Frescoes Quotes

Members brought books, precious objects, and records of creature history to the city and purchased an island in the lagoon from the Catholic Church: Isola della Stella (Island of Stars). On it were monastic buildings that were converted to suit the Congregation's purposes. ..the vast, ancient monastery library, filled with books, papers, and papyri;...This council chamber, with its stunning frescoes, mosaics, vaulted ceiling, and gallery where the most precious records are kept, embodies the Congregation's power. ~ Deborah Harkness

Piazzas, churches named for a teenager who gave life to the Christ. Sculptures, paintings, frescoes devoted to her holiness. But the only thing about her we remember, she was a virgin. ~ Joy McCullough

Now that I think about it, it seems to me that's what Idiocy is: the ability to be enthusiastic all the time about anything you like, so that a drawing on the wall does not have to be diminished by the memory of the frescoes of Giotto in Padua. ~ Julio Cortazar

Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things. ~ Joan Miro

Another leading senator that I degraded was Caligula's horse Incitatus who was to have become Consul three years later. I wrote to the Senate that I had no complaints to make against the private morals of this senator or his capacity for the tasks that had hitherto been assigned to him, but that he no longer had the necessary financial qualifications. For I had cut the pension awarded him by Caligula to the daily rations of a cavalry horse, dismissed his grooms and put him into an ordinary stable where the manger was of wood, not ivory, and the walls were whitewashed, not covered with frescoes. I did not, however, separate him from his wife, the mare Penelope: that would have been unjust. ~ Robert Graves

Not without deep pain do we admit to ourselves that the artists of all ages have in their highest flights carried to heavenly transfiguration precisely those conceptions that we now recognize as false: they are the glorifiers of the religious and philosophical errors of humanity, and they could not have done this without their belief in the absolute truth of these errors. Now if the belief in such truth generally diminishes, if the rainbow colors at the outermost ends of human knowing and imagining fade: then the species of art that, like the Divina commedia, Raphael's pictures, Michelangelo's frescoes, the Gothic cathedrals, presupposes not only a cosmic, but also a metaphysical significance for art objects can never blossom again. A touching tale will come of this, that there was once such an art, such belief by artists. ~ Friedrich Nietzsche

Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explos ~ M. John Harrison

The light that illumines it, and reveals to a man the cathedral of his soul, can be of many strengths – from a candle to a sun – but it burns on one fuel only: his integrity. The vision contains an element of eternity that has nothing to do with time, but everything to do with the width and breadth of his life. It is measurable, but indivisible. Betrayed, it will avenge itself. The action would contradict both it and a man's ineradicable knowledge of it, leaving him, should he survive the cataclysm, a mechanical, insensate manqué, drained of all future capacity for the sublime and earthly joy. Betrayed, it will become his worst nemesis, and he the impotent enemy of the implacable justice of its memory. Animate, it can make him maddeningly intolerant and insufferably imperial, together contemptuous of lesser souls and indifferent to them. It could cause him to say to others, should he be provoked to speak to them in his thoughts: You think in terms of nooks and crannies, of niches and pigeonholes, of ruffles and fringes; I think in terms of vistas and frescoes, of oceans and continents, peopled by gods, heroes, and myself. ~ Edward Cline

As [William] Valentiner noted in his uncompleted memoirs Remembering Artists, [Diego] Rivera's [Detroit Industry] murals rooted the Detroit Institute of Arts to the many-faceted jewel of its central court because of the harmonious, fertile relationship between "the industrialist" and "the artist." Rivera remarked to Valentiner how especially struck he was that "Edsel had none of the characteristics of the exploiting capitalist, that he had the simplicity and directness of a workman in his won factories and was like one of the best of them." Their relationship was like the murals themselves, a superb expression of pluralism, toleration, and empathy for the other, and of a cosmopolitan sense of all the Americas, not just of the United States of America or Detroit alone. ~ John Dean

If a traveller was to feel personally involved with (rather than guiltily obedient towards) 'the walls and ceilings of the church decorated with nineteenth-century frescoes and paintings ... ', he or she would have to be able to connect these facts
as boring as a fly
with one of the large, blunt questions to which genuine curiosity must be anchored. ~ Alain De Botton

The walls of the Franciscan Church of the Assumption of the Holy Virgin Mary were ruined stucco chipping away from the brick underneath, with ghostly frescoes, concrete-filled niches, and one complete, vivid crucifix painted over the altar. ~ Elizabeth McCracken

Have you ever sailed across an ocean, Donald? On a sail boat surrounded by sea with no land in sight. Without even the possibility of sighting land for days to come. To stand at the helm of your destiny. I want that, one more time. I want to be in the Piazza Del Campo in Sienna. To feel the surge as ten race horses go thundering by. I want another meal in Paris, at L'Ambroisie in the Place Des Vosges. I want another bottle of wine. And then another. I want the warmth of a women in the cool set of sheets. One more night of jazz at the Vanguard. I want to stand on summits and smoke cubans and feel the sun on my face for as long as I can. Walk on the wall again. Climb the tower. Ride the river. Stare at the frescoes. I want to sit in the garden and read one more good book. Most of all I want to sleep. I want to sleep like I slept when I was a boy. Give me that. Just one time. ~ Anonymous

Nature paints not; In oils, but frescoes the great dome of heaven; With sunsets, and the lovely forms of clouds; And flying vapors. ~ Henry Wadsworth Longfellow