First Sentence First Lines Quotes

I was born in a house with a million rooms, built on a small, airless world on the edge of an empire of light and commerce that the adults called the Golden Hour, for a reason I did not yet grasp. ~ Alastair Reynolds

People often shit themselves when they die. Their muscles slack and their souls flutter free and everything else just...slips out. ~ Jay Kristoff

Harry Potter was a highly unusual boy in many ways. ~ J.K. Rowling

The captain put his fingers to his temples as if he had a headache. "So, let me get this straight. Edgar, an immortal, who I assume is as unscrupulous as his sisters, tried to take that bracelet from you…"

"He did take it," she corrected.

"I thought you said Zmey kept him from doing so."

"No. Edgar did snatch it from me at first, but Zmey made him give it back. I guess because King Wennergren gifted it to me. That means no one else is allowed to have it - that is, unless I give it away."

"So it's good that you had Zmey there to help."

"Well….not exactly," she hemmed again.

"Not exactly, again?" Derian's face tightened with frustration. He pressed harder on his temples.

"Zmey protects the bracelet because he has to, but he doesn't care much for me." She hesitated before uttering the next sentence. "He actually tried to kill me."

"What? What! Why? Eena!"

"It's okay, really, I'm fine! Naga protects me from those other dragons."

"Other dragons? For criminy's sake, how many more are there?! ~ Richelle E. Goodrich

You had better be a round peg in a square hole than a square peg in a square hole. The latter is in for life, while the first is only an indeterminate sentence. ~ Elbert Hubbard

I hardly know what I'm going to write - an article, a story, a poem in free verse - or in some regular form. I only know that when I have the first sentence. And when the first sentence makes a kind of pattern, then I find out the kind of rhythm I'm looking for. ~ Jorge Luis Borges

For the first time I saw her as a dead body under suspended sentence. ~ Simone De Beauvoir

When I finally write the first sentence, I want to know everything that happens, so that I am not inventing the story as I write it - rather, I am remembering a story that has already happened. ~ John Irving

Do you ever think about him?" Elise asks. "The baby?"
I nod slowly. "I wonder how much would have been different, if he'd-"
"Don't say it." There are tears in her eyes. "Let's do it this way, Charlie, all right? Let's just pick one sentence out of all of the ones we should have said
the best, most important sentence
and let's say just that."
This is my old Elise
whimsical, loopy
the one I couldn't help but fall for. And because I know she is sinking in the quicksand of regret just like me, I nod. "Okay. But I go first." I try to remember what it was like to be loved by someone who did not know limits, and had not yet been ruined by that. "I forgive you," I whisper; a gift.
"Oh, Charlie," Elise says, and she gives me one right back. "She turned out absolutely perfect. ~ Jodi Picoult

A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it. ~ Matt Fraction

I am to consider the many advantages arising from a frequent use of oaths, curses, and imprecations. In the first place, this genteel accomplishment is a wonderful help to discourse; as it supplies the want of good sense, learning, and eloquence. The illiterate and stupid, by the help of oaths, become orators; and he, whose wretched intellects would not permit him to utter a coherent sentence, by this easy practice, excites the laughter, and fixes the attention, of a brilliant and joyous circle. ~ Mary Collyer

The first step to becoming a more peaceful person is to have the humility to admit that, in most cases, you're creating your own emergencies. Life will usually go on if things don't go according to plan. It's helpful to keep reminding yourself and repeating the sentence, "Life isn't an emergency". ~ Richard Carlson

An ash-gray dog with a white blaze on its forehead burst onto the rough terrain of the market on the first Sunday in December, knocked down tables of fried food, overturned Indians' stalls and lottery kiosks, and bit four people who happened to cross its path. ~ Gabriel Garcia Marquez

That night Flora wanted to eat watermelon. ~ Dorit Rabinyan

I revise constantly, as I go along and then again after I've finished a first draft. Few of my novels contain a single sentence that closely resembles the sentence I first set down. I just find that I have to keep zapping and zapping the English language until it starts to behave in some way that vaguely matches my intentions. ~ Michael Cunningham

During the late 1910s and early '20s, immigrant workers at the Ford automotive plant in Dearborn, Michigan, were given free, compulsory "Americanization" classes. In addition to English lessons, there were lectures on work habits, personal hygiene, and table manners. The first sentence they memorized was "I am a good American. ~ Anne Fadiman

He said, looking down at her body, "Dagny, what a magnificent waste!"
She had to turn and escape. She felt herself blushing, for the first time in years: blushing because she knew suddenly that the sentence named what she had felt all evening. ~ Ayn Rand

That first bite of fat-streaked tuna sushi was a culinary epiphany. It was as though I had been wearing a mitten on my tongue all those years and had suddenly taken it off. The velvety fish had a rare beef-like core surrounded by a creamy richness from the marbled fat. The lightly vinegared rice and earthy soy were like exclamation points at the end of a perfect sentence. The wasabi added a final unexpected prickle of heat that kindled my desire for more. That night I promised myself that one day I would eat sushi in Japan. ~ Victoria Abbott Riccardi

Say what you have to say and the first time you come to a sentence with a grammatical ending - sit down. ~ Winston Churchill

Now lend me your ears. Here is Creative Writing 101:

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things - reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them - in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that. ~ Kurt Vonnegut Jr.

Barrabas came to us by sea, the child Clara wrote in her delicate calligraphy. ~ Isabel Allende

At Columbia and far beyond, T.D. was renowned and celebrated. At the weekly research seminars I attended ... every speaker felt compelled to focus on him; as they spoke, their eyes fixated only on him, and he let no statement he did not fully agree with pass hi by. No matter who lectured at the seminar, T.D. concentrated intensely on their argument, and interrupted at the first instant something was not satisfactory. At times he broke in on the initial sentence of the talk, refusing to let a speaker proceed until the point was clarified. Sometimes clarification never came; I once witnessed the humiliation of a visiting postdoc who was forced to defend the first sentence he uttered for the entire hour and a half allowed for his seminar. No one dared restrain T.D. ~ Emanuel Derman

After those four years, he returned to the Midwest. He'd turned twenty-five, the Age of Unfolding, and it was time to write a novel, the way his hero had. He moved to a cheap apartment in Chicago and set to work, but even as the pages accumulated, despair set in. It was easy enough to write a sentence, but if you were going to create a work of art, the way Melville had, each sentence needed to fit perfectly with the one that preceded it, and the unwritten one that would follow. And each of those sentences needed to square with the ones on either side, so that three became five and five became seven, seven became nine, and whichever sentence he was writing became the slender fulcrum on which the whole precarious edifice depended. That sentence could contain anything, anything, and so it promised the kind of absolute freedom that, to Affenlight's mind, belonged to the artist and the artist alone. And yet that sentence was also beholden to the book's very first one, and its last unwritten one, and ever sentence in between. Every phrase, every word, exhausted him. ~ Chad Harbach

A skillful literary artist has constructed a tale. If wise, he has not fashioned his thoughts to accommodate his incidents; but having conceived, with deliberate care, a certain unique or single effect to be wrought out, he then invents as may best aid him in establishing this preconceived effect. If his very initial sentence tend not to the outbringing of this effect, then he has failed in his first step. In the whole composition there should be no words written, of which the tendency, direct or indirect, is not to the one pre-established design. And by such means, with such care and skill, a picture is at length painted which leaves in the mind of him who contemplates it with a kindred art, a sense of the fullest satisfaction. The idea of the tale has been presented unblemished because undisturbed: and this is an end unattainable by the novel. Undue brevity is just as exceptionable here as in the poem; but undue length is yet more to be avoided. ~ Edgar Allan Poe

The way other people fantasize about surprise inheritances, firts-glance love, and endless white empyreal pastures, Mitchell dreamed of an erupting supervolcano that would bury North America under a foot of hot ash. ~ Nathaniel Rich

You expect far too much of a first sentence. Think of it as analogous to a good country breakfast: what we want is something simple, but nourishing to the imagination. ~ Larry McMurtry

Good. Item seven. The had had and that that problem. Lady Cavendish, weren't you working on this?'

Lady Cavendish stood up and gathered her thoughts. 'Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.'

'Go on.'

'It's mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim's Progress may also be a problem due to its had had/that that ratio.'

'So what's the problem in Progress?'

'That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.'

'Hmm,' said the Bellman, 'I thought had had had had TGC's approval for use in Dickens? What's the problem?'

'Take the first had had and that that in the book by way of example,' said Lady Cavendish. 'You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.'

'So the problem with that other that that was that…?'

'That that other-other that that had had approval.'

'Okay' said ~ Jasper Fforde

On a sticky August evening two weeks before her due date, Ashima Ganguli stands in the kitchen of a Central Square apartment, combining Rice Krispies and Planters peanuts and chopped red onion in bowl. ~ Jhumpa Lahiri

I write this sitting in the kitchen sink. ~ Dodie Smith

Midnight was closing in, the one-legged woman was grievously burned, and the Mumbai police were coming for Abdul and his father. ~ Katherine Boo

I was very young and lived with my grandparents in a villa with white walls in the Calle Ocharan, in Miraflores. ~ Mario Vargas-Llosa

Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter. ~ Iain Banks

In one of my favorite scenes from one of my favorite movies, Amadeus, Salieri looks with wide-eyed astonishment at a manuscript of Mozart's and says, "Displace one note and there would be diminishment. Displace one phrase and the structure would fall."

In this, Salieri captured the essence of perfection. His two sentences define precisely what we mean by perfection in many contexts, including theoretical physics. You might say it's a perfect definition.

A theory begins to be perfect if any change makes it worse. That's Salieri's first sentence, translated from music to physics. And it's right on point. But the real genius comes with Salieri's second sentence. A theory becomes perfectly perfect if it's impossible to change it significantly without ruining it entirely-that is, if changing the theory significantly reduces it to nonsense. ~ Frank Wilczek

Maybe I'd always been broken and dark inside. ~ Sarah J. Maas

He repeated the words dutifully, and then put together his very first sentence in elegant King's English. "Cut...fuck...Bil-lee. ~ Mark Wildyr

As a matter of fact I don't care two pins about accuracy. Who is accurate? Nobody nowadays. If a reporter writes that a beautiful girl of twenty-two dies by turning on the gas after looking out over the sea and kissing her favourite Labrador, Bob, goodbye, does anybody make a fuss because the girl was twenty-six, the room faced inland, and the dog was a Sealyham terrier called Bonnie? If a journalist can do that sort of thing I don't see that it matters if I mix up police ranks and say a revolver when I mean an automatic and a dictograph when I mean a phonograph, and use a poison that just allows you to gasp one dying sentence and no more. What really matters is plenty of bodies! If the thing's getting a little dull, some more blood cheers it up. Somebody is going to tell something – and then they're killed first! That always goes down well. It comes in all my books – camouflaged different ways of course. And people like untraceable poisons, and idiotic police inspectors and girls tied up in cellars with sewer gas or water pouring in (such a troublesome way of killing anyone really) and a hero who can dispose of anything from three to seven villains singlehanded. ~ Agatha Christie

The truly revolutionary promise of our nation's founding document is the freedom to pursue happiness-with-a-capital-H. ~ Dan Savage

Productiveness is your acceptance of morality, your recognition of the fact that you choose to live--that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values--that all work is creative work if done by a thinking mind, and no work is creative if done by a blank who repeats in uncritical stupor a routine he has learned from others--that your work is yours to choose, and the choice is as wide as your mind, that nothing more is possible to you and nothing less is human--that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind's full capacity is to cut your motor and sentence yourself to another kind of motion: decay--that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live--that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road--that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader pres ~ Ayn Rand

Everybody says "" I Love You "" Is the best
sentence in whole world ...
But ...
I believe that ...
""I Love you too""
is the Best ...
Because Many Gets To hear the first one But
only few gets to hear the second one.
Awesome Words By A LOVER ... !!!
"My One Hand Is Enough To
Fight Against The World
If You Hold The Other One
When A Couple Fights Too
Much
But
Never Ended Up With Breaking
Up,
Then They Are Really In
Love..!! ~ Abdul'Rauf Hashmi

Pretty much every issue that we've put out, there have been at least one or two things that really surprised me. It sounds like bullshit, but most of the stories that we've run had that effect on me. We get thousands and thousands of submissions and I don't think we've published a story yet - very few, anyway - where there wasn't something like what Mona Simpson described, where a first sentence or a first page didn't just really command attention. ~ Lorin Stein

Once I start writing, I am a huge reviser. To me writing is revising. I probably turn over every sentence that I write, to see if I have the rhythm right. That's why my first drafts take a really long time. ~ Matt De La Pena

The sky is white. ~ Diana Abu-Jaber

I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence. ~ Charles Krauthammer

Thunder sounded, very near, and the child woke. ~ Donna Woolfolk Cross

The boy who first entered a classroom barely able to speak English, twenty years later concluded his studies in the stately quiet of the reading room in the British Museum. Thus with one sentence I can summarize my academic career. It will be harder to summarize what sort of life connects the boy to the man. ~ Richard Rodriguez

On Sunday, something washed up on shore. ~ Susan Wiggs

Hence, a generative grammar must be a system of rules that can iterate to generate an indefinitely large number of structures. This system of rules can be analyzed into the three major components of a generative grammar: the syntactic, phonological, and semantic components ... the syntactic component of a grammar must specify, for each sentence, a deep structure that determines its semantic interpretation and a surface structure that determines its phonetic interpretation. The first of these is interpreted by the semantic component; the second, by the phonological component. ~ Noam Chomsky

But what is it, to be an artist? Nothing shows up the general human dislike of thinking, and man's innate craving to be comfortable, better than his attitude to this question. When these worthy people are affected by a work of art, they humbly say that that sort of thing is a 'gift.' And because in their innocence they assume that beautiful and uplifting results must have beautiful and uplifting causes, they never dream that the 'gift' in question is a very dubious affair and rests upon extremely sinister foundations.
[...]
Listen to this. I know a banker, grey-haired business man, who has a gift for
writing stories. He employs this gift in his idle hours, and some of his stories are of the
first rank. But despiteI say despite-this excellent gift his withers are by no means
unwrung: on the contrary, he has had to serve a prison sentence, on anything but trifling
grounds. Yes, it was actually first in prison that he became conscious of his gift, and his
experiences as a convict are the main theme in all his works. One might be rash enough
to conclude that a man has to be at home in some kind of jail in order to become a poet. ~ Thomas Mann

The more things change, the more they stay the same. I'm not sure who the first person was who said that. Probably Shakespeare. Or maybe Sting. But at the moment, it's the sentence that best explains my tragic flaw, my inability to change. I don't think I'm alone in this. The more I get to know other people, the more I realize it's kind of everyone's flaw. Staying exactly the same for as long as possible, standing perfectly still... It feels safer somehow. And if you are suffering, at least the pain is familiar. Because if you took that leap of faith, went outside the box, did something unexpected... Who knows what other pain might be out there, waiting for you. Chances are it could be even worse. So you maintain the status quo. Choose the road already traveled and it doesn't seem that bad. Not as far as flaws go. You're not a drug addict. You're not killing anyone... Except maybe yourself a little. When we finally do change, I don't think it happens like an earthquake or an explosion, where all of a sudden we're like this different person. I think it's smaller than that. The kind of thing most people wouldn't even notice unless they looked at us really close. Which, thank God, they never do. But you notice it. Inside you that change feels like a world of difference. And you hope this is it. This is the person you get to be forever... that you'll never have to change again. ~ Laura J. Burns

The first sentence was "This tome will endeavor to scrutinize, in quasi-inclusive breadth, the epistemology of ophthalmologically contrived appraisals of ocular systems and the subsequent and requisite exertions imperative for expugnation of injurious states," and as Violet read it out loud to her sister, both children felt the dread that comes when you begin a very boring and difficult book. ~ Lemony Snicket