Handshaker For Windows Quotes

There were things of the times, and a few things that were timeless. The times came as a result of a particular human culture. The timeless came as a result of any human culture at all. And Cultural Man was a showman. He created display windows of culture for an audience of men, and paraded his aspirations and ideals and purposes thereon, and the displays were necessary to the continuity of the culture, to the purposeful orientation of the species.

Beyond one such window, he erected an altar, and placed a priest before it to chant a liturgical description of the heart-reasoning of his times. And beyond another window, he built a stage and set his talking dolls upon it to live a dramaturgical sequence of wishes and woes of his times.

True, the priests would change, the liturgy would change, and the dolls, the dramas, the displays--but the windows would never--no never--be closed as long as Man outlived his members, for only through such windows could transient men see themselves against the background of a broader sweep, see man encompassed by Man. A perspective not possible without the windows. ~ Walter M. Miller Jr.

I'm curious about things that people aren't supposed to see - so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and - discover stuff. And I want to know about people. I mean, I know it's probably kind of rude but I want to know why you have all these boxes and what's in them and why all your windows are papered over and how long it's been that way and how do you feel when you wash things and why don't you do something about it? ~ Audrey Niffenegger

In addition to its use in arithmetic and science, the Hindu-Arabic number system is the only genuinely universal language on Earth, apart perhaps for the Windows operating system, which has achieved the near universal adoption of a conceptually and technologically poor product by the sheer force of market dominance. ~ Keith Devlin

Jesus said his Father's House has many rooms. In this metaphor I like to imagine the Presbyterians hanging out in the library, the Baptists running the kitchen, the Anglicans setting the table, the Anabaptists washing feet with the hose in the backyard, the Lutherans making liturgy for the laundry, the Methodists stocking the fire in the hearth, the Catholics keeping the family history, the Pentecostals throwing open all the windows and doors to let more people in. ~ Rachel Held Evans

To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory. ~ Arundhati Roy

It was late in Ruana and Ray's visit when Samuel
started talking about the gothic revival house that Lindsey
and he had found along an overgrown section of Route 30. As
he told Abigail about it in detail, describing how he had
realized he wanted to propose to Lindsey and live there with
her, Ray found himself asking, "Does it have a big hole in
the ceiling of the back room and cool windows above the
front door?"
"Yes," Samuel said, as my father grew alarmed. "But it
can be fixed, Mr. Salmon. I'm sure of it."
"Ruth's dad owns that," Ray said.
Everyone was quiet for a moment and then Ray continued.
"He took out a loan on his business to buy up old
places that aren't already slated for destruction. He wants
to restore them," Ray said.
"My God," Samuel said.
And I was gone.
(Susie finnally giving up on earth and moving on) ~ Alice Sebold

...that, to repeat what I heard for years and years and suspect you've been hearing over and over, yourself, something's meaning is nothing more or less than its function. Et cetera et cetera et cetera. Has she done the thing with the broom with you? No? What does she use now? No. What she did with me--I must have been eight, or twelve, who remembers--was to sit me down in the kitchen and take a straw broom and start furiously sweeping the floor, and she asked me which part of the broom was more elemental, more fundamental, in my opinion, the bristles or the handle. The bristles or the handle. And I hemmed and hawed, and she swept more and more violently, and I got nervous, and finally when I said I supposed the bristles, because you could after a fashion sweep without the handle, by just holding on to the bristles, but couldn't sweep with just the handle, she tackled me, and knocked me out of my chair, and yelled into my ear something like, 'Aha, that's because you want to sweep with the broom, isn't it? It's because of what you want the broom for, isn't it?' Et cetera. And that if what we wanted a broom for was to break windows, then the handle was clearly the fundamental essence of the broom, and she illustrated with the kitchen window, and a crowd of the domestics gathered; but that if we wanted the broom to sweep with, see for example the broken glass, sweep sweep, the bristles were the thing's essence. No? What now, then? With pencils? No matter. Meaning as fundamentaln ~ David Foster Wallace

A suite of ten?" Beth asked. "Is that all?"
"Each of us has a wing of the house. If we invite guests we put them in our wing and take care of them."
"Do you often have guests?" "No." Ian led Beth back to the dressing room in which "she'd changed for dinner. She'd thought the little room grand, but Ian now showed her that on its other side lay a bedroom the size of Mrs. Barrington's entire downstairs. "You are my first."
Beth gazed at the high ceiling, the enormous bed, the three windows with deep window seats. "If a person must marry you to get an invitation, I'm not surprised you haven't had more guests. ~ Jennifer Ashley

The Fool in the Tarot deck frequently depicted a boy with a dog at his heels, staring at the sky while he walked blithely off a cliff, burdened only by a bundle on a stick. The diabolist had admitted a relationship to the card.

No single detail was quite right, but much as something might appear similar if one were to unfocus their vision…

The young diabolist walked with the sparrow at his shoulder, eyes on the windows without looking through the windows, walking forward as if he were afraid to stop. His burden here was the gas containers.

No, he was burdened not just by the gas containers, but by some notion of responsibility.

A man, when facing death, aspires to finish what he started.

What had the custodian of the Thorburn estate started? What drove him?

She knew he sought to do good and to vanquish evil, and she could surmise that both good acts and the existence of evil had touched him deeply.

The Fool card was akin to the ace. Depending on the game being played, it was often the lowest card or the highest. Valueless or highly valued. Powerless or powerful.

It all depended on context. He sought to kill the demon, and he would either catastrophically fail or succeed.

This Fool sought to slay the metaphorical dragon. He felt his own mortality, which was quite possibly her fault, in part, and now he rushed to finish the task he'd set for himself. To better the world.

Wildbow

I noticed that the large windows between the paintings [in the Musee d'Art Moderne] interested me more than the art exhibited. From then on, painting as I had known it was finished for me. ~ Ellsworth Kelly

So I wait for you like a lonely house
till you will see me again and live in me.
Till then my windows ache. ~ Pablo Neruda

Glancing into his rearview, Liam's gaze was drawn past Nadia's angry face to the long shadow that crept down and expanded out from somewhere on the bridge above them, unseen by Alessandra and Nadia as they waited for his response. Liam pressed his lips together to contain his fear as he shifted the car into reverse and stepped on the gas.
The sound they heard on impact with their pursuer was loud enough to rattle the windows - half-screech, half-roar and wholly terrifying, like no sound they'd ever heard. ~ Cerece Rennie Murphy

Mantra to Overcome Depression

Vitamin D. Sunlight. Go
outside. Get a good night

of sleep. Not too good.

Not shades drawn forever
good. Not like you used to.

Open the windows.

Buy more houseplants.
Breathe. Meditate. One day,

you will no longer be

afraid of being alone
with your thoughts.

Exercise. Actually exercise

instead of just Googling it.
Eat well. Cook for yourself.

Organize your closet, the

garage. Drink plenty of
water and repeat after me:

I am not a problem

to be solved. Repeat after me:
I am worthy I am worthy

I am neither the mistake nor

the punishment. Forget to take
vitamins. Let the houseplant die.

Eat spoonfuls of peanut butter.

Shave your head. Forget
this poem. It doesn't matter.

There is no wrong way

to remember the grace of your
own body; no choice

that can unmake itself.

There is only now, here
look: you are already

forgiven. ~ Sierra DeMulder

Such moments are too often lost, the private interludes between the tribal gatherings, the transit between destinations, when the city becomes an intimate landscape, a secret shared by two. This was once their neighborhood and she wants to reclaim it for a little while, to walk past the apartment where they spent so much of their lives, even if it makes her sad thinking of all that transpired there, and all that's lost. It makes her melancholy to imagine that she might never be here again, that these blocks, their former haunts, and their old building will outlast them; that the city is supremely indifferent to their transit through its arteries, and to their ultimate destination. For now, she wants just to be in between. She knows that later it won't be the party she will remember so much as this, the walk with her husband in the crisp autumn air, bathed in the yellow metropolitan light spilling from thousands of windows, this suspended moment of anticipation before arrival. ~ Jay McInerney

The lie, the perfect lie, about people we know, about the relations we have with them, about our motive for some action, formulated in totally different terms, the lie as to what we are, whom we love, what we feel with regard to people who love us ... that lie is one of the few things in the world that can open windows for us on to what is new and unknown, that can awaken in us sleeping senses for the contemplation of universes that otherwise we should never have known. ~ Marcel Proust

Its perorations verge upon the ceaseless orations of the ocean:
For reality's glow and glory, without poetry,
Fade, like the red operas of sunset,
The blue rivers and windows of morning. ~ Delmore Schwartz

David Henderson's 1970 poem "Keep on Pushing," also analyzed the geographies of urban warfare in the Summer of 1964's Harlem Riots. Henderson warned of the crude mathematics of wide avenues that can swallow protest pickets, easily dismantle popular barricades, and muster five hundred cops in fifteen minutes, but he also suggests how, "For Harlem/ reinforcements come from the Bronx / just over the three-borough Bridge. / a shot a cry a rumor / can muster five hundred Negroes / from idle and strategic street corners / bars stoops hallways windows. ~ Anonymous

I don't care very much for literary shrines and hauntsI knew a woman in London who boasted that she had lodgings from the windows of which she could throw a stone into Carlyle's yard. And when I said, "Why throw a stone into Carlyle's yard?" she looked at me as if I were an imbecile and changed the subject. ~ Carolyn Wells

I've actually stopped tinting my windows because the paparazzi look for trucks and cars with supertinted windows. ~ Megan Fox

Nobody doan never have touch Porhl! When I little, de brudder try. Oh yeah. I raise up dis bony knee hard in his what he got dere, and dat were dat and nobody since! You hear dis gul, Mr. free man Jacob Early? And nobody since! An I ain't no Jez'bel, she screamed. In this way was Pearl's decision made, and by the time they were on the march through Milledgeville she was drummer for Clarke's company. She just hit the drum once every other step and they kept the pace, some with smiles on their faces. She looked straight ahead and kept her shoulders squared against the shoulder straps, but she could tell that white folks watched from the windows. And none of them knew she wasn't but the drummer boy they saw. ~ E.L. Doctorow

Opia. So much can be said in a glance. Such ambiguous intensity, both invasive and vulnerable - glittering black, bottomless and opaque. The eye is a keyhole, through which the world pours in and a world spills out. And for a few seconds, you can peek through into a vault, that contains everything they are. But whether the eyes are the windows of the soul or the doors of perception, it doesn't matter: you're still standing on the outside of the house. Eye contact isn't really contact at all. It's only ever a glance, a near miss, that you can only feel as it slips past you.

There's so much we keep in the back room. We offer up a sample of who we are, of what we think people want us to be. But so rarely do we stop to look inside, and let our eyes adjust, and see what's really there. Because you too are peering out from behind your own door. You put yourself out there, trying to decide how much of the world to let in. It's all too easy for others to size you up, and carry on their way. They can see you more clearly than you ever could. And yours is the only vault you can't see into, that you can't size up in an instant.

So we're all just exchanging glances, trying to tell each other who we are, trying to catch a glimpse of ourselves, feeling around in the darkness. ~ The Dictionary Of Obscure Sorrows

Growing up in the projects, it was common for us to refer to where we lived as our "house." My friends would always ask if they could come over to my house, and vice versa; we never said , "Can I come over to your unit?" But after visiting Mary in a real house, I felt how marginal we were in the projects. Things they took for granted, like space, were new to me. Mary's windows opened up to the view of the garden in the back, birds, and blue sky, without bars. ~ Siobhan Brooks

Economic development is not a zero-sum game; the world does not need poor countries in order to have rich countries, nor must some people be poor in order for others to be rich. Families who live in public housing on the South Side of Chicago are not poor because Bill Gates lives in a big house. They are poor despite the fact that Bill Gates lives in a big house. For a complex array of reasons, America's poor have not shared in the productivity gains spawned by Microsoft Windows. Bill Gates did not take their pie away; he did not stand in the way of their success or benefit from their misfortunes. ~ Charles Wheelan

It's quiet in the car, in a good way for once. No words, no music. Silence seems right. I roll down the windows and lean my head against the door frame, listening to the wind rush by and smelling the pine trees. I watch the stars materialize, like someone is dimming the switch on the night sky so each shining dot grows brighter and brighter. ~ Jennifer Salvato Doktorski

I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about?

And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous?

And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolera ~ Meg Cabot

Outside the window is a world that beckons and inside the window is a world for which the outside yearns. ~ Anthony T. Hincks

When I have something to say that I think will be too difficult for adults, I write it in a book for children. Children are excited by new ideas; they have not yet closed the doors and windows of their imaginations. Provided the story is good ... nothing is too difficult for children. ~ Madeleine L'Engle

Well, when I was a kid I used to hide behind the curtains at home at Christmas and I used to try and be Elvis. There was a certain ambience between the curtains and the French windows, there was a certain sound there for a ten year old. That was all the ambience I got at ten years old ... I think! And I always wanted to be a certain, a bit similar to that. But I didn't want to sell pizza. ~ Robert Plant

Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the har­monious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and chil­dren play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physio­logical needs which are considered private as dis­creetly as possible, without realizing that such a pattern of behavior is not common to all human so­cieties. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff.
His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Con­fidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no ~ Czesław Miłosz

Because no windows were open and the air was so still and cold that the trees dared not move for fear of encountering more of it than they had to, Christiana thought that she had entered a city of the dead. ~ Mark Helprin

They kept moving past the racks of the Night Vale Daily Journal by the windows. Due to spiraling printing costs and the necessary layoff of nearly its entire staff, the Journal had long ago moved to an imagination-based format. The racks were empty except for a small note reminding you that if you imagined what a hypothetical Night Vale newspaper might look like, then you needed to send a check for $19.95 to the Daily Journal to cover your monthly Imagination Subscription. ~ Joseph Fink

On April 1, armed SA men took up positions in front of Jewish businesses and tried to prevent customers from spending money in them. Some troops painted anti-Semitic slogans and Stars of David on display windows; others were content to hold up signs calling for a boycott and to curse at Jewish businessmen. Some areas also saw looting and acts of violence.
All in all, this display of activism made a very negative impression on most people, and the thuggish SA men with their uneducated bellowing were left even less popular among the general population than they had been before. Although very few Germans openly declared their solidarity with their Jewish fellow citizens, the boycott did not, as it was intended to do, set German gentiles against German Jews. On the contrary, ordinary people felt sorry for them, and if reports by the Nazis, who were disappointed by the boycott, are to be believed, the amount of commerce done afterward by Jewish-owned business did not decline at all. ~ Rudolph Herzog

I looked out the hall window across from me as I stood leaning against the wall, and saw the bars on the outside of the windows. The rain trickled down the reinforced misted milk-glass in a constant deluge of melancholy rivulets. It was getting cold - the shadows, the rising turbulent winds, the drifting red and orange leaves were returning once more. I tuned out the sounds of the doctors voices. Soon, I couldn't make out the words they were saying as definite signals meant to convey something. Their words became a dim humming, a song drifting along the periphery of my awareness. And it was then, I knew I would be able to leave. I would go back to my room and take out the violet silk dress, the monstrous talisman I had created, and I would look at it. I might give it away after all. I need to let her go for all the ghosts she carried within her every measured stitch. ~ ~Theresa Griffin Kennedy~

ADAMSBERG WAS NOT A MAN WHO WENT IN FOR EMOTION: he skirted around strong feelings with caution, like swifts who only brush past windows with their wings, never going in, because they know it will be difficult to get out. He had often found dead birds in the village houses back home, imprudent visitors who had ventured inside and never again found their way back to the open air. Adamsberg considered that when it came to love, humans were no wiser than birds. ~ Fred Vargas

Are broken windows a new decorating theme around here?" Archer asked, coming up behind Jenna and me and poking his head into the parlor.
"So it would seem," I said. I was still looking outside when a faint light appeared in the gloom. It took me a minute to realize that it was from Cal's cabin. Was someone out there? Was Cal out there?
But just as quickly as it had appeared, the light went out again. Frowning, I turned from the doorway, and I went to slip my arm through Archer's. Then I remembered what Nausicaa had said earlier. Now wasn't exactly the best time for PDA, probably.
The three of us trailed behind everyone else into the ballroom. Here, at least, things looked more or less the same. Of course, the ballroom had always been one of the more bizarre rooms at Hex Hall, so that didn't say much. Still, I was relieved to see the familiar jumble of tables and chairs and not, like, tree stumps or whatever. ~ Rachel Hawkins

You didn't think I really liked you? Do you think I really like you now?"
He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but ... I don't want to read too much of what I hope into that."
Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?"
He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat.
And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them.
You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that."
She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep ~ Holly Black

Sappho isn't really meant to be read. It's meant to be sung and there were dances for the songs, also. Sappho was a performance artist, and now she exists as a textual project. She was saved by her critics, and by people who wrote of her in letters to each other. As the morning sun lathers the pool through the long windows and stripes the opposite walls in gold, I look at the fragment translations. She's paper, too. A paper poet for a paper boy. People claim to be translating her but they don't, really, they use her to write poems from as they fill in the gaps in the fragments. A duet. She may have meant for these to be solos but they're duets now, though the second singer blends in with the first. The first singer in this case is offstage, like in the old days of stars who couldn't sing, a real singer hidden behind a curtain, which is the velvet drape of history. ~ Alexander Chee

I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ... ' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ... ~ David Mitchell