Inefficacy In A Sentence Quotes

The gist of the matter is this: Every impression that comes in from without, be it a sentence which we hear, an object of vision, or an effluvium which assails our nose, no sooner enters our consciousness than it is drafted off in some determinate direction or other, making connection with the other materials already there, and finally producing what we call our reaction. The particular connections it strikes into are determined by our past experiences and the 'associations' of the present sort of impression with them. ~ William James

fact that the meaning of the Chinese elsewhere in the sentence indicates something in the nature of a defile, make me think that Sun Tzu is here speaking of crevasses.] should be left with all possible speed and not approached. 16. While we keep away from such places, we should get the enemy to approach them; while we face them, ~ Sun Tzu

I spend my days kneeling in the muck of language, feeling around for gooey verbs, nouns, and modifiers that I can squash together to make a blob of a sentence that bears some likeness to reason and sense. ~ P. J. O'Rourke

After our clips were seen on YouTube, we gained some fame and were invited to Dubai to kick off a five country tour of the region. This was a big deal because no American-based comedy troupe had ever gone to the Middle East to perform for Middle Eastern people. As a matter of fact, normally whenever Middle Easterners hear the words "American" and "troop" in a sentence, it usually means their country is about to be attacked. So it was important for us to emphasize the word "comedy" when publicizing our Dubai arrival. It was also important for us to spell troupe with a "u". What a difference a vowel makes. ~ Maz Jobrani

I should start with an apology to Rudy Giuliani. I said every sentence Rudy utters has a noun, a verb, and 9/11 in it. I was wrong. He called me to tell me after Pat Robertson's endorsement, there's an Amen in every sentence he says too. ~ Joe Biden

You don't want another Enron? Here's your law: If a company, can't explain, in one sentence, what it does ... it's illegal. ~ Lewis Black

So the particular strengths of the colon are beginning to become clear. A colon is nearly always preceded by a complete sentence, and in its simplest usage it rather theatrically announces what is to come. Like a well-trained magician's assistant, it pauses slightly to give you time to get a bit worried, and then efficiently whisks away the cloth and reveals the trick complete. ~ Lynne Truss

In the good mystery there is nothing wasted, no sentence, no word that is not significant. And even if it is not significant, it has the potential to be so - which amounts to the same thing. The world of the book comes to life, seething with possibilities, with secrets and contradictions. Since everything seen or said, even the slightest, most trivial thing, can bear a connection to the outcome of the story, nothing must be overlooked. Everything becomes essence; the center of the book shifts with each event that propels it forward. The center, then, is everywhere, and no circumference can be drawn until the book has come to its end. ~ Paul Auster

A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it. ~ Matt Fraction

I pressed forward, pushing my body along hers, and wrapped my arms around her waist. Some of the intensity of my anger dissipated and drained away. After a very long, steamy kiss, I broke away, breathing hard.
Rimmel's head collapsed against the wall and she stared up at me with unfocused hazel eyes. The flecks of color in the center were green today. "Romeo," she gasped.
I pulled back enough so I could lift her arm and grasp her fingers. She made a sound of protest when I pushed back the material of the shirt once more and stared down at the dark blotches marring her skin.
"How were you going to explain this to me?" I rumbled.
"I wasn't going to lie, it that's what you're implying," she snapped.
"Ah, baby." I groaned and lifted her wrist to press my lips to the marks. "I'm being a jerk."
"You said it ... " She agreed, letting the rest of her sentence fall away.
I smiled against her skin and then kissed her inner wrist once more. ~ Cambria Hebert

Sophisticated-looking than the girl he used to know. People in hospitals never looked good. And yet, somehow, she did. Dianna was in the middle of saying something to a thin woman with a severe black haircut who was sitting on a chair beside the bed when she looked up and saw him. Breaking off in the middle of her sentence, she sucked in a deep breath, her face flushing beneath his scrutiny. And yet, even as he mentally dissected all the ways she'd changed, all the reasons they were more different than ever, his body was telling him to get over there, to pull her tight against him and kiss her until they were both gasping for air. What ~ Bella Andre

NINA
Your life is beautiful.

TRIGORIN
I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my lit ~ Anton Chekhov

Secondly, love and relationships are complicated. No one could ever get it right in a four-line sentence. ~ Adrian Grenier

As (the Soviet newspaper) Pravda said in 1951,"If ever the spy Allen Dulles should arrive in Heaven through somebody's absent-mindedness, he would begin to blow up the clouds, mine the stars, and slaughter the angels." Allen Dulles cared little for the methods that were used to accomplish the secret projects he funded. Proof of this is clear when you look at his attempts in 1950 to convince John McCloy to intervene in General Alexander von Falkenhausen's trial. Von Falkenhausen had executed hostages in Belgium throughout the war and ordered the deportation of 25,000 Jews to death camps. Von Falkenhausen drew a twelve-year sentence but was freed after three weeks. ~ Carol Rutz

And we're just chatting and then I'm in the middle of a sentence about analogies or something and like a hawk he reaches down and he honks my boob. HONK. A much-too-firm, two- to three-second HONK. And the first thing I thought was Okay, how do I extricate this claw from my boob before it leaves permanent marks? and the second thing I thought was God, I can't wait to tell Takumi and the Colonel. ~ John Green

For example, there is an old grammarian's saw about how a sentence can end in five prepositions. Daddy trudges upstairs to Junior's bedroom to read him a bedtime story. Junior spots the book, scowls, and asks, Daddy, what did you bring that book that I don't want to be read to out of up for? ~ Steven Pinker

I think the rule of thumb should be this: if you preface a sentence about a friend with the phrase, 'I love X, but ... ' more than once in any conversation, you should stop hanging out with them. ~ Sloane Crosley

There's some instinctive attraction that draws you, as a writer, to your subject. And the attraction usually has to do with some primal personal thing that, of course, you have no idea about. In the end, the piece always comes down to the one or two sentences you struggle over. The sentences where you try to say explicitly what it is that the two of you, subject and writer, have in common. Those are the sentences that you just bang your head against the wall over until you get them right. It's very hard to make that distillation but that is actually what your job is. Without trying to pin the person like a butterfly to the wall, to sum it up. If I can do that, then I feel satisfied. To give the subject a reality in the form of a sentence that is like a piece of rock crystal or a prism. ~ Judith Thurman

I want to see all oppressed people throughout the world free. And the only way we can do this is by moving toward a revolutionary society where the needs and wishes of all people can be respected.' With these words the radical philosophy professor Angela Davis paraphrases Isaiah's ancient messianic dream of the lion that will peacefully lie down with the lamb in a completely good world. But what the Biblical prophet perhaps could not know is contained with a clarity that leaves nothing to be desired in the opening sentence of an address of the French Senate to Napoleon I: Sire, the desire for perfection is one of the worst maladies that can affect the human mind. ~ Paul Watzlawick

But I can understand now why people read, why they like to get lost in somebody else's life. Sometimes I'll read a sentence and it will make me sit up, jolt me, because it is something that I have recently felt but never said out loud. I want to reach into the page and tell the characters that I understand them, that they're not alone, that I'm not alone, that it's okay to feel like this. ~ Cecelia Ahern

A sentence begins quite simply, then it undulates and expands, parentheses intervene like quick-set hedges, the flowers of comparison bloom, and three fields off, like a wounded partridge, crouches the principal verb, making one wonder as one picks it up, poor little thing, whether after all it was worth such a tramp, so many guns, and such expensive dogs, and what, after all, is its relation to the main subject, potted so gaily half a page back, and proving finally to have been in the accusative case. ~ E. M. Forster

Almost all human who can form a sentence will eventually let you in on the fact that their lives are very difficult and sometimes very hard to manage. ~ Henry Rollins

There's just the memory of that time he walked in on her while she was dressing, and afterward couldn't string a sentence together.
And not only that, but she hadn't even made fun of him for it. She hadn't! Oh no, why not? Also ... had the sight of her boobs possibly sort of made him fall in love with her? It had to be the boobs. ~ Charlotte Stein

Remember to never split an infinitive. The passive voice should never be used. Do not put statements in the negative form. Proofread carefully to see if you words out. And don't start a sentence with a conjugation. ~ William Safire

How do you get the happy ending? John Irving ought to know. One of my favorite authors, Irving writes these multigenerational epics of fiction that somehow work out in the end. How does he do it? He says, 'I always begin with the last sentence ; then I work my way backwards, through the plot, to where the story should begin.' Thst sounds like a lot of work, especially compared to the fantasy that great writers sit down and just go where the story takes them. Irving lets us know that good stories and happy endings are more intentional than that.
Most 20 something's can't write the last sentence of their lives. But when pressed, they usually can identify things they want in their 30s or 40s or 60s -or things they don't want- and work backward from there. This is how you have your own multigenerational epic with a happy ending. This is how you live your life in real time. ~ Meg Jay

He said my name. He knows what my name is. He spoke it out loud and used it in a sentence. ~ Michelle Knudsen

Isn't language loss a good thing, because fewer languages mean easier communication among the world's people? Perhaps, but it's a bad thing in other respects. Languages differ in structure and vocabulary, in how they express causation and feelings and personal responsibility, hence in how they shape our thoughts. There's no single purpose "best" language; instead, different languages are better suited for different purposes. For instance, it may not have been an accident that Plato and Aristotle wrote in Greek, while Kant wrote in German. The grammatical particles of those two languages, plus their ease in forming compound words, may have helped make them the preeminent languages of western philosophy. Another example, familiar to all of us who studied Latin, is that highly inflected languages (ones in which word endings suffice to indicate sentence structure) can use variations of word order to convey nuances impossible with English. Our English word order is severely constrained by having to serve as the main clue to sentence structure. If English becomes a world language, that won't be because English was necessarily the best language for diplomacy. ~ Jared Diamond

I revise constantly, as I go along and then again after I've finished a first draft. Few of my novels contain a single sentence that closely resembles the sentence I first set down. I just find that I have to keep zapping and zapping the English language until it starts to behave in some way that vaguely matches my intentions. ~ Michael Cunningham

[Olivia:] "It's just that I was already at my calorie limit for the day before I had the liquor, and I want to go to Europe in my skinny jeans."

[Tobias:] "What the hell are skinny jeans?"

"They're the jeans that you buy that are too small so that someday you can wear them and feel awesome."

He put his fork down and stared at me, openmouthed. "There are so many things wrong with that sentence. I don't even know where to start."

"It's okay. This is advanced self-loathing. You'd have to be a woman to understand it at this level. ~ Lucy March

A few years ago I was involved with a man and when we stopped seeing each other I worried about what it meant to him. Will he remember me the way I remember him? Did I make a lasting impression on him the way he did on me? At some point I thought about that little sentence describing one woman's passion vs. a man's dalliance and seeing how well her passion served her in other ways, and I chose not to care. I don't care what he did or didn't feel. What he does or doesn't remember. I am a person and I count. It meant something to me, therefore it meant something. I will now take my passion and do what I damn well please. How extraordinary to be the passionate one. ~ Samara O'Shea

So, what did you think of the Unseelie Court?"
A slow, wicked smile spread on his face. "Oh, Kaye," he breathed. "It was marvelous. It was perfect."
She narrowed her gaze. "I was joking. They were killing things, Corny. For fun. Things like us."
He didn't seem to hear her, his eyes looking past her to the bright window. "There was this knight, not yours. He ... " Corny shivered and seemed to abruptly change the direction of his sentence. "He had a cloak all lined with thorns."
"I saw him talking to the Queen," Kaye said.
Corny shrugged off his jacket. There were long scratches along his arms.
"What happened to you?"
Corny's smile widened, but his gaze was locked in some memory. He shifted it back to her. "Well, obviously I got inside the cloak."
She snorted. "What a euphemism. ~ Holly Black

Oasis can't be summed up in one word. I could do a sentence: Boys from council estate made it very, very big. ~ Noel Gallagher

Early in "Postulates of Linguistics," Deleuze and Guattari claim that, "the elementary unit of language ... is the order-word," which "not to be believe but to be obeyed" (ATP, 76). Perhaps the starkest example is the judge's sentence that condemns a criminal to death (80-81; 94). But the French for order-word, mot d'ordre, also refers to the political slogan, which is substantiated by Deleuze and Guattari's reference to Lenin's pamphlet "On Slogans" (83). Both of these examples indicate how closely their linguistics aligns with the rhetorical theory of symbolic action. Rhetoric is excellent at studying those acts that cause incorporeal transformations, which as changes in a state of affairs that do not directly alter its materiality (80-88). ~ Anonymous

He stares now at the three words he has written.They are ridiculous. Writing is ridiculous. A sentence, any sentence, is absurd. Just the idea of it; jam one word up against another, shoulder-to-shoulder, jaw-to-jaw; hem them in with punctuation so they can't move an inch. And then hand that over to someone else to peer at, and expect something to be communicated, something understood. It's not just pointless. It is ethically suspect. ~ Jo Baker

In his work as a management consultant, Covey often asked his corporate clients to write a one-sentence answer to the question What is this organization's essential mission or purpose and what is its main strategy to accomplish that? ~ Bruce Feiler

Buonaparte is certainly writing, or rather dictating, his memoirs. He walks backwards and forwards with his hands behind him, and dictates so fast that two or three of his suite are obliged to be in attendance, that the one may take down one-half of a sentence, and another the rest; they then literally compare notes, and put the disjointed legs and wings and heads of periods together. This is writing a book as he fought a battle. ~ Mary Russell Mitford

Is it possible to get over a voice like this? Someday, I'd like to be able to hear her speak a sentence on the phone with out it making me want to hang up, get in my car, and drive as many miles as it takes to kiss her. ~ Nina LaCour