couldn't even - ?"

"I am a little man and I carry a broom," said Lu-Tze simply. "Everyone has some mess that needs clearing up. What harm is a man with a broom?"

"What? And that was it?"

"Well, the rest was a matter of cookery, really. The Pash was not a good man, but he was a glutton for his fish pie."

"No martial arts?" said Lobsang.

"Oh, always a last resort. History needs shepherds, not butchers."

"Do you know okidoki?"

"Just a lot of bunny-hops."

"Shittake?"

"If I wanted to thrust my hand into hot sand I would go to the seaside."

"Upsidazi?"

"A waste of good bricks."

"No kando?"

"You made that one up. ~ Terry Pratchett

Exposure to the reproductions [of Corbis-owned fine art photographs] is likely to increase rather than diminish reverence for the real art and encourage more people to get out to museums and galleries. ~ Bill Gates

For what is worth: Slazinger claims to have learned from history that most people cannot open their minds to new ideas unless a mind-opening team with a peculiar membership goes to work on them. Otherwise, life will go on exactly as before, no matter how painful, unrealistic, unjust, ludicrous, or downright dumb that life may be.
The team must consist of three sorts of specialists, he says. Otherwise, the revolution, whether in politics or the arts or the sciences or whatever, is sure to fail.
The rarest of these specialists, he says, is an authentic person, capable of having seemingly good ideas not in general circulation. „Such a person, working alone", he says, „is invariably ignored as a lunatic."
The second sort of specialist is a lot easier to find: a highly intelligent citizen in good standing in his or her community, who understands and admires the fresh ideas, and who testifies that the first specialist is far from mad. „A person like that working alone", he says, „can only yearn out loud for changes, but fail to say what their shapes should be".
The third sort of specialist is a person who can explain anything, no matter how complicated, to the satisfaction of most people, no matter how stupid or pig-headed they may be. „He will say almost anything in order to be interesting and exciting," says Slazinger. „Working alone, depending solely on his own shallow ideas, he would be regarded as being as full of shit as a Christmas turkey. ~ Kurt Vonnegut Jr.

Even though you read much Zen literature, you must read each sentence with a fresh mind. You should not say, "I know what Zen is," or "I have attained enlightenment." This is also the real secret of the arts: always be a beginner."
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"When you are sitting in the middle of your own problem, which is more real to you: your problem or you yourself? The awareness that you are here, right now, is the ultimate fact. "
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"Knowing that your life is short, to enjoy it day after day, moment after moment, is the life of "form is form and emptiness is emptiness."
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"You may feel as if you are doing something special, but actually it is only the expression of your true nature; it is the activity which appeases your inmost desire. But as long as you think you are practicing zazen for the sake of something, that is not true practice."
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"The most important thing is to forget all gaining ideas, all dualistic ideas. In other words, just practice zazen in a certain posture. ~ Shunryu Suzuki

What sort of man could you love for a lifetime?" he asked her.
She was silent for a while. He guessed that she was considering her answer.
"A kind man," she said. "When we are young and foolish we do not realize how essential a component of love kindness is. It is perhaps the most important quality. And an honorable man. Always doing the right thing no matter what."
His heart sank-on both account.
"And a strong man," she said. "Strong enough to be vulnerable, to take risks, to be honest even when honesty might expose him to ridicule or rejection. And someone who would put himself at the center of my world even before knowing that I would be willing to do the same for him. A man foolish and brave enough to tell me that he loves me even when I have hidden all signs that I love him in return."
"Eve-" he said.
"He would have to be tall and broad and dark and hook-nosed," she said. "And frowning much of the time, pretending he is tough and impervious to all the finer emotions. And then smiling occasionally to light up my heart and my life."
Good God!
"He would have to be you," she said. "no one else would do. Which is just as well, considering the fact that I am married to you... ~ Mary Balogh

By the close of the nineteenth century her studies with her father were being supplemented by tuition in the classics from Dr Warr of King's College, Kensington, and from Clara Pater, sister of the English essayist and
critic Walter Pater (1839–94). Woolf was very fond of Clara and an exchange between them later became the basis for her short story 'Moments of Being: Slater's Pins Have No Points' (1928). Thoby boarded at Clifton College,
Bristol, Adrian was a dayboy at Westminster School, and Vanessa attended Cope's School of Art. Thoby, and later Adrian, eventually went to Trinity College, Cambridge, and Vanessa undertook training in the visual arts (attending the Slade School of Fine Art for a while). From 1902 Virginia's tuition in classics passed from Clara Pater to the very capable Janet Case, one of the first graduates from Girton College, Cambridge, and a committed feminist. The sisters visited Cambridge a number of times to meet Thoby, whose friends there included Clive Bell 1881–1964), Lytton Strachey (1880– 1932), Leonard Woolf (1880–1969) and Saxon Sydney-Turner. ~ Jane Goldman

Art's power of persuasion resides in the small personal details of one's own story, and if it weren't for my struggle with dyslexia, I doubt I'd ever have become a writer or known how to teach others to write. ~ Philip Schultz

The heart of the engine is the one part that I can't help you find, unfortunately. There is just no way for me to document its location; it's different in every car. I could barely find the heart of my VW-it was too confusing, and there were too many routes. Every time I thought I'd reach the center point I realized I was lost, not where I thought I was, following the wrong sunrise yet again. I wonder: Does the heart move around or something? The geographic arrangement of the engine compartment doesn't make things any easier- some of the mechanical parts are underground, nestled in the hills, and others are hidden behind the hustle and lathe of small mechanical cities. But don't cloudy-day! We'll find the heart eventually- I don't care if we need to tear the engine down to every bolt and moment to do so. ~ Christopher Boucher

There is neither source nor end, for all things are in the Center of Time. As all the stars may be reflected in a round raindrop falling in the night: so too do all the stars reflect the raindrop. There is neither darkness nor death, for all things are, in the Light of the Moment, and their end and their beginning are one. ~ Ursula K. Le Guin

I studied acting for 10 years before I went for an audition. I studied with Lee Strasberg and Actors Studio teachers, and went to the High School of Performing Arts. ~ Ellen Barkin

Behind every footballing tough guy there lurks a mincing aesthete with a love of art for art's sake, football for football's sake. A win without art is somehow less than a victory; less, almost, than a beautiful defeat. In football, the romantic and the pragmatist are ever at war in the same breast. Beauty, it must be understood here, is not Barcelona's aim but their method. And last night they were ready to use this method at every opportunity - quick-fire passing of wit and purpose in the danger areas, seeking always to produce an unlooked-for player in a position of threat. ~ Simon Barnes

To put it simply, we need to keep the arts in education because they instill in students the habits of mind that last a lifetime: critical analysis skills, the ability to deal with ambiguity and to solve problems, perseverance and a drive for excellence. Moreover, the creative skills children develop through the arts carry them toward new ideas, new experiences, and new challenges, not to mention personal satisfaction. This is the intrinsic value of the arts, and it cannot be overestimated. ~ Rod Paige

A culture is not only the language and the arts of a people. It is all their history, all their hopes for the future. ~ Robert Payne

Professional marriage counselors agree that the most productive and mature way to deal with marital anger is to stomp dramatically from the room. You want to make your move before the opponent does, because the first person to stomp from the room receives valuable Argument Points that can be redeemed for exciting merchandise at the Marital Prize Redemption Center. ~ Dave Barry

The greatest gift children can give you is that, for the first time, you're not the center of your own universe. ~ JJ Feild

Academy of Motion Picture Arts and Sciences, fellow members of the motion picture industry and honored guests: This is one of the happiest moments of my life, and I want to thank each one of you who had a part in selecting me for one of their awards, for your kindness. It has made me feel very, very humble; and I shall always hold it as a beacon for anything that I may be able to do in the future. I sincerely hope I shall always be a credit to my race and to the motion picture industry. My heart is too full to tell you just how I feel, and may I say thank you and God bless you. ~ Hattie McDaniel

There are many arts and sciences of which a miner should not be ignorant. First there is Philosophy, that he may discern the origin, cause, and nature of subterranean things; for then he will be able to dig out the veins easily and advantageously, and to obtain more abundant results from his mining. Secondly there is Medicine, that he may be able to look after his diggers and other workman ... Thirdly follows astronomy, that he may know the divisions of the heavens and from them judge the directions of the veins. Fourthly, there is the science of Surveying that he may be able to estimate how deep a shaft should be sunk ... Fifthly, his knowledge of Arithmetical Science should be such that he may calculate the cost to be incurred in the machinery and the working of the mine. Sixthly, his learning must comprise Architecture, that he himself may construct the various machines and timber work required underground ... Next, he must have knowledge of Drawing, that he can draw plans of his machinery. Lastly, there is the Law, especially that dealing with metals, that he may claim his own rights, that he may undertake the duty of giving others his opinion on legal matters, that he may not take another man's property and so make trouble for himself, and that he may fulfil his obligations to others according to the law. ~ Georgius Agricola

The credit for Erté's rediscovery must be given to French writer Jacques Damase, who met the artist when preparing a book on the Parisian music-hall. It was not merely his active presence which astounded Damase, but the fact that neatly stored away were thousands of perfectly preserved drawings representing a life's work. The immediate result was an exhibition at Galerie Motte in 1965, organised with Jacques Perrin, who the following year held another exhibition at his own gallery in Paris. Through the Motte exhibition, Erté was brought to the attention of galleria Milano, which in 1965 included some of his work in a pioneering exhibition of Art Déco. The most prominent event in this sequence was was Erté inclusion in the important exhibition Les Années 25 held at Musée des Arts Décoratifs, Paris, in 1966, which put an historical and artistic seal on Art Déco and the diverse artistic activities of the 'twenties.

It is fair to say, however, that complete international reappraisal only came about after Grosvenor gallery in London became his world agents. Jacques Damase had suggested an exhibition of Erté's work to this London gallery, to which, at that time, I was acting as an art consultant. As a result we were able to prepare his first ever London exhibition in 1967. The remarkable success it achieved was presaged by a smaller exhibition in New York a few months earlier. It had planned to follow the London show with a similar collection in new York, based on work b ~ Charles Spencer