Holofernes Caravaggio Quotes

The man named Caravaggio pushes open all the windows in the room so he can hear the noises of the night. He undresses, rubs his palms gently over his neck and for a while lies down on the unmade bed. The noise of the trees, the breaking of moon into silver fish bouncing off the leaves of asters outside.

The moon is on him like skin, a sheaf of water. ~ Michael Ondaatje

It was when they determined that I had been born dead
That my life became easier to understand. For a long time,
I wondered why rooms felt colder when I entered them,
Why nothing I said seemed to stick in anyone's ear,
Frankly, why I never had any money. I wondered
Why the cities I walked through drifted into cloud
Even as I admired their architecture, as I pointed out
The cornerstones marked "1820," "1950." The only songs
I ever loved were filled with scratch, dispatches from
A time when dead ones like me were a dime a dozen.
I spent my life in hotels: some looked like mansions,
Some more like trailer parks, or pathways toward
A future I tried to point to, but how could I point,
With nothing but a hand no hand ever matched,
With fingers that melted into words that no one read.

I rehearsed names that others taught me: Caravaggio,
Robert Brandom, Judith, Amber, Emmanuelle Cat.
I got hungry the way only the dead get hungry,
The hunger that launches a thousand dirty wars,
But I never took part in the wars, because no one lets
A dead man into their covert discussions.
So I drifted from loft to cellar, ageless like a ghost,
And America became my compass, and Europe became
The way that dead folks talk, in short, who cares,
There's nothing to say because nobody listens,
There's no radio for the dead and the pillows seem
Like sand. Let me explain ~ John Beer

Let's say that you could carry around a perfect copy of a three-dimensional realization of a Caravaggio painting (or if your tastes are more modern make it a Picasso). You would carry a small box in your pocket, and whenever you wanted, you could press a button and the box would open up into life-sized glory and show you the picture. You would bring it to all the parties you attended. The peak of the culture of the seventeenth century (or say the 1920s if you prefer Picasso) would be at your disposal. Alternatively, let's say you could carry around in your pocket an iPhone. That gives you thousands of songs, a cell phone, access to personal photographs, YouTube, email, and web access, among many other services, not to mention all the applications that have not yet been written. You will have a strong connection to the contemporary culture of small bits. ~ Tyler Cowen

In a purely technical sense, each species of higher organism-beetle, moss, and so forth, is richer in information than a Caravaggio painting, Mozart symphony, or any other great work of art. ~ E. O. Wilson

I bury my head in the pillow, and dream of my true love…
I am rowing to you on the great, dark ocean. ~ Caravaggio

At the Galleria Nazionale d'Arte Antica, I stood before Carrivagio's Judith Beheading Holofernes and did not once think about chickens. ~ Tara Westover

All works, no matter what or by whom painted, are nothing but bagatelles and childish trifles ... unless they are made and painted from life, and there can be nothing ... better than to follow nature. ~ Caravaggio

Desire changes its character by 180 degrees. Often, when first aroused, it is felt as the desire to have. The desire to touch is, partly, the desire to lay hands on, to take. Later, transformed, the same desire becomes the desire to be taken, to lose oneself within the desired. From these two opposed moments come one of the dialectics of desire; both moments apply to both sexes and they oscillate. Clearly the second moment, the desire to lose oneself within, is the most abandoned, the most desperate, and it is the one that Caravaggio chose (or was compelled) to reveal in many of his paintings. ~ John Berger

I am a big fan of the Impressionists, and in my school days, I was inspired by Caravaggio, Velazquez and Rembrandt. ~ Ronnie Wood

Caravaggio's art is made from darkness and light. His pictures present spotlit moments of extreme and often agonized human experience. A man is decapitated in his bedchamber, blood spurting from a deep gash in his neck. A man is assassinated on the high altar of a church. A woman is shot in the stomach with a bow and arrow at point-blank range. Caravaggio's images freeze time but also seem to hover on the brink of their own disappearance. Faces are brightly illuminated. Details emerge from darkness with such uncanny clarity that they might be hallucinations. Yet always the shadows encroach, the pools of blackness that threaten to obliterate all. Looking at his pictures is like looking at the world by flashes of lightning. ~ Andrew Graham-Dixon

Meanwhile with the help of an anecdote I fell in love. Words caravaggio. They have a power. ~ Michael Ondaatje

I remember being disappointed when Papa had shown me Caravaggio's Judith. She was completely passive while she was sawing through a man's neck. Caravaggio gave all the feeling to the man. Apparently, he couldn't imagine a woman to have a single thought. I wanted to paint her thoughts, if such a thing were possible
determination and concentration and belief in the absolute necessity of the act. The fate of her people resting on her shoulders ... ~ Susan Vreeland