Howl Kaddish And Other Poems Quotes

We are blind and live our blind lives out in blindness. Poets are damned but they are not blind, they see with the eyes of the angels. ~ William Carlos Williams

She wasn't broken.
She was made up of a thousand tiny little cracks.
She was always trying to keep herself glued together.
But it was hard, she felt too much.
No matter what she did, her emotions seeped through,
sometimes in drips, other times in floods,
She felt everything,
the heaviness of the clouds right before rain,
the rush of the subway cars as they left the station,
the feeling of goodbye as she watched someone walk away,
wondering if it was the last time she would see them,
the feeling of a kiss lingering on her cheek for hours.
She felt the loneliness of the sun as it hung in the sky,
shedding light on the day,
without companion.

And she longed to give as much as the sun.
If she could brighten someone's day,
bestow warmth were there was cold,
make someone smile, give someone hope,
then for a minute, an hour, maybe even a day,
the cracks would fill with love
and the pain would become only a voice,
reminding her that her pain was important.
She knew how fragile life was, how hard,
and how precious.

She wanted to feel it all. ~ Jacqueline Simon Gunn

That window which connects you
to the agony of other people;
that's your soul.
Close that window and you are soulless.
And a soulless man is vestigial.
He hears but cannot listen. He sees but cannot notice.
And everyone knows:
when eyes and ears become jobless,
We look for excuses.
We hear angels and devils speak. We confabulate.
We make up gods
and lick their feet.

- Superstitions ~ Akif Kichloo

The old poems said that lovers were made for each other. But that wasn't true for Kai and Elliot. They hadn't been made for each other at all - quite the opposite. But they'd grown together, the two of them, until they were like two trees from a single trunk, stronger together than either could have been alone. ~ Diana Peterfreund

The evening sky is gold and vast.
I'm soothed by April's cool caress.
You're late. Too many years have passed, -
I'm glad to see you, nonetheless.

Come closer, sit here by my side,
Be gentle with me, treat me kind:
This old blue notebook – look inside –
I wrote these poems as a child.

Forgive me that I felt forsaken,
That grief and angst was all I knew.
Forgive me that I kept mistaking
Too many other men for you. ~ Anna Akhmatova

As I read my poems aloud, I paid still more attention to sound in my writing. One morning as I revised, I set down a word that I knew was not right, and I heard myself think: But I can say it so that it's right. Immediately, I knew that I had understood one of the hazards of reading aloud. Performance can paper over bad writing, or substitute for the best language. Performance is a problem, and most performance poets or slammers are actors or standup comedians and not poets; we never hear a line break and seldom a new metaphor. There are other problems with the popularity of the poetry reading, but largely the reading has been good for poetry because poets watch their own poems come back to them on the faces of listeners. One addresses not only the Muse but actual people. ~ Donald Hall

We are accustomed to understand art to be only what we hear and see in theaters, concerts, and exhibitions, together with buildings, statues, poems, novels. . . . But all this is but the smallest part of the art by which we communicate with each other in life. All human life is filled with works of art of every kind - from cradlesong, jest, mimicry, the ornamentation of houses, dress, and utensils, up to church services, buildings, monuments, and triumphal processions. It is all artistic activity. So that by art, in the limited sense of the word, we do not mean all human activity transmitting feelings, but only that part which we for some reason select from it and to which we attach special importance. ~ Leo Tolstoy

Because I live in south Florida I store cans of black beans and gallons
of water in my closet in preparation for hurricane season.
I throw a hurricane party in January. You're my only guest.
We play Marco Polo in bed. The sheets are wet like the roof caved in.
There's a million of me in you. You try to count me as I taste the sweat
on the back of your neck. I call you Sexy Sexy, and we do everything twice.
After, still sweating, we drink Crystal Light out of plastic water bottles.
We discuss the pros and cons of vasectomies. It's not invasive you say.
I wrap the bedsheet around my waist. Minor surgery you say.
You slur the word surgery, like it's a garnish on a dish you just prepared.
I eat your hair until you agree to no longer talk about vasectomies.
We agree to have children someday, and that they will be beautiful even if they're not.
As I watch your eyes grow heavy like soggy clothes, I tell you When I grow up
I'm going to be a famous writer. When I'm famous I'll sign autographs
on Etch-A-Sketches. I'll write poems about writing other poems,
so other poets will get me. You open your eyes long enough to tell me
that when you grow up, you're going to be a steamboat operator.
Your pores can never be too clean you say.
I say I like your pores just fine. I say Your pores are tops.
I kiss you with my whole mouth, and you fall asleep next to my molars.
In the ~ Gregory Sherl

When you think of things that influenced your life, Mother Goose influenced more people than almost any other thing, the rhythms of those poems. Everything after that was a bare imitation of some of those mysterious and materialistic poems. ~ Grace Paley

Recently, a judge of the prestigious 2014 British Forward Prize for Poetry was moved to observe that "there is an awful lot of very powerful, lyrical, and readable poetry being written today," but we need education, because "we have lost the sense that poetry sits halfway between prose and music - that you can't expect to read it like a novel."

A few years ago, the New York Times published an op-ed of mine, about learning poetry by heart. The response to it confirmed that people of all ages think about poetry as a kind of inspired music, embodying beauty and insight. On one hand, poetry has always flowed from music, as rap and hip-hop remind us big-time. Rappers know how poetry walks and talks. So we have music, or deeply felt recitations of poems that belong to collective memory. On the other hand, we have overly instructive prose poems, as well as the experiments of certain critical ideologies, or conceptual performance art. These aspects seem to represent the public, Janus face of poetry. ~ Carol Muske-Dukes

Works of art are not so much finished as abandoned. Perhaps poems can be perfect. A short-short story might even be perfectible, as effective and enjoyable for one reader as the next. But novels and other book-length narratives are great rambling things that always contain some flaws. For works of any length, there comes a point when your continued tinkering won't improve the whole, but will just trade one set of problems for another. ~ Bruce Holland Rogers

Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads, - a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne. ~ Henry James

I wonder why we always deny love. I remember in middle school, if you were accused of the crime of loving, you screamed denials constantly and stopped ever even looking at the boy you were accused of liking. The boys could destroy each other by yodeling, "An-drew lo-oves Jen-nie," and both Andrew and Jennie would flinch and blush. Love is this great thing that most songs and books and poems and lives are all about. So the minute we actually think there might be love around, we start laughing and pretending and hiding from it. ~ Caroline B. Cooney

On the other side of that big-ass mirror, a video camera was watching us. In about ten seconds, it was going to start spitting static at itself, and everything it saw was going to break up into a fuzzy, gray-white wash, rolling up and down, that wouldn't be admissible as evidence on Judge Judy. Those missing frames would last a little less than a quarter of a minute, consolidate themselves back
into a semblance of reality, and then I would theoretically go walking right back out of here.
Between now and that moment, there stretched an infinite ocean of potential
time. Time enough to walk around the world. Time enough to fall in love, get
married on a white beach under purple stars, write a book of poems about
truest passion, have a few good and bloody screaming matches, get divorced in a court of autumn elves and gypsy moths, then set the ink-stained, tear-streaked pages of your text ablaze. ~ Clinton Boomer

Here the frailest leaves of me and yet my strongest lasting, Here I shade and hide my thoughts, I myself do not expose them, And yet they expose me more than all my other poems ~ Walt Whitman

And look, my brother, we learned to talk
very quietly and simply.
We understand each other now - there is no need for anything more.
And I say tomorrow we will become still simpler;
we'll find those words that take on the same weight in all hearts, on all lips so that we can call figs figs, and a trough a trough, so that others will smile and say: 'We're making you a hundred poems an hour'. This is what we want too.
Because we do not sing to separate ourselves from people, my brother,
we sing to bring people together. ~ Yiannis Ritsos

So what rhyming poems do is they take all these nearby sound curves and remind you that they first existed that way in your brain. Before they meant something specific, they had a shape and a way of being said. And now, yes, gloom and broom are floating fifty miles away from each other in you mind because they refer to different notions, but they're cheek-by-jowl as far as your tongue is concerned. And that's what a poem does. Poems match sounds up the way you matched them when you were a tiny kid, using that detachable front phoneme. ~ Nicholson Baker

Novels are about other people and poems are about yourself ~ Philip Larkin

I would read the Shel Silverstein poems, Dr. Seuss, and I noticed early on that poetry was something that just stuck in my head and I was replaying those rhymes and try to think of my own. In English, the only thing I wanted to do was poetry and all the other kids were like, "Oh, man. We have to write poems again?" and I would have a three-page long poem. I won a national poetry contest when I was in fourth grade for a poem called "Monster In My Closet. ~ Taylor Swift

I love poetry; it's my primary literary interest, and I suppose the kind of reading you do when you are reading poems - close reading - can carry over into how you read other things. ~ Jonathan Galassi

You never can tell, though, with suicide notes, can you? In the planetary aggregate of all life, there are many more suicide notes than there are suicides. They're like poems in that respect, suicide notes: nearly everyone tries their hand at them some time, with or without the talent. We all write them in our heads. Usually the note is the thing. You complete it, and then resume your time travel. It is the note and not the life that is cancelled out. Or the other way round. Or death. You never can tell, though, can you, with suicide notes. ~ Martin Amis

As a guiding principle I believe that every poem must be its own sole freshly created universe, and therefore have no belief n 'tradition' or a common myth-kitty or casual allusions in poems to other poems or poets, which last I find unpleasantly like the talk of literary understrappers letting you see they know the right people. ~ Philip Larkin

We left dents on each other. Mine was in her heart, and hers was on my car. ~ J.A. ANUM

Shoulder the sky,'" said Nan smiling. "Do you know A. E. Housman's poems? I think it helps a lot to find that other people have troubles, and understand what it feels like to be unhappy. Poets seem to know a lot about unhappiness. Here's something that has helped me." She hesitated for a moment and then quoted the lines: "The troubles of our proud and angry dust Are from eternity, and shall not fail. Bear them we can, and if we can we must. Shoulder the sky, my lad, and drink your ale." "'Shoulder ~ D.E. Stevenson

In the head of the adoring male is the illusion that sublime beauty "is all head and wings, with no bottom to betray" it. In one of Swift's poems a young man explains the grotesque contradiction that is tearing him apart:

Nor wonder how I lost my Wits;
Oh! Caelia, Caelia, Caelia, shits!

In other words, in Swift's mind there was an absolute contradiction "between the state of being in love and an awareness of the excremental function of the beloved. ~ Ernest Becker

It's true I've been hurt a few times after revealing myself. There are people who lie in wait for the vulnerable and pounce as a way to feel powerful. But God forgive them. I'm willing to take the occasional blow to find people I connect with. As long as you're willing to turn the other cheek with the mean ones, vulnerability can get you a wealth of friends. Can you imagine coming to the end of your life, being surrounded by people who loved you, only to realize they never fully knew you? Or having poems you never shared or injustices you said nothing about? Can you imagine realizing, then, it was too late? How can we be loved if we are always in hiding? ~ Donald Miller

Many poets are not poets for the same reason that many religious men are not saints: they never succeed in being themselves. They never get around to being the particular poet or the particular monk they are intended to be by God. They never become the man or the artist who is called for by all the circumstances of their individual lives. They waste their years in vain efforts to be some other poet, some other saint ... They wear out their minds and bodies in a hopeless endeavor to have somebody else's experiences or write somebody else's poems. ~ Thomas Merton

This life belongs to you dear,


Don't live under any fear..


You are an independent soul..you can do anything,


You are a free soul..you can refuse to do a particular thing..


You are different from them..you are a different soul,


And you cannot get dominated by any other soul!


Don't be rude..be generous …be kind,


But THIS IS YOUR LIFE AND NOT THEIRS..keep this in mind! ~ Akanksha Wadhavkar -Author Of Motivational Poems For Starlit Souls

I started then to try and shape something rather than just express it and when I started to shape something and to imitate other poems that were written by other people, when I had tried to integrate my reading and my writing I was on my path. ~ Edward Hirsch

Don't pack out!

To some people, you make life bright
When you decide to dim your light
Their lives will be full of darkness
Do shine your light in kindness

To some people, you bring out a joy
With their emotions, never ever toy
With your smiles, grease them with oil
And make them glad when their lives boil

To other people, you are the warmth
That kills coldness and brings strength
Don't do it; don't pack out
Else, they will have blackout

You're on earth to do two things here
Wake up and do them now; this year
First, dare to grow and become better
Second, help others to also become greater

Never in any of the four seasons
Should you neglect your gifts for any reasons
The world needs you to make it a better place
Don't pack out; run your race. ~ Israelmore Ayivor

it's easy to look back and romanticize the bits of time when you were first getting to know someone. both of you were looking at each other the same way you have to look at the sun when it's in the middle of the sky; squinting because it's so bright. ~ Madisen Kuhn

Of course the other and more serious way in which it all happens is that one finds in poems and language some quality one appropriates for oneself and wishes to reproduce. ~ Robert Fitzgerald

One woman sent me on a letter written to her by her daughter, and the young girl's words are a remarkable statement about artistic creation as an infinitely versatile and subtle form of communication:
'...How many words does a person know?' she asks her mother. 'How many does he use in his everyday vocabulary? One hundred, two, three? We wrap our feelings up in words, try to express in words sorrow and joy and any sort of emotion, the very things that can't in fact be expressed. Romeo uttered beautiful words to Juliet, vivid, expressive words, but they surely didn't say even half of what made his heart feel as if it was ready to jump out of his chest, and stopped him breathing, and made Juliet forget everything except her love?
There's another kind of language, another form of communication: by means of feeling, and images. That is the contact that stops people being separated from each other, that brings down barriers. Will, feeling, emotion - these remove obstacles from between people who otherwise stand on opposite sides of a mirror, on opposite sides of a door.. The frames of the screen move out, and the world which used to be partitioned off comes into us, becomes something real... And this doesn't happen through little Audrey, it's Tarkovsky himself addressing the audience directly, as they sit on the other side of the screen. There's no death, there is immortality. Time is one and undivided, as it says in one of the poems. "At the table are great-grandfathers ~ Andrei Tarkovsky

My father is doing a radio program - classical music. He has a beautiful speaking voice and that's his passion in life, his music. My mother lives in Melbourne and is an avid photographer. She's also started writing for a magazine out there and she submits poems, very funny ones, and articles. In some way or other, my family is always doing something with the media. ~ Olivia Newton-John

On a spring day in 1988…a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as "a Bostonian." He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sotheby's, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poe's first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than they'd like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000. ~ Allison Hoover Bartlett

We must begin to understand the nature of intertextuality ... the manner by which texts poems and novels respond to other texts. After all, all cats may be black at night, but not to other cats. ~ Henry Louis Gates

Beloved, Dearest One:
How I long to shout to the world our happiness. I feel that you and I are the only two people alive in the world - the only people that know the secret meaning of existence.
I have no diamond rings, no gifts of love that other lovers have for their beloved. My poetry is all I have to offer you. And so I dedicate my collected verses, 'Poems of Poverty,' to you, beloved.
Morris. ~ Anzia Yezierska

Mythologies, in other words, mythologies and religions are great poems and, when recognized as such, point infallibly through things and events to the ubiquity of a ~ Joseph Campbell

I have never seen an Amity religious ceremony before. I am only familiar with the religion of my parents' faction, which part of me still holds to and the other rejects as foolishness - the prayers before dinner, the weekly meetings, the acts of service, the poems about a selfless God. This is something different, something mysterious. ~ Veronica Roth

I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language. ~ Jessye Norman

You can't just be reactive to the things going on in your life. You have to imagine, and you have to plunder other people's work, books, poems, ideas, observations. ~ David Gray

Between the Mile

I have always counted the miles.
Sometimes they came quick,
Other times slow.
The distance between things,
The way I could know.
Close could feel far,
And far could feel near.
The miles that passed too quickly,
The ones I ran out of fear.
They weren't all the same,
So I had been told,
The unmarked trails,
And the days I was bold.

Some miles went down,
Spiraling so low,
When I was afraid to look forward,
There was nowhere to go.
The sunset came fast,
And the day turned to night,
But the trails could be endless,
If I looked at them right.

Everything I knew,
All I was told,
The conversations left behind,
The people who grew old.

When the miles stretched out before me,
I wanted to sew them at the seam,
Looking forward and then back,
Holding everything in between. ~ Jacqueline Simon Gunn

Valentine
my friends stitched it up with golden thread
like a red
satin pillow they gave me other whole ones too
roses and charms and red candles
milagros to repair the real one
they told me i was no longer allowed to give it away
a pretty pin cushion
a piece of mexican folk art
a hundred beating poems left unanswered
like a thing to wear around the neck
they said you must heal we will protect you
but i sat weeping at the computer forging ahead anyway
with the small stitched thing struggling in my chest
it knew that it had needed to be torn
so that it could recognize and receive the hundred kindnesses
traveling across three thousand miles at the speed of light
a storm of petals and beautiful words and tiny hearts to keep it
company ~ Francesca Lia Block

It is unwise to equate scientific activity with what we call reason, poetic activity with what we call imagination. Without the imaginative leap from facts to generalisation, no theoretic discovery in science is made. The poet, on the other hand, must not imagine but reason
that is to say, he must exercise a great deal of consciously directed thought in the selection and rejection of his data: there is a technical logic, a poetic reasoning in his choice of the words, rhythms and images by which a poem's coherence is achieved. ~ Cecil Day-Lewis

The Louis XIII style in perfumery, composed of the elements dear to that period - orris-powder, musk, civet and myrtle-water, already known by the name of angel-water - was scarcely adequate to express the cavalierish graces, the rather crude colours of the time which certain sonnets by Saint-Amand have preserved for us. Later on, with the aid of myrrh and frankincense, the potent and austere scents of religion, it became almost possible to render the stately pomp of the age of Louis XIV, the pleonastic artifices of classical oratory, the ample, sustained, wordy style of Bossuet and the other masters of the pulpit. Later still, the blase, sophisticated graces of French society under Louis XV found their interpreters more easily in frangipane and marechale, which offered in a way the very synthesis of the period. And then, after the indifference and incuriosity of the First Empire, which used eau-de-Cologne and rosemary to excess, perfumery followed Victor Hugo and Gautier and went for inspiration to the lands of the sun; it composed its own Oriental verses, its own highly spiced salaams, discovered intonations and audacious antitheses, sorted out and revived forgotten nuances which it complicated, subtilized and paired off, and in short resolutely repudiated the voluntary decrepitude to which it had been reduced by its Malesherbes, its Boileaus, its Andrieux, its Baour-Lormians, the vulgar distillers of its poems. ~ Joris-Karl Huysmans

I believe I was afraid…of not being worthy of you. I have spent weeks writing, scribbling my thoughts, reliving every moment we shared, and I saw…the happiness we shared when we were together. The gleam in your dark eyes when you saw me. And I realized…that is what it's about, is it not? Those pieces of happiness are what matters. Not title or name. I write stories and poems of love and dreams coming true, but I did not allow myself to see it as something that could be real…not for me…but it was true…what we shared, and not only am I better for it, the world could be too."
"I am a better man because of you, Cas. Imagine what we could do together?"
Cassius gasped…hoped. "Do you still want me, my prince?"
"I have never wanted another the way I want you. There will never be another I love the way I love you."
Merrick raised his hand, cupped Cassius's cheek. Cas nuzzled into him, closed his eyes, trembled when he felt Merrick's lips touch his. They kissed slowly, deeply, reexploring each other.
Cassius swallowed down Merrick's moans and then fed him his own.
And it was…perfect.
When they pulled apart, Cassius led Merrick back to the rock. The sun kept the chill off as they climbed on together ~ Riley Hart

It took me years to learn to sit at my desk for more than two minutes at a time, to put up with the solitude and the terror of failure, and the godawful silence and the white paper. And now that I can take it . . . now that I can finally do it . . . I'm really raring to go.

I was in my study writing. I was learning how to go down into myself and salvage bits and pieces of the past. I was learning how to sneak up on the unconscious and how to catch my seemingly random thoughts and fantasies. By closing me out of his world, Bennett had opened all sorts of worlds inside my own head. Gradually I began to realize that none of the subjects I wrote poems about engaged my deepest feelings, that there was a great chasm between what I cared about and what I wrote about. Why? What was I afraid of? Myself, most of all, it seemed.

"Freedom is an illusion," Bennett would have said and, in a way, I too would have agreed. Sanity, moderation, hard work, stability . . . I believed in them too. But what was that other voice inside of me which kept urging me on toward zipless fucks, and speeding cars and endless wet kisses and guts full of danger? What was that other voice which kept calling me coward! and egging me on to burn my bridges, to swallow the poison in one gulp instead of drop by drop, to go down into the bottom of my fear and see if I could pull myself up? Was it a voice? Or was it a thump? Something even more primitive than speech. A kind of pounding in my gut ~ Erica Jong

Mandelstam's style is not singular. He could be stately and traditional, ribald and funny, hectic, elegiac. He could handle abstractions and ideas as well as Pope or Browning but then be so musical that other poems approach pure sound. ~ Christian Wiman

I think there is a general misconception that you write poems because you "have something to say." I think, actually, that you write poems because you have something echoing around in the bone-dome of your skull that you cannot say. Poetry allows us to hold many related tangential notions in very close orbit around each other at the same time. The "unsayable" thing at the center of the poem becomes visible to the poet and reader in the same way that dark matter becomes visible to the astrophysicist. You can't see it, but by measure of its effect on the visible, it can become so precise a silhouette you can almost know it. ~ Rebecca Lindenberg

Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry. ~ A.E. Housman